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  • Stanton Moore

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Stanton Moore
  • City/Place: New Orleans, Louisiana
  • Country: United States

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Stanton Moore is a serious-business funk-filled drummer from the New Orleans area.

Contact Information

  • Management/Booking: MANAGEMENT:
    [email protected]

    BOOKING:
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://stantonmoore.shop.redstarmerch.com/dept/music?cp=82993_83447
  • ▶ Buy My Merch: http://stantonmoore.shop.redstarmerch.com/dept/apparel?cp=82993_83445
  • ▶ Twitter: stanton_moore
  • ▶ Instagram: stanton_moore
  • ▶ Website: http://www.stantonmoore.com
  • ▶ Website 2: http://stantonmooredrumacademy.com
  • ▶ YouTube Channel: http://www.youtube.com/user/stantonmooremusic
  • ▶ YouTube Music: http://music.youtube.com/channel/UCg3rrlRKj_AFoQH6U9g51rA
  • ▶ Spotify: http://open.spotify.com/album/6NnQ67dG6cM88SGs9W3fh7
  • ▶ Spotify 2: http://open.spotify.com/album/6455P7D1t48YAuEAy0vtMe
  • ▶ Spotify 3: http://open.spotify.com/album/6yO8rZ1Tl4FWP584x3t4rf
  • ▶ Spotify 4: http://open.spotify.com/album/5QCXTgKLHvkFAdKYN73cVu
  • ▶ Spotify 5: http://open.spotify.com/album/3ack8MAHouC0XN85fx1wI7

My Instruction

  • Instruction: http://stantonmooredrumacademy.com

Clips (more may be added)

  • LOUISIANA MUSIC FACTORY
    By Stanton Moore
    747 views
Previous
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Stanton Moore Curated
pathways in

  • 1 Drums
  • 1 Funk
  • 1 New Orleans
  • 1 R&B
  • 1 Second Line

What's Been Happening?

