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  • Sammy Britt

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Sammy Britt
  • City/Place: Cleveland, Mississippi
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Since receiving his Bachelor of Fine Arts Degree in painting from the Memphis Academy of Arts and his Master of Fine Arts Degree in painting from the University of Mississippi, Sammy has taught painting and drawing at Delta State University in Cleveland, Mississippi for the past thirty five years. He retired from teaching at Delta State University in 2002. Sammy has taught and practiced the art of seeing and painting color through the language of the limitless light keys of nature since 1963 when he first began studying with Henry Hensche at the Cape Cod School of Art in Provincetown, Massachusetts.

    Sammy has a long list of accomplishments in the arts having won many prizes and awards in competitive shows and has served as a juror for outstanding art shows in Mississippi, Louisiana, and Alabama. He was honored by Lauren Rogers Museum of Art in Laurel, Mississippi by being invited to participate in the "A Painter's Painter: Charles Webster Hawthorne; The Influence of Provincetown and Henry Hensche on Sammy Britt, Gerald DeLoach, Richard Kelso, and George T. Thurmond Exhibition in 1999. He received the Kossman Outstanding Teacher Award at Delta State University in 2002 and was also awarded Professor Emeritus of Art, 2002. He was featured on Mississippi Educational Television, is a member of Omicron Delta Kappa Honorary Leadership Fraternity, was chosen one of the Outstanding Educators in America and is listed in Who's Who in American Art.

    Sammy has taught workshops throughout Mississippi, Louisiana and Tennessee. He continues to paint and teach workshops in the tradition of Henry Hensche.

Contact Information

  • Telephone: 662.843.8509
  • Address: 1105 University Street
    Cleveland, MS 38732

Media | Markets

  • ▶ Website: http://www.sammybritt.com

More

  • Quotes, Notes & Etc. "In our greatest artistic moment we can merely create a weak illusion of God's great creative genius, but that tiny glimpse of God's beauty is more than enough to share with another soul."

    ~ S.Britt

    Nearly one hundred years before Monet, J.M.W. Turner introduced a new way of seeing light and color. Monet was able to develop this new way of seeing because of the industrial revolution in France. Monet did this through better understanding the way light changes his subjects in different seasons, as well as, at the different kind of day and time of day. He was able to accomplish this by painting directly from nature with the invention and convenience of new permanent colors and tubes.

    Due to the influence of Monet's innovations of visual perception, Henry Hensche's teaching and painting was able to go beyond Impressionism. Henry added new dimension to the art of seeing. Everything that Henry saw was in what he called light keys. Painting limitless light keys requires looking for the truth. This truth is in the way everything is enveloped in a particular light key in each season, time of day and kind of day. Traditional, classical, modern or any other previous ideas of painting have never been able to reveal the quality of the different light keys. Everything is also modeled in the particular light key through understanding color masses. Everything else is held to that key and is expressed through separate color differences not values.

    Henry understood the only way he could achieve this visual truth was to make a complete break from the traditional school. He did this early in his career while he was an assistant to Charles W. Hawthorne. Henry taught the art of seeing and painting like a language. Every stage of the language has to be understood and practiced before proceeding to the next level. The problem lies in confusing color with tonal methods. They are two different languages. Progress is only achieved when the student is able to advance in their development of color relationships. There are no short cuts, formulas, recipes or easy ways to learn. Henry Hensche spent his life believing in developing this language of light and color. I call this language "color visualism" to separate it from all other labels. Henry did not want to be called an Impressionist, not because he did not want to be associated with the name, but because he was not an Impressionist. He was not connected with any of the traditional or modern movements. In my opinion, he is the only painter to take painting beyond Impressionism, Realism and anything else in the history of painting. He is an innovator in seeing and painting. He is recognized for his innovative achievements in his teaching and painting. This is a new language of seeing and cannot be explained, taught or practiced in a traditional manner or by traditional terminology.

    Henry was the first painter in the history of painting to paint still life in different light keys modeled with color variations outdoors and using north light indoors. He modeled his landscapes and portraits in light keys and composed with three dimensional color composition. He has accomplished what no other painter in history has been able to do. Henry understood and appreciated what Monet had accomplished but that was only the beginning. Henry knew his own ideas were different and more truthful in the way we see. He wanted to develop seeing and painting to a higher level of visual perception.

