• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Atlantic Brass Quintet

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Atlantic Brass Quintet
  • City/Place: Boston
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Louis Hanzlik, trumpet
    Andrew Sorg, trumpet
    Seth Orgel, horn
    Tim Albright, trombone
    John Manning, tuba

    Widely acclaimed as one of the world's finest brass ensembles, the Atlantic Brass Quintet has been heard in 48 of the United States and more than a dozen countries across four continents, performing a unique repertory spanning Praetorius, Monteverdi, and Bach; Etler, Stravinsky, Rands; and brass music from the streets of Brazil, Cuba, the Balkans, and New Orleans.

    Winner of six international chamber music competitions, the Quintet's distinctive sound, impeccable ensemble, stunning viruosity, and warm, inviting stage presence have won praise from scores of critics.

    Founded in 1985, the Atlantic Brass Quintet launched its career with a phenomenal string of competition victories over a period of two years. Grand prizes include the Coleman Chamber Music Competition, Carmel Chamber Music Society Competition, the Shoreline Alliance Chamber Music Competition, the Summit Brass First International Brass Ensemble Competition, and the Rafael Mendez International Brass Quintet Competition.

    Following these remarkable achievements, the ABQ was honored by Musical America by being named "Young Artists of 1988". In May 1992, by unanimous decision, the Quintet won the "Premiere Prix" at the International Brass Competition of Narbonne, France, recognized worldwide as the preeminent competition of its kind.

    Highlights in the Quintet's busy concert career include performances at Carnegie Hall, Weill Recital Hall, the Santa Fe Chamber Music Festival, the Fleet Boston Celebrity Series, and the White House. Thousands have enjoyed their performances at Tanglewood-on-parade, and in 1991, as part of Boston's Fourth of July Celebration, the ABQ entertained an audience of over 350,000 on the Esplanade.

    Based in Boston, the ABQ has been the resident brass quintet of Boston University, the Boston University Tanglewood Institute, and the Boston Conservatory. The popular Atlantic Brass Quintet International Summer Seminar, established in 1993 has already secured the ensemble's legacy to the next generation of brass musicians.

    The Atlantic Brass Quintet can be heard on recordings from Summit Records, Mark Classics, Musical Heritage Society, Solstice, and Crystal labels.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Twitter: AtlanticBrass5
  • ▶ Instagram: american_brass_quintet
  • ▶ Website: http://www.atlanticbrassquintet.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCjfE5YDBzeioBlMWbDnz9qw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCBUbxtcCPfRHLGhJnHAiT1Q
  • ▶ Spotify: http://open.spotify.com/album/26mG9ySBlnynzVhakEvtrm
  • ▶ Spotify 2: http://open.spotify.com/album/6uxDpF44xjqghhT74IsYBs
  • ▶ Spotify 3: http://open.spotify.com/album/5Z1rAqeN8rzihPT0dbnLlj
  • ▶ Spotify 4: http://open.spotify.com/album/6Au50t68cjpc9QgHZQ35WX
  • ▶ Spotify 5: http://open.spotify.com/album/4wyaQqjBNEre6SJfWaA8vj
  • ▶ Spotify 6: http://open.spotify.com/album/6DS0ENeai1m3xReZf4B6SK

Clips (more may be added)

  • J.S. Bach - Allemande
    By Atlantic Brass Quintet
    600 views
  • Handel
    By Atlantic Brass Quintet
    705 views
Previous
Next

Atlantic Brass Quintet Curated
pathways in

  • 2 Balkan Music
  • 2 Baroque
  • 2 Brass Ensemble
  • 2 Classical Music
  • 2 Jazz

