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  • Adam Rogers

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Adam Rogers
  • City/Place: New York City
  • Country: United States

CURATION

  • from this node by: Matrix+

Current News

  • What's Up? “(Adam Rogers) debut album, at 36, Art of the Invisible (Criss Cross), is impressive on several counts. He’s a Guitarist with his own sound, mellow yet aggressive. He is so impressive of a player-taking his time, riding the beat, building to longish, intricate on the beat phrases…”
    - Gary Giddins , Village Voice

    "In terms of melodic and rhythmic clarity, Rogers has few peers on the instrument, but his staggering technique is matched by musical sensitivity and a finely honed rapport with his quintet."
    - David R. Adler, Jazz times

    "Intelligent, inventive, technically brilliant, Rogers in now clearly one of the finest guitarists around"
    - Ray Comiskey, The Irish Times

    "(an) exceptional guitarist.."
    - Bob Blumenthal, Boston Globe

    "One of the best guitarists of the century"
    - Dresden Zeitung

Life & Work

  • Bio: Adam Rogers was born and raised in New York City where he studied jazz guitar with Barry Galbraith, Howard Collins and John Scofield. During his four years at the Mannes Conservatory of Music he studied Classical Guitar with Robert Secrist and Frederic Hand. Since the beginning of his professional career he has played on over one hundred and fifty commercially released recordings and has toured extensively throughout the United States, Canada, Europe, Japan, Southeast Asia, The Middle East, South America and Russia.

    Adam has been enthusiastically reviewed in the New York Times, Downbeat, Jazz Times, The Village Voice, Newsweek, Jazziz, Jazz Hot, The Chicago Sun Times, the L.A times, Jazzwise, and The New Yorker among numerous other periodicals worldwide.

    For eleven years he co-led the innovative and critically acclaimed group Lost Tribe, recording three CDs and touring nationally and internationally. Adam has also been featured performing, touring and recording with artists such as Michael Brecker, Cassandra Wilson, Norah Jones, Walter Becker (of Steely Dan), Paul Simon, Regina Carter, John Zorn, Randy Brecker, The Mingus Orchestra feat. Elvis Costello, Terence Blanchard, Simon Shaheen, The Gil Evans Orchestra, John Pattitucci, Ravi Coltrane, Bill Evans, Lizz Wright, The Brecker Brothers, Jacky Terrasson, Kenny Barron, George Russell, Brian Blade, Eliane Elias, Alana Davis, David Krakauer, The Neptunes, Giora Feidman, The Saturday Night Live band, Jack Mcduff, Larry Coryell, and Ronald Shannon Jackson among others, as well as playing music for the theater with The Great Lakes Theater Company, Joseph Papp's Public Theater and The Metropolitan Opera. Since 2006 he has a full time member of Saxophonist Chris Potter’s “Underground” group.

    He has also played on the soundtracks of numerous films, including Michael Almereyda ‘s Hamlet, Carter Burwell- Composer, Spike Lee’s Jim Brown: All American, Terence Blanchard – composer, and most recently Barry Levenson’s What just Happened, Marcelo Zarvos, composer.

    In 2006 he produced and arranged 3 CD’s of Beatles music for the Japanese label OMG as well as recently having produced, arranged, recorded and played all the instruments on vocalist Monday Michiru’s recording “Awaken”

    As a band leader and composer, Adam has had a steady output of work. His debut CD on Criss Cross Records, “Art of the Invisible” features Edward Simon-Piano, Scott Colley-bass and Clarence Penn-Drums. The follow up, “Allegory”, also on Criss Cross, features the same group with the addition of Chris Potter on Saxophone. His third release for Criss Cross, “Apparitions”, was released in April 2005. The most recent record “Time and the Infinite” featuring Scott Colley and Bill Stewart, was released in February 2007 also on Criss Cross Jazz. A trio recording, “Sight” with John Patitucci and Clarence Penn was released in May 2009. His electric project "DICE" features Fima Ephron – Bass and Nate Smith - Drums.

Contact Information

  • Contact by Webpage: http://www.adamrogersmusic.com/contact

Media | Markets

  • ▶ Charts/Scores: http://www.adamrogersmusic.com/buycharts
  • ▶ Twitter: adromusic819
  • ▶ Instagram: adrajmusic
  • ▶ Website: http://www.adamrogersmusic.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UC4MsxJtRuxRysbY1-FkzqBQ
  • ▶ Spotify: http://open.spotify.com/album/4Hud8C5AEW8aKw1AdIVPgt
  • ▶ Spotify 2: http://open.spotify.com/album/2gDrGdt4qT6lVs6Sj5uN5v
  • ▶ Spotify 3: http://open.spotify.com/album/5rnXAcwQzEQFDWHYL3Fbnu

