Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Arto Lindsay
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Arto Lindsay
  • City/Place: New York City
  • Country: United States

Life & Work

  • Bio: Arto Lindsay has stood at the intersection of music and art for more than four decades. As a member of DNA, he contributed to the foundation of No Wave. As bandleader for the Ambitious Lovers he developed an intensely subversive pop music,a hybrid of American and Brazilian styles.. Throughout his career, Lindsay has collaborated with both visual and musical artists, including Vito Acconci, Laurie Anderson, Animal Collective, Matthew Barney, Caetano Veloso and Rirkrit Tiravanija.

    Among much else Arto produces records for Caetano Veloso.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://artolindsay.bandcamp.com/
  • ▶ Twitter: artolindsay
  • ▶ Instagram: artolindsay
  • ▶ Website: http://artolindsay.com
  • ▶ YouTube Channel: http://www.youtube.com/user/artoml
  • ▶ YouTube Music: http://music.youtube.com/channel/UCKgJUPWQkF0-JTRIWOCoSfQ
  • ▶ Spotify: http://open.spotify.com/album/6ZSqI9R22m8WfQR9c4sDTZ
  • ▶ Spotify 2: http://open.spotify.com/album/6Fm4TsPdg9tRiNkPzyo8W5
  • ▶ Spotify 3: http://open.spotify.com/album/3Mvug3Bt1b8vGz5yXUl8bU

Clips (more may be added)

  • 0:51:49
    13.12.2019 | Arto Lindsay | We are close to the window
    By Arto Lindsay
    163 views
  • 2:42
    ARTO LINDSAY - PELE DE PERTO (OFFICIAL VIDEO)
    By Arto Lindsay
    148 views
  • 4:08
    ARTO LINDSAY - SEU PAI (OFFICIAL VIDEO)
    By Arto Lindsay
    186 views
  • 0:45:05
    ONCOTO_Entrevista Arto Lindsay
    By Arto Lindsay
    248 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Arto Lindsay:

  • 6 Brazil
  • 6 Composer
  • 6 MPB
  • 6 New York City
  • 6 Record Producer

Nodes below are randomly generated. Reload for a different stack.