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  • SAMMY BRITT : 50 YEAR PAINTING RETROSPECTIVE
    By Sammy Britt
    354 views
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  • Sammy Britt
    A video was posted re Sammy Britt:
    SAMMY BRITT : 50 YEAR PAINTING RETROSPECTIVE
    painter and long time painting teacher professor emeritus sammy britt's 50 year retrospective of his work, paintings and drawings, britt talks about his colo...
    • October 29, 2019
  • Sammy Britt
    A category was added to Sammy Britt:
    Delta State University Faculty
    • October 29, 2019
  • Sammy Britt
    A category was added to Sammy Britt:
    Mississippi
    • October 29, 2019
  • Sammy Britt
    A category was added to Sammy Britt:
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    • October 29, 2019
  • Sammy Britt
    Sammy Britt is matrixed!
    • October 29, 2019
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

IF YOU CAN'T STAND THE HEAT
The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic above. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

SE VOCÊ NÃO AGUENTA O CALOR
A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone acima. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Adonis Rose Jazz
  • Nara Couto Diretora, Director
  • Béla Fleck Americana
  • Jack Talty Musicologist
  • Luíz Paixão Côco
  • Cory Wong Minneapolis, Minnesota
  • Jeremy Pelt New York City
  • Ron Blake New York City
  • Gord Sheard Jazz
  • Mino Cinélu Drums
  • Daniel Jobim Samba
  • Marcelo Caldi Música Nordestina
  • Jupiter Bokondji Congo
  • Lavinia Meijer Contemporary Classical Music
  • Anthony Coleman New York City
  • Dona Dalva Samba
  • Jorge Glem Cuatro
  • Carwyn Ellis Multi-Instrumentalist
  • Bebel Gilberto Rio de Janeiro
  • Roots Manuva Dub
  • Parker Ighile Hip-Hop
  • Ahmad Sarmast Afghan Music
  • Al Kooper Singer-Songwriter
  • Dexter Story Multi-Instrumentalist
  • Anderson Lacerda Maxixe
  • Carwyn Ellis Wales
  • Dwayne Dopsie Louisiana
  • Yamandu Costa Choro
  • Şener Özmen Writer
  • Pedrito Martinez Singer
  • Keola Beamer Singer-Songwriter
  • Ravi Coltrane Record Label Owner
  • Judy Bady Jazz
  • Jonathon Grasse Composer
  • Merima Ključo Sevdalinka
  • Nancy Viégas Cantora-Compositora, Singer-Songwriter
  • James Shapiro Columbia University Faculty
  • Michael Garnice Mento
  • Molly Tuttle Americana
  • Azadeh Moussavi Tehran
  • Jovino Santos Neto Rio de Janeiro
  • Ivo Perelman São Paulo
  • Shane Parish Multi-Cultural
  • Alex Conde Madrid
  • Yotam Silberstein New York City
  • Ken Avis Guitar
  • Siphiwe Mhlambi Jazz Photographer
  • Albin Zak Record Producer
  • Brooklyn Rider Multi-Cultural
  • Ali Jackson Composer
  • Robertinho Silva Brazilian Jazz
  • Matt Dievendorf Washington, D.C.
  • Colm Tóibín Short Stories
  • Matt Glaser Jazz
  • Ricardo Bacelar Direitos Autorais, Royalties
  • Elie Afif Dubai
  • Margareth Menezes Afropop
  • Sombrinha Guitar
  • Ali Jackson Drums
  • Tomoko Omura Multi-Cultural
  • Robert Glasper Piano
  • Edivaldo Bolagi Bahia
  • Zé Luíz Nascimento Bahia
  • Mulatu Astatke Ethio-Jazz
  • Alex Clark Director
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Brandee Younger Jazz
  • Raphael Saadiq Multi-Instrumentalist
  • Patricia Janečková Czech Republic
  • Milad Yousufi Calligrapher
  • Arturo O'Farrill Afro-Cuban Jazz
  • Mateus Asato Neo Fusion
  • Tyshawn Sorey Composer
  • BIGYUKI Jazz, Electronic, R&B, Soul