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Atlantic Brass Quintet
    Alfredo Rodriguez → Piano has been recommended via Atlantic Brass Quintet.
    • August 18, 2019
  • Atlantic Brass Quintet
    Alfredo Rodriguez → New York City has been recommended via Atlantic Brass Quintet.
    • August 18, 2019
  • Atlantic Brass Quintet
    Alfredo Rodriguez → Composer has been recommended via Atlantic Brass Quintet.
    • August 18, 2019
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Ofer Mizrahi Indian Slide Guiter
  • Evgeny Kissin Piano
  • Plínio Fernandes London
  • Demond Melancon Louisiana
  • Arifan Junior Percussão, Percussion
  • Yosvany Terry Afro-Cuban Jazz
  • Gabrielzinho do Irajá Singer
  • Asma Khalid Journalist
  • Nara Couto Atriz, Actor
  • Gabriel Policarpo Samba
  • Geraldo Azevedo Singer-Songwriter
  • Roots Manuva Singer-Songwriter
  • Ana Luisa Barral Bahia
  • Oleg Fateev Moldavia
  • Eddie Palmieri Piano
  • Bodek Janke Composer
  • Mark Bingham Guitar
  • Casa Preta Brasil, Brazil
  • Mario Ulloa Brazil
  • Marcus Miller Record Producer
  • Alex Rawls New Orleans
  • Tonho Matéria Bahia
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Horacio Hernández Cuba
  • Márcio Valverde Santo Amaro
  • Natan Drubi Violão, Guitar
  • Herlin Riley Second Line
  • Cara Stacey Composer
  • Terrace Martin Record Producer
  • Scott Devine Bass Instruction
  • Alyn Shipton Bass
  • Maria de Xindó Itapuã
  • As Ganhadeiras de Itapuã Bahia
  • Gabriel Geszti Choro
  • Rowney Scott Brasil, Brazil
  • David Bragger Guitar Instruction
  • Yotam Silberstein New York City
  • Stormzy Writer
  • Eric Bogle Scotland
  • Nicholas Gill Food Writer
  • Hélio Delmiro Composer
  • Manolo Badrena Berimbau
  • Júlio Lemos Composer
  • Aurino de Jesus Chula
  • Danilo Caymmi Singer-Songwriter
  • Jane Ira Bloom New York City
  • Soweto Kinch Radio Presenter
  • Mike Compton Mandolin
  • Roots Manuva Hip-Hop
  • Tom Moon Writer
  • Alex Conde Spain
  • Instituto Oyá Brasil, Brazil
  • Darryl Hall Paris
  • Susheela Raman Multi-Cultural
  • Shalom Adonai Bahia
  • Karsh Kale कर्ष काळे Multi-Cultural
  • Sunn m'Cheaux Writer
  • DJ Sankofa Pimenta Africana, African Peppers
  • Ronaldo Bastos Brazil
  • Marc Cary New York City
  • Arson Fahim Composer
  • Henrique Araújo Escola de Choro de São Paulo Faculty
  • Martin Fondse Piano
  • Ray Angry Piano
  • Lalá Evangelista Choro
  • Sebastião Salgado Brasil, Brazil
  • Ubiratan Marques Brasil, Brazil
  • Nelson Ayres Brazilian Jazz
  • Anderson Lacerda Brasil, Brazil
  • Kronos Quartet String Quartet
  • Lenna Bahule Brazil
  • Marcelinho Oliveira Record Producer
  • Ilê Aiyê Salvador
  • Mark Lettieri Guitar
  • Giveton Gelin Bahamas
  • Stephen Guerra Arranger
  • Joe Chambers Composer
  • Ore Ogunbiyi UK
  • Luiz Brasil MPB
  • Matt Parker YouTuber
  • Jon Lindsay Record Producer
  • Anthony Coleman Piano
  • Allen Morrison Writer
  • Avishai Cohen אבישי כה Composer
  • Jamberê Cerqueira Compositor, Composer
  • Dona Dalva Brazil
  • Yoron Israel Drums
  • Caroline Shaw Composer
  • Bukassa Kabengele Actor
