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  • Jimmy Duck Holmes

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Jimmy Duck Holmes
  • City/Place: Bentonia, Mississippi
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Jimmy “Duck” Holmes is the embodiment of raw country blues as one of the most original and uncompromising acoustic blues musicians playing today. From his first, Back to Bentonia (2006), to his most recent, It Is What It Is (2016), Duck’s albums have won numerous blues music awards from the Blues Foundation, the Living Blues Critics, and other organizations, and been named to annual top ten blues albums by NPR, Paste Magazine, Living Blues and others. Duck and his rhythmic and haunting minor tuned blues have been featured in numerous documentaries and programs by the BBC, Netflix, and independents including the acclaimed Canadian documentary I am the Blues, which won Best Feature Length Documentary at the Canadian Screen Awards.

    Duck’s importance as a blues musician was recently recognized when the State of Mississippi featured him on the Mississippi Bi-Centennial Forever Stamp issued by the United States Postal Service. Duck has developed fans across the United States, Canada, Europe, Japan and South America through appearances at various festivals and by attracting fans to Bentonia for the past 46 years to the Bentonia Blues Festival, held the week ending on the third Saturday in June each year. In 2019, Duck appeared on Rose Hill, the new album by Mike Munson, and is currently working on a new album.

    Duck is referred to as the Last of the Bentonia Bluesmen since he is the last direct musical descendent of Henry Stuckey, Skip James and Jack Owens. After Henry Stuckey and Skip James passed, Jack Owens continued Jimmy’s instruction while the two would sit and play at the Blue Front Café, the oldest surviving juke joint in Mississippi. Started in 1948 by Jimmy “Duck” Holmes’ parents, Jimmy took over the old juke in 1970. The local blues musicians would meet at the Blue Front, shoot pool, have a few drinks and play for each other. Today, Blues fans from all over the world travel to the Blue Front to soak in its history and hear authentic Blues from Jimmy “Duck” Holmes and others.

Contact Information

  • Management/Booking: General Manager
    Michael Schulze
    [email protected]

    Booking Agent
    Michael Schulze - [email protected]
    Dick Waterman - [email protected]

Media | Markets

  • ▶ Spotify: http://open.spotify.com/album/6fgTw3IgOwR0YN0YyRhAws
  • ▶ Spotify 2: http://open.spotify.com/album/0nEYMtuJ8wfCzuYLIpUzKX
  • ▶ Spotify 3: http://open.spotify.com/album/2wTTW0AYsTicWjP9Wmkkex
  • ▶ Spotify 4: http://open.spotify.com/album/3IUG7iozHbtgCsBFbzplxt
  • ▶ Spotify 5: http://open.spotify.com/album/3nMHBAqUam82CJKWvDoZAz

More

  • Quotes, Notes & Etc. “Make No Mistake: Jimmy Duck Holmes is a major blues figure, the most important active performer in the country blues tradition.”
    – Paste Magazine

    “Jimmy Duck Holmes sings with a deep soulful phrasing.”
    - New York Times Review

    “Command performance ... hypnotic ... perfect ... when you can get your hands on something this legendary, you do it, without hesitation."

    - American Blues Scene Magazine
    "His themes are dark and moody, and his guitar work is simple yet stunning, building a hypnotic reverie on each track. Holmes … proves that the real blues are indeed not dead and buried. If you’re a deep blues fan, this is an essential modern recording.”
    – Vintage Guitar Magazine

    "Hypnotic. . . compelling . . . . Blues enthusiasts who enjoy their blues raw and honest will relish It Is What It Is"
    - Living Blues Magazine

    “His originals are as low-down as anything by Son House, Charlie Patton, or even Robert Johnson. Holmes is the heir to such blues and deserves a pedestal so more people can hear the real thing.”
    – Classicalite Magazine

Clips (more may be added)

  • Jimmy "Duck" Holmes – Train Train [Official Video]
    By Jimmy Duck Holmes
    496 views
  • Jimmy Duck Holmes – Catfish Blues [Official Video]
    By Jimmy Duck Holmes
    559 views
Previous
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Jimmy Duck Holmes Curated

