Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Luedji Luna
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Luedji Luna
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: Música é oração, é a paz da canção no ventre de minha mãe, é meu pai me ensinando a prestar atenção em cada instrumento, é a voz andrógina da Tracy Chapman que me comovia quando pequena, é a coletânia de eruditos que minha mãe ouvia, é som no quintal do grupo Raciocínio Lento, é uma canção que me fez chorar um noite inteira.

    E eu tenho ela assim, tão íntima, tão parte de mim, tão lá dentro, tão lá no fundo, que cantar é o mesmo que ser. Eu sou uma pessoa que canta e escreve!

    Assim, bem simples e sincera, assim, bem música...

Contact Information

  • Management/Booking: [email protected]
    [email protected]
    [email protected]

Media | Markets

  • ▶ Twitter: luedji_luna
  • ▶ Instagram: luedjiluna
  • ▶ Website: http://luedjiluna.com.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCaLmDMn4wJHNjBYfJ7n1TZg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCmYRJrVw72muw4fJYHxwB6g
  • ▶ Spotify 2: http://open.spotify.com/album/3PH6R6Ah2YfJeufrRYREZ4

Clips (more may be added)

  • Banho de Folhas
    By Luedji Luna
    500 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Luedji Luna:

  • 2 Bahia
  • 2 Brazil
  • 2 Salvador
  • 2 Singer-Songwriter

Nodes below are randomly generated. Reload for a different stack.

