Bio:
Louis Hanzlik, trumpet
Andrew Sorg, trumpet
Seth Orgel, horn
Tim Albright, trombone
John Manning, tuba
Widely acclaimed as one of the world's finest brass ensembles, the Atlantic Brass Quintet has been heard in 48 of the United States and more than a dozen countries across four continents, performing a unique repertory spanning Praetorius, Monteverdi, and Bach; Etler, Stravinsky, Rands; and brass music from the streets of Brazil, Cuba, the Balkans, and New Orleans.
Winner of six international chamber music competitions, the Quintet's distinctive sound, impeccable ensemble, stunning viruosity, and warm, inviting stage presence have won praise from scores of critics.
Founded in 1985, the Atlantic Brass Quintet launched its career with a phenomenal string of competition victories over a period of two years. Grand prizes include the Coleman Chamber Music Competition, Carmel Chamber Music Society Competition, the Shoreline Alliance Chamber Music Competition, the Summit Brass First International Brass Ensemble Competition, and the Rafael Mendez International Brass Quintet Competition.
Following these remarkable achievements, the ABQ was honored by Musical America by being named "Young Artists of 1988". In May 1992, by unanimous decision, the Quintet won the "Premiere Prix" at the International Brass Competition of Narbonne, France, recognized worldwide as the preeminent competition of its kind.
Highlights in the Quintet's busy concert career include performances at Carnegie Hall, Weill Recital Hall, the Santa Fe Chamber Music Festival, the Fleet Boston Celebrity Series, and the White House. Thousands have enjoyed their performances at Tanglewood-on-parade, and in 1991, as part of Boston's Fourth of July Celebration, the ABQ entertained an audience of over 350,000 on the Esplanade.
Based in Boston, the ABQ has been the resident brass quintet of Boston University, the Boston University Tanglewood Institute, and the Boston Conservatory. The popular Atlantic Brass Quintet International Summer Seminar, established in 1993 has already secured the ensemble's legacy to the next generation of brass musicians.
The Atlantic Brass Quintet can be heard on recordings from Summit Records, Mark Classics, Musical Heritage Society, Solstice, and Crystal labels.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).