  • Arismar do Espírito Santo Samba
  • Nicolas Krassik Jazz
  • Hamilton de Holanda Bandolim
  • Plínio Fernandes Brazil
  • Kaia Kater Appalachian Music
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Joachim Cooder Drums
  • Moreno Veloso MPB
  • Art Rosenbaum Multi-Instrumentalist
  • Steve McKeever Record Label Owner
  • Scotty Apex Los Angeles
  • Marco Pereira Author
  • Howard Levy Record Label Owner
  • Marília Sodré Bahia
  • Rowney Scott Salvador
  • Mario Ulloa Federal University of Bahia Faculty
  • Regina Carter Jazz
  • Tatiana Campêlo Bahia
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Marcus Printup Composer
  • Luciano Salvador Bahia Bahia
  • Marilda Santanna Salvador
  • David Bragger Guitar
  • Dave Weckl Multi-Cultural
  • Lynn Nottage Film Producer
  • Phakama Mbonambi South Africa
  • Dwayne Dopsie Louisiana
  • Joachim Cooder Record Producer
  • Mauro Senise Rio de Janeiro
  • JD Allen Jazz
  • Betsayda Machado Folk & Traditional
  • Isaak Bransah Salvador
  • Super Chikan Blues
  • Azi Schwartz החזן עזי שוורץ New York City
  • Ubiratan Marques Brasil, Brazil
  • Reena Esmail Composer
  • Yasmin Williams Harp-Guitar
  • Marilda Santanna Samba
  • Barry Harris New York City
  • Hot Dougie's Brasil
  • Fernando Brandão Pífano
  • Teodor Currentzis Conducter
  • Fernando Brandão Flute
  • Teddy Swims Soul
  • Marcel Powell Rio de Janeiro
  • Matthew F Fisher Brooklyn, NY
  • Aruán Ortiz Cuba
  • Mary Halvorson Avant-Garde Jazz
  • John Doyle Irish Traditional Music
  • John McWhorter New York City
  • Alyn Shipton Radio Presenter
  • Mario Ulloa Salvador
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Brooklyn Rider String Quartet
  • Rosângela Silvestre Choreographer
  • Siobhán Peoples Irish Traditional Music
  • Kiko Freitas Drums
  • João Camarero Samba
  • Scotty Apex Rapper
  • Renato Braz Guitar
  • Alfredo Rodriguez Composer
  • Robb Royer Record Producer
  • Anna Webber Avant-Garde Jazz
  • Allen Morrison Jazz History Lecturer
  • David Castillo New Orleans
  • Rita Batista Bahia
  • Jeremy Danneman Ropeadope
  • Mario Caldato Jr. Keyboards
  • Manu Chao Multi-Cultural
  • Lucía Fumero Spain
  • Leo Nocentelli Songwriter
  • Taylor Eigsti New York City
  • Herbie Hancock Keyboards
  • James Andrews Singer
  • Serginho Meriti Samba
  • Hendrik Meurkens Vibraphone
  • Leonardo Mendes MPB
  • Andra Day Pop
  • McClenney Singer-Songwriter
  • Onisajé Bahia
  • Scotty Apex Hip-Hop
  • Kurt Andersen Playwright
  • Peter Erskine USC Thornton School of Music Faculty
  • Morgan Page House
  • Eric Alexander Saxophone
  • Adam Rogers New York City
  • Tim Hittle Director
  • Eddie Palmieri Puerto Rico
  • Nancy Viégas Indie Experimental
  • China Moses R&B
  • Kendrick Scott Jazz
  • Damion Reid R&B
  • Cristovão Bastos Rio de Janeiro
  • Natalia Contesse Guitar
  • Osvaldo Golijov Argentina
  • Áurea Martins Brasil, Brazil
  • Jan Ramsey Creole Music
  • Fernando César Composer
  • Jacob Collier Multi-Instrumentalist
  • Grant Rindner New York City
  • Chris Dave Composer
  • Aruán Ortiz Composer
  • Marco Pereira Guitar
  • Benny Benack III Singer-Songwriter
  • Tomo Fujita Berklee College of Music Faculty
  • Dale Farmer Folk & Traditional
  • Eamonn Flynn Irish Traditional Music
  • Nora Fischer Singer
  • Riley Baugus North Carolina
  • Giveton Gelin Jazz
  • Ivan Lins Singer-Songwriter
  • Fabian Almazan Jazz
  • VJ Gabiru Salvador
  • Abel Selaocoe Classical Music
  • Stephen Kurczy Journalist
  • Kareem Abdul-Jabbar Basketball