  • 1 Blues
  • 1 Guitar
  • 1 Mississippi
  • 1 Singer-Songwriter

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  • Jimmy Duck Holmes
    A video was posted re Jimmy Duck Holmes:
    Jimmy "Duck" Holmes – Train Train [Official Video]
    The official video for "Train Train", off of Jimmy "Duck" Holmes' album "Cypress Grove", available here: https://geni.us/cypressgrove Jimmy "Duck" Holmes is ...
    • December 27, 2019
  • Jimmy Duck Holmes
    A category was added to Jimmy Duck Holmes:
    Guitar
    • December 27, 2019
  • Jimmy Duck Holmes
    A video was posted re Jimmy Duck Holmes:
    Jimmy Duck Holmes – Catfish Blues [Official Video]
    The official video for Catfish Blues by Jimmy 'Duck' Holmes, from his Easy Eye Sound release "Cypress Grove", available here: https://geni.us/cypressgrove Ji...
    • December 27, 2019
  • Jimmy Duck Holmes
    A category was added to Jimmy Duck Holmes:
    Mississippi
    • December 27, 2019
  • Jimmy Duck Holmes
    A category was added to Jimmy Duck Holmes:
    Blues
    • December 27, 2019
  • Jimmy Duck Holmes
    A category was added to Jimmy Duck Holmes:
    Singer-Songwriter
    • December 27, 2019
  • Jimmy Duck Holmes
    Jimmy Duck Holmes is matrixed!
    • December 27, 2019
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

IF YOU CAN'T STAND THE HEAT
The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic above. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

