• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Léo Rodrigues

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Léo Rodrigues
  • City/Place: São Paulo
  • Country: Brazil

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Léo Rodrigues is a percussionist/pandeirista who beyond ministering his own courses and designing his own pandeiros works with artists including Mestrinho, Antônio Nóbrega, Gilberto Gil...

    Percussionista há mais de 18 anos, Léo Rodrigues integra diversos projetos e já dividiu o palco com músicos como Toninho Ferraguti, Ricardo Herz, Nelson Ayres, Carlos Malta, Gabriel Grossi e Laércio de Freitas. Atuou como músico do programa Sr. Brasil, da TV Cultura, e por lá já gravou com Rolando Boldrin, Teresa Cristina, Diogo Nogueira, Benito de Paula e Jair Rodrigues.

    Atualmente acompanha o cantor e instrumentista Antônio Nóbrega e no projeto “Shows dos Direitos Humanos”, tocou com Lenine, Fernanda Takai, Beth Carvalho, Elba Ramalho, Hamilton de Holanda, Moraes Moreira, Emilio Santiago, Luiz Melodia, Margareth Menezes, Chico Cesar, Elza Soares, Lô Borges e Milton Nascimento.

    Já foi professor de importantes festivais como o Festival Choro Jazz e também o Festival de Música de Ourinhos. Ministrou workshops de pandeiro no Berklee Percussion Festival em Boston, nos EUA, e em países como Argentina, Espanha, Portugal e França. Hoje é professor do Curso de Pandeiro do Instituto Brincante em São Paulo e também é professor do Curso de Percussão Popular da Escola do Auditório Ibirapuera.

    Faz parte da banda do Mestrinho e da cantora Mariana Aydar já tendo acompanhado artistas como Daniela Mercury, Morares Moreira, Martinália, Gilberto Gil, Samuel Rosa, Solange Almeida...

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Merch: http://platinelas.com/pandeiros-3/
  • ▶ Buy My Merch 2: http://platinelas.com/produtos/
  • ▶ Instagram: leorodrigues_percussao
  • ▶ Website: http://platinelas.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCFbhe5jSLnuWz63ZNrAsTNQ
  • ▶ Article: http://www.ritmomelodia.mus.br/entrevistas/leo-rodrigues/

My Instruction

  • Lessons/Workshops: Todo brasileiro deveria ter um pandeiro já dizia Antonio Nobrega. O curso é a prova de qualquer pessoa é capaz de tocar pandeiro de forma objetiva e lúdica. O curso é super detalhado e pega do zero até o avançado. Um curso para quem quer de uma vez por todas dominar a arte de tocar pandeiro!
  • Instruction: http://platinelas.com/curso-online-de-pandeiro/

Clips (more may be added)

  • 0:54
    LEVADA DE FREVO NO PANDEIRO | Léo Rodrigues
    By Léo Rodrigues
    285 views
  • 0:58
    XAXADO ARRETADO NO PANDEIRO | Léo Rodrigues
    By Léo Rodrigues
    270 views
  • 1:00
    FAÇA O RULO NO SEU IMPROVISO DE PANDEIRO | Léo Rodrigues
    By Léo Rodrigues
    242 views
  • 0:59
    SEGURANDO O PANDEIRO DO JEITO CERTO | Léo Rodrigues
    By Léo Rodrigues
    330 views
  • 0:55
    UM SEGREDO DO FREVO NO PANDEIRO | Léo Rodrigues
    By Léo Rodrigues
    290 views
  • 0:59
    VIRADA MALUCA USANDO O ANTIPULSO NO PANDEIRO | Léo Rodrigues
    By Léo Rodrigues
    290 views
  • 1:00
    O ACENTO DO CHORO NO PANDEIRO | Léo Rodrigues
    By Léo Rodrigues
    293 views
Previous
Next

Léo Rodrigues Curated
pathways in

  • 4 Brazil
  • 4 Choro
  • 4 Côco
  • 4 Forró
  • 4 Frevo
  • 4 Pandeiro
  • 4 Pandeiro Instruction Online
  • 4 Percussion
  • 4 Samba
  • 4 São Paulo

