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  • No princípio...
  • In the beginning...

The Birth of the Matrix →

No princípio...

Imagine um Facebook que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem.

 

Imagine uma versão atualizada do antigo Myspace Music, que incluiria não apenas músicos, mas todos da economia criativa global da humanidade.

 

E imagine que ao invés de ter "amigos", recomendaria as pessoas pelo que fazem...

 

E que, por alguma mágica fantástica, todos nessa rede imaginária tenderiam a estar a poucos passos de todos os outros, o que significa que todos em nossa rede seriam potencialmente encontrados por todos os outros na rede, e no planeta.

 

Você está imaginando o Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a Facebook that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did.

 

Imagine an updated version of old Myspace Music, which would include not just musicians but all in humanity's global creative economy.

 

And imagine that rather than having "friends", one would recommend people for what they do...

 

And that by some fantastic magic everybody in this imaginary network would tend to be within scant steps of everybody else, meaning that everybody in our network would be potentially findable by everybody else in the network, and on the planet.

 

You are imagining the Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Brandon Coleman)
    I RECOMMEND
    You can recommend Brandon Coleman from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Brandon Coleman
  • City/Place: Los Angeles, California
  • Country: United States

Life & Work

  • Bio: Bending the future of sound, taking ivory and ebony to destinations unknown, is keyboard maestro, vocalist, composer, producer, arranger and astral traveler Brandon Coleman. A regular fixture with Babyface, Donald Glover, Flying Lotus, and Kamasi Washington’s band, Coleman represents a new chapter in the evolution of jazz and funk fusion. His celebrated sophomore album, Resistance, released in late 2018, brought him “All Around The World” to Japan, South America, and Europe alongside Kamasi and traveling North America to support Flying Lotus, with his future funk band, Brandon Coleman’s SpaceTalker.

    “For those accustomed to Coleman’s role laying the foundation for expansive spiritual-jazz explorations in Kamasi Washington’s band, it’s revelatory to hear him so spry on his feet and down to get down. If his work with Washington contains all the weight and gravitas of Sunday church, Coleman’s Resistance has all the fun, breeziness- and yes, sunlight- of an afternoon church picnic,” said Andy Beta of Pitchfork. At a typical Brandon Coleman show, whether trio, quartet, quintet, sextet, septet or SpaceTalker, it’s common to get the entire Sunday extravaganza.

    from https://www.foxperformances.com/artist-roster/brandon-coleman

Contact Information

  • Record Company: Brainfeeder

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://brandon-coleman.bandcamp.com
  • ▶ Twitter: BrandonColeKeys
  • ▶ Instagram: brandoncoleman
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCU7hFZ6FjWtGTb3MK2-IHvQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCJztSoJx89SkMtMcY9qs4cQ
  • ▶ Spotify: http://open.spotify.com/album/5CoW7EEjCrnqM6ChKHmtE0
  • ▶ Spotify 2: http://open.spotify.com/album/6o6BMJ5jsTJApjDHeEl8OE
  • ▶ Spotify 3: http://open.spotify.com/album/0KCS1fUY06johTjOmISE2l
  • ▶ Spotify 4: http://open.spotify.com/album/0Ltvb0U1l3jPXv7j6dSL3E
  • ▶ Spotify 5: http://open.spotify.com/album/6mHBzghmqQjofqqea2anGU
  • ▶ Spotify 6: http://open.spotify.com/album/7IX6id1lCZoVEBSE8DhO4h
  • ▶ Article: http://daily.bandcamp.com/features/brandon-coleman-interview

More

  • Quotes, Notes & Etc. Brainfeeder is proud to present “Resistance” - a funk odyssey by keyboard maestro, vocalist, composer, producer, arranger and astral traveller Brandon Coleman. A regular fixture in the Kamasi Washington band, wylin’ out on the keys or wielding his keytar, he is introduced onstage at gigs as “Professor Boogie” by his longtime friend and collaborator. “Resistance” represents a new chapter in the Funk dynasty that spans George Clinton / Parliament Funkadelic and Zapp through to Dr. Dre, DJ Quik and Dam Funk as the Los Angeles resident salutes his musical heroes - Herbie Hancock, Peter Frampton, Roger Troutman - and honours their ethos of freedom and experimentation in his search for Funk’s future.

    “Resistance” is a powerful statement from an artist who is passionate about hybridity and innovation - stitching together threads from jazz, disco, boogie, R&B, electro, soul and Funk. “I’ve been in the studio a lot in recent years, writing with this or that artist and I always felt constrained… like I had to compromise and submit to a ‘pop’ sensibility,” he explains. “This time I just wanted to create something that was really free… something original… to incorporate all the styles that I represent, because often when I’ve tried to do that in the past it’s been met with resistance.”