  • Maria Struduth Ilustradora, Illustrator
  • Azadeh Moussavi Film Director
  • Marc Ribot Free Jazz
  • Luiz Santos Contemporary Classical Music
  • Wouter Kellerman Fife
  • Mário Pam AFROBIZ Salvador
  • Carlos Lyra Guitar
  • Duncan Chisholm Scotland
  • Antonio Sánchez Film Scores
  • 小野リサ Lisa Ono Singer
  • Cyro Baptista Brazil
  • Bill Frisell Americana
  • João Luiz Guitar
  • Tom Green Writer
  • Tommy Peoples Ireland
  • Kiko Freitas Drums
  • Gabriel Geszti Compositor, Composer
  • Steve Abbott Concert Promoter
  • Bruce Molsky Berklee College of Music Faculty
  • Loli Molina Piano
  • Mika Mutti Los Angeles
  • Gretchen Parlato Singer
  • Nate Chinen Music Critic
  • Zisl Slepovitch Jewish Music
  • Raelis Vasquez Dominican Republic
  • Lolis Eric Elie Screenwriter
  • Teddy Swims Georgia
  • Jorge Washington AfroChef
  • Loli Molina Singer-Songwriter
  • June Yamagishi Guitar
  • William Parker Composer
  • André Mehmari Composer
  • Kiko Freitas MPB
  • Dr. Lonnie Smith Composer
  • Jon Batiste Classical Music
  • Simon Shaheen Oud
  • Sergio Krakowski Pandeiro Instruction
  • Sam Yahel Piano
  • Bob Mintzer Multi-Instrumentalist
  • The Weeknd Record Producer
  • Joatan Nascimento Salvador
  • Francisco Mela Percussion
  • Grégoire Maret Composer
  • Johnny Lorenz Poet
  • Jason Reynolds Washington, D.C.
  • Shaun Martin Gospel
  • Rogério Caetano Composer
  • Francisco Mela Drums
  • Marko Djordjevic Composer
  • Iroko Trio São Paulo
  • Christian Sands Piano
  • Cyro Baptista Composer
  • Şener Özmen Multimedia Art
  • João Bosco Singer-Songwriter
  • Ubiratan Marques Salvador
  • Hélio Delmiro Composer
  • Les Thompson Folk & Traditional
  • Amaro Freitas Maracatu
  • Babau Santana Brasil, Brazil
  • Susana Baca Singer-Songwriter
  • Las Cafeteras Chicano Music
  • Gilberto Gil MPB
  • Celino dos Santos Chula
  • Dan Nimmer Piano
  • Seu Regi de Itapuã Cantor, Singer
  • Bombino Guitar
  • Aubrey Johnson Queens College Faculty
  • Sebastian Notini Brasil, Brazil
  • Sharita Towne Video Artist
  • João Jorge Rodrigues Brasil, Brazil
  • Hugo Linns Pernambuco
  • Nação Zumbi Brazil
  • Echezonachukwu Nduka Poet
  • Steve Cropper Songwriter
  • Bobby Sanabria New York City
  • Muhsinah R&B
  • Jerry Douglas Dobro
  • Nate Chinen Radio Director
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • Leyla McCalla New Orleans
  • Munir Hossn Bahia
  • Tom Bergeron Frevo
  • MARO Multi-Instrumentalist
  • Richie Barshay Percussion
  • Marcelinho Oliveira Keyboards
  • Bill Callahan Austin, Texas
  • César Orozco New York City
  • Júlio Lemos Guitar
  • Dorothy Berry Museum Curator
  • Varijashree Venugopal Singer
  • Terell Stafford Jazz
  • Ana Luisa Barral Composer
  • Dani Deahl Journalist
  • Shankar Mahadevan Playback Singer
  • Bright Red Dog Ropeadope
  • João Rabello Composer
  • Menelaw Sete Escultor, Sculptor
  • Ryuichi Sakamoto Singer-Songwriter
  • Romero Lubambo Choro
  • Jill Scott Actor
  • Doug Wamble Jazz
  • Julia Alvarez Dominican Republic
  • Ricardo Markis Salvador
  • Scott Devine Bass
  • Urânia Munzanzu Cineasta, Filmmaker
  • Jane Ira Bloom Multi-Cultural
  • Rodrigo Caçapa Percussion
  • Huey Morgan DJ
  • Zé Luíz Nascimento Barcelona
  • Garvia Bailey Radio Producer
  • Cuong Vu Jazz
  • Frank Beacham Writer
  • Plinio Oyò Viola Machete
  • Gabi Guedes Bahia
  • Jon Madof Record Producer
  • Nikole Hannah -Jones Journalist
  • MonoNeon Memphis, Tennessee