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  • Stanton Moore
    Stanton Moore has added a new cover photo.
    • February 20, 2022
  • Stanton Moore
    James Poyser → Television Scores has been recommended via Stanton Moore.
    • January 31, 2022
  • Stanton Moore
    James Poyser → Songwriter has been recommended via Stanton Moore.
    • January 31, 2022
  • Stanton Moore
    James Poyser → Record Producer has been recommended via Stanton Moore.
    • January 31, 2022
  • Stanton Moore
    James Poyser → New York City has been recommended via Stanton Moore.
    • January 31, 2022
  • Stanton Moore
    James Poyser → Multi-Instrumentalist has been recommended via Stanton Moore.
    • January 31, 2022
  • Stanton Moore
    James Poyser → Film Scores has been recommended via Stanton Moore.
    • January 31, 2022
  • Stanton Moore
    Ronell Johnson → Tuba has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → Trombone has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → Sousaphone has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → Singer has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → Second Line has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → New Orleans has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → Jazz has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → Funk has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Ronell Johnson → Brass Band has been recommended via Stanton Moore.
    • January 27, 2022
  • Stanton Moore
    Anders Osborne → Singer-Songwriter has been recommended via Stanton Moore.
    • March 8, 2021
  • Stanton Moore
    Anders Osborne → R&B has been recommended via Stanton Moore.
    • March 8, 2021
  • Stanton Moore
    Anders Osborne → New Orleans has been recommended via Stanton Moore.
    • March 8, 2021
  • Stanton Moore
    Anders Osborne → Blues has been recommended via Stanton Moore.
    • March 8, 2021
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Eduardo Kobra Brasil, Brazil
  • Joshue Ashby Afro-Cuban Music
  • Tom Oren Jazz
  • James Sullivan Journalist
  • James Martin Singer-Songwriter
  • Mary Halvorson Brooklyn, NY
  • Yo La Tengo Experimental Rock
  • James Elkington Folk Rock
  • Greg Spero Piano
  • Guga Stroeter Brazilian Jazz
  • Kazemde George African-American Music
  • Amit Chatterjee Vocalist
  • Christopher Seneca Drums
  • Joachim Cooder Keyboards
  • Eder Muniz Bahia
  • Olga Mieleszczuk Jewish Music
  • Paquito D'Rivera Author
  • Jon Lindsay Record Producer
  • David Byrne Singer-Songwriter
  • Alegre Corrêa Florianópolis
  • Tierra Whack Hip-Hop
  • Mika Mutti Los Angeles
  • Geraldo Azevedo Singer-Songwriter
  • Mark Markham Jazz
  • Oswaldinho do Acordeon Accordion
  • Eliane Elias Brazil
  • Onisajé Diretora Teatral, Theater Director
  • Marco Pereira Brazil
  • Antonio García Film Scores
  • Darryl Hall Composer
  • Paquito D'Rivera Saxophone
  • César Camargo Mariano São Paulo
  • Gail Ann Dorsey Multi-Instrumentalist
  • Aubrey Johnson New York City
  • Etienne Charles Trumpet
  • Joanna Majoko Jazz
  • Baiba Skride Violin
  • Eamonn Flynn Singer-Songwriter
  • David Sacks Vocals
  • Gretchen Parlato Jazz
  • Menelaw Sete Cubismo Afro-Brasileiro, Afro-Brazilian Cubism
  • Brooklyn Rider Brooklyn, NY
  • Henrique Araújo California Brazil Camp Faculty
  • Joey Baron Drums
  • Barry Harris New York City
  • Tom Bergeron Bossa Nova
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Linda Sikhakhane Saxophone
  • Varijashree Venugopal Brazilian Music
  • Otto Singer-Songwriter
  • Martín Sued Bandoneon
  • Riley Baugus Banjo
  • Victoria Sur Singer-Songwriter
  • Paulo Costa Lima Escritor, Writer
  • Ray Angry Record Producer
  • Harish Raghavan Brooklyn, NY
  • João Camarero Rio de Janeiro
  • Custódio Castelo Fado
  • Zeca Freitas Saxophone
  • Manu Chao Singer-Songwriter
  • Cashmere Cat Electronic Music
  • Alan Brain Peru
  • João Luiz Classical Guitar
  • Omer Avital Middle Eastern Music
  • Nubya Garcia England
  • Germán Garmendia Comedian
  • Gerônimo Santana Singer-Songwriter
  • Luiz Inácio Lula da Silva Presidente do Brasil, President of Brazil
  • Rebeca Tárique Candomblé
  • Derron Ellies Steel Pans
  • John Patrick Murphy Forró
  • Maracatu Ventos de Ouro Maracatu