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Léo Rodrigues
    Gustavo Di Dalva → Singer has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    Gustavo Di Dalva → Percussion Instruction Online has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    Gustavo Di Dalva → Salvador has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    Gustavo Di Dalva → Percussion has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    Gustavo Di Dalva → New York City has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    Gustavo Di Dalva → Composer has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    Gustavo Di Dalva → Brazil has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    Gustavo Di Dalva → Bahia has been recommended via Léo Rodrigues.
    • April 24, 2021
  • Léo Rodrigues
    A video was posted re Léo Rodrigues:
    LEVADA DE FREVO NO PANDEIRO | Léo Rodrigues
    • April 24, 2021
  • Léo Rodrigues
    A video was posted re Léo Rodrigues:
    XAXADO ARRETADO NO PANDEIRO | Léo Rodrigues
    Veja essa levada direto do zabumba, para o pandeiro. Aquele xaxado gostoso de tocar e botar no repertório!!! Aproveite e bora pandeirar!!!
    • April 24, 2021
  • Léo Rodrigues
    A video was posted re Léo Rodrigues:
    FAÇA O RULO NO SEU IMPROVISO DE PANDEIRO | Léo Rodrigues
    • April 24, 2021
  • Léo Rodrigues
    A video was posted re Léo Rodrigues:
    SEGURANDO O PANDEIRO DO JEITO CERTO | Léo Rodrigues
    Uma dica simples mas importantíssima para você não ter dor e segurar o pandeiro do jeito certo!!!! Bora pandeirar!!!
    • April 24, 2021
  • Léo Rodrigues
    A video was posted re Léo Rodrigues:
    UM SEGREDO DO FREVO NO PANDEIRO | Léo Rodrigues
    Um detalhe pode mudar tudo. Se liga nessa dica de Léo Rodrigues para tocar o frevo pernambucano!!!! Bora pandeirar!!!!
    • April 24, 2021
  • Léo Rodrigues
    A video was posted re Léo Rodrigues:
    VIRADA MALUCA USANDO O ANTIPULSO NO PANDEIRO | Léo Rodrigues
    Uma técnica diferente para o pandeiro e muito útil. Descubra essa virada super bonita usando o antipulso e brincando com as fusas, para ampliar seu repertório no pandeiro!!!
    • April 24, 2021
  • Léo Rodrigues
    A video was posted re Léo Rodrigues:
    O ACENTO DO CHORO NO PANDEIRO | Léo Rodrigues
    Um detalhe que faz toda a diferença na hora de tocar a batida de choro. Veja e a aproveite!!!!
    • April 24, 2021
  • Léo Rodrigues
    A category was added to Léo Rodrigues:
    Côco
    • April 24, 2021
  • Léo Rodrigues
    A category was added to Léo Rodrigues:
    Forró
    • April 24, 2021
  • Léo Rodrigues
    A category was added to Léo Rodrigues:
    Frevo
    • April 24, 2021
  • Léo Rodrigues
    A category was added to Léo Rodrigues:
    Samba
    • April 24, 2021
  • Léo Rodrigues
    A category was added to Léo Rodrigues:
    Choro
    • April 24, 2021
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 


João had something priceless to offer the world.
But he was impossible for the world to find.
✅—João do Boi

✅—Pardal/Sparrow
Royalty work in NYC for
Aretha Franklin, Gilberto Gil
Mongo Santamaria, Airto Moreira
Astrud Gilberto, Barbra Streisand
Led Zeppelin, Philip Glass
Carlinhos Brown, Richie Havens
Jim Hall, Cat Stevens (Yusuf Islam)
Ray Barretto, Wah Wah Watson
The Cadillacs, The Flamingos...
I've been screamed at by Aretha Franklin,
and harangued by Allen Klein over
royalties for the estate of Sam Cooke.
I built this matrix beginning with João do Boi.
Please link to, tell others about, join us!
[email protected]
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per the bottom of this section) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington



Bahia is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 

PORTUGUÊS (to English →)

 


João tinha algo inestimável a oferecer ao mundo.
Mas ele era impossível pro mundo encontrar.
✅—João do Boi

