Bio:
Booty shaking party music best sums up the inimitable Papa Grows Funk, one of the most successful funk bands to emanate from New Orleans. Rooted in improvisation, the group of all-star musicians led by Hammond B3 keyboardist and lead vocalist, John Gros, has built its enthusiastic vibe on a long-standing musical tradition that dates back to the hot jazz of the legends, Fats Domino and Louis Armstrong. Like Dr. John and the Neville Brothers, Papa Grows Funk keeps that New Orleans lineage alive while always funkifying towards the future.
Papa Grows Funk has fused the individual talents of its members into one unique sound, but still retains the first spark they ignited in the beginning while jamming together at the Old Point Bar. “While we throw in New Orleans classics, now our songs and our groove are all our own,” says John Gros. “We still love playing together and that comes through in our music.”
The band plays over 100 shows a year for its international and growing fan base. From the Highline Ballroom in New York City to the Great American Music Hall in San Francisco, from the Nancy Jazz Festival in France to the Fuji Rock Festival in Japan, Papa Grows Funk has brought their “Mardi Gras in a bottle” music to iconic clubs from coast to coast and renowned festivals worldwide.
With no play lists and no rehearsals every Papa Grows Funk performance is its own masterpiece of funk. On any given night, the band might change songs or grooves. But one thing is certain: whether it is jam band college kids or seersucker wearing professionals, five folks or 100,000, after John Gros announces “We’re Papa Grows Funk from the great city of New Orleans,” the crowd is going to go wild.
John Gros – Hammond B3 organ and lead vocals
June Yamagishi- Guitar, backing vocals
Marc Pero – Bass
Jason Mingledorff – Saxophones, backing vocals
Jeffery “Jellybean” Alexander – Drums, backing vocals
Quotes, Notes & Etc.
“One of THE best and most important funky bands in New Orleans. We couldn’t be prouder.”
- Quint Davis, producer of the New Orleans Jazz & Heritage Festival
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All is closer than we imagine.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Thus A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And thus a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
EX TERRA BRASILIS
The Small World Phenomenon
Susan Rogers
Alicia Svigals
Julian Lloyd Webber
Clarice Assad
Sodré
Betão Aguiar
Bule Bule
Caetano Veloso
Darius Mans
Sparrow/Pardal Roberts
RÁDIO MATRIX