SE VOCÊ NÃO AGUENTA O CALOR
A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone acima. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Mark Stryker Author
  • Fred Dantas Brazil
  • Chris Speed Clarinet
  • Ben Allison Multi-Cultural
  • Marcus Strickland Composer
  • Brian Stoltz Songwriter
  • Henrique Cazes Choro
  • Sergio Krakowski Rio de Janeiro
  • Gerônimo Santana Brazil
  • Leonard Pitts, Jr Public Speaker
  • Jane Ira Bloom Saxophone
  • Mauro Senise MPB
  • Marcos Portinari Diretor Artístico, Artistic Director
  • Julian Lage Blues
  • Ben Street New York City
  • Abel Selaocoe Singer
  • Karla Vasquez El Salvador
  • Barney McAll Jazz
  • Rita Batista Brasil, Brazil
  • Anderson Lacerda Choro
  • Casey Benjamin Songwriter
  • Tony Trischka Composer
  • Little Simz Actor
  • Antônio Pereira Manaus
  • Caetano Veloso Bahia
  • Simon McKerrell Writer
  • Brandon Coleman Jazz, Funk, R&B, Soul
  • Cara Stacey Radio Presenter
  • Dr. Lonnie Smith Composer
  • ANNA Berlin
  • Jeremy Pelt Trumpet Instruction
  • Mavis Staples Gospel
  • Daymé Arocena Singer
  • Liam Farrell 'Dr L' Paris
  • Terri Lyne Carrington Composer
  • Bule Bule Bahia
  • Elie Afif Composer
  • Plínio Fernandes London
  • Nação Zumbi Olinda
  • Johnathan Blake Jazz
  • Academia de Música do Sertão Bahia
  • Rob Garland Guitar
  • Moacyr Luz Brazil
  • Diosmar Filho Rio de Janeiro
  • Laércio de Freitas MPB
  • Garth Cartwright London
  • Aderbal Duarte Brazil
  • John Edwin Mason Writer
  • Cyro Baptista Percussion
  • Jamberê Cerqueira Salvador
  • Avishai Cohen אבישי כה Folk Jazz
  • Michael Cuscuna Record Producer
  • Towa Tei テイ・トウワ Keyboards
  • Nicholas Daniel Music Director
  • Lakecia Benjamin Funk
  • Charles Munka Painter
  • Kevin Hays Jazz
  • The Brain Cloud Americana
  • Amaro Freitas Piano
  • John Edward Hasse Curator
  • Romero Lubambo New York City
  • Leci Brandão Brazil
  • Sam Eastmond Jazz, Klezmer, Jewish, World, Downtown
  • Seckou Keita Percussion
  • Wayne Shorter Jazz
  • Chris Acquavella Germany
  • Los Muñequitos de Matanzas Cuba
  • Zoran Orlić Photographer
  • Simon Brook Director
  • Dan Nimmer Composer
  • Carlos Prazeres Orquestra Sinfônica da Bahia
  • Adam Neely YouTuber
  • Renata Flores Quechua
  • Celsinho Silva Choro
  • Julia Alvarez Writer
  • Makaya McCraven Jazz
  • Huey Morgan Guitar
  • Michael Janisch Double Bass
  • Áurea Martins Cantora, Singer
  • Sebastian Notini Produtor Musical, Music Producer
  • Anouar Brahem Tunisia
  • Toumani Diabaté Bamako
  • Kirk Whalum Gospel
  • Demond Melancon New Orleans
  • Sunn m'Cheaux Singer-Songwriter
  • Shannon Ali Writer
  • Carlinhos Brown Salvador
  • Mika Mutti Multi-Instrumentalist
  • Otmaro Ruiz Composer
  • Steve Earle Americana
  • Rudy Royston Composer
  • Luciano Salvador Bahia Singer-Songwriter
  • Jonathon Grasse Capoeira
  • Casey Benjamin Saxophone
  • Adam Shatz Journalist
  • David Byrne Painter
  • Soweto Kinch MC
  • Cashmere Cat DJ
  • Meena Karimi Cello
  • Orquestra Afrosinfônica Música Afro-Brasileira, Afro-Brazilian Music
  • Nikki Yeoh Piano
  • Lenny Kravitz Record Producer
  • Germán Garmendia Record Producer
  • Nicholas Daniel Oboe
  • Karsh Kale कर्ष काळे Singer
  • Lenna Bahule MPB
  • Flying Lotus Hip-Hop
  • Júlio Caldas Compositor, Songwriter
  • Liam Farrell 'Dr L' Multi-Cultural
  • Bill Laurance Jazz Fusion
  • James Gadson R&B
  • Mário Santana Brazil
  • Steve Earle Poet
  • Scott Devine Bass
  • Marc Maron Comedian
  • Stanton Moore Second Line
  • João Luiz Guitar
  • Ari Hoenig Jazz
  • Mary Norris New York City
  • Heriberto Araujo Brazil
  • Jeff Coffin Saxophone
  • Jubu Smith Singer-Songwriter
  • Brandee Younger New School Faculty
  • Yotam Silberstein Guitar
  • Yasmin Williams Alexandria, Virginia
  • Jonny Geller Public Speaker
  • H.L. Thompson Music Consultant
  • Ahmad Sarmast Afghan Music
  • THE ROOM Shibuya Japan
  • Leigh Alexander Writer
  • Corey Harris Reggae
  • Vivien Schweitzer Piano
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Abel Selaocoe Contemporary African Classical Music
  • Luíz Paixão Ciranda
  • Edmar Colón Saxophone
  • Avishai Cohen Trumpet
  • Jared Sims Classical Music
  • Chris Boardman Film Scores
  • Jupiter Bokondji Singer-Songwriter
  • Jon Batiste Funk
  • Tab Benoit Singer-Songwriter
  • Casey Benjamin R&B
  • Yosvany Terry Cuba
  • Casey Benjamin Funk
  • Filhos de Nagô Samba de Roda
  • Steve Coleman Multi-Cultural
  • James Brandon Lewis Saxophone
  • John Patrick Murphy Saxophone
  • Allen Morrison Press Releases
  • Walter Mariano Artista Gráfico, Graphic Artist
  • Cayenna Ponchione-Bailey Composer
