Bio:
Vijay Gupta is a violinist and social justice advocate. An esteemed performer, communicator, and citizen-artist, Gupta is a leading advocate for the role of the arts and music to heal, inspire, provoke change, and foster social connection. Gupta is the founder and Artistic Director of Street Symphony, a non-profit organization providing musical engagement, dialogue and teaching artistry for homeless and incarcerated communities in Los Angeles.
Recognized for his “dedication to bringing beauty, respite, and purpose to those all too often ignored by society while demonstrating the capacity of music to validate our shared humanity”, Vijay Gupta is a 2018 John D. and Catherine T. MacArthur Fellow.
Vijay Gupta is a celebrated speaker, educator and advocate, and works as a consultant and guest lecturer with education, performance and presentation institutions across the US and Canada. He currently serves on the faculty of The Colburn School and Longy School of Music and is the Senior Program and Artistic Advisor of Young Musician’s Foundation, an LA-based musical training, performance and advocacy organization. Gupta also serves on the board of directors of the DC-based national arts advocacy organization Americans for the Arts, as well as Los Angeles’s beloved 24th Street Theatre.
An acclaimed violinist and seasoned international performing artist since the age of 8, Gupta made his solo debut with the Israel Philharmonic Orchestra under the baton of Zubin Mehta at age 11. In 2007, at 19, Gupta joined the Los Angeles Philharmonic Orchestra, and served as a member of the First Violin section through 2018. He has appeared as a guest concertmaster with the Los Angeles Opera and the Philharmonia Orchestra of London, and is an active recitalist, soloist and chamber musician.
Gupta holds a BS in biology from Marist College (‘05) and an MM in violin performance from the Yale School of Music (‘07). Gupta is the recipient of numerous awards and honors, including an honorary Doctor of Humane Letters by the University of La Verne and the 2017 Leonard Bernstein Lifetime Achievement Award from the Longy School of Music. Gupta is a 2017 Citizen Artist Fellow with the John F. Kennedy Center for the Performing Arts and a 2011 TED Senior Fellow.
Gupta is represented as a speaker by the Lavin Agency and performs on a 2015 violin made by Los Angeles maker Eric Benning.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).