  • Daniel Jobim Bossa Nova
  • Natalia Contesse Singer-Songwriter
  • Las Cafeteras Afro-Mexican Music
  • Shabaka Hutchings Composer
  • Olga Mieleszczuk Accordion
  • Alfredo Del-Penho Brazil
  • Spok Frevo Orquestra Brazil
  • Tomoko Omura Brooklyn, NY
  • Monty's Good Burger Southern California
  • Menelaw Sete Pelourinho
  • Carl Joe Williams Painter
  • Edsel Gomez Jazz
  • Geovanna Costa Bahia
  • Pharoah Sanders Jazz
  • Huey Morgan BBC
  • Dorothy Berry African American History
  • Nicolas Krassik Samba
  • Marc Ribot Guitar
  • Ronell Johnson Sousaphone
  • Lina Lapelytė Multi-Instrumentalist
  • Kiko Souza Flauta, Flute
  • Tito Jackson Singer-Songwriter
  • João Teoria Compositor, Composer
  • Terence Blanchard New Orleans
  • Stefan Grossman Guitar
  • Oscar Peñas Guitar
  • Michael Olatuja Nigeria
  • Stephanie Foden Brazil
  • Lula Moreira Documentary Filmmaker
  • Branford Marsalis Jazz
  • Michael Janisch Record Label Owner
  • Dermot Hussey Jamaica
  • Adam Neely YouTuber
  • Casey Benjamin Funk
  • Bodek Janke Percussion
  • Brian Jackson Soul
  • Curtis Hasselbring Guitar
  • Thomas Àdes Opera
  • Arto Lindsay Brasil, Brazil
  • Justin Stanton Keyboards
  • Sérgio Pererê Minas Gerais
  • Mariene de Castro Bahia
  • Simon McKerrell Scottish Traditional Music
  • Custódio Castelo Castelo Branco
  • Aderbal Duarte Bossa Nova
  • Steve Coleman Saxophone
  • Chris Boardman Arranger
  • Andrés Beeuwsaert Jazz
  • Isaac Butler Theater Director
  • Fábio Luna Multi-Instrumentista, Multi-Instrumentalist
  • Tero Saarinen Helsinki
  • Chris Thile Mandolin
  • Jubu Smith Blues
  • Seu Regi de Itapuã Samba
  • Osvaldo Golijov Argentina
  • Bombino Tuareg Music
  • Dale Farmer Appalachian Music
  • Jamberê Cerqueira Brasil, Brazil
  • Nicholas Payton Record Label Owner
  • Antonio Adolfo Brasil, Brazil
  • David Hepworth London
  • Choronas Brasil, Brazil
  • Armandinho Macêdo Frevo
  • King Britt Record Producer
  • Betão Aguiar Documentary Filmmaker
  • Daphne A. Brooks Music Critic
  • Ranky Tanky South Carolina
  • Paquito D'Rivera Clarinet
  • David Sánchez Afro-Caribbean Music
  • VJ Gabiru Fotógrafo, Photographer
  • Nicholas Gill Food Writer
  • Paddy Groenland Dublin
  • Sandra de Sá Violão, Guitar
  • Lakecia Benjamin Saxophone
  • Adrian Younge Recording Studio Owner
  • Michael W. Twitty Washington, D.C.
  • Lula Gazineu Choro
  • Casey Benjamin Songwriter
  • Marcus Miller Clarinet
  • Arthur L.A. Buckner Minneapolis, MN
  • Dafnis Prieto Author
  • Jane Ira Bloom Jazz
  • Colson Whitehead Literary Critic
  • Mulatu Astatke Percussion
  • Barry Harris Piano
  • Michel Camilo Jazz
  • Saileog Ní Cheannabháin Composer
  • Martin Hayes Irish Traditional Music
  • Marcus Teixeira MPB
  • Derrick Hodge Composer
  • Shamarr Allen Trumpet
  • Sanjay K Roy Arts Festival Producer
  • Joshua Abrams Composer
  • Harvey G. Cohen Cultural Historian
  • Yoruba Andabo Rumba
  • Norah Jones Piano
  • Brooklyn Rider Contemporary Classical Music
  • Yamandu Costa Guitar
  • Sarz Sample Creator
  • Rebeca Tárique Música Afro-Baiana, Afro-Bahian Music
  • Rudy Royston Drums
  • Jonathon Grasse Brazilian Music
  • Ry Cooder Multi-Cultural
  • Michael Janisch Soul
  • Ron Miles Jazz
  • Terell Stafford Trumpet
  • Léo Brasileiro Guitarra, Guitar
  • Nicolas Krassik Choro
  • Nate Smith Ropeadope
  • Eamonn Flynn Soul
  • Hisham Mayet Photographer
  • Lula Galvão Bossa Nova
  • Jess Gillam Saxophone
  • Rudresh Mahanthappa Composer
  • Asa Branca Samba de Roda
  • Perumal Murugan Short Stories
  • Regina Carter Classical Music
  • Gilad Hekselman Photographer
  • João Rabello Rio de Janeiro
  • Shalom Adonai Samba de Roda
  • Merima Ključo Sephardic Music
  • Urânia Munzanzu Cultura Afro-Baiana, Afro-Bahian Culture
  • James Brandon Lewis Essayist
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  • Rhuvaal Argyll
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  • Anderson Lacerda Maxixe
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  • Tobias Meinhart Brooklyn, NY
  • Elio Villafranca Piano
  • Ana Tijoux Rapper
  • Ron Miles Cornet
  • Nonesuch Records New York City
  • Adam Cruz Jazz
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  • Giorgi Mikadze გიორგი მიქაძე Classical Music
