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  • Joanna Majoko

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Joanna Majoko
  • City/Place: Toronto
  • Country: Canada

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: For many Canadian music fans, the name Joanna Majoko is a familiar one: the Toronto-based vocalist, composer, and bandleader has established a reputation as one of Canada’s most exciting young singers. Majoko has been a regular presence on the bandstand with some of the country’s top musicians, including Jane Bunnett and Maqueque, David Clayton-Thomas, of Blood, Sweat and Tears, and Larnell Lewis, of Snarky Puppy. She has performed at some of the world’s biggest festivals, such as the Montreal Jazz Festival, France’s Jazz sur son 31 Festival, and Switzerland’s Internationales Jazz festival Bern, where she participated in a week-long residency with Maqueque. Majoko has also been the recipient of a number of notable accolades, including Jazz Artist of the Year at the 2019 ByBlacks People’s Choice Awards, major grants from the Toronto Arts Council, the Ontario Arts Council, the Canada Council, and FACTOR, and has been a master class artist at Humber College and the University of Toronto.

    Born in Germany to German and Zimbabwean parents, Majoko spent the majority of her childhood in Zimbabwe, where she grew up speaking Shona and German and participating in choirs, musicals, drum ensembles, and traditional Zimbabwean dance groups. From Zimbabwe, Majoko moved briefly to South Africa; then, at the age of fourteen, she and her family moved to Manitoba. It was at the University of Manitoba that Majoko would become immersed in jazz, and would hone her skills as a vocalist, composer, and bandleader. Later, a move to Toronto would prove to be the catalyst for the next stage of her career. In Toronto’s rich, multi-faceted musical community, Majoko found a steady stream of festivals, radio stations, and club programmers who were eager to hear her voice, both as a guest vocalist and with her own successful group. Majoko has been a fixture at the Toronto Jazz Festival, on Jazz FM, at clubs such as The Rex and Poetry, and at major venues, including the Harbourfront Centre and the Canadian Opera Company’s Richard Bradshaw Amphitheatre. In addition to her talents as a vocalist, composer, and arranger, Majoko has expanded her skills as a multi-instrumentalist, developing a sense of advanced rhythmic independence by incorporating the caxixi and claves into her performance practice. This year, she adds another important entry to her list of accomplishments: the release of her debut EP, No Holding Back.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://joannamajoko.com/connect

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://joannamajoko.bandcamp.com
  • ▶ Twitter: itsjoannamajoko
  • ▶ Instagram: itsjoannamajoko
  • ▶ Website: http://joannamajoko.com
  • ▶ YouTube Channel: http://www.youtube.com/user/joannamajokomusic
  • ▶ YouTube Music: http://music.youtube.com/channel/UCJulQchwdn0UNQSQDjirGIw
  • ▶ Spotify: http://open.spotify.com/album/0HgjbVEarGm4oh3H05SI1n
  • ▶ Spotify 2: http://open.spotify.com/album/1t2mWhb24ikSlgzwBQzyqE
  • ▶ Spotify 3: http://open.spotify.com/album/2qly0pOWtBwAq8THrUFawo

Clips (more may be added)

  • 4:21
    Joanna Majoko - Where You Are (Official Music Video)
    By Joanna Majoko
    195 views
  • 4:22
    Joanna Majoko - "Softly As In A Morning Sunrise", Live @ UMFM
    By Joanna Majoko
    195 views
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Joanna Majoko Curated (bridges in)

