Salvador Bahia Brazil Matrix
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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Sandro Albert
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Sandro Albert
  • City/Place: New York City
  • Country: United States
  • Hometown: Porto Alegre, Brazil

Current News

  • What's Up? Sandro has produced & played with some of the leading artists today including…

    Milton Nascimento, Lenine, Jorge Vercilo, Omar Hakim, Patti Austin, James Ingram, Flora Purim, Maria Gadu, Brenda Russell, Dionne Warwick, Ruben Blades, Victor Bailey, Rita Coolidge, Abraham Laboriel, Jimmy Haslip, Alphonso Johnson, Darryl Jones, Herb Alpert, Bill Charlap, Toninho Horta, Claudio Roditi, Flavio Venturini, Jane Duboc, Renato Russo, Radio Taxi, Buster Williams, Mark Egan, Danny Gottlieb, Russell Ferrante, Kenny Garrett, Fred White, Harvey Mason, Peter Erskine, Antonio Sanchez, Terri Lyne Carrington, Vinnie Colaiuta, Luis Conte, Larry Williams, Bashiri Johnson, Sachal Vasandani, James Francis, Leon Ware, Dr Dre, Group War, Raphael Saadiq, James Ingram, Robben Ford, Joe Diorio, and Jimmy Wyble, among others.

Life & Work

  • Bio: Sandro Albert's love affair with music began on the streets of Porto Alegre. At the age of 14, Sandro bought his first guitar from an ice cream vendor who played his instrument to the people walking by. Not long afterwards, a friend began to share his jazz collection with him. Some of his earliest influences were Wes Montgomery, Miles Davis, and Brazilian icons Milton Nascimento and Antonio Jobim.

    To this day, the sounds and imprints of the busy streets of Porto Alegre can be heard in Sandro's music. Sandro is that rare phenomenon in the jazz world that is as equally gifted as a guitarist as well as composer. For the past half decade, he had dedicated himself solely to his music. The Sandro Albert Quintet has performed at the North Sea Jazz Festival, Ronnie Scott's, Catalina Bar & Grill, Yoshi's, the Blue Note, among other venues.

    Sandro has played, produced and/or recorded with major Brazilian and American artists such as Milton Nascimento, Lenine, Jorge Vercilo, Omar Hakim, Patti Austin, Airto Moreira, Flora Purim, Brenda Russell, Dionne Warwick, Rita Coolidge, Victor Bailey, Abraham Laboriel, Jimmy Haslip, Alphonso Johnson, Darryl Jones, Herb Alpert, Bill Charlap, Toninho Horta, Claudio Roditi, Buster Williams, Mark Egan, Danny Gottlieb, Russell Ferrante, Kenny Garrett, Fred White, Harvey Mason, Peter Erskine, Antonio Sanchez, Terri Lyne Carrington, Vinnie Colaiuta, Luis Conte, Bashiri Johnson, Leon Ware, War, Raphael Saadiq, James Ingram, and Robben Ford.

    In Brazil, Sandro found his magical sense of harmony and melody; in the United States, he defined his masterful improvisational style. Sandro has recently released his fourth album, Vertical on Daywood Drive Records. This new project showcases Sandro's incredible writing talents as well as his solo skills.

Contact Information

  • Contact by Webpage: http://www.sandroalbert.com/contact

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.sandroalbert.com/discography
  • ▶ Twitter: salbertjazz
  • ▶ Instagram: salbertjazz
  • ▶ Website: http://sandroalbert.com
  • ▶ YouTube Channel: http://www.youtube.com/user/lucas78jazz
  • ▶ YouTube Music: http://music.youtube.com/channel/UCt5PDH6rsCvObtb0At-Asmw
  • ▶ Spotify: http://open.spotify.com/album/13HQX7dyPjY09xfFZsLM5I
  • ▶ Spotify 2: http://open.spotify.com/album/4m67FMPLBsuuKrpaWxjy8F
  • ▶ Spotify 3: http://open.spotify.com/album/6vpjgTTFBjhpjQlGXLIAFq

Clips (more may be added)

  • Sesc Brasil
    By Sandro Albert
    413 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Sandro Albert:

  • 0 Brazilian Jazz
  • 0 Composer
  • 0 Guitar
  • 0 New York City
  • 0 Record Producer
  • Alyn Shipton Music Critic
  • Herlin Riley Second Line
  • Arturo O'Farrill Afro-Cuban Jazz
  • Jau Salvador
  • Ron Blake Juilliard Faculty
  • Snigdha Poonam Writer
  • Billy Strings Songwriter
  • Berkun Oya Actor
  • Chau do Pife Forró
  • Shannon Ali Writer
  • Stuart Duncan Americana
  • Chico César Poet
  • Giorgi Mikadze გიორგი მიქაძე Jazz
  • Masao Fukuda Choro
  • Michael Formanek Peabody Conservatory of Music Faculty
  • Tony Austin Composer
  • Brady Haran Podcaster
  • Christopher James Musicologist
  • Edil Pacheco Brazil
  • Luques Curtis Record Label Owner
  • Rotem Sivan Guitar
  • Carlos Blanco Bahia
  • Stan Douglas Canada
  • James Carter New York City
  • Catherine Russell Singer
  • David Virelles New York City
  • Emmet Cohen Jazz
  • Richard Galliano Author
  • Fernando Brandão Composer
  • Maria Rita MPB
  • Geraldo Azevedo Singer-Songwriter
  • Yvette Holzwarth Los Angeles
  • Chris Speed Saxophone
  • Kiko Horta Rio de Janeiro
  • Turíbio Santos Guitar
  • Julie Fowlis Scotland
  • Eamonn Flynn Singer-Songwriter
  • Guinga Rio de Janeiro
  • Monarco Brazil
  • Tatiana Campêlo Salvador
  • Mário Santana Percussion
  • Vincent Herring Flute
  • Ben Okri Nigeria
  • Alicia Keys Piano
  • Toninho Horta Belo Horizonte
  • Horacio Hernández Percussion
  • Natan Drubi Violão, Guitar
  • Ari Hoenig Author
  • Antibalas New York City
  • Natalia Contesse Santiago
  • Moreno Veloso Cello
  • Peter Serkin Contemporary Classical Music
  • Greg Osby Saxophone
  • Lina Lapelytė Multi-Instrumentalist
  • Timothy Duffy New Orleans
  • Alexandre Leão Compositor de Televisão, Television Scores
  • David Kirby New York City
  • Bongo Joe Records Geneva, Switzerland
  • Mauro Refosco Forró
  • Jessie Montgomery Composer
  • Onisajé Diretora Teatral, Theater Director
  • Lauranne Bourrachot Movie Producer
  • Cara Stacey Johannesburg
  • Ricardo Bacelar Fortaleza
  • Carrtoons Songwriter
  • Lilli Lewis Singer-Songwriter
  • Run the Jewels Hip-Hop
  • Aloísio Menezes Brazil
  • André Vasconcellos Produtor Musical, Music Producer
  • Dee Spencer Sound Designer
  • Angel Bat Dawid Clarinet
  • Amy K. Bormet Singer
  • Tito Jackson R&B
  • Mikki Kunttu Finland
  • Alex Rawls New Orleans
  • Henrique Cazes Tenor Guitar
  • Charlie Bolden Jazz
  • Sarz Sample Creator
  • Karim Ziad North African Music
  • John Archibald Alabama
  • Yayá Massemba Brasil, Brazil
  • Malin Fezehai Eritria
  • Casa da Mãe Choro
  • Danilo Caymmi MPB
  • Devin Naar Sephardic Studies
  • Ben Hazleton Indian Classical Music
  • Nguyên Lê Composer
  • Luke Daniels Scotland
  • Catherine Bent Cello Instruction
  • Ivan Neville New Orleans
  • Daedelus Los Angeles
  • Júlio Caldas Produtor de Discos, Record Producer
  • Michael Cuscuna Writer
  • Nahre Sol Canada
  • Kurt Andersen Writer
  • Gary Clark Jr. Blues
  • Ênio Bernardes Bahia
  • Natan Drubi Brasil, Brazil
  • Luis Paez-Pumar New York City
  • Gustavo Caribé Produtor Musical, Music Producer
  • Aneesa Strings R&B
  • Munyungo Jackson Composer
  • Aneesa Strings Composer
  • Eddie Palmieri Latin Jazz
  • Luizinho do Jêje Candomblé
  • Kaia Kater Appalachian Music
  • Henrique Cazes Choro
  • Lenine Pernambuco
  • King Britt DJ
  • Paul Cebar Milwaukee
  • Yunior Terry Violin
  • Andy Kershaw Journalist
  • Luedji Luna Brazil
  • Matt Ulery Composer
  • David Virelles Jazz
  • Mingus Big Band New York City
  • Turíbio Santos Choro
  • Aperio Chamber Music