  • Betsayda Machado Singer
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  • Bill Charlap Composer
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  • Chief Xian aTunde Adjuah New Orleans
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  • Andra Day Los Angeles
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  • 小野リサ Lisa Ono Japan
  • Justin Brown Composer
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  • Negrizu Brasil, Brazil
  • Steve Earle Singer-Songwriter
  • Evgeny Kissin Piano
  • Robby Krieger Los Angeles
  • Marco Pereira Choro
  • Tiganá Santana Trilhas Sonoras, Film Scores
  • Concha Buika Singer-Songwriter
  • Laércio de Freitas Brasil, Brazil
  • Arany Santana Salvador
  • Sônia Guajajara Professora, Teacher
  • Antônio Queiroz Bahia
  • Martin Fondse Composer
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  • Les Thompson Advertising Writer
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  • Liam Farrell 'Dr L' Guitar
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  • Ronald Bruner Jr. Record Producer
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  • John Zorn Multi-Instrumentalist
  • Paulo Costa Lima Salvador
  • Mike Compton Country Blues
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  • Mark Stryker Author
  • Flor Jorge MPB
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  • Carlos Malta Pife
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  • Benny Benack III New York City
  • Bejun Mehta Countertenor
  • Myron Walden Composer
  • Zé Luíz Nascimento Percussion
  • Paulo Paulelli Brazilian Jazz
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  • Fernanda Bezerra Salvador
  • Bertram Recording Artist
  • Scotty Apex Composer
  • David Sedaris Humor
  • Zebrinha Coreógrafo, Choreographer
  • Mykia Jovan Blues
  • David Kirby New York City
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  • Louis Marks Writer
  • Carlinhos Brown Singer-Songwriter
  • Swami Jr. Samba
  • Martin Fondse Multi-Cultural
  • Serginho Meriti Rio de Janeiro
  • Fatoumata Diawara Mali
  • Miguel Atwood-Ferguson Los Angeles
  • Chelsea Kwakye UK
  • Tatiana Eva-Marie Swing
  • Larissa Luz Bahia
  • Raymundo Sodré Brasil, Brazil
  • Brian Cox Actor
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  • Amy K. Bormet Jazz
  • Lorna Simpson Brooklyn, NY
  • Julien Libeer Classical Music
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  • Sombrinha Cavaquinho
  • Warren Wolf Jazz
  • Wouter Kellerman South Africa
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  • Marília Sodré Chula
  • Rose Aféfé Artista de Instalação, Installation Artist
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  • Andrés Prado Lima
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  • Gerson Silva Salvador
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  • Léo Rugero São Paulo
  • Gab Ferruz Brasil, Brazil
  • Nelson Cerqueira Romancista, Novelist
  • Shahzad Ismaily Brooklyn, NY
  • International Anthem Progressive Media
  • Ronald Bruner Jr. Drums
  • Steve McKeever Entertainment Lawyer
  • Mark Bingham Guitar
  • Robert Everest Singer-Songwriter
  • Paolo Fresu Bologna, Italy
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  • Tray Chaney Author
  • Jamberê Cerqueira Música Brasileira de Concerto, Brazilian Concert Music
  • Aneesa Strings R&B
  • Ray Angry Songwriter
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  • Ben Wolfe New York City
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  • Chris Dave Composer
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  • Bobby Sanabria New School Faculty
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  • Bruce Molsky Berklee College of Music Faculty
  • Dale Barlow Saxophone
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  • Ricardo Markis Cantor, Singer
  • Wayne Krantz New York City
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  • Jeff Ballard Jazz
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  • Jaques Morelenbaum Rio de Janeiro
  • Rez Abbasi Composer
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  • Armen Donelian Record Producer
  • José James R&B
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