Bio:
Mohini Dey is a renowned bass guitarist, arranger, producer & vocalist who has gained international recognition for her extraordinary talent and versatility. With her unique style and impeccable technique, she has collaborated with numerous renowned artists and performed on prestigious stages around the world. She is a 27-year-old bass guitarist from Mumbai, India.
She has been described as the “Most Successful Musician UNDER30” By ForbesIndia. She has been working professionally in the music industry for the past 18 years meaning that she started working professionally when she was only 9 years old. She is the only female bassist to rank within the 'Top 10 Bassists in the 21st Century' on Music Radar. She has over 20 million views collectively on YouTube, 261k followers on Instagram and 154K subscribers on YouTube & 198K followers on Facebook.
She has worked with artists like Steve Vai, Zakir Hussain, Quincy Jones, Vinnie Colauita, Stanley Clarke, Jordan Rudess, Mike Stern, Dean Brown, A R Rahman, Sivamani, Marco Minneman, Gary Willis, Dave Weckl, Tony Macalpine, Stu Hamm, Plini, Louiz Banks, Guthrie Govan, Ranjit Barot, Chad Wackerman, Chad Smith, Simon Phillips, Prasanna, Gergo Borlai, Victor Wooten, Federico Malaman, Darwin, Niladri Kumar, Stu Hamm, Sivamani, Bumblefoot, etc many more artists. Some Indian singers & directors that she has worked with are Salim Sulaiman, Clinton Cerejo, Neeti Mohan, Amit Trivedi, Benny Dayal, Sunidhi Chauhan, Shreya Ghoshal, Arijit Singh, Shalmali Kholgade, Sonu Kakkar, Shilpa Rao, Vishal-Shekar, Gurdasman, etc She has also been featured in magazines like Vogue, ForbesIndiaUnder30, NoTreble, RadarMusic, Bass Professor, BassQuaterly, Rollingstone, JazzInIndia, ParentCircle, RadioAndMusic, Platform, Femina, Hindu, NewIndianExpress, Verve and many other articles in newspapers like DNA, The Indian Express, Hindustan Times, Mid-Day, Mumbai Mirror, The Times of India, Bombay Times, etc.
She has also done promotional work for companies like Bacardi, Jockey, Levi's, MTV channel, HDFC Bank, Titan, JBL, MarkBass, Mayones Basses, SIT strings, GruvGear, Jimmy’s, Moises, Voodoolabs, TCElectronics, ElectroHarmonix, LathonBassWear, Laney, Dunlop, Flipkart, ErgoStraps, LEDDereckStraps, etc.
She has performed in festivals like the Timisoara Jazz Festival 2022, Enter Enea Jazz Festival 2022, Elephanta Music Festival 2013, Chennai's Global Music Festival 2012, Goa's International Jazz Festival 2015, Delhi's International Jazz Festival 2013, South Asian Music Festival 2013, SAPTRANG 2013, Damru Festival 2014/2015, International Jazz Day (Mumbai), Kalaghoda Fest 2016, Lugano Jazz Estival 2018, Garana Jazz Festival 2018, Delhi Jazz Festival 2018, etc. She has been part of TV Shows like MTV Unplugged S1 & S2, Coke Studio S2 & S3, Jammin, etc. She endorses Markbass Amps, Mayones Basses, Boss Pedals, TC electronic Pedals, Dunlop pedals, Darkglass pedals, Providence Cables, Electro-Harmonix pedals, Darkglass Electronics, Voodoolabs, GruvGear, Laney pedals, SIT Strings and LathonBassWear.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).