  • Liberty Ellman Record Producer
  • Gian Correa Brazil
  • James Martin New Orleans
  • Ronell Johnson Singer
  • VJ Gabiru Brasil, Brazil
  • Yazz Ahmed Ropeadope
  • Sérgio Mendes Rio de Janeiro
  • María Grand New York City
  • Caetano Veloso Bahia
  • Bobby Sanabria Manhattan School of Music Faculty
  • Byron Thomas Music Director
  • Bruce Williams Juilliard Faculty
  • Adam Rogers Jazz
  • MonoNeon Experimental Music
  • James Martins Brasil, Brazil
  • Kronos Quartet Contemporary Classical Music
  • Fernando César Violão de Sete
  • Alê Siqueira Composer
  • Richard Rothstein Author
  • Mark Bingham Record Producer
  • Biréli Lagrène Jazz
  • Huey Morgan Songwriter
  • Samuel Organ Synthesizers
  • Barney McAll Australia
  • King Britt Electronic Music
  • Flying Lotus Record Label Owner
  • Reggie Ugwu Journalist
  • Eliane Elias São Paulo
  • Richard Bona Jazz
  • Olivia Trummer Germany
  • Serwah Attafuah Digital 3D Artist
  • Lynn Nottage Pulitzer Prize
  • Stephen Guerra Author
  • Hamilton de Holanda Choro
  • Mark Lettieri Ropeadope
  • Devin Naar Jewish Studies
  • John Patrick Murphy Saxophone
  • Cuong Vu Trumpet
  • Ivo Perelman Jazz
  • Carrtoons Multi-Instrumentalist
  • Walter Ribeiro, Jr. Bahia
  • David Chesky Multi-Cultural
  • Mavis Staples Gospel
  • Danilo Brito Brazil
  • Tom Piazza New Orleans
  • Munir Hossn Composer
  • Rudy Royston Photographer
  • Paulo Aragão Choro
  • Henry Cole New York City
  • Ricky (Dirty Red) Gordon Zydeco
  • Tomo Fujita Guitar
  • Etienne Charles Michigan State University Faculty
  • Djuena Tikuna Tikuna
  • Hamilton de Holanda Brazil
  • Cristiano Nogueira Travel Marketer
  • Ibram X. Kendi Boston University Faculty
  • Luciano Salvador Bahia Brazil
  • Nara Couto Salvador
  • Dwayne Dopsie Louisiana
  • Atlantic Brass Quintet Baroque
  • Cristiano Nogueira Brazil
  • Amitava Kumar India
  • Angelique Kidjo Multi-Cultural
  • Michael Janisch Soul
  • Seu Jorge Samba
  • Jura Margulis Piano
  • Gevorg Dabaghyan Armenia
  • Aindrias de Staic Actor
  • Ben Azar Composer
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Joshue Ashby Composer
  • Kim Hill Entrepreneur
  • Alan Bishop Record Label Owner
  • Nic Hard DJ
  • Adriano Giffoni Brazil
  • Anna Mieke Multi-Instrumentalist
  • Matt Ulery Bass
  • Linda May Han Oh Jazz
  • Sam Reider Brooklyn, NY
  • Nancy Viégas Country
  • César Camargo Mariano Samba
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Jimmy Cliff Singer-Songwriter
  • Isaac Julien England
  • Aurino de Jesus Samba de Roda
  • Geovanna Costa Cantora-Compositora, Singer-Songwriter
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Guga Stroeter Brazil
  • Gab Ferruz Bahia
  • Babau Santana Percussão, Percussion
  • Daru Jones Nashville, TN
  • Seth Swingle Banjo
  • Dudu Reis Choro
  • Siobhán Peoples Fiddle
  • Arto Tunçboyacıyan Singer-Songwriter
  • Dadi Carvalho MPB
  • Inaicyra Falcão Brasil, Brazil
  • Antonio Sánchez Jazz
  • Scotty Apex Record Producer
  • Carrtoons Bass
  • Riley Baugus Luthier
  • Shannon Ali Jazz
  • Marcel Camargo Record Producer
  • LaTasha Lee Singer-Songwriter
  • Tab Benoit Baton Rouge
  • Magary Lord Brazil
  • John Boutté Jazz
  • Sarah Hanahan New York City
  • Serwah Attafuah Punk
  • Teresa Cristina Rio de Janeiro
  • Jeremy Pelt Trumpet
  • Bernardo Aguiar Brazil
  • Spok Frevo Orquestra Pernambuco
  • Mike Compton Mandolin Instruction
  • Saileog Ní Cheannabháin Viola
  • Ibrahim Maalouf Beirut, Lebanon
  • Martyn DJ
  • Lucian Ban Jazz
