Bio:
Grammy nominated saxophonist Ben Wendel was born in Vancouver, Canada and raised in Los Angeles. Currently living in Brooklyn, NY, he has enjoyed a varied career as a performer, composer and producer. Highlights include tours, performances and/or recordings with artists such as Tigran Hamasyan, Antonio Sanchez, Gerald Clayton, Eric Harland, Taylor Eigsti, Linda May Han Oh, Moonchild, Louis Cole, Daedelus, Snoop Dogg and the artist formerly known as Prince. Ben is a founding member of the Grammy nominated group Kneebody.
As a composer, he has received an ASCAP Jazz Composer Award, the 2008, 2011 and 2017 Chamber Music America “New Works Grant” and was awarded the Victor Lynch-Staunton award by the Canada Council For The Arts. He also co-wrote the score for John Krasinski's adaptation of David Foster Wallace’s "Brief Interviews With Hideous Men."
Ben was honored to work with conductor Kent Nagano in producing a series of concerts for the Festspiel Plus in Munich, Germany. From 2008 to 2015, he produced a multi-genre performance series at the Broad Stage in Santa Monica, California. During that time he was appointed the head of their Jazz and Blues initiative, which included producing and expanding performance opportunities for these genres in Los Angeles. As part of this appointment, Ben helped to create an artistic council which included such luminaries as Quincy Jones, Herb Alpert and Luciana Souza. Ben’s producer work includes the Grammy nominated album "Life Forum" for pianist Gerald Clayton on Concord Records.
Ben has recorded for Sunnyside Records, Motéma Music, Concord Records and Brainfeeder, with four solo albums under his belt, Simple Song (2009), Frame (2012), What We Bring (2016) and The Seasons (2018), a duo project with French-American pianist Dan Tepfer entitled Small Constructions (2013) and multiple Kneebody albums. His critically acclaimed music video project The Seasons, inspired by Tchaikovsky’s works of the same name, was released throughout 2015 and included guests such as Joshua Redman, Jeff Ballard, Mark Turner, Julian Lage, Ambrose Akinmusire and more. It was listed as one of the best releases of 2015 by the NY Times.
Ben is a former Adjunct Professor of Jazz Studies at USC and a current Adjunct at the New School in NYC. Educational outreach has been a constant in his career with over 250 masterclasses at various colleges, universities, high-schools and also previous work with the LA Philharmonic Artist Program.
Contact Information
Management/Booking:
WORLDWIDE BOOKING & MANAGEMENT
International Music Network: IMN
Contact: Tom Korkidis [email protected]
Tel. 978-283-2883
www.imnworld.com
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).