  • Carlos Malta Saxophone
  • Robby Krieger Singer-Songwriter
  • Edsel Gomez Piano
  • Peter Mulvey Milwaukee, Wisconsin
  • Justin Kauflin New York City
  • Nação Zumbi Olinda
  • Muireann Nic Amhlaoibh Ireland
  • Darrell Green Jazz
  • Isaias Rabelo Piano
  • Steve Cropper Recording Studio Owner
  • Ashley Page New Zealand
  • Riley Baugus Singer
  • Rudresh Mahanthappa Saxophone
  • João Teoria Brasil, Brazil
  • Toninho Ferragutti Brazil
  • Germán Garmendia Chile
  • Yvette Holzwarth Film Scores
  • Cory Wong R&B
  • Germán Garmendia YouTuber
  • Kehinde Wiley Portrait Painter
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Lavinia Meijer Contemporary Classical Music
  • Rosa Passos Singer-Songwriter
  • Mauro Refosco Compositor de Teatro, Theater Scores
  • Elif Şafak Women's Rights Activist
  • Walmir Lima Singer
  • Germán Garmendia Los Angeles
  • Peter Dasent Film Scores
  • Gerald Clayton Jazz
  • Teddy Swims Georgia
  • Julien Libeer Piano
  • Dan Tepfer Classical Music
  • Grant Rindner New York City
  • Grant Rindner Writer
  • Glória Bomfim Chula
  • Chris Acquavella Germany
  • Philip Cashian London
  • Daniil Trifonov Classical Music
  • Stan Douglas Canada
  • Casa PretaHub Cachoeira Bahia
  • The Umoza Music Project African Music
  • Mona Lisa Saloy Folklorist
  • Larry Achiampong London
  • Toninho Nascimento Brazil
  • Cory Wong Minneapolis, Minnesota
  • Marc Cary New York City
  • Clint Mansell Composer
  • JD Allen Saxophone
  • Luizinho Assis Produtor Musical, Music Producer
  • Tam-Ky Marseille
  • Ben Wolfe Composer
  • Dale Barlow Flute
  • Joan Chamorro Double Bass
  • Larissa Fulana de Tal Roteirista, Screenwriter
  • Horacio Hernández Havana
  • Cory Wong R&B
  • Taylor Ashton Banjo
  • Ivo Perelman Multi-Instrumentalist
  • Kirk Whalum Gospel
  • Antonio García Latin Music
  • Tomoko Omura Multi-Cultural
  • Turíbio Santos Guitar
  • David Sánchez Saxophone
  • Gustavo Di Dalva Percussion
  • Ivan Bastos Bahia
  • Anouar Brahem Tunis
  • Isaias Rabelo Bahia
  • Gerson Silva Salvador
  • Michelle Mercer Music Critic
  • Fábio Luna Flauta, Flute
  • Mark Stryker Arts Critic
  • David Chesky Jazz
  • Moacyr Luz Songwriter
  • Derrick Hodge Composer
  • Little Simz Rapper
  • Omer Avital North African Music
  • Celsinho Silva Samba
  • Saul Williams Filmmaker
  • Utar Artun Turkey
  • Natalia Contesse Author
  • Fred Dantas Composer
  • Art Rosenbaum Muralist
  • Gabriel Geszti Choro
  • Sérgio Pererê Multi-Instrumentalist
  • Grant Rindner Journalist
  • Roque Ferreira Samba de Roda
  • Kareem Abdul-Jabbar Basketball
  • Dermot Hussey Author
  • João Parahyba São Paulo
  • Wolfgang Muthspiel Vienna, Austria
  • Leela James Soul
  • Kenyon Dixon Singer-Songwriter
  • Paulo César Pinheiro Rio de Janeiro
  • Alfredo Del-Penho Singer-Songwriter
  • Alain Mabanckou Writer
  • Michael Cleveland Indiana
  • Chau do Pife Alagoas
  • Léo Rodrigues Choro
  • Mark Turner Composer
  • Raynald Colom Trumpet
  • Mauro Senise Brazilian Jazz
  • Atlantic Brass Quintet Jazz
  • Tommy Peoples Fiddle
  • Leigh Alexander Short Stories
  • Bright Red Dog Jazz, Electronica, Hip-Hop, Psychedelia, Noise
  • Sierra Hull Mandolin
  • Aubrey Johnson Brazilian Music
  • Shaun Martin Gospel
  • Ronaldo do Bandolim Choro
  • Negrizu Candomblé
  • Alita Moses New York City
  • Fatoumata Diawara Paris
  • Joe Lovano Author
  • Zara McFarlane Vocal Coach
  • Gord Sheard Accordion
  • Yola Country
  • Kiko Souza Ska
  • Scott Devine Bass Instruction
  • Chico Buarque Brazil