My Instruction

  • Lessons/Workshops: Adam Rogers is an American guitarist specializing in post bop, contemporary jazz, classical music and mixed genres. Rogers has had a prolific session history as a recording guitarist having played on over 200 commercially released recordings. He is currently a member of the Chris Potter Underground in addition to leading his own “acoustic” jazz quartets and quintets as well as the genre bending electric trio DICE as well as being a founding member (and co leader) of the eclectic group Lost Tribe. He has also performed and or recorded with Michael Brecker, Cassandra Wilson, Walter Becker, Norah Jones, Joe Jackson, Marcus Miller, John Patitucci, Paul Simon, Ravi Coltrane, John Zorn, Donny McCaslin, David Binney, Bill Evans (saxophonist), and Regina Carter among many others. He is a highly versatile player covering many areas of music but is best known for his work in the modern jazz idiom.
  • Instruction: http://www.mymusicmasterclass.com/artist/artists/adam-rogers/

Clips (more may be added)

  • 0:10:38
    Brad Adam Miller
    By Adam Rogers
    513 views
  • 0:43:14
    Chris Potter's Underground (Adam Rogers, Craig Taborn, Nate Smith) - Jazz Open Stuttgart 2009
    By Adam Rogers
    322 views
  • 0:20:00
    Adam Rogers/ David Binney "Inner Urge" live @55 Bar New York
    By Adam Rogers
    265 views
  • 0:26:06
    Ravi Coltrane Quartet: NPR Music Tiny Desk Concert
    By Adam Rogers
    298 views
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Adam Rogers Curated

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  • 1 Composer
  • 1 Guitar
  • 1 Jazz
  • 1 New York City

