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The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online).

 

 

Esse Matrix baiano foi fundado numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network).

 

 

This Bahian Matrix was founded on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Goran Krivokapić
    A video was posted re Goran Krivokapić:
    Goran Krivokapić - Sonata para guitarra by Antonio José (GFA International Guitar Convention 2020)
    00:00 I Allegro moderato 07:25 II Minueto 10:03 III Pavana triste 15:01 IV Final
    • October 10, 2020
  • Goran Krivokapić
    A video was posted re Goran Krivokapić:
    Goran Krivokapić plays Legnani Caprice 24 op.20 for the Legnani World Project
    This is part of the Legnani World Project: 36 renowned guitarists were asked to each record one of the caprices op. 20 by Luigi Legnani (1790-1877), thus marking 230 years of the guitar virtuoso composer's birth.
    • October 10, 2020
  • Goran Krivokapić
    A video was posted re Goran Krivokapić:
    Goran Krivokapić plays Concierto de Aranjuez by Joaquín Rodrigo, 1st movement
    Live recording with the Johannesburg Philharmonic Orchestra, conducted by William Eddins, 14.02.2020 at the Linder Auditorium, Johannesburg, South Africa.
    • October 10, 2020
  • Goran Krivokapić
    A category was added to Goran Krivokapić:
    Contemporary Classical Music
    • June 5, 2019
  • Goran Krivokapić
    A category was added to Goran Krivokapić:
    Serbia
    • June 5, 2019
  • Goran Krivokapić
    A category was added to Goran Krivokapić:
    Montenegro
    • June 5, 2019
  • Goran Krivokapić
    A category was added to Goran Krivokapić:
    Classical Guitar
    • June 5, 2019
  • Goran Krivokapić
    Goran Krivokapić is matrixed!
    • June 5, 2019
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CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Goran Krivokapić
  • City/Place: Cologne
  • Country: Germany

Life & Work

  • Bio: Goran won his first international competition at the age of fourteen, and continued to win eighteen more, including “Michele Pittaluga” in Alessandria, Italy (2000), “Andrés Segovia” in La Herradura, Spain (2000), Koblenz International Guitar Competition (2003), “Guitar Foundation of America” (GFA) in Montreal, Canada (2004), “Dr. Luis Sigall International Competition of Musical Performance” in Viña del Mar, Chile (2004).

    Two Golden Guitar awards followed at the annual “International Guitar Convention in Alessandria” in Italy – 2005 as the best young guitarist of the year and 2006 for his debut CD. Since then he has performed all over Europe, North and South America, Asia, Africa and Russia, appearing at such prestigious halls as the Concertgebouw in Amsterdam, the Tchaikovsky Hall in Moscow, Lubkowitz Palace in Vienna, and Auditorio Conde Duque in Madrid.

    As a performer, lecturer and adjudicator Goran Krivokapić is a frequent guest (both as soloist and with Danijel Cerović as a member of Montenegrin Guitar Duo) at many international festivals such as Festspiele Mecklenburg-Vorpommern, Festival Internacional de Música y Danza de Granada, Kotor Art, Koblenz International Guitar Festival, Forum Gitarre Wien, Iserlohn International Guitar Festival, GFA International Guitar Convention, A Tempo Festival, Guitar Art Festival, Shenyang Guitar Festival and Daejon Guitar Festival.

    As a soloist he has performed with the Slovak Chamber Orchestra of Bohdan Warchal, Symphony Orchestra of Moscow “Russian Philharmony”, New Russian Symphony Orchestra, Turin Philharmonic Orchestra, Belgrade Philharmonic Orchestra, Montenegrin Symphony Orchestra, Romanian National Radio Orchestra, Folkwang Chamber Orchestra, Chilean Symphony Orchestra, Primavera Orchestra, Istanbul State Symphony Orchestra, St. George String Orchestra, Berliner Camerata, Philharmonic Orchestra Bremerhaven and Shenyang Symphony Orchestra.