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  • Joanna Majoko
    A video was posted re Joanna Majoko:
    Joanna Majoko - Where You Are (Official Music Video)
    Listen to debut EP, No Holding Back
    • April 3, 2021
  • Joanna Majoko
    A video was posted re Joanna Majoko:
    Joanna Majoko - "Softly As In A Morning Sunrise", Live @ UMFM
    Joanna Majoko performing a rendition of the jazz standard, 'Softly As In A Morning Sunrise'.
    • April 3, 2021
  • Joanna Majoko
    A category was added to Joanna Majoko:
    Germany
    • April 3, 2021
  • Joanna Majoko
    A category was added to Joanna Majoko:
    Zimbabwe
    • April 3, 2021
  • Joanna Majoko
    A category was added to Joanna Majoko:
    Toronto
    • April 3, 2021
  • Joanna Majoko
    A category was added to Joanna Majoko:
    Jazz
    • April 3, 2021
  • Joanna Majoko
    A category was added to Joanna Majoko:
    Singer-Songwriter
    • April 3, 2021
  • Joanna Majoko
    Joanna Majoko is matrixed!
    • April 3, 2021
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Andra Day Singer-Songwriter
  • Wayne Escoffery Composer
  • Ilê Aiyê Bahia
  • Toninho Nascimento Singer-Songwriter
  • Liberty Ellman Audio Engineer
  • Antônio Queiroz Forró
  • Ben Williams Jazz
  • Irmandade da Boa Morte Samba de Roda
  • José James Singer-Songwriter
  • Gabriel Policarpo Ritmista
  • Otto Brazil
  • Karsh Kale कर्ष काळे EDM
  • June Yamagishi Blues
  • George Cables Piano
  • Swami Jr. Guitar
  • Utar Artun Microtonal
  • John Schaefer Writer
  • Abhijith P. S. Nair Indian Fusion
  • Michael League Record Producer
  • Karim Ziad Jazz
  • Raul Midón Singer
  • Imanuel Marcus Germany
  • RAM Haiti
  • Ibram X. Kendi Essayist
  • Jared Sims Funk
  • Lula Galvão Samba
  • Jonathan Scales New York City
  • Paulo César Pinheiro MPB
  • Shamarr Allen Funk
  • Joachim Cooder Percussion
  • Estação Primeira de Mangueira Escola de Samba, Samba School
  • Guilherme Kastrup Percussion
  • Guillermo Klein Argentina
  • Martin Fondse Multi-Cultural
  • Colson Whitehead Writer
  • Jen Shyu Multi-Cultural
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Stefan Grossman Guitar Instruction
  • Felipe Guedes Brazil
  • Dermot Hussey Pan-Africana
  • Bisa Butler Quilts
  • J. Pierre Muralist
  • Kendrick Scott Drums
  • Capinam Diretor de Museu, Museum Director
  • Johnny Lorenz Essayist
  • Becca Stevens Singer-Songwriter
  • Jason Parham Publisher
  • Seckou Keita Senegal
  • Linda May Han Oh Bass
  • Itiberê Zwarg Multi-Instrumentalist
  • Pretinho da Serrinha Cavaquinho
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • Sarz Multi-Instrumentalist
  • Teddy Swims Singer-Songwriter
  • Vijay Iyer Jazz
  • Joey Alexander Jazz
  • Ron Mader Communications Catalyst
  • Edmar Colón Berklee College of Music Faculty
  • Larissa Luz Bahia
  • Yunior Terry Violin
  • Carlos Lyra Brazil
  • Fapy Lafertin Guitar
  • Greg Spero Keyboards
  • Paulinho da Viola Samba
  • Negrizu Afoxé
  • Amilton Godoy MPB
  • Adonis Rose Composer
  • Bill Pearis Editor
  • Virgínia Rodrigues MPB
  • Vivien Schweitzer Piano
  • Tommaso Zillio Author
  • Raelis Vasquez Afro-Latinx Art
  • Bisa Butler Black American Culture & History
  • Dafnis Prieto Master Classes, Clinics, Workshops
  • Shoshana Zuboff Author
  • Louis Michot Western Swingbilly Cajun Punk
  • Omer Avital Brooklyn, NY
  • Leo Genovese Multi-Instrumentalist
  • Asanda Mqiki Jazz
  • Woody Mann Guitar Instruction
  • Juçara Marçal Brazil
  • Dafnis Prieto Afro-Cuban Jazz
  • Gino Sorcinelli Journalist
  • Richie Stearns Bluegrass
  • Irmandade da Boa Morte Candomblé
  • Aaron Parks Ropeadope
  • Arismar do Espírito Santo Choro
  • Liron Meyuhas Multi-Cultural