    The list of artists with whom Coleman has collaborated is simultaneously inspiring and exhausting. From Ciara to Mulatu Astatke and Childish Gambino to Shuggie Otis… but one of his most consistent studio partners during the last decade has been R&B icon Babyface. “I’ve learned a lot from him… working on countless projects… he would just call me at any time and say: ‘Hey man, I’m in the studio with Aretha Franklin at the piano and I want you to come in and help us arrange some songs.’ And I would be like: ‘Erm ok, I’m on my way’,” he shakes his head and laughs. “Those experiences shaped the way I hear and appreciate music”.

    Coleman’s epiphany came aged 16 when he’d only really just taken up piano. “My brother gave me a Herbie Hancock record - ‘Sunlight’,” he says. “I put it on and just kept listening to it on repeat ‘cos I couldn’t fathom how he was singing like that… it sounded electric. That was it for me.” Utterly bewitched by the marriage of human touch and robotic texture in those vocals, he moved on to Peter Frampton and Roger Troutman (celebrated for their mastery of the talk box) and decided to create his own signature synth patch for his vocals. “I wanted to take it further… if Siri could sing, this is how Siri would sing,” he laughs.

    It is fitting that “Resistance” should arrive on the imprint founded by Flying Lotus - a perpetual free-thinker and champion of genre-exploding. “I can remember the first time I met him,” says Brandon. “It was at a ‘Suite For Ma Dukes’ rehearsal with Miguel Atwood-Ferguson and I walked in and noticed this mad set-up with crazy pedals and stuff and I’m usually the guy who has that. Who the hell does this guy think he is, doing what I do but different gear?… and then I was like ‘Holy shit - this is Flying Lotus!’” The pair have subsequently worked together on music for Bladerunner, FlyLo’s directorial debut Kuso and Brandon plays on “Until The Quiet Comes” and “You’re Dead!” too. It was an easy decision to sign the album to Brainfeeder: “It just feels like family, y’know?”, he explains. “Stephen [Thundercat] is there… plus I’ve toured a lot with Kamasi and the type of shows we were playing - the venues and the crowds - it wasn’t a jazz audience and I dug that. I feel like that was something that Brainfeeder brought to the table”.

Clips (more may be added)

  • 3:39
    Brandon Coleman - 'Giant Feelings (feat. Patrice Quinn & Techdizzle)'
    By Brandon Coleman
    152 views
  • 0:12:48
    Brandon Coleman Performs at NAMM 2020
    By Brandon Coleman
    173 views
  • 1:13:37
    Brandon Coleman - Live at The Teragram Ballroom, DTLA 2/7/2019
    By Brandon Coleman
    146 views
  • 0:14:09
    Brandon Coleman - Against The Clock
    By Brandon Coleman
    201 views
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 2 Composer
  • 2 Jazz, Funk, R&B, Soul
  • 2 Keyboards
  • 2 Los Angeles
  • 2 Singer-Songwriter

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
  • Al Kooper Record Producer
  • Hopkinson Smith Vihuela
  • André Mehmari São Paulo
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  • Armandinho Macêdo Brazil
  • Anouar Brahem Jazz
  • Alan Bishop Bass
  • Raphael Saadiq Neo Soul
  • Anna Webber Brooklyn, NY
  • Cláudio Badega Bahia
  • John McEuen Singer-Songwriter
  • Tom Moon MPB
  • Kathy Chiavola Folk & Traditional
  • João do Boi Chula
  • Fatoumata Diawara Singer-Songwriter
  • Karim Ziad Paris, France
  • Andrew Dickson Radio Presenter
  • Casa Preta Brasil, Brazil
  • Márcio Valverde Samba de Roda
  • Shaun Martin Ropeadope
  • Sam Yahel Organ Instruction
  • Jay Blakesberg Photographer
  • Henry Cole Drumming Instruction
  • Mateus Alves Composer
  • Arifan Junior Samba
  • Bright Red Dog Improvising Collective
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  • Harold López-Nussa Havana
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  • André Muato Brazil
  • Ron Miles Jazz
  • Dave Eggers Publisher
  • Aderbal Duarte Guitar
  • Simon Singh Television Producer
  • Tshepiso Ledwaba Clarinet
  • Stuart Duncan Americana
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  • Ben Paris Bahia
  • Carrtoons Record Producer
  • David Greely Louisiana
  • Gonzalo Rubalcaba University of Miami Frost School of Music Faculty
  • Dan Weiss Drumming Instruction
  • Etienne Charles Composer
  • Maria Drell Salvador
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  • Dadi Carvalho MPB
  • Garth Cartwright Poet
  • Banning Eyre African Guitar
  • Denzel Curry Rapper
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  • Marisa Monte Samba
  • Mestre Nelito Brazil
  • Gearóid Ó hAllmhuráin Author
  • THE ROOM Shibuya Hip-Hop
  • Derron Ellies Steel Pans
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  • Ricky (Dirty Red) Gordon Louisiana
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  • Liz Pelly Writer
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  • Kendrick Scott Composer
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  • Karla Vasquez Food Writer
  • Bai Kamara Jr. Brussels, Belgium
  • McClenney Singer-Songwriter
  • Nilze Carvalho Mandolin
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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