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  • No princípio...
  • In the beginning...

The Birth of the Matrix →

No princípio...

Imagine um Facebook que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem.

 

Imagine uma versão atualizada do antigo Myspace Music, que incluiria não apenas músicos, mas todos da economia criativa global da humanidade.

 

E imagine que ao invés de ter "amigos", recomendaria as pessoas pelo que fazem...

 

E que, por alguma mágica fantástica, todos nessa rede imaginária tenderiam a estar a poucos passos de todos os outros, o que significa que todos em nossa rede seriam potencialmente encontrados por todos os outros na rede, e no planeta.

 

Você está imaginando o Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a Facebook that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did.

 

Imagine an updated version of old Myspace Music, which would include not just musicians but all in humanity's global creative economy.

 

And imagine that rather than having "friends", one would recommend people for what they do...

 

And that by some fantastic magic everybody in this imaginary network would tend to be within scant steps of everybody else, meaning that everybody in our network would be potentially findable by everybody else in the network, and on the planet.

 

You are imagining the Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Wolfgang Muthspiel)
    I RECOMMEND
    You can recommend Wolfgang Muthspiel from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Wolfgang Muthspiel
  • City/Place: Vienna
  • Country: Austria
  • Hometown: Judenberg, Austria

Life & Work

  • Bio: The guitarist Wolfgang Muthspiel (*1965) lives in Vienna and is considered one of the most influential guitarists of his generation. After being classically trained on the violin, he discovered his love for guitar at the age of 15. An interest in both his own and improvised music eventually led him to focus on jazz. After studying with Mick Goodrick at the New England Conservatory and then later at the Berklee College of Music in Boston, he toured with the Gary Burton Quintet for two years, establishing an excellent reputation in the jazz scene. Starting in the mid-1990s, he lived and worked in the jazz capital of New York. He ventured into the world of pop music with the singer Rebekka Bakken, while also pursuing the electronic project Muthspiel/Muthspiel with his brother. He has also been a regularly sought-after sideman for artists such as Trilok Gurtu, Dhafer Youssef, Youssou N’Dour, Maria Joao, Dave Liebman, Peter Erskine, Paul Motian, Bob Berg, Gary Peacock, Don Alias, Larry Grenadier, John Patitucci, Dieter Ilg, the Vienna Art Orchestra, and many more.

    In 2000, he founded the Material Records label, which has released numerous recordings of artists in an international format. After a European tour with his new quartet (2008) and the duo project Friendly Travelers, in collaboration with the drummer Brian Blade (2008), Muthspiel devoted himself more and more to the trio MGT (Muthspiel – Grigoryan – Towner), which, after several concert tours, released the highly acclaimed debut album From a Dream. In addition, he has composed pieces for various ensembles, such as the Klangforum Wien and, on the occasion of the 200th anniversary of Joseph Haydn’s death in 2009, a commissioned work for the Esterhazy Foundation. He has produced recordings of young musicians, and since 2004, he has led the guitar programme of the Basel University of Music FHNW.

    In 2017, Muthspiel founded the Focus Year program at the Jazzcampus Basel and has since been artistic director of this globally unique year-long programme of intensive musical exploration.

    In June 2012, the recording of the project Vienna Naked, a song programme composed by Muthspiel for guitar and voice, was released.

    Muthspiel made his debut with MGT in 2013 with the album Travel Guide on the renowned Munich label ECM. In 2014, he made his debut as a band leader at ECM. The trio recording Driftwood with Brian Blade and Larry Grenadier garnered huge critical praise and in 2014, Muthspiel was given a contract for his own concert series at the Konzerthaus Wien. The Vienna World project was followed by another vocal recording in 2015, for which he performed and recorded with eighteen musicians in Rio de Janeiro, Buenos Aires, New York, Sweden and Vienna.

    Rising Grace was released on ECM Records in autumn 2016. This quintet recording with Brad Mehldau, Ambrose Akinmusire, Brian Blade and Larry Grenadier adorned many of the bestof lists of 2016, was given five out of five stars by DownBeat magazine, and led to the Wolfgang Muthspiel Quintet playing numerous sold-out concerts worldwide. In 2018, the quintet performed and recorded Where The River Goes, with Eric Harland on drums, which led to many more performances and concerts.

    The Wolfgang Muthspiel Large Ensemble was launched in 2019, which led to a programme consisting of pieces by Muthspiel in new arrangements by Guillermo Klein the following year. The 19-member ensemble combined European jazz legends with virtuoso representatives of chamber music, and toured and performed in the autumn of the same year in the Hamburg Elbphilharmonie and the Wiener Konzerthaus, among others.

    Recorded during a joint tour of Japan in 2018 with Scott Colley and Brian Blade, the trio album Angular Blues was released in the spring of 2020. Planned US and EU concerts have been postponed due to the COVID-19 pandemic.

