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  • Why a "Matrix"?
  • @ Ground Zero
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  • If You Can't Stand the Heat
  • From Harlem to Bahia

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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Duncan Chisholm:

  • 2 Composer
  • 2 Fiddle
  • 2 Scotland
  • 2 Traditional Scottish Music

What's Up

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  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    Duncan Chisholm with Hamish Napier on the Isle of Mull
    Performance at An Tobar Arts Centre, Tobermory - October 2020
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    Mallai Chroch Shli by Duncan Chisholm
    This set starts with 'Mallai Chroch Shli', a beautiful Irish song and second up is a jig written by Gordon Duncan called 'The Soup Dragon' The final tune is called 'The Flooded Meadow' and is the title music to BBC Scotland's 'Landward' programme. At the...
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    The Erchless Scout by Duncan Chisholm
    The first tune was written in honour of my grandfather, Duncan Chisholm. He lived most of his adult life at Erchless in Strathglass, where he worked as a gamekeeper. During the early part of WW2 he served with the B.E.F as a sniper and managed to escape...
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    Caoineadh Johnny Sheáin Jeaic by Duncan Chisholm
    This beautiful lament was written by my friend Allan MacDonald. The second part for me is reminiscent of Gaelic keening and the melodic construction is truly magnificent and unique. "Nuair Bhios Mi Leam Fhin' is a Gaelic song taught to me by Allan MacDona...
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    Camhanaich Air Machair by Duncan Chisholm
    When recording the 'Canaich' album I imagined a journey from one end of Glen Cannich to the other, with the music recorded providing the soundtrack to that journey. 'Camhanaich Air Machair' written by Donald Shaw put together with Willie Lawrie's magnif...
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    Rubha Nam Marbh by Duncan Chisholm
    The translation of 'Rubha nam Marbh' is 'The Headland of the Dead' and can be found on the Monach Isles in the Outer Hebrides. This beautiful air was written by my friend Éamon Doorley, an outstanding Irish musician and producer. The tune originally app...
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    Lorient Mornings by Duncan Chisholm
    'Lorient Mornings' was the first tune I recorded for the 'Farrar' album. The tune was written by my great friend Gordon Duncan and is beautiful in its construct and simplicity. The inspiration for the second tune, 'Waltz of the Grey River' is the River ...
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    The Farley Bridge by Duncan Chisholm
    The Farley Bridge - This tune originally recorded on the ‘Farrar’ album was written for my great friends, Iain MacFarlane, D J Robertson and Donald Fraser. The bridge that inspired the tune was built on an old track leading to a bothy at Farley, near Beau...
    • May 5, 2021
  • Duncan Chisholm
    A video was posted re Duncan Chisholm:
    Unknown Air by Duncan Chisholm
    "An ancient melody which always takes my imagination to the wild country between Glen Affric and Kintail. This tune was originally recorded on the 'Affric' album, the concluding part of The Strathglass Trilogy. The track is performed live on this clip, a...
    • May 5, 2021
  • Duncan Chisholm
    A category was added to Duncan Chisholm:
    Traditional Scottish Music
    • May 5, 2021
  • Duncan Chisholm
    A category was added to Duncan Chisholm:
    Scotland
    • May 5, 2021
  • Duncan Chisholm
    A category was added to Duncan Chisholm:
    Composer
    • May 5, 2021
  • Duncan Chisholm
    A category was added to Duncan Chisholm:
    Fiddle
    • May 5, 2021
  • Duncan Chisholm
    Duncan Chisholm is matrixed!
    • May 5, 2021
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Duncan Chisholm
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Duncan Chisholm
  • City/Place: Inverness, Scotland
  • Country: United Kingdom

Life & Work

  • Bio: Duncan Chisholm is one of Scotland’s most recognised and accomplished fiddle players and composers. Born and brought up near Inverness in the Highlands of Scotland, Duncan has spent most of his life developing his unique musical voice. Fiddle playing at its best, Duncan’s feather-light handling of dynamics and ornamentation, allied with his pure-distilled tone, lend his characteristic spine-tingling magic to his music.