  • Snigdha Poonam Delhi
  • Shamarr Allen Trumpet
  • Derek Sivers Guitar
  • Oksana Zabuzhko Poet
  • Márcia Short Salvador
  • Nick Douglas Tech Writer
  • Dorian Concept Synthesizer
  • Ronaldo do Bandolim Brazil
  • Seu Regi de Itapuã Compositor, Composer
  • Monk Boudreaux Mardi Gras Indian
  • Ryuichi Sakamoto Actor
  • Chris Dave R&B
  • Adriano Giffoni Brazil
  • Matthew F Fisher Brooklyn, NY
  • Grégoire Maret Composer
  • Wynton Marsalis Trumpet
  • Simon McKerrell Scotland
  • Sandra de Sá Brasil, Brazil
  • Greg Spero Television Scores
  • Rhiannon Giddens Fiddle
  • Henrique Cazes Samba
  • Ricardo Markis Cantor, Singer
  • Zé Katimba Singer-Songwriter
  • Shamarr Allen Singer-Songwriter
  • Lakecia Benjamin Composer
  • Ricardo Herz Violin
  • Rebeca Omordia Classical Music
  • Bruce Molsky Berklee College of Music Faculty
  • Henrique Cazes Tenor Guitar
  • David Byrne Singer-Songwriter
  • Swizz Beatz Record Producer
  • Glória Bomfim Candomblé
  • Steve Cropper Recording Studio Owner
  • Natan Drubi Choro
  • Terry Hunter Record Producer
  • Jeff Coffin Saxophone
  • Nêgah Santos São Paulo
  • Larry Achiampong London
  • Arturo Sandoval Jazz
  • David Braid Guitar
  • Mona Lisa Saloy Poet
  • Oriente Lopez La Habana, Havana
  • Rissi Palmer Country
  • Oscar Peñas Multi-Cultural
  • Shaun Martin Jazz
  • Jason Moran Composer
  • Edgar Meyer Curtis Institute of Music Faculty
  • Tero Saarinen Choreographer
  • Issa Malluf North African Percussion
  • Scotty Apex Hip-Hop
  • Scott Kettner Pandeiro
  • Zebrinha Coreógrafo, Choreographer
  • Léo Rugero Forró
  • Restaurante Axego Afro-Bahian Cuisine
  • Luiz Antônio Simas Jornalista, Journalist
  • Eric Harland Composer
  • Bule Bule Brazil
  • Ethan Iverson Avant-Garde Jazz
  • Ronald Bruner Jr. Jazz
  • Zoran Orlić Chicago
  • Wayne Escoffery Saxophone
  • Gabriel Policarpo Brazil
  • Badi Assad Singer-Songwriter
  • Rema Namakula Kampala
  • Gerald Albright R&B
  • Dermot Hussey Washington, D.C.
  • Evgeny Kissin Short Stories
  • Henrique Cazes Bandolim
  • Mestre Nelito Capoeira Angola
  • Guinga Guitar
  • Inaicyra Falcão Candomblé
  • Dafnis Prieto Drums
  • Courtney Pine Saxophone
  • Taylor Ashton Drawings
  • Manolo Badrena Percussion
  • Seth Swingle Kora
  • Filhos da Pitangueira Samba
  • Alex Clark Journalist
  • Shemekia Copeland R&B
  • Lydia R. Diamond Playwright
  • Parker Ighile Singer-Songwriter
  • Oded Lev-Ari Music Producer
  • George Cables Jazz
  • Rose Aféfé Artista de Instalação, Installation Artist
  • Joana Choumali Visual Artist
  • Edmar Colón Piano
  • Zé Luíz Nascimento Drums
  • Billy Strings Guitar
  • Andrew Dickson London
  • Moses Boyd Electronic Music
  • David Bragger Banjo Instruction
  • Siba Veloso Viola Nordestina
  • Donald Vega Piano Instruction
  • Wouter Kellerman Bansuri
  • Jazzmeia Horn New York City
  • Marília Sodré Chula
  • Bill Summers Afro-Cuban Music
  • Nabil Ayers Cultural Critic
  • Horácio Reis Compositor, Composer
  • Juca Ferreira Salvador
  • Luizinho Assis Jazz Brasileiro, Brazilian Jazz
  • Anna Webber Flute