  • Sebastian Notini Percussão, Percussion
  • Edivaldo Bolagi Brasil, Brazil
  • Joshue Ashby Timba
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • J. Period Remixer
  • Mike Marshall Guitar
  • Nublu Istanbul
  • Fred P Electronic Music
  • Ana Tijoux Santiago
  • Peter Evans Piccolo Trumpet
  • Biréli Lagrène France
  • João Camarero Rio de Janeiro
  • Matias Traut Jazz Brasileiro, Brazilian Jazz
  • Stephen Kurczy Journalist
  • Woody Mann Blues
  • Ben Harper R&B
  • Nailor Proveta Samba
  • Jeff Parker Multi-Instrumentalist
  • Nabil Ayers Writer
  • Jessie Reyez Hip-Hop
  • Lenny Kravitz Photographer
  • Rick Beato Educator
  • Laércio de Freitas Piano
  • Molly Jong-Fast Writer
  • John Edward Hasse Author
  • Gab Ferruz Salvador
  • Bruno Monteiro Produtor Musical, Music Producer
  • Sunn m'Cheaux Storyteller
  • Marc Cary Composer
  • Nabihah Iqbal Radio Presenter
  • Jess Gillam Contemporary Classical Music
  • Sam Harris Piano
  • Reza Filsoofi Setar
  • Mike Compton Old-Time Music
  • Dieu-Nalio Chery Photojournalist
  • Tomoko Omura Multi-Cultural
  • Carlos Lyra Rio de Janeiro
  • Jerry Douglas Record Producer
  • Tomo Fujita Guitar
  • Bill Summers New Orleans
  • Del McCoury Guitar
  • Donny McCaslin Jazz
  • Jonathan Scales Steel Pans
  • Paulinho Fagundes Guitar
  • Ana Tijoux Chile
  • Isaac Butler Cultural Critic
  • Luciano Matos DJ
  • Academia de Música do Sertão Conceição do Coité
  • Brian Lynch Composer
  • Paolo Fresu Sardinia
  • Vik Sohonie Ostinato Records
  • Sarah Hanahan Juilliard Student
  • Tim Hittle Writer
  • Loli Molina Argentina
  • Brandon Wilner DJ
  • Melanie Charles Beatmaker
  • Ron Mader Writer
  • Jessie Montgomery Composer
  • Dee Spencer Composer
  • Darol Anger Record Producer
  • John Patrick Murphy Sanfona
  • Maria Bethânia Bahia
  • Rebeca Omordia London
  • Joyce Moreno Rio de Janeiro
  • David Byrne Record Label Owner
  • Taylor Eigsti Composer
  • Alberto Pitta Serígrafo, Silkscreener
  • Kiko Freitas Samba
  • Jakub Knera Musical Event Producer
  • Dona Dalva Cachoeira
  • Jason Treuting Composer
  • Walter Pinheiro Frevo
  • Eduardo Kobra Brasil, Brazil
  • Caoimhín Ó Raghallaigh Composer
  • Igor Levit Classical Music
  • Sérgio Mendes Piano
  • Iara Rennó Cantora-Compositora, Singer-Songwriter
  • Grégoire Maret New York City
  • Djamila Ribeiro Brasil, Brazil
  • Brian Blade Jazz
  • Liz Pelly Brooklyn, NY
  • Arthur Jafa Video Artist
  • Tero Saarinen Dancer
  • Piti Canella Bahia
  • Matt Ulery Multi-Instrumentalist
  • António Zambujo Portugal
  • Maia Sharp Country
  • Ethan Iverson Piano
  • Siba Veloso Viola Nordestina
  • Marcelinho Oliveira Brazil
  • Speech Singer-Songwriter
  • Del McCoury Bluegrass
  • Carlos Lyra Singer-Songwriter
  • Kurt Andersen Radio Presenter
  • Samuel Organ Guitar
  • Toumani Diabaté Africa
  • Swami Jr. São Paulo
  • Tal Wilkenfeld Singer-Songwriter
  • Tierra Whack Philadelphia
  • Sanjay K Roy Television Producer
  • Jim Farber Clive Davis Institute of Recorded Music Faculty
  • Rick Beato Record Producer
  • Gilson Peranzzetta Composer
  • Karla Vasquez Los Angeles
  • Mika Mutti Los Angeles
  • Márcio Valverde Singer-Songwriter
  • Arturo Sandoval Afro-Cuban Jazz
  • Tonynho dos Santos Salvador
  • Clint Mansell Multi-Instrumentalist
  • Marcello Gonçalves Violão de Sete
  • Alexandre Vieira Compositor, Composer
  • Jorge Glem Composer
  • David Fiuczynski Berklee College of Music Faculty
  • Keola Beamer Composer
  • Art Rosenbaum Banjo
  • Dhafer Youssef ظافر يوسف Composer
  • Siobhán Peoples County Clare
  • Carl Joe Williams Sculptor
  • Laura Beaubrun Choreographer
  • Cathal McNaughton Photojournalist
  • Tab Benoit Guitar
  • Neymar Dias Viola Caipira