  • Margareth Menezes Bahia
  • Raphael Saadiq Singer-Songwriter
  • Cássio Nobre Ethnomusicologist
  • Jim Hoke Nashville, TN
  • Horácio Reis Bahia
  • Mário Pam Bloco Afro
  • Casa da Mãe Espaço Cultural/Cultural Space
  • Anna Mieke Wicklow
  • Alê Siqueira Bahia
  • André Muato Rio de Janeiro
  • Wayne Escoffery Saxophone
  • Chris Potter New York City
  • Plínio Fernandes London
  • Yazhi Guo 郭雅志 Multi-Instrumentalist
  • Marcelo Caldi Choro
  • Nguyên Lê Vietnam
  • Geovanna Costa Samba
  • Gui Duvignau Brazil
  • Robb Royer Multi-Instrumentalist
  • Jas Kayser Jazz
  • Mario Ulloa Bahia
  • Tommy Peoples Irish Traditional Music
  • Isaak Bransah Singer-Songwriter
  • Jared Sims Clarinet
  • Alex Mesquita Federal University of Bahia Faculty
  • Sara Gazarek Jazz
  • Philip Glass Piano
  • Kaveh Rastegar Songwriter
  • Sarz Africa
  • Mick Goodrick Guitar
  • Márcio Bahia Percussion
  • Paul Mahern Bloomington, Indiana
  • Bebê Kramer Choro
  • Itamar Vieira Júnior Short Stories
  • Adriano Souza Samba
  • Mingo Araújo Brazil
  • Ethan Iverson Piano
  • Jonathan Scales Ropeadope
  • Mono/Poly Experimental Music
  • Imanuel Marcus Journalist
  • Margaret Renkl Journalist
  • Dwandalyn Reece Singer
  • Mestre Barachinha Pernambuco
  • Fabian Almazan Record Label Owner
  • Dave Douglas Festival Director
  • Romero Lubambo Brazilian Jazz
  • Menelaw Sete Cubismo Afro-Brasileiro, Afro-Brazilian Cubism
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Saul Williams Actor
  • Antonio García Virginia Commonwealth University Faculty
  • Michael Olatuja Lagos
  • Bejun Mehta New York City
  • Tobias Meinhart Jazz
  • Nêgah Santos Percussion
  • Ferenc Nemeth Drums
  • Echezonachukwu Nduka Writer
  • Chico Buarque Singer-Songwriter
  • Tom Schnabel DJ
  • Ajurinã Zwarg Saxophone
  • Tom Piazza Writer
  • Larry McCray Keeping the Blues Alive Records
  • Negrizu Bahia
  • Leela James Blues
  • Carlos Blanco Flamenco
  • Raynald Colom Jazz
  • Carol Soares Samba
  • Joshua Abrams Guimbri
  • Ryan Keberle Piano
  • Anoushka Shankar Singer
  • Jeff Ballard New York City
  • Plamen Karadonev Accordion
  • Sharay Reed Composer
  • Marcus Strickland Brooklyn, NY
  • John McWhorter Linguist
  • John Donohue Journalist
  • Greg Ruby Author
  • Matt Dievendorf Guitar
  • Pedrito Martinez Singer
  • Bernardo Aguiar Percussion Instruction
  • Anoushka Shankar Piano
  • Cory Henry Jazz
  • Neo Muyanga Singer
  • Dudu Reis Brasil, Brazil
  • Parker Ighile Contemporary R&B
  • Horacio Hernández Cuba
  • Peter Evans Avant-Garde Jazz
  • Daedelus DJ
  • Igor Levit Classical Music
  • Babau Santana Brasil, Brazil
  • Zé Luíz Nascimento Salvador
  • Nomcebo Zikode House Music
  • Damion Reid Drums
  • Rudy Royston Photographer
  • Ali Jackson Composer
  • Arto Tunçboyacıyan Multi-Instrumentalist
  • J. Pierre New Orleans
  • Lakecia Benjamin Funk
  • David Castillo Voiceovers
  • Esperanza Spalding Singer
  • Gerônimo Santana Singer-Songwriter
  • Luques Curtis Latin Jazz
  • THE ROOM Shibuya Cocktail Bar
  • Allen Morrison Piano
  • Thiago Espírito Santo Jazz
  • Bernardo Aguiar Rio de Janeiro
  • Brian Blade Composer
  • Sharita Towne Pacific Northwest College of Art Faculty
  • Célestin Monga Harvard University Faculty
  • Issa Malluf Daf
  • Manassés de Souza Ceará
  • Michel Camilo Jazz
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • Pharoah Sanders Multi-Cultural
  • Ed O'Brien Singer-Songwriter
  • Etienne Charles Caribbean Music
  • Amy K. Bormet Composer
  • Gilmar Gomes Singer-Songwriter
  • Anne Gisleson New Orleans
