Seth Rogovoy via Matrix

The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis de todos os outros... na rede e no planeta...

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

Você está imaginando O Matrix (Rede Online)!

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

Imagine a network which would include all in humanity's global creative economy...

You are imagining The Matrix (Online Network)!

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

ALL IS CLOSER THAN WE IMAGINE
(Imagine Seth Rogovoy) I RECOMMEND
You can recommend Seth Rogovoy from below when logged in ←

CURATION

from this node by: Matrix

This is the Universe of

Name: Seth Rogovoy
City/Place: Hudson, New York
Country: United States

Life & Work

Bio: Seth Rogovoy is an author, award-winning critic, and cultural journalist.

Seth sometimes moonlights as an editor, radio commentator, lecturer, teacher, cultural programmer, marketing consultant, talent buyer’s agent, record producer, theatrical producer, artist manager, songwriter, and amateur photographer and musician.

Termed “American Jewry’s greatest Dylan scholar” by Religion News Service, Seth is the author of Bob Dylan: Prophet Mystic Poet(Scribner, 2009) a full-length analysis of Bob Dylan’s life and work, and The Essential Klezmer: A Music Lover’s Guide to Jewish Roots and Soul Music (Algonquin Books, 2000), the all-time bestselling guide to klezmer music, and which has been translated into Chinese and Korean.

For over a quarter century, Seth’s work has appeared in the English-language national Jewish newsweekly, the Forward, to which Seth is a contributing editor.

Seth is the recipient of a 2016 Simon Rockower Award from the American Jewish Press Association for excellence in arts and criticism, for his portrait of musician Leonard Cohen published in Hadassah Magazine in its April/May 2015 issue.

Seth is editor and publisher of The Rogovoy Report – an online magazine of cultural and critical news and observations. The Rogovoy Report also produces daily and weekly e-newsletters — BerkshireDaily and HudsonValleyDaily — five-day-a-week e-newsletters aggregating news, features, and commentary from around the corner and around the globe, and weekly cultural preview e-newsletters, BerkshireWeekend and HudsonValleyWeekend. (All of these newsletters are available for free signups by clicking on the links.)

Seth also does cultural, editorial and marketing consulting. He is the programming consultant for the Yiddish Book Center in Amherst, Mass., where he curates the center’s annual YIDSTOCK: Festival of New Yiddish Music, which debuted in summer 2012, and which continues under his artistic direction. He is the producer of FROM SHTETL to STAGE: A Celebration of Yiddish Music & Culture, debuting at Carnegie Hall on April 15, 2019.

Seth’s weekly cultural commentary can be heard on WAMC Northeast Public Radio Network on Midday Magazine on Fridays between 12:50 and 1 p.m.

Seth was editor-in-chief of the now-defunct Berkshire Living, a perennially award-winning regional lifestyle and culture magazine that served the greater Berkshire region of western Massachusetts, southwestern Vermont, eastern New York, and northwestern Connecticut faithfully for six years. He was also editor-in-chief of Berkshire Living‘s spinoff publications, including BBQ: Berkshire Business Quarterly and Berkshire Living Home+Garden, as well as Berkshire Living’s online platforms and social media feeds. Seth’s regular column of music and cultural criticism, “The Beat Goes On,” that ran in every issue of Berkshire Living, garnered him four consecutive awards from the National City and Regional Magazine Association for General Criticism.

For nearly 30 years, Seth has been a rock and jazz critic, primarily for Berkshire Living and the Berkshire Eagle, and also for dozens of other newspapers and magazines. Seth’s cultural journalism – including essays and reviews on dance, books, theater, film, and visual arts – has appeared in newspapers and magazines including Newsday, the Boston Phoenix, Haaretz (Israel), Jewish Quarterly (UK), Jewish Press (UK), Tablet, Chronogram, the Woodstock (N.Y.) Times, the Bennington (Vt.) Banner, the Register-Star (Columbia County, N.Y.), the Berkshire Jewish Voice, Edutopia, Gastronomica, Moment, Leak CD Magazine, Audition, On the Tracks, the Black and White City Paper of Birmingham, Ala., and others. He is also a regular contributor to WBUR’s online arts and culture magazine, The ARTery, and to Kripalu’s wellness and yoga blog, Thrive.