✅—Pardal/Sparrow
Trabalho de royalties para
Aretha Franklin, Gilberto Gil
Mongo Santamaria, Airto Moreira
Astrud Gilberto, Barbra Streisand
Led Zeppelin, Philip Glass
Carlinhos Brown, Richie Havens
Jim Hall, Cat Stevens (Yusuf Islam)
Ray Barretto, Wah Wah Watson
The Cadillacs, The Flamingos...
Fui gritado por Aretha Franklin,
e arengado por Allen Klein sobre
royalties para o patrimônio de Sam Cooke.
Eu construi este matrix a partir de João do Boi.
Por favor, faça um link para, conte aos outros, junte-se a nós!
[email protected]
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme o final desta seção) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


A Bahia é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

Por que Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 

  • Carlos Blanco Violão Clássico, Classical Guitar
  • Myron Walden Piccolo
  • Aubrey Johnson Montclair State University Faculty
  • Nettrice R. Gaskins STEAM Advocate
  • Munir Hossn Multi-Instrumentalist
  • Nonesuch Records Folk & Traditional
  • Jocelyn Ramirez Online Cooking Classes
  • Biréli Lagrène Jazz
  • The Assad Brothers Brazil
  • Jamie Dupuis Guitar
  • Flying Lotus Record Label Owner
  • Dhafer Youssef ظافر يوسف Singer
  • Andrew Dickson Radio Presenter
  • Domingos Preto Brazil
  • Yacouba Sissoko New York City
  • Del McCoury Banjo
  • Jan Ramsey Jazz
  • Shannon Sims Brazil
  • Welson Tremura Composer
  • Carol Soares Samba de Roda
  • Maria Calú Capoeira
  • Jaques Morelenbaum Rio de Janeiro
  • Mario Ulloa Federal University of Bahia Faculty
  • Henrique Araújo São Paulo
  • Beats Antique World Fusion
  • Oscar Bolão Brazil
  • Oren Levine Piano
  • Alex Hargreaves Jazz
  • MonoNeon Bass
  • Mauro Senise Brazilian Jazz
  • Eric Galm Brazil
  • Ivan Neville R&B
  • Rebeca Omordia London
  • Mona Lisa Saloy Storyteller
  • Robi Botos Film Scores
  • Azadeh Moussavi Tehran
  • Capitão Corisco Folk & Traditional
  • Julie Fowlis Singer
  • Sergio Krakowski Jazz
  • Plinio Oyò Samba de Roda
  • David Bruce Opera
  • Bob Lanzetti Composer
  • Anissa Senoussi VFX Artist
  • Mário Pam Salvador
  • Seth Swingle Banjo
  • Terri Lyne Carrington Composer
  • Nicholas Payton Writer
  • Fidelis Melo Brasil, Brazil
  • André Muato Rio de Janeiro
  • Missy Mazolli Opera
  • Rodrigo Caçapa Pernambuco
  • Marcelinho Oliveira Artistic Director
  • Richard Bona Jazz
  • Jau Singer-Songwriter
  • James Elkington Singer-Songwriter
  • Kaia Kater Folk & Traditional
  • Gilberto Gil Singer-Songwriter
  • Luiz Santos Composer
  • Dadá do Trombone Jazz Brasileiro, Brazilian Jazz
  • Elio Villafranca Cuba
  • Steve Cropper Guitar
  • Rick Beato Author
  • Ravi Coltrane Record Label Owner
  • Miguel Zenón Puerto Rico
  • Zé Katimba Brazil
  • Marcel Powell Rio de Janeiro
  • Lula Galvão Choro
  • Adam Neely Composer
  • Caroline Shaw NYU Faculty
  • Banning Eyre African Guitar
  • Avishai Cohen אבישי כה Singer
  • Rogério Caetano Violão de Sete
  • Mayra Andrade Cape Verde
  • Brandon Coleman Composer
  • Musa Okwonga Poet
  • Martin Fondse Arranger
  • Gabi Guedes Brasil, Brazil
  • Oscar Peñas Guitar
  • Lavinia Meijer Contemporary Classical Music
  • Paulinho do Reco Bahia
  • Yvette Holzwarth Singer
