Goran Krivokapić via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Goran Krivokapić:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Goran Krivokapić
- City: Cologne
- Country: Germany
My Life & Work
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Bio:
Goran won his first international competition at the age of fourteen, and continued to win eighteen more, including “Michele Pittaluga” in Alessandria, Italy (2000), “Andrés Segovia” in La Herradura, Spain (2000), Koblenz International Guitar Competition (2003), “Guitar Foundation of America” (GFA) in Montreal, Canada (2004), “Dr. Luis Sigall International Competition of Musical Performance” in Viña del Mar, Chile (2004).
Two Golden Guitar awards followed at the annual “International Guitar Convention in Alessandria” in Italy – 2005 as the best young guitarist of the year and 2006 for his debut CD. Since then he has performed all over Europe, North and South America, Asia, Africa and Russia, appearing at such prestigious halls as the Concertgebouw in Amsterdam, the Tchaikovsky Hall in Moscow, Lubkowitz Palace in Vienna, and Auditorio Conde Duque in Madrid.
As a performer, lecturer and adjudicator Goran Krivokapić is a frequent guest (both as soloist and with Danijel Cerović as a member of Montenegrin Guitar Duo) at many international festivals such as Festspiele Mecklenburg-Vorpommern, Festival Internacional de Música y Danza de Granada, Kotor Art, Koblenz International Guitar Festival, Forum Gitarre Wien, Iserlohn International Guitar Festival, GFA International Guitar Convention, A Tempo Festival, Guitar Art Festival, Shenyang Guitar Festival and Daejon Guitar Festival.
As a soloist he has performed with the Slovak Chamber Orchestra of Bohdan Warchal, Symphony Orchestra of Moscow “Russian Philharmony”, New Russian Symphony Orchestra, Turin Philharmonic Orchestra, Belgrade Philharmonic Orchestra, Montenegrin Symphony Orchestra, Romanian National Radio Orchestra, Folkwang Chamber Orchestra, Chilean Symphony Orchestra, Primavera Orchestra, Istanbul State Symphony Orchestra, St. George String Orchestra, Berliner Camerata, Philharmonic Orchestra Bremerhaven and Shenyang Symphony Orchestra.
Goran Krivokapić has given masterclasses, lectures on Bach and workshops at universities such as Grieg Academy (Norway), State University of New York, University of Toronto, Hochschule für Musik Detmold, Indiana University Jacobs School of Music, Florida State University, Conservatorium Maastricht, University of Cape Town, University of Texas at Dallas, Victoria Conservatory of Music, Chapman University, Royal Conservatory of Music in Montreal, Seoul National University, University of Manitoba, University of Texas in Brownsville, State Consevatory M.I. Glinka Nizhny Novgorod, University of Wisconsin, Loyola Marymount University in Los Angeles, Arkansas State University, University of Veracruz and Tianjin Conservatory.
He has been active in the “Rhapsody in School” project on a regular basis, an outreach initiative of Lars Vogt which devotes itself to bringing classical music into the classroom.
Regular broadcasts and interviews for television and radio include WDR, BBC, Hessischer Rundfunk, Bayerischer Rundfunk, Radio Bremen, Arte, Fox 7, WBGH Boston, Fine Music Radio, ClassicFM, ABC Classic and RTCG.
His recordings and performances have been highly praised and featured in Gramophone Magazine (UK), Classical Guitar Magazine (UK), Soundboard Magazine (USA), The WholeNote (Canada), Akustik Gitarre, Neue Musikzeitung, (Germany), Gendai Guitar Magazine (Japan), Musica, Seicorde, Il Fronimo and La Stampa (Italy), Les Cahiers de la Guitare (France), Beeld and Die Burger (South Africa), Vijesti and Mobilart (Montenegro).
Goran Krivokapić’s musical focus is on the development of new works for classical guitar, mainly through making his own transcriptions from the baroque and classical works, and collaborating with contemporary composers such as Gerard Drozd, Hendrik Hofmeyr and Atanas Ourkouzounov, who have dedicated several of their solo and chamber music works to him and Montenegrin Guitar Duo.
Montenegrin Guitar Duo performances have been highly acclaimed by both audience and critics who praise their live performances as well as their world premiere Naxos recording of J. S. Bach’s complete English Suites in two volumes, transcribed by the duo.
Born in 1979, Goran Krivokapić started his music education when he was eight with Mićo Poznanović at the Music School of Herceg Novi in Montenegro and furthered his studies at the Faculty of Music Art in Belgrade in the class of Srđan Tošić, graduating in 2000. He continued with Hubert Käppel and Roberto Aussel at the “Hochschule für Musik Köln” in Germany, where he graduated and received the “Konzertexamen” degree. He then pursued his master’s degree at the Conservatorium Maastricht, the Netherlands, under the tutelage of Carlo Marchione and Masters after Masters under the tutelage of Raphaella Smits at LUCA School of Arts Campus Lemmensinstituut in Leuven, Belgium. He is professor of guitar at the Hochschule für Musik und Tanz Köln, Germany. He is also teaching guitar at the Prince Claus Conservatory in Groningen (Netherlands) and at the Lemmensinstituut in Leuven, Belgium. He lives in Cologne with his wife and son.
Contact Information
- Email: gkrivokapic@yahoo.com
- Telephone: +49-174 3747 817
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Management/Booking:
For bookings in North America:
Aranjuez Artists, Inc.
(323) 875 8008
sean@aranjuezartists.com
My Media & Markets
- ▶ Instagram: gorankrivokapicguitar
- ▶ Website: http://goran-krivokapic.com
- ▶ YouTube Channel: http://www.youtube.com/channel/UCOiXp1lmU9EtIqW8kdF0rVg
- ▶ YouTube Music: http://music.youtube.com/channel/UCsZwMEm3ocRlSocutyRdO5A
- ▶ Spotify: http://open.spotify.com/album/2hqNajmCQRW6ALDaeFzwvE
- ▶ Spotify 2: http://open.spotify.com/album/6ihcxXsqbNTZiyOMK3M4NK
Clips (more may be added)
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