  • Parker Ighile London
  • Victor Gama Multimedia Opera
  • Francisco Mela Cuba
  • Matt Dievendorf Jazz
  • Walter Ribeiro, Jr. Samba
  • Fernando Brandão Composer
  • Jon Batiste New York City
  • Michael Janisch London
  • Tero Saarinen Dancer
  • Alex Conde Flamenco
  • Amilton Godoy Classical Music
  • Rosângela Silvestre Candomblé
  • Alyn Shipton Jazz Historian
  • Joatan Nascimento Brazilian Jazz
  • John McLaughlin Multi-Cultural
  • McClenney Multi-Instrumentalist
  • Renee Rosnes Composer
  • Joe Chambers Vibraphone
  • Rob Garland Jazz, Rock
  • Lenny Kravitz Photographer
  • Andrew Huang Video Producer
  • Reena Esmail Contemporary Classical Music
  • Gilson Peranzzetta Accordion
  • Chico César Poet
  • Mokhtar Samba Morocco
  • Jerry Douglas Nashville, Tennessee
  • Omar Sosa Vibraphone
  • Jill Scott Model
  • Giorgi Mikadze გიორგი მიქაძე Piano
  • Christopher James Piano
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Muireann Nic Amhlaoibh Celtic
  • Nelson Cerqueira Academia de Letras da Bahia, Bahian Academy of Letters
  • Abderrahmane Sissako Film Director
  • Ben Wendel New School for Jazz and Contemporary Music Faculty
  • Cory Wong Minneapolis, Minnesota
  • Paquito D'Rivera Author
  • Jaleel Shaw Manhattan School of Music Faculty
  • Adriano Souza MPB
  • Ivan Bastos Violão, Guitar
  • Kurt Andersen Novelist
  • William Skeen Early Music
  • Christopher Wilkinson Movie Producer
  • Brett Orrison Record Producer
  • Luis Perdomo Jazz
  • Johnathan Blake Drums
  • Philip Cashian Composer
  • Questlove DJ
  • Dale Bernstein Wet Plate Photography
  • Samuel Organ Guitar
  • Thiago Trad Brasil, Brazil
  • Domingos Preto Samba de Roda
  • Ana Luisa Barral Choro
  • Asali Solomon Short Stories
  • Case Watkins James Madison University Faculty
  • Dumpstaphunk Funk
  • Katuka Africanidades Brasil, Brazil
  • Fapy Lafertin Gypsy Jazz
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Ivo Perelman Painter
  • Trilok Gurtu Percussion
  • Sarz Hip-Hop
  • Mou Brasil Jazz Brasileiro, Brazilian Jazz
  • Gabrielzinho do Irajá Cavaquinho
  • Guga Stroeter Vibraphone
  • Cedric Watson Cajun Music
  • Alex Clark Digital Media Producer
  • Aurino de Jesus Samba de Roda
  • Ferenc Nemeth New York City
  • Gail Ann Dorsey Singer-Songwriter
  • Felipe Guedes Bahia
  • David Braid London
  • Elif Şafak Women's Rights Activist
  • Tatiana Eva-Marie Singer
  • Janine Jansen Utrecht
  • Dave Jordan Roots Rock
  • Mestre Nelito Samba
  • Dudu Reis Bahia
  • Itamar Borochov New York City
  • Jas Kayser Panama
  • Paddy Groenland Soul
  • Erika Goldring New Orleans
  • Vanessa Moreno Brazilian Jazz
  • Jovino Santos Neto Piano
  • Courtney Pine London
  • Oswaldinho do Acordeon Brazil
  • Glória Bomfim Brazil
  • Milton Primo Singer-Songwriter
  • Scotty Apex Los Angeles
  • Garth Cartwright Poet
  • Hot Dougie's Salvador
  • Terri Hinte Travel Writer
  • Mika Mutti Record Producer
  • Colm Tóibín Literary Critic
  • Lula Galvão Classical Guitar
  • Nicolas Krassik Jazz
  • Pierre Onassis Bahia
  • Arismar do Espírito Santo Guitar
  • Alicia Keys R&B
  • Lolis Eric Elie Filmmaker
  • Ben Wolfe Jazz
  • Shannon Ali Cultural Critic
  • LaTasha Lee R&B
  • Di Freitas Composer
  • Helado Negro Latin Experimental Music
  • Andrew Finn Magill Ropeadope
  • June Yamagishi Funk
  • Hercules Gomes MPB
  • Eric Harland Jazz
  • Egberto Gismonti Composer
  • Jonathan Scales Steel Pans
  • Joshue Ashby Jazz
  • Carwyn Ellis Samba

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share