  • Fidelis Melo Jornalista, Journalist
  • Tony Austin Recording Engineer
  • Nublu Club
  • Jonathan Scales Jazz
  • Leonardo Mendes São Paulo
  • Dee Spencer Sound Designer
  • Maia Sharp NYU Steinhardt Faculty
  • Di Freitas Viola Caipira
  • Dom Flemons Neotraditionalist Country
  • Ivan Sacerdote Bahia
  • Derron Ellies Trinidad & Tobago
  • Paolo Fresu Composer
  • Roots Manuva London
  • David Hepworth Podcaster
  • Carla Visi Salvador
  • Luíz Paixão Ciranda
  • 9th Wonder Record Producer
  • Martin Fondse Jazz
  • Vijith Assar Writer
  • Paul McKenna Irish Traditional Music
  • Robi Botos Hungary
  • Terri Lyne Carrington Jazz
  • Cyro Baptista Composer
  • Germán Garmendia Chile
  • Ron Carter Cello
  • Nancy Viégas Fotógrafa, Photographer
  • Guto Wirtti Brazil
  • Niwel Tsumbu Ireland
  • Cuong Vu Trumpet
  • Hot Dougie's Bahia
  • Elodie Bouny Classical Guitar
  • Huey Morgan Singer
  • Paulo Aragão Violão
  • Martin Fondse Amsterdam
  • Igor Osypov Composer
  • Alana Gabriela Bahia
  • Greg Kurstin Record Producer
  • Diego Figueiredo Violão, Guitar
  • Errollyn Wallen Royal Conservatoire of Scotland
  • Trombone Shorty Trombone
  • Bernardo Aguiar Brazil
  • Shankar Mahadevan Playback Singer
  • Larnell Lewis Toronto
  • Joe Newberry Guitar Instruction
  • Cainã Cavalcante Brazilian Jazz
  • Oscar Peñas New York City
  • Hendrik Meurkens Brazilian Music
  • Jane Cornwell Music Critic
  • Miles Okazaki Composer
  • Michael Formanek Composer
  • Chris Potter Composer
  • Beats Antique Oakland, California
  • Pedro Aznar Guitar
  • Jonathon Grasse Contemporary Music
  • Gab Ferruz Cantora-Compositora, Singer-Songwriter
  • David Chesky Composer
  • Arthur Verocai Singer-Songwriter
  • Juca Ferreira Ativista Cultural, Cultural Activist
  • Joe Lovano Berklee College of Music Faculty
  • André Becker MPB
  • Guiga de Ogum Samba
  • Lynn Nottage Columbia University Faculty
  • Bombino Multi-Cultural
  • Bebê Kramer Choro
  • Woody Mann Blues
  • Laércio de Freitas Composer
  • Capitão Corisco Brazil
  • Howard Levy Multi-Cultural
  • Cleber Augusto Samba
  • Negra Jhô AFROBIZ Salvador
  • Daymé Arocena Composer
  • Arany Santana Ativista do Movimento Negro, Black Power Movement Activist
  • Adriano Souza Piano
  • Nei Lopes Brasil, Brazil
  • Monty's Good Burger Vegan Burgers
  • Alexandre Vieira Jazz
  • Jon Madof Multi-Cultural
  • Molly Tuttle Banjo
  • Larissa Fulana de Tal Salvador
  • Martin Koenig Folk & Traditional
  • James Andrews Songwriter
  • Cut Worms Americana
  • Michael Cuscuna Jazz
  • Questlove Rapper
  • Marcus Miller Composer
  • Paul McKenna Scotland
  • Michelle Mercer Music Critic
  • Kenny Barron New York City
  • Carlos Malta Pífano
  • International Anthem Record Label
  • Anouar Brahem Multi-Cultural
  • Laura Cole R&B
  • Adriano Souza Brazilian Jazz
  • Nic Adler Restaurant Owner
  • Moses Boyd Record Label Owner
  • Makaya McCraven Jazz
  • Nelson Faria Author
  • Criolo Rapper
  • Francisco Mela New York City
  • Alex Hargreaves New School Faculty
  • John Francis Flynn Singer-Songwriter
  • Cássio Nobre Ethnomusicologist