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  • Adam Rogers
    A video was posted re Adam Rogers:
    Brad Adam Miller
    Brad Miller, bass, Adam Rogers, guitar, Big Yuki, keys, Shariq Tucker, drums. At Mr C Seaport, Manhattan
    • June 30, 2020
  • Adam Rogers
    A video was posted re Adam Rogers:
    Chris Potter's Underground (Adam Rogers, Craig Taborn, Nate Smith) - Jazz Open Stuttgart 2009
    Tenor Sax - Chris Potter Guitar - Adam Rogers Keyboards - Craig Taborn Drums - Nate Smith Tracklist: 1. Ultrahang 2. Viva Las Vilnius 3. The Single Petal of a Rose 4. The Wheel
    • June 30, 2020
  • Adam Rogers
    A video was posted re Adam Rogers:
    Adam Rogers/ David Binney "Inner Urge" live @55 Bar New York
    Live @55 Bar New York
    • June 30, 2020
  • Adam Rogers
    A video was posted re Adam Rogers:
    Ravi Coltrane Quartet: NPR Music Tiny Desk Concert
    Suraya Mohamed | June 26, 2017 — Yes, Ravi Coltrane is the son of the John Coltrane, one of the most famous and important jazz saxophonists and composers of all time. He's also the son of multi-instrumentalist, composer and spiritual leader Alice Coltrane...
    • June 30, 2020
  • Adam Rogers
    A category was added to Adam Rogers:
    Composer
    • June 30, 2020
  • Adam Rogers
    A category was added to Adam Rogers:
    Classical Guitar
    • June 30, 2020
  • Adam Rogers
    A category was added to Adam Rogers:
    New York City
    • June 30, 2020
  • Adam Rogers
    A category was added to Adam Rogers:
    Jazz
    • June 30, 2020
  • Adam Rogers
    A category was added to Adam Rogers:
    Guitar
    • June 30, 2020
  • Adam Rogers
    Adam Rogers is matrixed!
    • June 30, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Bill Hinchberger Educator
  • Matt Dievendorf Washington, D.C.
  • Tiganá Santana Produtor Musical, Music Producer
  • Corey Henry Second Line
  • Ben Azar Composer
  • Peter Serkin Contemporary Classical Music
  • Sharay Reed Jazz
  • Luiz Antônio Simas Rio de Janeiro
  • James Grime University of Cambridge Faculty
  • Joatan Nascimento Choro
  • Vinnie Colaiuta Session Drummer
  • Shamarr Allen Hip-Hop
  • Emmet Cohen Composer
  • Thiago Trad Música Experimental, Experimental Music
  • Alana Gabriela Percussão, Percussion
  • Jim Hoke Nashville, TN
  • Maciel Salú Fiddle
  • Chubby Carrier Accordion
  • Brandon J. Acker Baroque Guitar
  • Ceumar Coelho Minas Gerais
  • Hugo Rivas Guitar
  • Nação Zumbi Olinda
  • Alexandre Vieira Jazz Brasileiro, Brazilian Jazz
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Marcos Sacramento Brazil
  • Geovanna Costa Violão, Guitar
  • Fabrício Mota Produtora Musical, Music Producer
  • Daniel Bennett Saxophone
  • Peter Dasent Australia
  • Elif Şafak Novelist
  • Cristiano Nogueira Travel Writer
  • Soweto Kinch Composer
  • Seu Jorge MPB
  • Sarah Hanahan New York City
  • Tigran Hamasyan Singer
  • John McEuen Documentary Filmmaker
  • Beth Bahia Cohen Berklee College of Music Faculty
  • Joel Guzmán Tex-Mex
  • Leandro Afonso Bahia
  • Romulo Fróes São Paulo
  • Andrew Dickson Essayist
  • Liberty Ellman Guitar
  • Terri Hinte Jazz Publicist
  • Carlos Blanco Brasil, Brazil
  • Leyla McCalla Singer-Songwriter
  • Ronald Bruner Jr. Composer
  • Maria Drell Higher Education Professional
  • Tyler Hayes Tech Writer
  • Gord Sheard Multi-Cultural
  • Kevin Burke Fiddle
  • Karla Vasquez El Salvador
  • Eddie Palmieri New York City
  • Maciel Salú Maracatu
  • Maria Struduth Música Afro-Baiana, Afro-Bahian Music
  • Jon Batiste R&B
  • Ricardo Herz Composer
  • Nublu Jazz
  • Vanessa Moreno Brazilian Jazz
  • Christopher Seneca Diplomat
  • James Brady Composer
  • Cuong Vu Trumpet
  • Ricky (Dirty Red) Gordon Percussion
  • Hopkinson Smith Switzerland
  • Gunter Axt Rio Grande do Sul
  • Michelle Burford Editor
  • Jim Hoke Arranger
  • Tim Hittle Director
  • Bhi Bhiman R&B
  • Yilian Cañizares Jazz
  • Maria Marighella Brasil, Brazil
  • Michel Camilo Dominican Republic
  • Oded Lev-Ari New York City
  • Gabrielzinho do Irajá Partideiro
  • Louis Marks Ropeadope
  • Bruce Molsky Fiddle Instruction
  • Matt Ulery Bass
  • Cláudio Jorge Samba
  • Horácio Reis Bahia
  • Michael League Record Label Owner
  • Amitava Kumar Writer
  • Pedro Aznar Poet
  • Horacio Hernández Percussion
  • Berkun Oya Actor
  • Linda Sikhakhane Composer
  • Jeff Ballard Drums
  • Lucian Ban Jazz
  • James Andrews Singer
  • Teodor Currentzis Conductor
  • Emily Elbert Los Angeles, California
  • Keb' Mo' Nashville, Tennessee
  • Eivør Pálsdóttir Faroe Islands
  • Jane Cornwell Journalist
  • Keshav Batish Jazz
  • Molly Tuttle Guitar
  • Daniel Owoseni Ajala Ballet School Owner
  • Bombino Niger
  • Tab Benoit Baton Rouge
  • Iuri Passos Candomblé
  • Aaron Diehl Jazz
  • Myron Walden Recorder
  • Brentano String Quartet String Quartet