  • Michael Janisch Record Label Owner
  • Romero Lubambo Brazilian Jazz
  • James Strauss Flute
  • Psoy Korolenko Псой Короленко Russia
  • Maia Sharp Record Producer
  • James Strauss Contemporary Classical Music
  • Rob Garland Guitar Instruction
  • Isaiah Sharkey Chicago
  • Gamelan Sekar Jaya Bali
  • Dave Smith Alternative, Improv
  • Ethan Iverson Composer
  • Robi Botos Jazz
  • Chico César MPB
  • Varijashree Venugopal India
  • Martyn House
  • Guinha Ramires Rio Grande do Sul
  • Arturo O'Farrill Latin Jazz
  • Luis Paez-Pumar Writer
  • Donny McCaslin Jazz
  • Wadada Leo Smith Flugelhorn
  • Fabian Almazan Havana
  • Masao Fukuda Guitar
  • Negrizu Bahia
  • Larry Grenadier Basel Music Academy Faculty
  • Mateus Aleluia Samba
  • Chris McQueen Guitar
  • Rosa Passos Bahia
  • Shanequa Gay Atlanta, Georgia
  • Jonga Cunha Bahia
  • Mestre Barachinha Pernambuco
  • Patty Kiss Bahia
  • James Andrews Funk
  • Jane Ira Bloom Contemporary Classical Music
  • Asma Khalid Washington, D.C.
  • Lula Moreira Documentary Filmmaker
  • Robby Krieger Jazz
  • Amaro Freitas Pernambuco
  • Julien Libeer Piano
  • Casey Benjamin Funk
  • Jay Blakesberg Photographer
  • Nancy Ruth Singer-Songwriter
  • Fapy Lafertin Gypsy Jazz
  • Caroline Shaw Violin
  • Aubrey Johnson Brazilian Music
  • Samuca do Acordeon Chamamé
  • Magda Giannikou Composer
  • Nicole Mitchell Composer
  • Stephen Guerra New York City
  • Flying Lotus Hip-Hop
  • Bobby Fouther Portland, Oregon
  • Dadi Carvalho Rio de Janeiro
  • Marcos Suzano Rio de Janeiro
  • Lívia Mattos Brazil
  • Nancy Viégas Indie Experimental
  • Elodie Bouny Classical Guitar
  • Samuca do Acordeon Brazil
  • Shalom Adonai Bahia
  • Léo Rodrigues Frevo
  • Gel Barbosa Acordeon, Accordion
  • Eddie Kadi Voiceover Artist
  • John Luther Adams Contemporary Classical Music
  • Tigran Hamasyan Armenian Folk Music
  • Gregory Porter Jazz
  • Nicholas Gill Photographer
  • Mokhtar Samba Drums
  • Aubrey Johnson Montclair State University Faculty
  • Chico César São Paulo
  • Parker Ighile NIgeria
  • Guga Stroeter Candomblé
  • Tommy Peoples Fiddle
  • Chris Acquavella Mandolin
  • Mohini Dey Indian Fusion
  • Toumani Diabaté Africa
  • Samuca do Acordeon Samba
  • Ofer Mizrahi Guitar
  • Mou Brasil Jazz
  • McClenney Singer-Songwriter
  • Jon Batiste Funk
  • Yacouba Sissoko New York City
  • Leigh Alexander Short Stories
  • Ian Hubert Filmmaker
  • Jason Marsalis New Orleans
  • Julie Fowlis Scottish Gaelic
  • Jeff Ballard Percussion
  • Béla Fleck Multi-Cultural
  • Capitão Corisco Brazil
  • Marcel Camargo Guitar
  • Sheryl Bailey New York City
  • David Mattingly Pratt Institute Faculty
  • Philipp Meyer Novelist
  • Nduduzo Makhathini Fort Hare University Faculty
  • Avishai Cohen אבישי כה Singer
  • Alicia Hall Moran Theater
  • Nelson Ayres Brazilian Jazz
  • Fábio Peron Brasil, Brazil
  • Emicida MC
  • James Andrews Jazz
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Sabine Hossenfelder Author
  • Merima Ključo Contemporary Classical Music
  • Ben Okri Novelist
  • Marcos Sacramento Rio de Janeiro
  • Bombino Niger
  • Peter Serkin Classical Music
  • Larry Grenadier Jazz
  • Ron Miles Cornet
  • Alex Clark Director
  • Jamz Supernova DJ
  • Tom Green Scotland
  • David Binney New York City
  • Toninho Ferragutti Composer
  • Manuel Alejandro Rangel Caracas
  • Natan Drubi Choro
  • Lynn Nottage Film Producer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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