Every one of the 7.7 billion of us is connected to most every other everywhere within a chain of 6 or fewer steps. The Matrix applies this phenomenon to artists. Brandon Coleman is steps away from every artist encompassed by this matrix, and by logical extension, everybody on earth.
"I CURATE!" steps forward (curator indicated beneath curations). "Brandon Coleman, curated" steps backward (curators indicated on respective pages).
I CURATE!
Brandon Coleman, curated
I CURATE!
- Curations by: The Matrix via ↴
Who I Am & Where I Live
- Name: Brandon Coleman
- City: Los Angeles, California
- Country: United States
My Life & Work
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Bio:
Bending the future of sound, taking ivory and ebony to destinations unknown, is keyboard maestro, vocalist, composer, producer, arranger and astral traveler Brandon Coleman. A regular fixture with Babyface, Donald Glover, Flying Lotus, and Kamasi Washington’s band, Coleman represents a new chapter in the evolution of jazz and funk fusion. His celebrated sophomore album, Resistance, released in late 2018, brought him “All Around The World” to Japan, South America, and Europe alongside Kamasi and traveling North America to support Flying Lotus, with his future funk band, Brandon Coleman’s SpaceTalker.
“For those accustomed to Coleman’s role laying the foundation for expansive spiritual-jazz explorations in Kamasi Washington’s band, it’s revelatory to hear him so spry on his feet and down to get down. If his work with Washington contains all the weight and gravitas of Sunday church, Coleman’s Resistance has all the fun, breeziness- and yes, sunlight- of an afternoon church picnic,” said Andy Beta of Pitchfork. At a typical Brandon Coleman show, whether trio, quartet, quintet, sextet, septet or SpaceTalker, it’s common to get the entire Sunday extravaganza.
from https://www.foxperformances.com/artist-roster/brandon-coleman
Contact Information
- Record Company: Brainfeeder
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://brandon-coleman.bandcamp.com
- ▶ Twitter: BrandonColeKeys
- ▶ Instagram: brandoncoleman
- ▶ YouTube Channel: http://www.youtube.com/channel/UCU7hFZ6FjWtGTb3MK2-IHvQ
- ▶ YouTube Music: http://music.youtube.com/channel/UCJztSoJx89SkMtMcY9qs4cQ
- ▶ Spotify: http://open.spotify.com/album/5CoW7EEjCrnqM6ChKHmtE0
- ▶ Spotify 2: http://open.spotify.com/album/6o6BMJ5jsTJApjDHeEl8OE
- ▶ Spotify 3: http://open.spotify.com/album/0KCS1fUY06johTjOmISE2l
- ▶ Spotify 4: http://open.spotify.com/album/0Ltvb0U1l3jPXv7j6dSL3E
- ▶ Spotify 5: http://open.spotify.com/album/6mHBzghmqQjofqqea2anGU
- ▶ Spotify 6: http://open.spotify.com/album/7IX6id1lCZoVEBSE8DhO4h
- ▶ Article: http://daily.bandcamp.com/features/brandon-coleman-interview
More
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Quotes, Notes & Etc.
Brainfeeder is proud to present “Resistance” - a funk odyssey by keyboard maestro, vocalist, composer, producer, arranger and astral traveller Brandon Coleman. A regular fixture in the Kamasi Washington band, wylin’ out on the keys or wielding his keytar, he is introduced onstage at gigs as “Professor Boogie” by his longtime friend and collaborator. “Resistance” represents a new chapter in the Funk dynasty that spans George Clinton / Parliament Funkadelic and Zapp through to Dr. Dre, DJ Quik and Dam Funk as the Los Angeles resident salutes his musical heroes - Herbie Hancock, Peter Frampton, Roger Troutman - and honours their ethos of freedom and experimentation in his search for Funk’s future.
“Resistance” is a powerful statement from an artist who is passionate about hybridity and innovation - stitching together threads from jazz, disco, boogie, R&B, electro, soul and Funk. “I’ve been in the studio a lot in recent years, writing with this or that artist and I always felt constrained… like I had to compromise and submit to a ‘pop’ sensibility,” he explains. “This time I just wanted to create something that was really free… something original… to incorporate all the styles that I represent, because often when I’ve tried to do that in the past it’s been met with resistance.”
The list of artists with whom Coleman has collaborated is simultaneously inspiring and exhausting. From Ciara to Mulatu Astatke and Childish Gambino to Shuggie Otis… but one of his most consistent studio partners during the last decade has been R&B icon Babyface. “I’ve learned a lot from him… working on countless projects… he would just call me at any time and say: ‘Hey man, I’m in the studio with Aretha Franklin at the piano and I want you to come in and help us arrange some songs.’ And I would be like: ‘Erm ok, I’m on my way’,” he shakes his head and laughs. “Those experiences shaped the way I hear and appreciate music”.
Coleman’s epiphany came aged 16 when he’d only really just taken up piano. “My brother gave me a Herbie Hancock record - ‘Sunlight’,” he says. “I put it on and just kept listening to it on repeat ‘cos I couldn’t fathom how he was singing like that… it sounded electric. That was it for me.” Utterly bewitched by the marriage of human touch and robotic texture in those vocals, he moved on to Peter Frampton and Roger Troutman (celebrated for their mastery of the talk box) and decided to create his own signature synth patch for his vocals. “I wanted to take it further… if Siri could sing, this is how Siri would sing,” he laughs.
It is fitting that “Resistance” should arrive on the imprint founded by Flying Lotus - a perpetual free-thinker and champion of genre-exploding. “I can remember the first time I met him,” says Brandon. “It was at a ‘Suite For Ma Dukes’ rehearsal with Miguel Atwood-Ferguson and I walked in and noticed this mad set-up with crazy pedals and stuff and I’m usually the guy who has that. Who the hell does this guy think he is, doing what I do but different gear?… and then I was like ‘Holy shit - this is Flying Lotus!’” The pair have subsequently worked together on music for Bladerunner, FlyLo’s directorial debut Kuso and Brandon plays on “Until The Quiet Comes” and “You’re Dead!” too. It was an easy decision to sign the album to Brainfeeder: “It just feels like family, y’know?”, he explains. “Stephen [Thundercat] is there… plus I’ve toured a lot with Kamasi and the type of shows we were playing - the venues and the crowds - it wasn’t a jazz audience and I dug that. I feel like that was something that Brainfeeder brought to the table”.