  • Maria Struduth Cachoeira
  • François Zalacain Record Label Owner
  • Oswaldinho do Acordeon Accordion
  • Ken Avis Washington, D.C.
  • Ben Hazleton Indian Classical Music
  • Kiya Tabassian كيا طبسيان Montreal
  • Vincent Valdez Drawings
  • Alan Brain Filmmaker
  • Kenyon Dixon Singer-Songwriter
  • Marc Johnson Jazz
  • Bodek Janke Contemporary Classical Music
  • Carlinhos 7 Cordas Guitar
  • Oswaldo Amorim Brasília
  • Martyn Record Producer
  • Maria Marighella Bahia
  • Jessie Montgomery Composer
  • Chico César Poet
  • María Grand Singer
  • Antonio Adolfo Jazz Brasileiro, Brazilian Jazz
  • Nonesuch Records Broadway
  • Brad Mehldau Piano
  • Hugo Linns Multi-Instrumentalist
  • Immanuel Wilkins NYU Faculty
  • Joyce Moreno Violão, Guitar
  • John Zorn Record Label Owner
  • Shamarr Allen Singer-Songwriter
  • Ron Carter Educator
  • Darrell Green Drums
  • Yola Singer-Songwriter
  • Anthony Hamilton Record Producer
  • Tonho Matéria Salvador
  • Hercules Gomes Samba
  • Sarah Jarosz Mandolin
  • James Gadson Soul
  • Lina Lapelytė Composer
  • Arifan Junior Produtor Cultural, Cultural Producer
  • Ben Hazleton Composer
  • Daniel Jobim Brazilian Jazz
  • Duane Benjamin Arranger
  • Henrique Cazes Brazil
  • Kevin Burke Irish Traditional Music
  • Francisco Mela Jazz
  • Domingos Preto Samba de Roda
  • Bob Telson Film Scores
  • Keyon Harrold Singer
  • Jennifer Koh Violin
  • Janine Jansen Violin
  • Urânia Munzanzu Poeta, Poet
  • Isaias Rabelo Brazil
  • Jonga Cunha Radio Presenter
  • Léo Rodrigues Pandeiro
  • Michael Janisch Double Bass
  • Zeca Freitas Maestro, Conductor
  • Duncan Chisholm Traditional Scottish Music
  • Ed O'Brien Singer-Songwriter
  • Theon Cross Composer
  • Parker Ighile Multi-Cultural
  • John Edward Hasse Piano
  • Leandro Afonso Bahia
  • Luiz Antônio Simas Samba
  • Cássio Nobre Brazil
  • Colm Tóibín Columbia University Faculty
  • David Sánchez Pan-Africana
  • Judy Bady Patterson, New Jersey
  • Cássio Nobre Samba de Roda
  • Adam Rogers Jazz
  • Larry Grenadier Jazz
  • Spok Frevo Orquestra Pernambuco
  • Carlos Paiva Servidor Público, Public Servant
  • Helado Negro Brooklyn, NY
  • Mestre Nenel Bahia
  • Carlos Prazeres Salvador
  • Walmir Lima Bahia
  • Sérgio Pererê Belo Horizonte
  • Elio Villafranca Caribbean Music
  • David Bragger Banjo Instruction
  • Garvia Bailey Radio Presenter
  • Zachary Richard Accordion
  • Celsinho Silva Pandeiro
  • Jamael Dean Piano
  • Larry Achiampong London
  • Ivan Huol Drums
  • Leo Genovese Piano
  • Hugues Mbenda African Cuisine
  • James Poyser Multi-Instrumentalist
  • Peter Evans Composer
  • Juliana Ribeiro MPB
  • Aaron Goldberg Piano
  • Marília Sodré MPB
  • Daniil Trifonov New York City
  • Aindrias de Staic Cainteoir Gaeilge
  • Ben Wolfe New York City
  • Jas Kayser Composer
  • Yoron Israel Composer
  • Jeremy Danneman Clarinet
  • Alyn Shipton Music Critic
  • Danilo Brito São Paulo
  • Tommy Peoples Fiddle
  • Samuel Organ Electronic Music
  • Mateus Alves Bass
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Ethan Iverson Composer
  • Terell Stafford Classical Music
  • Jon Madof Development Consultant
  • Nelson Latif Cavaquinho
  • Laércio de Freitas Brazil
  • Celsinho Silva Pandeiro Instruction
  • David Fiuczynski Multi-Cultural
  • The Bayou Mosquitos Netherlands
  • Gunter Axt Historiador, Historian
  • Mariana Zwarg Saxophone
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