  • Jack Talty Raelach Records
  • Hamilton de Holanda Brazilian Jazz
  • Miles Okazaki University of Michigan Faculty
  • Nick Douglas Comedy Writer
  • John Boutté Jazz
  • Jean Rondeau Piano
  • Ronald Bruner Jr. Singer
  • Gretchen Parlato New York City
  • Tomoko Omura Jazz
  • John Harle Film Scores
  • Buck Jones Brasil, Brazil
  • Gel Barbosa Acordeon, Accordion
  • Mauro Refosco Brasil, Brazil
  • Wayne Shorter Composer
  • MonoNeon Microtonal
  • Mestrinho Accordion
  • Jonathan Finlayson New York City
  • Kiko Horta Forró
  • Adam Neely Bass
  • Taj Mahal Blues
  • Bill Laurance Piano
  • Hopkinson Smith Lute
  • Márcio Bahia Samba
  • Olga Mieleszczuk Accordion
  • Sandra de Sá Samba
  • Karla Vasquez Food Writer
  • Hilary Hahn Classical Music
  • Hugues Mbenda Chef
  • Merima Ključo Composer
  • Ravi Coltrane Saxophone
  • Marcelinho Oliveira Record Producer
  • Aperio Texas
  • Kiko Freitas Brazil
  • Ron Carter Jazz
  • Michael Sarian Brooklyn, NY
  • Gregory Hutchinson Drum Clinics
  • Robb Royer Record Producer
  • Judy Bady Singer
  • Linda May Han Oh Film Scores
  • Lalá Evangelista Choro
  • Ubiratan Marques Bahia
  • Varijashree Venugopal Carnatic Music
  • Jeremy Danneman Singer-Songwriter
  • Paulo Costa Lima Música Clássica Contemporânea, Contemporary Classical Music
  • Luques Curtis Jazz
  • Jimmy Greene Gospel
  • Tomo Fujita Jazz
  • Clarice Assad Composer
  • Branford Marsalis New Orleans
  • Hermeto Pascoal Alagoas
  • Derek Sivers Entrepreneur
  • Tab Benoit Record Label Owner
  • Louis Marks Apparel & Fashion
  • Mark Lettieri Record Producer
  • Joshua Abrams Guimbri
  • Trombone Shorty Songwriter
  • Bule Bule Forró
  • Utar Artun Jazz
  • Patty Kiss Bahia
  • Ben Monder New York City
  • Flavio Sala Italy
  • Thiago Trad Bahia
  • Joe Fiedler Composer
  • Otto Manguebeat
  • Stuart Duncan Fiddle
  • Laércio de Freitas Brazil
  • Bob Bernotas Rutgers Faculty
  • Márcio Valverde Bahia
  • João Jorge Rodrigues Gestor Público, Public Servant
  • King Britt University of San Diego Faculty
  • Daphne A. Brooks Yale Faculty
  • Ronaldo do Bandolim Bandolim
  • Michael Olatuja Bass
  • Frank Negrão Music Director
  • Gilmar Gomes Salvador
  • Michelle Burford Collaborative Memoirist
  • Billy O'Shea Steampunk
  • Fabian Almazan Jazz
  • Eric Alexander Saxophone
  • Norah Jones New York City
  • Marcus Strickland Jazz
  • Gino Sorcinelli DJ Culture
  • Diana Fuentes Havana
  • Michael Pipoquinha Brazil
  • Rissi Palmer Country
  • Raymundo Sodré Salvador
  • Logan Richardson Flute
  • Aaron Goldberg New York City
  • Jamel Brinkley Writer
  • David Sacks Trombone
  • Maia Sharp Americana
  • Ron McCurdy Jazz
  • Alma Deutscher Classical Music
  • Ryan Keberle Jazz
  • Henry Cole Drums
  • Jerry Douglas Record Producer
  • International Anthem Recording Company
  • John Harle Guildhall School of Music & Drama Faculty
  • Domingos Preto Samba de Roda
  • Luiz Antônio Simas Brasil, Brazil
  • Richie Stearns Ithaca, New York
  • Sharay Reed Bass
  • Harish Raghavan Multi-Cultural
  • Ari Rosenschein Singer-Songwriter
  • Jack Talty Record Label Owner
  • Jacám Manricks Saxophone
  • Şener Özmen Turkey
  • Eder Muniz Arte Urbana, Urban Art
  • Greg Osby Saxophone
  • Adam Cruz Jazz
  • Munyungo Jackson Los Angeles
  • Jorge Washington AfroChef
  • Brentano String Quartet String Quartet
  • Fabian Almazan Havana
  • Wayne Shorter Saxophone
  • Di Freitas Cello
  • Randy Lewis Music Critic
  • Pedrito Martinez Cuba
  • Lalah Hathaway Soul
  • Anat Cohen New York City
  • Papa Mali Record Producer
  • Art Rosenbaum Folk & Traditional
  • Ilê Aiyê Salvador
  • Jamz Supernova Radio Presenter
  • Fatoumata Diawara Mali
  • Mario Caldato Jr. Bass
  • Thiago Trad Percussão, Percussion
  • Corey Henry Tremé
  • Ivan Neville Funk
  • Thomas Àdes Conductor
  • Leyla McCalla New Orleans
  • Tarus Mateen R&B
  • Omer Avital Oud
  • Tom Piazza New Orleans
  • Alicia Keys Record Producer
  • Mykia Jovan Funk
  • Ricky (Dirty Red) Gordon New Orleans
  • Ron Blake Flute
  • Echezonachukwu Nduka Nigeria
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Nilze Carvalho Mandolin
  • Tommaso Zillio Guitar
  • Benjamin Grosvenor United Kingdom
  • Tele Novella Texas
  • Jim Farber Journalist
  • John Zorn New York City
  • Marc Cary Jazz
  • Branford Marsalis Saxophone
  • Kevin Hays Composer
  • Cimafunk Cuba
  • Maria Struduth Música Nordestina
  • Antonio García Composer
  • Wayne Krantz Jazz
  • Jake Webster Painter
  • ANNA EDM
  • Meddy Gerville Maloya
  • Dezron Douglas Composer
  • JD Allen Composer
  • Amit Chatterjee Vocalist
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