Bio:
Since arriving in NYC in 1975, David Murray has established himself as one of the preeminent saxophone players and leaders of jazz. He has released over 200 albums under his own name, working with the likes of Max Roach, Randy Weston, Pharoah Sanders, McCoy Tyner, Taj Mahal, Mal Waldron, Amiri Baraka, Jerry Garcia, Doudou N’daye Rose, Cassandra Wilson, Jason Moran, Macy Gray, Omara Portuando, Saul Williams, Vijay Iyer, Quest Love, Black Thought, and Gregory Porter to name a few. He is also a founding member of the groundbreaking World Saxophone Quartet which toured and recorded for 40 years.
As well as being a well known bandleader, he is a noteworthy composer and arranger providing memorable melodies and harmonies. His approach to improvisation is instantly recognizable. Even in its freest flights, he acknowledges the gravity of a tradition he honors more than most, combining all the influences he grew out of: gospel, jazz, free/avant-garde jazz, rhythm’n blues, R&B and, in his associations with writers, poetry. The great Cecil Taylor compared him to his greatest predecessors who had signature sounds: “You stick your ear in the door, you know it’s David!’’
His most recent trio, The Brave New World Trio, released an album May 2022 after touring for 2 years. The critics unanimously agree that he is at the top of his game! “The concept of freedom expressed here involves drawing freely from myriad styles, minting them into music that is both uncompromisingly rigorous and directly communicative.” (Downbeat, July 2022)
David Murray goes down as a worthy successor for some of the biggest names in jazz, and he is now contributing to the rise of many young talents acclaimed by the critics.
Contact Information
Management/Booking:
Artist manager
Francesca Cinelli Murray
+19176285230 [email protected]
David Murray (tenor saxophone)
Lee Odom (alto saxophone and clarinet)
Craig Harris (trombone)
Josh Evans (trumpet)
Mingus Murray (guitar)
Dezron Douglas (bass)
David Bryant (piano)
Russel Carter (drums)
David Murray's innovative octet, perhaps the best vehicle for his formidable composing and arranging skills, released eight recordings on a steady basis between the '70s and the '2000s. In his words, "My wish for a "Revival" of this octet with a new and fresh line-up seems to be the direction in which the music is taking me, as a way to inspire others and motivate a new crew of creative musicians."
The Octet Revival album is forthcoming and the band has been on the road already, having just recently performed at the Guimarães Jazz Festival in Portugal.
Flowers for Albert (D.Murray)
David Murray – sax
Brad Jones – contrabbasso
Hamid Drake – batteria
Mercoledì 17 novembre 2021 – Sala dei Giganti al Liviano, Padova
Matrix team-member Darius Mans, Economist (PhD, MIT), president of Africare (largest aid organization in Africa), presents Africare award to Lula (2012). From 2000 to 2004 Darius served as the World Bank’s Country Director for Mozambique and Angola, leading a team which generated $150 million in annual lending, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment. Darius lives between Washington D.C. and Salvador, Bahia.
IV. LET THERE BE PATHWAYS!
"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
— Susan Rogers, Personal recording engineer for Prince at Paisley Park Recording Studio; Director, Music Perception & Cognition Laboratory, Berklee College of Music
"Many thanks for this - I am touched!" — Julian Lloyd Webber
"I'm truly thankful... Sohlangana ngokuzayo :)" — Nduduzo Makhathini, Blue Note Records
"Thanks, this is a brilliant idea!!" — Alicia Svigals, Klezmer violin, Founder of The Klezmatics
"This is super impressive work ! Congratulations ! Thanks for including me :)))" — Clarice Assad
"Thank you" — Banch Abegaze, manager, Kamasi Washington
The Matrix uncoils from the Recôncavo of Bahia, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made evolved...
...all essentially cut off from the world at large. But after 40,000 years of artistic creation by mankind, it's finally now possible to create bridges closely interconnecting all artists everywhere (having begun with the Saturno brothers above).
By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.
Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.
Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