  • Mestre Barachinha Pernambuco
  • Bisa Butler Textile Artist
  • Ivan Bastos Baixo, Bass
  • Román Díaz Cuba
  • Joana Choumali Côte d’Ivoire
  • Alegre Corrêa Brazilian Jazz
  • Lolis Eric Elie Journalist
  • Papa Mali Singer-Songwriter
  • Gab Ferruz Brasil, Brazil
  • Martin Fondse Film Scores
  • Musa Okwonga Novelist
  • Lívia Mattos Bahia
  • Kiya Tabassian كيا طبسيان Montreal
  • John Morrison Music Journalist
  • Congahead African Music
  • Yunior Terry Afro-Cuban Jazz
  • Sharay Reed Composer
  • Curtis Hasselbring Brooklyn, NY
  • Jussara Silveira Singer
  • Taylor Eigsti Composer
  • Masao Fukuda Brazil
  • Mary Stallings San Francisco
  • Alê Siqueira Salvador
  • Taylor McFerrin Brooklyn, NY
  • Anthony Hamilton Los Angeles
  • Damion Reid Hip-Hop
  • Conrad Herwig New York City
  • Henrique Araújo Escola de Choro de São Paulo Faculty
  • Pallett Persian Music
  • Collins Omondi Okello Kenya
  • Chris Potter Jazz
  • Chris Dave Houston
  • Sandro Albert New York City
  • Reggie Ugwu New York City
  • Arturo O'Farrill Composer
  • Paul Mahern Mastering Engineer
  • Yvette Holzwarth Composer
  • Betão Aguiar Bass
  • Kaia Kater Banjo
  • Sam Eastmond Jazz, Klezmer, Jewish, World, Downtown
  • Katuka Africanidades AFROBIZ Salvador
  • Aditya Prakash Carnatic Music
  • Byron Thomas Programmer
  • Billy O'Shea Ireland
  • Bill Pearis Editor
  • Zeca Pagodinho Samba
  • Danilo Caymmi Record Producer
  • Sam Dagher Journalist
  • Aloísio Menezes Candomblé
  • Jonga Cunha Salvador
  • Gabriel Grossi MPB
  • Gilsons Salvador
  • Rick Beato Multi-Instrumentalist
  • Nara Couto Coreógrafa, Choreographer
  • Dale Farmer Appalachian Music
  • Henrique Cazes Brazil
  • LaTasha Lee Singer-Songwriter
  • Jeff Tweedy Poet
  • Rosa Cedrón Spain
  • Lazzo Matumbi Reggae
  • Flavio Sala Guitar Instruction, Master Classes
  • Yasmin Williams Singer-Songwriter
  • A-KILL India
  • Ana Luisa Barral Mandolin
  • César Camargo Mariano MPB
  • Leela James Blues
  • Linda May Han Oh New York City
  • Juçara Marçal São Paulo
  • Jorge Alfredo Roteirista, Screenwriter
  • John Waters Songwriter
  • Zakir Hussain Multi-Cultural
  • Sabine Hossenfelder Physicist
  • Joshua Abrams Chicago
  • Menelaw Sete Artista Plástico, Artist
  • Eliane Elias Brazil
  • Nguyên Lê Paris
  • Questlove Author
  • Hendrik Meurkens Jazz
  • Toninho Nascimento Belém do Pará
  • Carlinhos Brown Painter
  • Sheryl Bailey New York City
  • Case Watkins James Madison University Faculty
  • Fernando Brandão Jazz
  • Meshell Ndegeocello Singer-Songwriter
  • Casa da Mãe Bahia
  • Karla Vasquez Cooking Classes
  • Chris Acquavella Mandolin Instruction
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • Manassés de Souza Brazil
  • Dan Tyminski Nashville, Tennessee
  • Chris Dave Drums
  • Anthony Coleman Klezmer
  • Guto Wirtti Guitar
  • Weedie Braimah Jazz
  • Craig Ross Recording Engineer
  • Dan Moretti Berklee College of Music Faculty
  • Carla Visi Singer
  • Roots Manuva London
  • Jamie Dupuis Singer
  • Tiganá Santana Violão, Guitar
  • Antônio Queiroz Repente
  • Rez Abbasi Pakistani Music
  • Galactic Funk
  • Scotty Apex Composer
  • Laura Cole Singer-Songwriter
  • Kenny Garrett Composer
  • Rumaan Alam Essayist
  • Calypso Rose Calypso
  • Natalia Contesse Santiago
  • Jorge Aragão Singer-Songwriter
  • Ceumar Coelho Singer-Songwriter
  • Ana Moura Portugal
  • Lucía Fumero Piano
  • Léo Rodrigues Frevo
  • Sérgio Mendes Piano
  • Darius Mans Economist
  • Chucho Valdés Afro-Cuban Jazz
  • Carwyn Ellis Multi-Cultural