  • Felipe Guedes Multi-Instrumentalist
  • J. Period DJ
  • Byron Thomas Music Director
  • Gilsons MPB
  • Tomoko Omura Jazz
  • Forrest Hylton Writer
  • Jess Gillam London
  • Nara Couto MPB
  • Asali Solomon Essayist
  • Hercules Gomes São Paulo
  • Maracatu Ventos de Ouro Grupo Feminino
  • Samba de Nicinha Bahia
  • Vik Sohonie DJ
  • Michael Formanek Bass
  • Daniel Jobim Bossa Nova
  • Aaron Goldberg New York City
  • Sérgio Pererê Multi-Instrumentalist
  • Daniel Bennett Woodwinds
  • Michael Formanek Double Bass
  • Jimmy Cliff Ska
  • Chad Taylor Composer
  • Keb' Mo' Singer-Songwriter
  • Ian Hubert VFX Artist
  • Caoimhín Ó Raghallaigh Dublin
  • Flor Jorge Brazil
  • Anoushka Shankar Composer
  • Pururu Mão no Couro Percussão, Percussion
  • Chief Xian aTunde Adjuah Composer
  • Alain Pérez Cuba
  • Michael Olatuja Lagos
  • Carl Joe Williams New Orleans
  • Leci Brandão Singer-Songwriter
  • Errollyn Wallen Composer
  • Byron Thomas Piano
  • Jerry Douglas Dobro
  • Fred Dantas Bahia
  • Alicia Hall Moran Jazz
  • Aubrey Johnson Singer
  • Rayendra Sunito Jazz
  • Meena Karimi Contemporary Classical Music
  • Luques Curtis Bass
  • Vincent Valdez Printmaker
  • Michael Cleveland Indiana
  • Sam Wasson Los Angeles
  • Maria Rita Samba
  • Mestre Barachinha Nazaré da Mata
  • Paddy Groenland Composer
  • Michael Doucet Accordion
  • Ben Okri Essayist
  • Jakub Knera Radio Presenter
  • Perumal Murugan Novelist
  • Alexa Tarantino Saxophone
  • Turíbio Santos Choro
  • Fernando César Violão de Sete
  • Vincent Herring Flute
  • H.L. Thompson Brazil
  • Yazz Ahmed Composer
  • Matt Garrison Composer
  • Samuel Organ Keyboards
  • Phineas Harper London
  • Dafnis Prieto Jazz
  • Jeff 'Tain' Watts Jazz
  • Abel Selaocoe South Africa
  • Issa Malluf Daf
  • Iara Rennó Produtora Musical, Music Producer
  • Luizinho do Jêje Brazil
  • Marco Pereira Choro
  • Carrtoons Multi-Instrumentalist
  • D.D. Jackson Composer
  • Jacob Collier Multi-Instrumentalist
  • Otto Percussion
  • Celso de Almeida MPB
  • Rayendra Sunito Jakarta
  • Brian Lynch Trumpet
  • Marc Johnson Jazz
  • Milton Primo Viola Machete
  • Chief Xian aTunde Adjuah Jazz
  • Stephen Guerra Brazilian Classical Guitar
  • Donald Harrison Saxophone
  • Quincy Jones Arranger
  • VJ Gabiru DJ
  • Paul Mahern Bloomington, Indiana
  • Deesha Philyaw Columnist
  • Marcos Suzano Rio de Janeiro
  • Plínio Fernandes Brazil
  • Marcus Rediker Art Curator
  • Guiga de Ogum Poeta, Poet
  • John Santos Composer
  • Derek Sivers Record Producer
  • Chick Corea Contemporary Classical Music
  • Sarz Nigeria
  • Ambrose Akinmusire Jazz
  • Chris Dingman New York City
  • José James Jazz
  • Adam Cruz Jazz
  • Marcel Powell Rio de Janeiro
  • Eli Teplin Guitar
  • Django Bates Theater Composer
  • Arson Fahim Piano
  • Donna Leon Writer
  • Tom Schnabel World Music
  • Bill Pearis Journalist
  • Milford Graves New York City
  • Lalah Hathaway Piano
  • Andra Day Pop
  • Irmandade da Boa Morte Irmandade
  • Munir Hossn Guitar
  • Karsh Kale कर्ष काळे EDM
  • Casa Preta Espaço de Cultura, Cultural Space