    Goran Krivokapić has given masterclasses, lectures on Bach and workshops at universities such as Grieg Academy (Norway), State University of New York, University of Toronto, Hochschule für Musik Detmold, Indiana University Jacobs School of Music, Florida State University, Conservatorium Maastricht, University of Cape Town, University of Texas at Dallas, Victoria Conservatory of Music, Chapman University, Royal Conservatory of Music in Montreal, Seoul National University, University of Manitoba, University of Texas in Brownsville, State Consevatory M.I. Glinka Nizhny Novgorod, University of Wisconsin, Loyola Marymount University in Los Angeles, Arkansas State University, University of Veracruz and Tianjin Conservatory.
    He has been active in the “Rhapsody in School” project on a regular basis, an outreach initiative of Lars Vogt which devotes itself to bringing classical music into the classroom.

    Regular broadcasts and interviews for television and radio include WDR, BBC, Hessischer Rundfunk, Bayerischer Rundfunk, Radio Bremen, Arte, Fox 7, WBGH Boston, Fine Music Radio, ClassicFM, ABC Classic and RTCG.
    His recordings and performances have been highly praised and featured in Gramophone Magazine (UK), Classical Guitar Magazine (UK), Soundboard Magazine (USA), The WholeNote (Canada), Akustik Gitarre, Neue Musikzeitung, (Germany), Gendai Guitar Magazine (Japan), Musica, Seicorde, Il Fronimo and La Stampa (Italy), Les Cahiers de la Guitare (France), Beeld and Die Burger (South Africa), Vijesti and Mobilart (Montenegro).

    Goran Krivokapić’s musical focus is on the development of new works for classical guitar, mainly through making his own transcriptions from the baroque and classical works, and collaborating with contemporary composers such as Gerard Drozd, Hendrik Hofmeyr and Atanas Ourkouzounov, who have dedicated several of their solo and chamber music works to him and Montenegrin Guitar Duo.

    Montenegrin Guitar Duo performances have been highly acclaimed by both audience and critics who praise their live performances as well as their world premiere Naxos recording of J. S. Bach’s complete English Suites in two volumes, transcribed by the duo.

    Born in 1979, Goran Krivokapić started his music education when he was eight with Mićo Poznanović at the Music School of Herceg Novi in Montenegro and furthered his studies at the Faculty of Music Art in Belgrade in the class of Srđan Tošić, graduating in 2000. He continued with Hubert Käppel and Roberto Aussel at the “Hochschule für Musik Köln” in Germany, where he graduated and received the “Konzertexamen” degree. He then pursued his master’s degree at the Conservatorium Maastricht, the Netherlands, under the tutelage of Carlo Marchione and Masters after Masters under the tutelage of Raphaella Smits at LUCA School of Arts Campus Lemmensinstituut in Leuven, Belgium. He is professor of guitar at the Hochschule für Musik und Tanz Köln, Germany. He is also teaching guitar at the Prince Claus Conservatory in Groningen (Netherlands) and at the Lemmensinstituut in Leuven, Belgium. He lives in Cologne with his wife and son.

Contact Information

  • Email: [email protected]
  • Telephone: +49-174 3747 817
  • Management/Booking: For bookings in North America:
    Aranjuez Artists, Inc.
    (323) 875 8008
    [email protected]

Media | Markets

  • ▶ Instagram: gorankrivokapicguitar
  • ▶ Website: http://goran-krivokapic.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCOiXp1lmU9EtIqW8kdF0rVg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCsZwMEm3ocRlSocutyRdO5A
  • ▶ Spotify: http://open.spotify.com/album/2hqNajmCQRW6ALDaeFzwvE
  • ▶ Spotify 2: http://open.spotify.com/album/6ihcxXsqbNTZiyOMK3M4NK

Clips (more may be added)

  • 0:19:47
    Goran Krivokapić - Sonata para guitarra by Antonio José (GFA International Guitar Convention 2020)
    By Goran Krivokapić
    220 views
  • 1:13
    Goran Krivokapić plays Legnani Caprice 24 op.20 for the Legnani World Project
    By Goran Krivokapić
    151 views
  • 0:06:10
    Goran Krivokapić plays Concierto de Aranjuez by Joaquín Rodrigo, 1st movement
    By Goran Krivokapić
    167 views
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 1 Classical Guitar
  • 1 Contemporary Classical Music
  • 1 Montenegro
  • 1 Serbia

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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