  • Ben Harper Soul
  • Estrela Brilhante do Recife Recife
  • António Zambujo Singer
  • Mino Cinélu Percussion
  • Dave Eggers Painter
  • Ana Moura Portugal
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Melanie Charles Actress
  • Anna Webber Avant-Garde Jazz
  • Joachim Cooder Multi-Cultural
  • Sameer Gupta Drums
  • Elza Soares Rio de Janeiro
  • Vik Sohonie Journalist
  • Colson Whitehead Essayist
  • Phakama Mbonambi Journalist
  • Afrocidade Dub
  • Nana Nkweti Fiction
  • Mestre Nenel AFROBIZ Salvador
  • Eric Alper Radio Presenter
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Flora Purim Guitar
  • Linda Sikhakhane Jazz
  • Jon Madof Record Producer
  • Urânia Munzanzu Poeta, Poet
  • Victor Gama Composer
  • Barry Harris Jazz
  • Chucho Valdés Composer
  • Billy O'Shea Steampunk
  • Casa PretaHub Cachoeira Afroempreendedorismo, Afro-Entrepreneurship
  • Marcel Camargo Cavaquinho
  • Utar Artun Composer
  • Lula Moreira Cultural Producer
  • George Garzone Jazz
  • Ron Blake New York City
  • Myron Walden New York City
  • Paulo Dáfilin Arranger
  • Robby Krieger Rock 'n' Roll
  • Lynn Nottage Playwright
  • Pat Metheny Guitar
  • Delbert Anderson Trumpet
  • Darren Barrett R&B
  • Shana Redmond New York City
  • Terrace Martin Record Label Owner
  • Paulo Aragão Rio de Janeiro
  • Rodrigo Amarante Multi-Instrumentalist
  • Ricardo Bacelar Brasil, Brazil
  • Eric R. Danton Writer
  • Jimmy Dludlu Jazz
  • Nelson Cerqueira Faculdade da UFBA, Federal University of Bahia Faculty
  • Nubya Garcia DJ
  • Flavio Sala Guitar Instruction, Master Classes
  • Chris Dingman Jazz
  • Jan Ramsey Second Line
  • Laura Marling London
  • Alexandre Leão Salvador
  • Antonio Adolfo Rio de Janeiro
  • Endea Owens Bass
  • Rebeca Omordia Classical Music
  • Eli Degibri אלי דג'יברי Saxophone
  • Joe Chambers New York City
  • Júlio Caldas Bahia
  • Edu Lobo Brasil, Brazil
  • Ben Allison Composer
  • Plínio Fernandes London
  • Luke Daniels Singer-Songwriter
  • Maria Nunes Trinidad
  • Jorge Ben Singer-Songwriter
  • Hugues Mbenda France
  • Tom Oren Piano
  • Questlove DJ
  • Karsh Kale कर्ष काळे Record Producer
  • Elizabeth LaPrelle Virginia
  • Beth Bahia Cohen Kabak Kemane
  • Parker Ighile NIgeria
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Vijay Iyer Composer
  • Chris Boardman Orchestrator
  • Anthony Coleman Avant-Garde Jazz
  • Woody Mann Americana
  • Yunior Terry Cuba
  • Zebrinha Coreógrafo, Choreographer
  • Jill Scott Singer-Songwriter
  • Louis Michot Cajun Music
  • June Yamagishi Funk
  • Aneesa Strings Bass
  • Michael League Composer
  • Miroslav Tadić Contemporary Classical Music
  • Mavis Staples Chicago
  • Stefan Grossman Guitar
  • Jon Batiste New Orleans
  • Vinson Cunningham Sarah Lawrence College Faculty
  • Iroko Trio São Paulo
  • Manassés de Souza Composer
  • Tito Jackson Singer-Songwriter
  • Bill T. Jones New York City
  • Alexandre Gismonti Guitar
  • Dale Barlow Flute
  • Avner Dorman Composer
  • Corey Henry Tremé
  • Cristovão Bastos Choro
  • Stephanie Foden Documentary Photographer
  • João Luiz Classical Guitar
  • Masao Fukuda Music
  • Gilad Hekselman Guitar
  • Zachary Richard Singer-Songwriter
