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Renata Flores via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Renata Flores:
    I'LL TAKE YOU THERE! ▶
Steps to Renata Flores:
  • 2 Peru
  • 2 Quechua
  • 2 Rapper
  • 2 Singer-Songwriter

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Artist

Who I Am & Where I Live

  • Name: Renata Flores
  • City: Ayacucho
  • Country: Peru

My Life & Work

  • Bio: Renata Rivera is a young Peruvian who sings and raps in her indigenous language of Quechua.

    Renata Flores sorprendió al mundo y se hizo conocida por un cover de Michael Jackson, The Way You Make Me Feel, que cantó en quechua con una fusión de soul y música afroperuana. El éxito fue inmediato y a la fecha el video tiene más de un millón y medio de reproducciones. Era 2015 y Renata tenía 14 años. No fue una aparición fugaz, como tantas otras en Youtube.

    Renata llegó a la música sin esfuerzo porque sus padres también son músicos. Su mamá Patricia cantaba y su papá tocaba la guitarra. En su casa se hablaba quechua y se escuchaba a Uchpa, la banda de rock blues que canta sus canciones poderosas y festivas en runasimi. Renata escuchó todo eso desde muy niñita, aunque a su mamá le gusta decir siempre: "desde que estaba en la barriga".

    Cuando creció Renata no solo gustaba de la música y de los temas de Uchpa sino también de los realitys de canto. Fue así que a los 13 años se animó a competir en La Voz Kids. No ganó pero la experiencia le sirvió para disipar la timidez y ganar experiencia frente al público.

    En estos últimos años, el éxito le ha sonreído y le ha hecho vivir experiencias que ni siquiera soñaba. Renata, por ejemplo, ha cantado en algunos conciertos con Lucho Quequesana, un artista que admiraba y siempre quiso conocer.

    Hay un versión de Roxanne, de The Police, que hicieron en el Gran Teatro Nacional con acompañamiento de la Orquesta Sinfónica Juvenil Bicentenario que se puede ver en Youtube y que es realmente emocionante. Esa noche fue largamente ovacionada.

    Otra experiencia que atesora es la vez que llegó a cantar en la Semana del Diseño de Milán, Italia. Allí se presentó en el escenario, dijo que era del Perú y sintió que el público estaba frío. Lo pensó un poco y agregó que en el Perú quedaba Machu Picchu y que iba a cantar en la lengua de los Incas. Entonces vio que el público se animaba un poco. Luego, cuando empezó a cantar, rápidamente se los metió al bolsillo.

    Una experiencia similar le ocurrió cuando la invitaron a cantar en Lima para los invitados de la Cumbre de las Américas. Se presentó como Renata Flores en castellano, inglés y quechua. Sus canciones, propias y ajenas, sorprendieron primero y encandilaron después. "Actuar en la cumbre fue inesperado y genial. Pude llevar el idioma quechua a un lugar donde había personas que hablaban distintos idiomas", cuenta.

    Casi tres años después de que ese video se convirtiera en viral, Renata recuerda que el tema significó para ella el despegue de su entonces incipiente carrera. "Después de esa versión en quechua me entrevistaron de la BBC de Londres, de CNN, de Al Jazzera y de varios medios de comunicación de aquí y del extranjero".

    Su propuesta está bien pensada y su proyecto inicial "Los jóvenes también hablamos quechua" se ha convertido en Pitaq Kani (¿Quién eres?). Un equipo vinculado a la Academia Formas y Sonidos se encarga de los arreglos musicales y de ser su banda de soporte. "Los videos -de muy buen factura- también se trabajan con profesionales de Ayacucho. Nosotros les damos las ideas y ellos las plasman", dice Patricia la mamá de Renata.

    Con sus video Renata ha logrado una legión de seguidores aquí y en países de todo el mundo. Sus videos tienen comentarios de México, Argentina, Colombia, Estados Unidos, varios países de Europa y hasta de China. Un montón de peruanos en el exterior comentan sus videos y celebran que cante en quechua. Otros señalan lo bien que suena el quechua en los covers de géneros modernos.

    A los 16 años, Renata acaba de lanzar su primer single con letra y música suyas: "Mirando la misma luna", un tema en quechua, con instrumentos andinos y sonido pop electrónico. Su voz, como siempre, se luce. Es el primer tema de un disco en quechua que está trabajando, del cual tiene varios temas y que, si el tiempo le alcanza, lanzará este 2018.

    Hasta el momento Mirando la misma luna ha conseguido cerca de 90 mil reproducciones. Allí Renata aparece como una enigmática joven que canta en quechua un tema triste: Yachani Ripunaykita (sé de tu partida) Manan atinichu tiqrachyita(no pude hacer nada para revertirlo)...Y lineas después el coro: Qawachkanchik chay killallata (estamos mirando la misma luna). Su voz siempre se luce, siempre.

    Quiero darle un sonido contemporáneo a mi música, pero sin perder mis raíces”, explica Renata.Con sus video Renata ha logrado una legión de seguidores, aquí y en países de todo el mundo”.

    El 08 de setiembre del 2018 se lanza “Tijeras” , tema con un impactante video. En esta canción, se unen a la perfección el trap, el sonido de la danza de tijeras y el canto quechua, en ella la artista ayacuchana habla sobre la violencia contra la mujer y cómo se ignoran los reclamos frente a esta dramática realidad. “Tal vez si mi grito lo canto lindo, la gente me escuche”, dice Renata Flores.

Contact Information

  • Email: patichao@gmail.com
  • Telephone: +51 999 960 609

My Media & Markets

  • ▶ Twitter: renatafloresr
  • ▶ Instagram: renatafloresrivera
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC-QM2vahE4-IOAsLGCIecdw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCE7EZstU1g1GiMW0VKj0xFQ
  • ▶ Spotify: http://open.spotify.com/album/4iRMmNgcj155HZInt8BXxK
  • ▶ Spotify 2: http://open.spotify.com/album/7L2r8sSahJfVEQJNdwXYMX
  • ▶ Spotify 3: http://open.spotify.com/album/6zOcHEkW7f6s7PIChawkn2
  • ▶ Spotify 4: http://open.spotify.com/album/5WRHcSfUHWK6mZwE5dTFFz
  • ▶ Spotify 5: http://open.spotify.com/album/5eeHsTffhlnuzmbgVvHKR4
  • ▶ Article: http://www.nytimes.com/2020/04/28/world/americas/peru-indigenous-rap-renata-flores.html

Clips (more may be added)

  • Renata Flores "Bellyache" Billie Eilish Versión Quechua #BlogdeRenata #AprendoEnCasa
    By Renata Flores
    67 views
  • Renata Flores - Trap + Quechua - Tijeras ft. Kayfex
    By Renata Flores
    77 views
  • Renata Flores - Quechua - "Mirando la misma Luna" "Qawachkanchik chay Killallata" (Vídeo Oficial)
    By Renata Flores
    100 views
  • Renata Flores Rivera - Fallin' - Alicia Keys - Versión Quechua
    By Renata Flores
    69 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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