CURATION
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from this page:
by Title Holder
Network Node
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Name:
Robi Botos
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City/Place:
Toronto
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Country:
Canada
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Hometown:
Nyíregyháza, Hungary
Life
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Bio:
ROBI BOTOS has been hailed as one of the most diverse multi-instrumentalists of this generation. From the hard-bop style of Bill Evans and Herbie Hancock, to the swing of Oscar Peterson and the heartfelt melodic expression of Mulgrew Miller and Cedar Walton, Robi has managed to master the technique of his idols, all while showcasing his musical expressions in a voice that is purely his own. While Robi is known for being a strong player in the traditional jazz and funk fields, he always incorporates an element of the music he grew up listening to into his playing. Says organist, trumpeter and pianist Joey Defrancesco: “Robi is one of the most swingin’, soulful, funky, world class players I’ve ever heard, and he has a technique like you can’t believe. Definitely one of my very favorite players!!!”
Born of Romani descent in Hungary, Robi taught himself first to play drums as a young child, and got his first taste of being a professional musician working throughout Budapest. Robi was first introduced to the piano when he was 7 years old, and never looked back. He continued to perform throughout Hungary and when he turned 20, decided to move his wife and children to Canada, to further pursue the career he was born for. Now 20 years later, Robi has solidified himself as one of the most sought-after pianists in the country.
Immediately after coming to Canada, Robi immersed himself into both the Canadian and international jazz scene. In 2004, he traveled to Montreux to compete in the Montreux Jazz Festival’s solo piano competition, where he placed first. His prize? Returning the following year to open for one of the headlining artists. That artists happened to be one of Robi’s idols - Oscar Peterson. Unknowingly to Robi, Peterson sat in the wings as Robi performed and upon their return to Canada, the two would form a friendship that resulted in Robi being one of OP’s final mentees. Over the next few years, Robi would continue to participate in and win global prizes and awards including the International “Jazz Hoeilaart” band competition in Belgium, the International Association for Jazz Education (IAJE) award in California, and the “Martial Solal Piano Competition” in Paris. In 2006, Robi would receive his first JUNO Award nomination for his participation in the ALMA Records release, “One Take.”
Since moving to Canada, Robi has been given the chance to work with many of the greats in his industry including Al Jarreau, Branford Marsalis, Christian McBride, Terri Lyne Carrington, Joey Defrancesco, Steve Gadd and Chaka Khan and has participated in projects with Michel Legrand, Chick Corea, Bill Charlap, Benny Green, and Kenny Barron. Robi wasted no time laying down roots in Toronto. He has been the pianist of choice for Officer of the Order of Canada, Molly Johnson, for close to 15 years and has worked extensively with some of Canada’s most celebrated players including Dave Young, Phil Dwyer, Archie Alleyne, Oliver Jones, Renee Rosnes, Sophie Milman, Paul Novotny, Carol Welsman and more.
Along with being a first-call pianist for some of the top artists around the world, as well as leading his own groups in sold-out shows nationwide, Robi is also a highly sought-after composer. In 2013, Robi composed the score for a film that was deeply personal to him. Aaron Yeger’s “A People Uncounted” tells the story of the rich culture and history of the Romani people (commonly refered to as ‘Gypsies’) in Europe. The film specifically focuses on the mistreatment and devastation of the Romani people during the Holocaust. This moving project was nominated for a Producer’s Guild Award in 2014. Since then, Robi’s music can also be heard on Stella Meghie’s 2016 film “Jean of the Joneses,” which received 2 nominations at the Canadian Screen Awards. Robi also contributed to the soundtrack of the 2013 Richard Gere and Susan Sarandon film “Arbitrage”.
In 2015, Robi released his highly anticipated sophomore album for A440 Entertainment, “Movin’ Forward”, which brought him a 2016 JUNO Award win for Solo Jazz Album of the Year. This would be Robi’s 5th nomination and 2nd win for Canada’s highest award in music. “Movin’ Forward” featured Seamus Blake on tenor saxophone, Robert Hurst on bass, and Jeff “Tain” Watts on drums. After rave reviews and countless sold-out shows in support of this record, Robi went back into the studio in summer, 2016 to record his next album.
In 2018, Robi is back with a brand-new record that pays homage to his Hungarian upbringing, the early days of his career, and the music that he has dedicated his life to. “OLD SOUL” sees Robi not only venturing into a number of different genres (jazz, funk, soul, gospel and more!), but he also plays on a number of different instruments including the Harpejji, which he was inspired to learn and incorporate into his sound by Stevie Wonder. Robi is joined by some familiar faces such as longtime collaborators Mike Downes on bass and Larnell Lewis on drums, as well as Seamus Blake on saxophone. Also joining them for the first time is Cory Henry (Snarky Puppy, Bruce Springsteen, Kenny Garrett) on the Hammond B3, Ingrid Jensen (Clark Terry, Maria Schneider, Dr. Lonnie Smith, Billy Taylor) on trumpet, and Lionel Loueke (Chick Corea, Herbie Hancock, Roy Hargrove, Wayne Shorter) on guitar. Robi’s ability as a composer is once again highlighted on this record, with a majority of the tracks being his original material. “Old Soul” pays tribute to his homeland as he takes you down memory lane with visions of his childhood neighbourhood and through some of his favourite spots in his hometown. This record makes you feel like you have a personal connection with one of the most diverse and eclectic artists of our time.
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
From Salvador, Bahia, Brazil, the unprecedented integration of the creative economy. Creators planet-wide positioned within reach of each other and the entire world by means of technology + small-world theory (see Wolfram above). Bahia was final port-of-call for more enslaved human beings than any other place on earth throughout all of human history. It was refuge for Sephardim fleeing the Inquisition. It is Indigenous both apart and subsumed into a sociocultural matrix which is all of these: a small-world matrix. Neural structures for human memory are small-world. This technological matrix is small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX