Bio:
Seth Rogovoy is an author, award-winning critic, and cultural journalist.
Seth sometimes moonlights as an editor, radio commentator, lecturer, teacher, cultural programmer, marketing consultant, talent buyer’s agent, record producer, theatrical producer, artist manager, songwriter, and amateur photographer and musician.
Termed “American Jewry’s greatest Dylan scholar” by Religion News Service, Seth is the author of Bob Dylan: Prophet Mystic Poet(Scribner, 2009) a full-length analysis of Bob Dylan’s life and work, and The Essential Klezmer: A Music Lover’s Guide to Jewish Roots and Soul Music (Algonquin Books, 2000), the all-time bestselling guide to klezmer music, and which has been translated into Chinese and Korean.
For over a quarter century, Seth’s work has appeared in the English-language national Jewish newsweekly, the Forward, to which Seth is a contributing editor.
Seth is the recipient of a 2016 Simon Rockower Award from the American Jewish Press Association for excellence in arts and criticism, for his portrait of musician Leonard Cohen published in Hadassah Magazine in its April/May 2015 issue.
Seth is editor and publisher of The Rogovoy Report – an online magazine of cultural and critical news and observations. The Rogovoy Report also produces daily and weekly e-newsletters — BerkshireDaily and HudsonValleyDaily — five-day-a-week e-newsletters aggregating news, features, and commentary from around the corner and around the globe, and weekly cultural preview e-newsletters, BerkshireWeekend and HudsonValleyWeekend. (All of these newsletters are available for free signups by clicking on the links.)
Seth also does cultural, editorial and marketing consulting. He is the programming consultant for the Yiddish Book Center in Amherst, Mass., where he curates the center’s annual YIDSTOCK: Festival of New Yiddish Music, which debuted in summer 2012, and which continues under his artistic direction. He is the producer of FROM SHTETL to STAGE: A Celebration of Yiddish Music & Culture, debuting at Carnegie Hall on April 15, 2019.
Seth’s weekly cultural commentary can be heard on WAMC Northeast Public Radio Network on Midday Magazine on Fridays between 12:50 and 1 p.m.
Seth was editor-in-chief of the now-defunct Berkshire Living, a perennially award-winning regional lifestyle and culture magazine that served the greater Berkshire region of western Massachusetts, southwestern Vermont, eastern New York, and northwestern Connecticut faithfully for six years. He was also editor-in-chief of Berkshire Living‘s spinoff publications, including BBQ: Berkshire Business Quarterly and Berkshire Living Home+Garden, as well as Berkshire Living’s online platforms and social media feeds. Seth’s regular column of music and cultural criticism, “The Beat Goes On,” that ran in every issue of Berkshire Living, garnered him four consecutive awards from the National City and Regional Magazine Association for General Criticism.
For nearly 30 years, Seth has been a rock and jazz critic, primarily for Berkshire Living and the Berkshire Eagle, and also for dozens of other newspapers and magazines. Seth’s cultural journalism – including essays and reviews on dance, books, theater, film, and visual arts – has appeared in newspapers and magazines including Newsday, the Boston Phoenix, Haaretz (Israel), Jewish Quarterly (UK), Jewish Press (UK), Tablet, Chronogram, the Woodstock (N.Y.) Times, the Bennington (Vt.) Banner, the Register-Star (Columbia County, N.Y.), the Berkshire Jewish Voice, Edutopia, Gastronomica, Moment, Leak CD Magazine, Audition, On the Tracks, the Black and White City Paper of Birmingham, Ala., and others. He is also a regular contributor to WBUR’s online arts and culture magazine, The ARTery, and to Kripalu’s wellness and yoga blog, Thrive.
Seth frequently writes about Jewish music and culture for publications including Forward, Pakn Treger, and Hadassah Magazine.
Seth writes, teaches, and lectures extensively about klezmer and Bob Dylan. His live, one-man, multimedia programs about klezmer, The Essential Klezmer, and Bob Dylan, The Kabbalah of Bob Dylan, have been presented at universities, JCCs, museums, cultural centers, and synagogues across the U.S. and in England, where he has been an invited presenter at the renowned Limmud Conference three times.
Seth is currently working on Rockin’ the Shtetl, a multi-platform project exploring the affinities between 19th-century Eastern European Yiddish songwriters and musicians and 20th-century American folk-rock poets and protest singers. This is simultaneously being created as a multimedia program with live music (which received a work-in-progress showing at CR10 Arts in Linlithgo, N.Y., in summer 2015, and at the Yiddish Book Center in Amherst, Mass., in summers 2016 and 2017) and as a long-form written narrative.
Seth has taught a variety of college-level and adult-ed courses on klezmer, Jewish music, and Bob Dylan, about whom he has written extensively.
Seth produced the eponymous debut album by Ryder Cooley & Dust Bowl Faeries, which Chronogram magazine termed “brilliantly produced.”
Seth is also a singer-guitarist and has led several bands, including the Rolling Rogovoy Revue, Rumble Strip, and Seth Rogovoy and the Grove Street Band. He has performed at Club Helsinki in Hudson, N.Y., and Great Barrington, Mass.; at the Cavern Club in Liverpool, England; in Ozawa Hall at Tanglewood in Lenox, Mass.; at Rafi’s Steakhouse in Tiberias, Israel; at Pini’s Pub and on Ben-Yehuda Street in Jerusalem; and at Bob Dylan tribute concerts throughout the Northeastern United States. He has also read performance poetry at The Stone in the East Village, N.Y.C.
Seth is an amateur photographer. His photos have been published in the Albany Times Union, Berkshire Living, and all over Facebook. He is also a devoted practitioner of Ashtanga yoga.
Seth served two terms as a member of the Board of Selectmen in Pownal, Vt., and is a past president of a food co-op and a Community Supported Agriculture (CSA) farm in Williamstown, Mass. Seth was the founder and lay leader of the South Berkshire Minyan, a traditional Jewish prayer group, based at a shtibl in Great Barrington, Mass., from 2003 to 2006.
A native New Yorker, Seth was born in Jackson Heights, N.Y., lived briefly in Bay Shore, and grew up in Islip, N.Y., where he attended public schools.
A graduate of Williams College in Williamstown, Mass., where he has taught courses on Bob Dylan and klezmer, Seth lived in the Berkshires, where he raised a family, for about three decades. His daughter is a dancer and choreographer based in Brooklyn, and his son, based in Los Angeles, is a rock star who performs under the name Barely Alive.
Quotes, Notes & Etc.
Seth Rogovoy is available for talks, classes, and seminars about Bob Dylan, in addition to presenting his multmedia program, in which he distills the essence of BOB DYLAN: Prophet Mystic Poet into an hour-long journey through spoken word, digital video, recorded music and live music.
Seth is also available to do all of the above (lectures, classes, multimedia program) about klezmer music, based on THE ESSENTIAL KLEZMER: A Music Lover’s Guide to Jewish Roots and Soul Music, the all-time bestselling guide to klezmer.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).