INSTRUCTIONS: Recommend and be recommended. The whole world is steps away.
Connections Out
- from this node by: Artificial Intelligence
Network Node
- Name: Brett Kern
- City/Place: Elkins, West Virginia
- Country: United States
Life & Work
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Bio:
Born and raised in Pennsylvania, Brett Kern began his higher education at California University of Pennsylvania in the fall of 2003 as a Graphic Design Major. However, one year into college, after discovering a love for clay, Brett decided to switch his focus to ceramics. In the spring of 2007, he graduated from CALU with a Bachelors of Fine Arts and a focus in Ceramics. Brett immediately transitioned to West Virginia University to begin his graduate studies. West Virginia would have to wait a semester though. In the fall of 2007 Brett studied overseas as part of the WVU/Jingdezhen Ceramics Institute exchange program in Jingdezhen, PRC. In 2010 Brett received his Masters of Fine Arts from WVU.
With school out of the way, it was time for Brett to head west to begin his career as a professional artist. What better place to start that career than the ceramics mecca that is Montana? Upon graduating from WVU, Brett was awarded a long term Artist-In-Residence position at the Red Lodge Clay Center in Red Lodge, MT. The appointment lasted from August 2010 until August 2011.
However, Brett was unable to resist the siren’s song of West Virginia and returned in 2011 to begin his teaching career at Davis & Elkins College in Elkins, WV. In addition to teaching at D&E, Brett also teaches classes at the Randolph County Community Arts Center in Elkins and at the Augusta Heritage Center of D&E.
While maintaining his teaching career, Brett continues to show nationally and regionally. Taylor Books in Charleston, WV, The White Room in Thomas, WV and the Bedford Gallery in Walnut Creek, CA all display his art. Brett received Best in Show in the HxWxD juried sculpture show at the Rosewood Arts Center in Kettering, OH and has work in the 5th annual Beyond the Brickyard show at the Archie Bray Foundation in Helena, MT.
Contact Information
- Email: [email protected]
Media | Markets
- ▶ Buy My Art: http://www.etsy.com/shop/BrettKernArt
- ▶ Twitter: brettkernart
- ▶ Instagram: brettkernart
- ▶ Website: http://brettkernart.com
- ▶ YouTube Channel: http://www.youtube.com/user/brettkernart
More
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Quotes, Notes & Etc.
“Something has survived,” reads the tagline for the 1997 movie, Jurassic Park: The Lost World. Undeniably, something has survived: the infatuation I have with the pop culture of my formative years, during the late eighties and the nineties. As I age, it continues to be through these “cultural glasses” that I continue to view and interpret the world, which influences the subject matter and purpose of my work. My predilection for producing collectible objects comes from my training as a potter and my persistent preoccupation with collecting toys, pop memorabilia, and nostalgic items from my youth.
Clay and glaze are essential materials for representing my often disposable and transient subject matter as what it has, to me, truly been: enduring and precious. The mold-making and sculpting process allows me to cast, out of clay, authentic replicas of meaningful objects. Glaze and paint help to emphasize the magnificence of the material as it flows in and out of lines and wrinkles, filling the object’s surface with a wealth of depth and variation within a simplified color scheme. Gold Luster is employed sparingly to highlight specific areas of intimate interactions we have with the objects.
I find that the mold-making process imitates, in a certain way, the fossilization process. Objects are covered in a material that captures their shape and texture and this, in turn, preserves the object as a rock-like representation. Movies, television, toys and games dominated the cultural landscape of my youth. I am a product of this specific time period, and I like to think of my artwork as the fossils that will help preserve it.
My most recent body of work, The Hellenistic Series, recontextualizes ancient Greek Sculptures as pop-culture icons from the 1980’s. While making comparisons between ancient and contemporary cultures, the pieces also highlight the simultaneous difficulty and joy of growing up while trying to hold on to one’s childhood.
Clips (more may be added)
connections in
Thank you for your note below and we appreciate you including Kamasi in the matrix, Sparrow. — Banch Abegaze (manager: Kamasi Washington)
KAMASI WASHINGTON
Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix. — Susan Rogers (personal recording engineer for Prince; recorded "Purple Rain", "Around the World in a Day", "Parade", "Sign o' the Times"... recorded David Byrne and others, much else; now is director of the Berklee Music Perception and Cognition Laboratory)
SUSAN ROGERS
Dear Sparrow, Many thanks for this – I am touched! — Julian Lloyd Webber (cellist; brother of Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
JULIAN LLOYD WEBBER
This is super impressive work ! Congratulations ! Thanks for including me :))) — Clarice Assad (pianist and composer; works performed by Yo Yo Ma and orchestras around the world)
CLARICE ASSAD
Thanks, this is a brilliant idea!! — Alicia Svigals (world's premier klezmer violinist)
ALICIA SVIGALS
SPARROW/PARDAL ROBERTS