    Muthspiel’s numerous awards include the Hans Koller Prize for Musician of the Year and the award for European Jazz Musician of the Year 2003. In addition, Musicians magazine has selected him as one of the “top 10 jazz guitarists of the world”. December 2020

Contact Information

  • Management/Booking: Management
    Esteam Music GmbH
    Sarah Chaksad
    +41 79 427 82 66
    [email protected]

    ARTIST MANAGEMENT & BOOKING
    Esteam Music GmbH
    Sarah Chaksad
    [email protected]
    Tel + 41 79 427 82 66

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.materialrecords.com
  • ▶ Twitter: wmmuthspiel
  • ▶ Website: http://www.wolfgangmuthspiel.com
  • ▶ Website 2: http://www.materialrecords.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCsgGpcqhrdXsxaN8EEMOQcw/videos
  • ▶ YouTube Music: http://music.youtube.com/channel/UCGwelxB2hW5wYPJcnePtbeQ
  • ▶ Spotify: http://open.spotify.com/album/4wxLJpGmJetMtZHslJz3DR
  • ▶ Spotify 2: http://open.spotify.com/album/5ygzx8GmxucUl8RhAU2Nua
  • ▶ Spotify 3: http://open.spotify.com/album/3O8l62XajhWhcMTnqFbKSo
  • ▶ Spotify 4: http://open.spotify.com/album/4RDBL8KERhixqPny9S987Z
  • ▶ Spotify 5: http://open.spotify.com/album/3OXEbM4AHZQyquxS452avo
  • ▶ Spotify 6: http://open.spotify.com/album/6dFHUuejdvPiKQniHf5fv4
  • ▶ Article: http://www.premierguitar.com/artists/wolfgang-muthspiel-the-man-with-two-brains

My Recordings

  • Discography: 2020
    Angular Blues
    (with Scott Colley and Brian Blade) on ECM Records

    2018
    Where The River Goes
    (with Brad Mehldau, Ambrose Akinmusire, Larry Grenadier and Eric Harland) on ECM Records

    2016
    Rising Grace
    (with Brad Mehldau, Ambrose Akinmusire, Larry Grenadier and Brian Blade) on ECM Records

    2015
    Vienna, World
    (with Becca Stevens, Billy Childs, Svante Henryson, Benjamin Schmid, umm) on Material Records

    2014
    Driftwood (with Brian Blade and Larry Grenadier) on ECM Records

    2013
    Travel Guide
    (with Slava Grigoryan and Ralph Towner) on ECM Records

    2012
    Vienna Naked on Material Records

    2011
    Drumfree
    (with Andi Scherer and Larry Grenadier) on Material Records

    2010
    Wolfgang Muthspiel & Mick Goodrick
    Live at the Jazz Standard on Material

    2008
    Friendly Travelers Live
    (with Brian Blade) on Material Records

    2007
    Glow
    (with Dhafer Youssef) on Material Records

    2007
    Friendly Travelers (with Brian Blade) on Material Records

    2004
    Solo on Material Records

    2004
    Air, Love & Vitamins
    (with Marc Johnson and Brian Blade) on Quinton Records

    2003
    That’s All Daisy Needs
    (with Triology) on Material Records

    2003
    Steinhaus
    (with Matthieu Michel, Rebekka Bakken and Dhafer Youssef) on Material Records

    2003
    Bearing Fruit on Material Records

    2002
    Beloved
    (with Rebekka Bakken) on Material Records

    2002
    Continental Call
    (with Concert Jazz Orchestra Vienna) on Quinton Records

    2001
    Real Book Stories (with Marc Johnson and Brian Blade) on Quinton Records

    2000
    Daily Mirror
    (with Rebekka Bakken) on Material Records

    1998
    Work In Progress on EmArcy

    1998
    CY
    (with Christian Muthspiel) on Lotus Records

    1996
    Perspective
    (with Marc Johnson and Paul Motian) on Amadeo

    1996
    In The Same Breath
    (with David Liebman and Mick Goodrick) on CMP Records

    1995
    Loaded Like New
    (with Tony Scherr, Don Alias, Kenny Wollesen) on Amadeo

    1993
    Muthspiel-Peacock-Muthspiel-Motian on PolyGram

    1990
    The Promise
    (with Bob Berg, John Pattitucci, Peter Erskine, Richie Beirach) on Antilles

    1989
    Duo Due (Tre)
    (with Christian Muthspiel) on Amadeo

    1989
    Timezones
    (with Bob Berg and Aydin Esen) on PolyGram

    1985
    Duo Due Schneetanz
    (with Christian Muthspiel) on PolyGram

Clips (more may be added)

  • 0:45:34
    Super8Music (complete version)
    By Wolfgang Muthspiel
    144 views
  • 0:15:49
    Wolfgang Muthspiel Acoustic Solo at Wiener Konzerthaus
    By Wolfgang Muthspiel
    113 views
  • 2:55
    Wolfgang Muthspiel plays "Camino"
    By Wolfgang Muthspiel
    129 views
  • 0:06:05
    AUSTRIA STRING TRIO Adagio in Cis Moll
    By Wolfgang Muthspiel
    105 views
  • 0:13:36
    Miguel Zenon and Wolfgang Muthspiel "La Libertad"
    By Wolfgang Muthspiel
    129 views
  • 0:10:50
    Miguel Zenon and Wolfgang Muthspiel "Peace"
    By Wolfgang Muthspiel
    116 views
  • 5:19
    Miguel Zenon and Wolfgang Muthspiel: I Hear A Rhapsody
    By Wolfgang Muthspiel
    130 views
  • 0:09:51
    WOLFGANG MUTHSPIEL QUINTET "For Django" live
    By Wolfgang Muthspiel
    112 views
  • 4:27
    Wolfgang Muthspiel plays "Circling"
    By Wolfgang Muthspiel
    134 views
  • 4:49
    AUSTRIA STRING TRIO B.Funked
    By Wolfgang Muthspiel
    114 views
  • 0:11:39
    WOLFGANG MUTHSPIEL TRIO Liebeslied
    By Wolfgang Muthspiel
    107 views
Previous
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 3 Composer
  • 3 Contemporary Classical Music
  • 3 Guitar
  • 3 Jazz
  • 3 Record Label Owner
  • 3 Vienna, Austria

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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