  • Ivan Bastos Compositor, Composer
  • Chief Xian aTunde Adjuah New Orleans
  • José Antonio Escobar Classical Guitar
  • Chris Cheek Brooklyn, NY
  • Peter Slevin Northwestern University Faculty
  • Chau do Pife Forró
  • Larry Achiampong Ghana
  • Ed O'Brien Brazil
  • João Camarero Samba
  • Reggie Ugwu New York City
  • Cacá Diegues Diretor de Filmes, Film Director
  • Ben Wolfe Composer
  • Merima Ključo Theater Scores
  • Ramita Navai Journalist
  • Cashmere Cat DJ
  • Kirk Whalum Memphis, Tennessee
  • Kiko Loureiro Jazz Fusion
  • Sharita Towne Multidisciplinary Artist
  • Pururu Mão no Couro Chula
  • Richie Stearns Ithaca, New York
  • Muhsinah R&B
  • Jim Lauderdale Bluegrass
  • Bob Mintzer USC Thornton School of Music Faculty
  • Nicholas Payton New Orleans
  • Joey Alexander New York City
  • International Anthem Progressive Media
  • Carlos Prazeres Música Classica, Classical Music
  • Stephen Guerra Composer
  • Glenn Patscha Canada
  • Hank Roberts Cello
  • Onisajé Brasil, Brazil
  • Danilo Brito Choro
  • Yasushi Nakamura Tokyo
  • Instituto Oyá Salvador
  • Leo Genovese Keyboards
  • Carwyn Ellis Record Producer
  • Colm Tóibín Short Stories
  • William Skeen Cello
  • Matt Dievendorf Guitar
  • Nic Hard Audio Engineer
  • Raymundo Sodré Samba
  • PATRICKTOR4 Brasil, Brazil
  • Walter Blanding Clarinet
  • Zakir Hussain Tabla
  • Celso Fonseca Brazil
  • Robertinho Silva Choro
  • Del McCoury Country
  • Celsinho Silva Choro
  • MicroTrio de Ivan Huol Trio Elétrico
  • Willy Schwarz Multi-Instrumentalist
  • Tom Wilcox Singer-Songwriter
  • Carlos Paiva Bahia
  • Richard Galliano Paris, France
  • Jared Sims Jazz
  • Renato Braz Brazil
  • Cláudio Badega Brasil, Brazil
  • LaTasha Lee R&B
  • Paul Cebar Multi-Cultural
  • Moses Boyd England
  • Mestrinho Forró
  • Iuri Passos Bahia
  • Michel Camilo Classical Music
  • Adonis Rose Percussion
  • Bruce Williams Saxophone
  • Omar Sosa Piano
  • Hugues Mbenda France
  • Lô Borges Minas Gerais
  • Liz Dany Barranquilla
  • Harvey G. Cohen King's College London Faculty
  • Fabrício Mota IFBA Faculdade, Federal Institute of Education, Science and Technology of Bahia Faculty
  • Orrin Evans Composer
  • Utar Artun Film Scores
  • Yacouba Sissoko Mali
  • Aneesa Strings Los Angeles
  • Robertinho Silva Percussion
  • Duane Benjamin Jazz
  • Siphiwe Mhlambi Jazz Photographer
  • Estação Primeira de Mangueira Rio de Janeiro
  • Ilya Kaminsky Poet
  • José James R&B
  • Aneesa Strings Singer
  • Rhuvaal Scotland
  • Rosa Cedrón Galego Folk Music
  • Sierra Hull Bluegrass
  • Chris Dingman Vibraphone Instruction
  • Miho Hazama New York City
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Toumani Diabaté Mali
  • Fabrício Mota Salvador
  • Jon Lindsay North Carolina
  • Guiga de Ogum Bahia
  • Juca Ferreira Sociologista, Sociologist
  • Thiago Espírito Santo MPB
  • Mestre Nenel Brazil
  • Larry McCray Blues
  • Brenda Navarrete Havana
  • Seth Swingle Folk & Traditional
  • Maia Sharp Multi-Instrumentalist

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share