  • Robb Royer Screenwriter
  • Gord Sheard Composer
  • Michael League Record Label Owner
  • Sammy Britt Artist
  • Marcus Gilmore New York City
  • Philip Cashian Composer
  • BIGYUKI Japan
  • Tom Wilcox Accountant
  • Paddy Groenland World Music
  • Raymundo Sodré Samba
  • Paulão 7 Cordas Record Producer
  • Gabriel Policarpo Brazil
  • Anthony Hervey Composer
  • Adriene Cruz Quilts
  • Joshua Abrams Guimbri
  • Bebê Kramer Choro
  • Bonerama R&B
  • Romulo Fróes MPB
  • Nettrice R. Gaskins STEAM Advocate
  • Celso Fonseca Guitar
  • Yotam Silberstein Jazz
  • William Skeen USC Thornton School of Music Faculty
  • Munir Hossn Multi-Cultural
  • Welson Tremura Latin American Classical Guitar
  • Saileog Ní Cheannabháin Theater Composer
  • Richard Galliano Paris, France
  • Lakecia Benjamin Composer
  • Tom Wilcox Music & Arts Consultant
  • Luiz Brasil Guitar
  • Arthur L.A. Buckner Jazz
  • Joe Fiedler Jazz
  • Rodrigo Caçapa Pernambuco
  • Kalani Pe'a Hawaiian Music
  • Bruno Monteiro Salvador
  • Armandinho Macêdo Choro
  • Rodrigo Caçapa Percussion
  • Edsel Gomez Jazz
  • Brady Haran Video Journalist
  • John Donohue Artist
  • Lula Moreira Cultural Producer
  • Caroline Shaw NYU Faculty
  • Laura Marling London
  • Nabil Ayers Drums
  • Cleber Augusto Samba
  • John Patrick Murphy Brazilian Music
  • Leela James Jazz
  • Hugo Linns Recife
  • Sandro Albert Record Producer
  • Jan Ramsey Creole Music
  • Marcus Gilmore Composer
  • Lynn Nottage Playwright
  • Ed Roth Los Angeles
  • Olodum Salvador
  • Larnell Lewis Composer
  • Mayra Andrade Cape Verde
  • Tiganá Santana Salvador
  • Bill Laurance Multi-Instrumentalist
  • Stefano Bollani Classical Music
  • César Camargo Mariano Brazilian Jazz
  • Robert Randolph Singer-Songwriter
  • Shabaka Hutchings Jazz
  • Ron McCurdy Composer
  • Alex de Mora Documentary Filmmaker
  • Musa Okwonga Writer
  • Eric R. Danton Writer
  • Bob Mintzer Composer
  • Geovanna Costa Salvador
  • Ken Dossar Philadelphia
  • Oscar Bolão Samba
  • Ethan Iverson Jazz
  • Brandon Coleman Jazz, Funk, R&B, Soul
  • Tyler Hayes Tech Writer
  • Adriano Giffoni Author
  • David Bruce Contemporary Classical Music
  • Arthur Verocai MPB
  • Sebastian Notini Bahia
  • Chucho Valdés Afro-Cuban Jazz
  • OVANA Cunene
  • Michael Sarian Electronic Avant-Garde
  • Paulo Paulelli MPB
  • Terrace Martin Ropeadope
  • Courtney Pine Flute
  • Peter Slevin Journalist
  • Larry McCray Blues
  • John Waters Writer
  • Barney McAll Jazz
  • Philip Glass Film Scores
  • Christian McBride Jazz
  • Amy K. Bormet Singer
  • Raynald Colom Trumpet
  • Dona Dalva Samba de Roda
  • Joe Newberry Bluegrass
  • Antonio Adolfo Bossa Nova
  • Maciel Salú Composer
  • Beeple Graphic Designer
  • Negrizu Dançarino, Dancer
  • Matt Glaser Fiddle
  • Lívia Mattos Accordion
  • Yazhi Guo 郭雅志 Suona
  • Larry Achiampong Multidisciplinary Artist
  • Jay Blakesberg San Francisco
  • Chris Speed Avant-Garde Jazz
  • Gerson Silva Record Producer
  • Corey Ledet Creole Music
  • Siphiwe Mhlambi Jazz Photographer
  • Little Dragon Synthpop
  • Dona Dalva Brazil
  • Manu Chao Multi-Cultural
  • Billy Strings Guitar
  • Casa da Mãe Chula
  • Carol Soares Brazil
  • Luê Soares Violino, Violin
  • Stefon Harris Manhattan School of Music Faculty
  • China Moses Actor
  • Nonesuch Records Jazz
  • Gary Clark Jr. Guitar
  • Jorge Washington Bahia
  • Román Díaz Havana
  • David Greely Songwriter
  • Romero Lubambo New York City
  • Tom Wilcox Record Producer
  • Mike Compton Mandolin
  • Myron Walden Jazz
  • Shannon Ali New York City
  • Kíla Irish Traditional Music
  • Guinha Ramires Multi-Instrumentalist
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