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  • Why a "Matrix"?
  • @ Ground Zero
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  • If You Can't Stand the Heat
  • From Harlem to Bahia

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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending John Doyle:

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  • 0 Irish Traditional Music
  • 0 Singer-Songwriter

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  • John Doyle
    A video was posted re John Doyle:
    John Doyle - Full Show
    Learn More About John Doyle at: https://johndoylemusic.com/ Produced by Independent Arts and Music Asheville More episodes of Echo Sessions at www.iamavl.com...
    • September 17, 2019
  • John Doyle
    A category was added to John Doyle:
    Singer-Songwriter
    • September 17, 2019
  • John Doyle
    A category was added to John Doyle:
    Guitar
    • September 17, 2019
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    A category was added to John Doyle:
    Ireland
    • September 17, 2019
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    A category was added to John Doyle:
    Dublin
    • September 17, 2019
  • John Doyle
    A category was added to John Doyle:
    Irish Traditional Music
    • September 17, 2019
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    John Doyle is matrixed!
    • September 17, 2019
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • John Doyle
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: John Doyle
  • City/Place: Asheville, North Carolina
  • Country: United States
  • Hometown: Dublin, Ireland

Life & Work

  • Bio: Name many of the most notable recordings and/or performers in Irish music and it's a fair bet that John Doyle had something to do with them. Liz Carroll; Eileen Ivers; Karan Casey; Solas; Michael Black; Mary Black; the trio of McCusker, McGoldrick and Doyle; The Teetotalers (Martin Hayes, Kevin Crawford, John Doyle); and now Usher's Island (Andy Irvine, Donal Lunny, Mike McGoldrick, Paddy Glackin and John Doyle) - a vertible who's who of the greatest names in Irish music. These are just a very few of the stellar artists for whom John Doyle's signature guitar sound, singing or songwriting is essential.

    From a musical family in Dublin, John’s influences include well known English folk singers Nic Jones, Martin Carthy, Richard Thompson, and The Watersons; Scottish singers Dick Gaughan and John Martin; and fellow Irishmen Paul Brady and Al O’Donnell as well as his father, Sean Doyle - probably the biggest influence of all.

    John went on the road as a pro at 16 with the group Chanting House which he formed with Susan McKeown and which eventually included such great players as Seamus Egan, Eileen Ivers, & Donogh Hennessy. John went on to form the highly acclaimed super group, Solas, with Seamus Egan, John Williams, Karan Casey and Winifred Horan which took the folk and Celtic music worlds by storm, in no small part due to John’s powerhouse rhythmic guitar style and innovative arrangements.

    As a member of Solas, John performed to sold out audiences nationally and internationally as well as appearing on many national TV and radio programs: NBC’s The Today Show, various programs for National Public Radio and Public Radio International, A Prairie Home Companion, Mountain Stage, E-Town and World Cafe as part of that critically acclaimed group, he also received three NAIRD awards and a Grammy nomination for the band’s self-titled first recording.

    After leaving Solas, John has gone on to perform and tour with other greats in the Folk, Celtic and Bluegrass worlds - as music director for folk icon Joan Baez, guitarist for Mary Chapin Carpenter, Eileen Ivers, Tim O’Brien (John was included on Tim’s 2006 Grammy-award winning CD, Fiddler’s Green), Linda Thompson, Kate Rusby, Cathie Ryan, Cherish the Ladies, and many others.

    He has appeared on soundtracks for the feature film, The Brothers McMullan, Soldier, PBS’s Out of Ireland and also composed the music for the film Uncle Robert’s Footsteps and the play Down the Flats as well as performing on countless recordings as guitarist and/or singer for other notable artists such as Kate Rusby, Linda Thompson, Tim O’Brien, Alison Brown, Seamus Egan, Eileen Ivers, Mick Moloney, Cathal McConnell, Karan Casey and so many others (check out the discography page for a full list).

    John is a featured regular for many years in the hugely popular BBC Scotland "Transatlantic Sessions" regularly broadcast in Ireland and at the Celtic Connections Festival in Glasgow having performed there with Americana greats Jerry Douglas, Tim O'Brien, Rodney Crowell, Sara Watkins, Kathy Mattea, and many others.

Contact Information

  • Management/Booking: U.S./Canada
    M a t t G r e e n h i l l
    Folklore Productions International
    PO Box 7003, Santa Monica, CA 90406-7003
    +1 310 451-0767 ph | +1 310 664-0767
    [email protected]
    www.folkloreproductions.com

    UK
    Alan Bearman Music
    The Music Base
    Kings Place, 90 York Way
    London, N1 9AG
    Tel: 020 7014 2821
    [email protected]

    Ireland/Rest of World
    Cathy Peterson Doyle
    139 Elkwood Avenue
    Asheville, NC 28804
    828 712 6110
    [email protected]

    Label
    Compass Records
    916 19th Avenue South
    Nashville, TN 37212
    Toll-Free: 800.757.2277
    Phone: 615.320.7672
    Fax: 615.320.7378

    Publicity
    [email protected]

Media | Markets

  • ▶ Website: http://www.johndoylemusic.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCmURszPnSv7z9wDdJ3mlTqg
  • ▶ Spotify: http://open.spotify.com/album/5wK2zSsu8uCfmEwaRwdQkD
  • ▶ Spotify 2: http://open.spotify.com/album/4LeBAjVZDXeeXvftcNUXWx
  • ▶ Spotify 3: http://open.spotify.com/album/7wvYfTaLUc5sjnYyDrW4P2
  • ▶ Spotify 4: http://open.spotify.com/album/5kULrFfQsy6PGV86BCfALj
  • ▶ Spotify 5: http://open.spotify.com/album/2iPcrWqZ3NEsgMCF2w3lpZ

Clips (more may be added)

  • John Doyle - Full Show
    By John Doyle
    277 views
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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