    Taught to play by the great Donald Riddell, few can match Duncan’s expressive feel for a Highland air. Duncan’s well-established musical career has taken him throughout the UK, Europe and the USA, both through his solo work and while playing with other musicians and bands. Duncan plays regularly with gaelic singing sensation Julie Fowlis, sets the heather on fire with his folk rock band Wolfstone and is much sought after as a composer and accompanist.

    Duncan’s latest release Live at Celtic Connections, was recently awarded ‘Album of the Year’ at the Scots Trad Music Awards in December 2014. Performed at an exclusive concert as part of the world famous Celtic Connections Festival in Glasgow, Duncan recorded this special event where he played music from his acclaimed Strathglass Trilogy of albums, as part of a six piece traditional band who were backed by an orchestral ensemble.

    The culmination of six years work, The Strathglass Trilogy – Farrar, Canaich and Affric, is Duncan’s musical representation of the ancient Chisholm Clan lands. With such a personal interest in and connection to these Highland glens, Duncan has worked hard to instil great pride and passion into three individual but very much connected musical masterpieces. This unique and inspired idea of producing a suite of fiddle music recordings, influenced by one of the most beautiful wilderness areas of Scotland, gives a solid representation of Duncan’s ability to get right to the heart of a tune, and communicate the emotion behind it, in what seems a totally natural way.

    Duncan’s first solo album, Redpoint catapulted his solo career into the public eye. The Door of Saints closely followed Redpoint; a beautiful album inspired by the music of Northern Spain. Duncan then embarked on his Strathglass Trilogy, mixing traditional tunes with contemporary sounds. Having composed music for several BBC documentaries and written more than half of the tunes presented on his latest release, Duncan has been labelled “the new sound of traditional Scotland.”

Contact Information

  • Contact by Webpage: http://www.duncanchisholm.com/contact/
  • Management/Booking: [email protected]

    Spanish Representation
    El Cohete Internacional, c/ Mendizabal 4
    33003 Oviedo – Asturias, SPAIN
    Tel: +34 985 205 396
    Fax: +34 985 205 481
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.duncanchisholm.com/product-category/cds/
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://www.duncanchisholm.com/product-category/digital-downloads/
  • ▶ Twitter: duncanwchisholm
  • ▶ Instagram: duncanchisholm
  • ▶ Website: http://www.duncanchisholm.com
  • ▶ YouTube Channel: http://www.youtube.com/user/duncanchisholmfiddle
  • ▶ YouTube Music: http://music.youtube.com/channel/UCtvsmC3Kbi-dBC8p6yRNi0A
  • ▶ Spotify: http://open.spotify.com/album/1LFHmWrvRQeoZJatu7QLed
  • ▶ Spotify 2: http://open.spotify.com/album/30tgv19xBvJcMhyBmch8Em
  • ▶ Spotify 3: http://open.spotify.com/album/0NgYEWJIN0KbAk7XB48sEy
  • ▶ Spotify 4: http://open.spotify.com/album/4a6W4nzKZR4yxssGd93FsD
  • ▶ Spotify 5: http://open.spotify.com/album/7yJMF2q0VGA3O9hkOMDFwi
  • ▶ Spotify 6: http://open.spotify.com/album/1y6rtMUueWk6vV7KO524gX
  • ▶ Articles: http://www.duncanchisholm.com/reviews/

Clips (more may be added)

  • 0:25:01
    Duncan Chisholm with Hamish Napier on the Isle of Mull
    By Duncan Chisholm
    183 views
  • 0:07:46
    Mallai Chroch Shli by Duncan Chisholm
    By Duncan Chisholm
    183 views
  • 3:19
    The Erchless Scout by Duncan Chisholm
    By Duncan Chisholm
    204 views
  • 0:08:21
    Caoineadh Johnny Sheáin Jeaic by Duncan Chisholm
    By Duncan Chisholm
    244 views
  • 3:41
    Camhanaich Air Machair by Duncan Chisholm
    By Duncan Chisholm
    169 views
  • 2:23
    Rubha Nam Marbh by Duncan Chisholm
    By Duncan Chisholm
    194 views
  • 6:00
    Lorient Mornings by Duncan Chisholm
    By Duncan Chisholm
    196 views
  • 2:40
    The Farley Bridge by Duncan Chisholm
    By Duncan Chisholm
    189 views
  • 4:35
    Unknown Air by Duncan Chisholm
    By Duncan Chisholm
    198 views
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