  • Bobby Vega R&B
  • Sarah Jarosz Guitar
  • Aubrey Johnson Queens College Faculty
  • Warren Wolf Percussion
  • Mona Lisa Saloy Louisiana
  • Kim André Arnesen Composer
  • Gal Costa Salvador
  • Tomoko Omura Composer
  • Chris Thile Folk & Traditional
  • Mauro Refosco Marimba
  • Benoit Fader Keita Mënik
  • Peter Evans Piccolo Trumpet
  • Harvey G. Cohen Cultural Historian
  • Maria Rita Samba
  • Joanna Majoko Zimbabwe
  • Júlio Lemos Brazil
  • Peter Dasent Piano
  • Jon Otis Percussion
  • Africania Candomblé
  • Oscar Peñas Multi-Cultural
  • Kenny Barron Jazz
  • Marcelo Caldi Accordion
  • Francisco Mela Cuba
  • Soweto Kinch MC
  • Asa Branca Samba de Roda
  • Alan Brain Washington, D.C.
  • Pierre Onassis Samba Reggae
  • Woz Kaly African Music
  • Menelaw Sete Pelourinho
  • Andy Romanoff Storyteller
  • Damon Albarn Singer-Songwriter
  • Gord Sheard Piano
  • Ned Sublette Cuba
  • Banning Eyre Radio Presenter
  • Carwyn Ellis Singer-Songwriter
  • Astrig Akseralian Cambridge, England
  • Yosvany Terry Jazz
  • Antônio Queiroz Bahia
  • Simon Brook Writer
  • Arto Tunçboyacıyan Armenian Folk Music
  • Walter Ribeiro, Jr. MPB
  • Bob Mintzer USC Thornton School of Music Faculty
  • Musa Okwonga Rapper
  • Tedy Santana Salvador
  • Jas Kayser Panama
  • Beats Antique Oakland, California
  • Dadá do Trombone Brasil, Brazil
  • Corey Henry Second Line
  • Caterina Lichtenberg Author
  • Bruce Molsky Berklee College of Music Faculty
  • Howard Levy Keyboards
  • Aneesa Strings Composer
  • Jason Marsalis Drums
  • Mingo Araújo Percussion
  • Gerson Silva Music Director
  • Oscar Bolão Brazil
  • Bob Mintzer Saxophone
  • Wayne Shorter Saxophone
  • Alê Siqueira Composer
  • Mingus Big Band New York City
  • Rez Abbasi Composer
  • Curtis Hasselbring Jazz
  • Beeple VJ Loops
  • Luiz Brasil Samba
  • Celso Fonseca Rio de Janeiro
  • Sophia Deboick Writer
  • Yvette Holzwarth Theater Sound Design
  • Orlando Costa Bahia
  • Stephen Kurczy Writer
  • Osvaldo Golijov College of the Holy Cross Faculty
  • Julian Lage Americana
  • Edu Lobo Brazil
  • Matt Garrison Record Producer
  • Barney McAll Composer
  • Gilad Hekselman Guitar Instruction
  • Sarah Jarosz Folk & Traditional
  • Shamarr Allen New Orleans
  • Donald Vega Piano Instruction
  • Marisa Monte Record Producer
  • Gonzalo Rubalcaba Cuba
  • Frank Beacham Journalist
  • Fabiana Cozza São Paulo
  • Gustavo Caribé Chula
  • Archie Shepp Paris, France
  • Courtney Pine Flute
  • Hilton Schilder Cape Town
  • Ricky (Dirty Red) Gordon Second Line
  • Imanuel Marcus Journalist
  • Chris Speed Composer
  • James Elkington Folk Rock
  • Carol Soares Santo Amaro
  • Miroslav Tadić Guitar
  • Moreno Veloso Pandeiro
  • Mahsa Vahdat Composer
  • Maria Drell Brasil, Brazil
  • PATRICKTOR4 Recife
  • Eric R. Danton Music Critic
  • Alain Mabanckou UCLA Faculty
  • Charles Munka Collage
  • Stefano Bollani Composer
  • David Chesky Contemporary Classical Music
  • Serginho Meriti Composer
  • Urânia Munzanzu Escritora, Writer
  • César Orozco Cuba
  • Cassandra Osei University of Illinois PhD Candidate
  • Guilherme Kastrup Drums
  • Horace Bray Jazz
  • Carlos Henriquez Bass
  • Nic Hard Audio Engineer
  • Zigaboo Modeliste Second Line
  • Jakub Knera Gdańsk
  • David Sánchez Pan-Africana
  • Thiago Espírito Santo Guitarra, Guitar
  • Cássio Nobre Bahia
  • Antonio García University of KwaZulu-Natal Faculty
  • Russell Malone Guitar

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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