  • George Porter Jr. R&B
  • Cara Stacey Composer
  • Tatiana Campêlo Salvador
  • Edivaldo Bolagi Produtor Musical, Music Producer
  • David Bragger Old-Time Music
  • Jaques Morelenbaum Songwriter
  • Siobhán Peoples County Clare
  • Cláudia Leitão Consultora em Economia Criativa, Creative Economy Consultant
  • Arifan Junior Rio de Janeiro
  • Stephanie Soileau Louisiana
  • Chris Boardman Arranger
  • Gilsons Salvador
  • Fred Dantas Samba
  • Jon Batiste Melodica
  • Steve Cropper R&B
  • China Moses Soul
  • James Grime Mathematics
  • Alan Brain Filmmaker
  • Ari Hoenig Composer
  • Jorge Washington Brazil
  • Thomas Àdes Opera
  • Larry McCray Guitar
  • Joey Alexander Composer
  • Chau do Pife Forró
  • Greg Osby Composer
  • Massimo Biolcati Composer
  • Donald Vega Jazz
  • Marcus Miller Record Producer
  • Calida Rawles Writer
  • David Greely Songwriter
  • Mike Compton Folk & Traditional
  • Guga Stroeter São Paulo
  • Jakub Knera Radio Presenter
  • Andrew Gilbert Berkeley, California
  • Jon Faddis Composer
  • Oswaldinho do Acordeon Accordion
  • Mandisi Dyantyis Singer
  • Renell Medrano Photographer
  • Bing Futch Mountain Dulcimer
  • Renato Braz Brazil
  • Carlos Malta Brazil
  • Brett Kern West Virginia
  • Garth Cartwright Music Critic
  • Dona Dalva Bahia
  • Maria Marighella Gestor Público, Public Servant
  • Tim Hittle Animator
  • Masao Fukuda Samba
  • Milad Yousufi Afghanistan
  • Matthew F Fisher Painter
  • Vincent Herring Composer
  • Justin Stanton Trumpet
  • João Callado Choro
  • Bobby Fouther Portland, Oregon
  • Nonesuch Records Folk & Traditional
  • Tommy Peoples Irish Traditional Music
  • João Teoria Cantor, Singer
  • Milton Primo Brazil
  • Elio Villafranca Piano
  • THE ROOM Shibuya Japan
  • Fabiana Cozza Writer
  • Ivan Sacerdote Bahia
  • Larissa Luz Salvador
  • Arto Tunçboyacıyan Armenian Folk Music
  • Dan Trueman New Instrument Creator
  • Cinho Damatta MPB
  • Ben Paris New York City
  • Luiz Santos Brazil
  • Bob Telson Composer
  • Tonynho dos Santos Bahia
  • Carl Allen Educator
  • Rotem Sivan Guitar
  • MicroTrio de Ivan Huol Bahia
  • Sérgio Mendes Piano
  • Anthony Hamilton Singer-Songwriter
  • Bule Bule Repente
  • Léo Rodrigues Frevo
  • Atlantic Brass Quintet Brass Ensemble
  • Lucian Ban Romania
  • Ivo Perelman Brazilian Jazz
  • Roberta Sá Brazil
  • John Santos Puerto Rico
  • Chris Thile Mandolin
  • John McEuen Film Scores
  • Ronald Bruner Jr. Los Angeles
  • Carol Soares Singer
  • Bob Reynolds Saxophone Instruction
  • Myron Walden Jazz
  • Nicholas Gill Writer
  • Pharoah Sanders Jazz
  • Chad Taylor Philadelphia
  • Daymé Arocena Cuba
  • Lilli Lewis Americana
  • Yilian Cañizares Cuba
  • Sunna Gunnlaugs Reykjavik
  • Ariane Astrid Atodji Screenwriter
  • Reza Filsoofi Composer
  • Gabriel Grossi Composer
  • Rema Namakula Kampala
  • Luê Soares Violino, Violin
  • Nara Couto MPB
  • Ore Ogunbiyi UK
  • Luizinho do Jêje Salvador
  • Herbie Hancock Piano
  • Juçara Marçal Brazil
  • Dan Tyminski Singer-Songwriter
  • Carlos Blanco Guitarra, Violão, Guitar
  • Jeff Preiss Filmmaker
  • Gui Duvignau Brazilian Jazz
  • Casa Preta Espaço de Cultura, Cultural Space
  • Zisl Slepovitch New York City
  • Aditya Prakash Ropeadope
  • Tonynho dos Santos Salvador
  • Marc Ribot Composer
  • Aneesa Strings R&B
  • MonoNeon Composer
  • Jared Sims West Virginia University Faculty
  • Art Rosenbaum Folk & Traditional
  • Gino Sorcinelli Educator
  • Paulo Paulelli Bass
  • Tonynho dos Santos Brasil, Brazil
  • Léo Rugero Música Nordestina
  • Joatan Nascimento Brazil
  • Becca Stevens Singer-Songwriter
  • Mônica Salmaso MPB
  • Karla Vasquez Recipe Developer
  • Alberto Pitta Bahia
  • D.D. Jackson Composer
  • Asma Khalid White House Correspondent
  • Kenny Garrett Saxophone
  • Mulatu Astatke Vibraphone
  • Omar Sosa Marimba
  • Marcelo Caldi Tango
  • Marilda Santanna Cantora, Singer
  • Zé Katimba Brazil
  • Luizinho Assis Compositor, Composer
  • Terence Blanchard Composer
  • The Umoza Music Project Malawi
  • Intisar Abioto Photographer
  • Ilê Aiyê Bahia
  • King Britt University of San Diego Faculty
  • Casey Benjamin Saxophone
  • Shane Parish Composer
  • Carl Allen Jazz
  • BIGYUKI Keyboards
  • Giorgi Mikadze გიორგი მიქაძე Classical Music
  • Scott Devine United Kingdom
  • Jim Hoke Session Musician
  • Igor Levit Piano
  • Dave Smith Alternative, Improv
  • Abel Selaocoe Composer
  • Nikki Yeoh Composer
  • Victor Gama Angola
  • Dan Nimmer Jazz
  • Iara Rennó São Paulo
  • Rez Abbasi Guitar
  • Ivan Sacerdote Brazil
  • Monty's Good Burger Fries, Tots & Shakes
  • Yazz Ahmed Arabic Jazz
  • Al Kooper Record Producer
  • Miroslav Tadić Jazz
  • Tia Surica Samba
  • Reena Esmail Hindustani Classical Music
  • Jon Cowherd Jazz
  • Juliana Ribeiro Brazil
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