Seth frequently writes about Jewish music and culture for publications including Forward, Pakn Treger, and Hadassah Magazine.

Seth writes, teaches, and lectures extensively about klezmer and Bob Dylan. His live, one-man, multimedia programs about klezmer, The Essential Klezmer, and Bob Dylan, The Kabbalah of Bob Dylan, have been presented at universities, JCCs, museums, cultural centers, and synagogues across the U.S. and in England, where he has been an invited presenter at the renowned Limmud Conference three times.

Seth is currently working on Rockin’ the Shtetl, a multi-platform project exploring the affinities between 19th-century Eastern European Yiddish songwriters and musicians and 20th-century American folk-rock poets and protest singers. This is simultaneously being created as a multimedia program with live music (which received a work-in-progress showing at CR10 Arts in Linlithgo, N.Y., in summer 2015, and at the Yiddish Book Center in Amherst, Mass., in summers 2016 and 2017) and as a long-form written narrative.

Seth has taught a variety of college-level and adult-ed courses on klezmer, Jewish music, and Bob Dylan, about whom he has written extensively.

Seth produced the eponymous debut album by Ryder Cooley & Dust Bowl Faeries, which Chronogram magazine termed “brilliantly produced.”

Seth is also a singer-guitarist and has led several bands, including the Rolling Rogovoy Revue, Rumble Strip, and Seth Rogovoy and the Grove Street Band. He has performed at Club Helsinki in Hudson, N.Y., and Great Barrington, Mass.; at the Cavern Club in Liverpool, England; in Ozawa Hall at Tanglewood in Lenox, Mass.; at Rafi’s Steakhouse in Tiberias, Israel; at Pini’s Pub and on Ben-Yehuda Street in Jerusalem; and at Bob Dylan tribute concerts throughout the Northeastern United States. He has also read performance poetry at The Stone in the East Village, N.Y.C.

Seth is an amateur photographer. His photos have been published in the Albany Times Union, Berkshire Living, and all over Facebook. He is also a devoted practitioner of Ashtanga yoga.

Seth served two terms as a member of the Board of Selectmen in Pownal, Vt., and is a past president of a food co-op and a Community Supported Agriculture (CSA) farm in Williamstown, Mass. Seth was the founder and lay leader of the South Berkshire Minyan, a traditional Jewish prayer group, based at a shtibl in Great Barrington, Mass., from 2003 to 2006.

A native New Yorker, Seth was born in Jackson Heights, N.Y., lived briefly in Bay Shore, and grew up in Islip, N.Y., where he attended public schools.

A graduate of Williams College in Williamstown, Mass., where he has taught courses on Bob Dylan and klezmer, Seth lived in the Berkshires, where he raised a family, for about three decades. His daughter is a dancer and choreographer based in Brooklyn, and his son, based in Los Angeles, is a rock star who performs under the name Barely Alive.

Seth lives in Hudson, N.Y., and New York City.

Contact Information

Email: [email protected]

Media | Markets

▶ Twitter: rogovoy
▶ Instagram: srogovoy
▶ Website: http://rogovoyreport.com

Quotes, Notes & Etc. Seth Rogovoy is available for talks, classes, and seminars about Bob Dylan, in addition to presenting his multmedia program, in which he distills the essence of BOB DYLAN: Prophet Mystic Poet into an hour-long journey through spoken word, digital video, recorded music and live music.

Seth is also available to do all of the above (lectures, classes, multimedia program) about klezmer music, based on THE ESSENTIAL KLEZMER: A Music Lover’s Guide to Jewish Roots and Soul Music, the all-time bestselling guide to klezmer.

Reach me at [email protected]

Visit my author page at Simon & Schuster

Thanks,

Seth

Do you recommend Seth Rogovoy?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can be reached by everybody.

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!