  • Mayra Andrade Lisbon
  • Vijay Iyer Piano
  • Seth Rogovoy Jewish Music
  • Ivan Bastos Salvador
  • Gustavo Caribé Produtor Musical, Music Producer
  • The Umoza Music Project Malawi
  • Walter Pinheiro São Paulo
  • Adriano Souza Bossa Nova
  • Casey Driessen Bluegrass
  • Kíla Dublin
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Greg Ruby Composer
  • Edivaldo Bolagi Brasil, Brazil
  • Restaurante Axego Bahia
  • Walter Pinheiro Brazilian Jazz
  • Brian Q. Torff Bass
  • David Sacks Washington, D.C.
  • Lucian Ban New York City
  • Miles Mosley Bass
  • Mauro Senise Flute
  • Baiba Skride Classical Music
  • Veronica Swift Composer
  • Albin Zak Author
  • Chubby Carrier Singer-Songwriter
  • Capinam Salvador
  • MicroTrio de Ivan Huol Carnaval, Carnival
  • Celso de Almeida Drums
  • Stuart Duncan Americana
  • Paolo Fresu Television Scores
  • Sam Reider Brooklyn, NY
  • Garvia Bailey Arts Journalist
  • Vijay Iyer Jazz
  • Azadeh Moussavi Film Director
  • Bing Futch Singer-Songwriter
  • Andrés Beeuwsaert Multi-Cultural
  • Sheryl Bailey Composer
  • Cayenna Ponchione-Bailey Sheffield University Staff
  • Diego Figueiredo Brasil, Brazil
  • Michael Olatuja Nigeria
  • Nabih Bulos Foreign Correspondent
  • Lenna Bahule Brazil
  • LaTasha Lee Texas
  • Marc Maron Podcaster
  • Garth Cartwright London
  • Brian Jackson Record Producer
  • Alfredo Rodriguez Piano
  • Tom Oren Composer
  • Tatiana Eva-Marie Gypsy Jazz
  • Hugo Rivas Guitar
  • Lydia R. Diamond University of Illinois at Chicago School of Theater & Music Faculty
  • Courtney Pine Jazz
  • A-KILL Building Art
  • Jamberê Cerqueira Arranjador, Arranger
  • Jovino Santos Neto Flute
  • Nicholas Payton New Orleans
  • Jamberê Cerqueira Música Clássica, Classical Music
  • BaianaSystem Música Pan Afro-Baiano, Pan Afro-Bahian Music
  • Irma Thomas Gospel
  • Michael Doucet Louisiana
  • Banning Eyre Radio Presenter
  • Maia Sharp NYU Steinhardt Faculty
  • Chau do Pife Forró
  • Giveton Gelin Trumpet
  • Don Byron Blue Note Records
  • Ronell Johnson Jazz
  • Victoria Sur Bogotá
  • Lilli Lewis Singer-Songwriter
  • Daru Jones Drums
  • Avishai Cohen אבישי כה Bass
  • Steve Coleman Jazz
  • Milton Primo Singer-Songwriter
  • Elizabeth LaPrelle Banjo
  • Nora Fischer Classical Music
  • Zé Katimba Singer-Songwriter
  • Avishai Cohen אבישי כה Folk Jazz
  • Bill Summers R&B, Soul
  • Miles Okazaki Jazz
  • Ben Harper Gospel
  • Marcello Gonçalves Samba
  • Michael Olatuja Lagos
  • Jaimie Branch Brooklyn, NY
  • Toninho Nascimento Rio de Janeiro
  • David Bragger Fiddle
  • Celso Fonseca MPB
  • Dorian Concept Record Producer
  • Tyler Gordon Artist
  • Gustavo Di Dalva Brazil
  • James Martin New Orleans
  • Oded Lev-Ari Piano
  • Mona Lisa Saloy Louisiana
  • Carlos Blanco Salvador
  • Martin Fondse Piano
  • Bill Summers Latin Jazz
  • Martin Fondse Contemporary Music
  • Stephen Guerra Composer
  • Philip Ó Ceallaigh Ireland
  • Gary Clark Jr. R&B
  • Maciel Salú Maracatu
  • Léo Rugero Film Scores
  • Romero Lubambo Choro
  • Dudu Reis Bahia
  • Rudy Royston Educator
  • Bill Pearis Editor
  • William Parker Multi-Instrumentalist
  • Lula Gazineu Brasil, Brazil
  • Kiya Tabassian كيا طبسيان Film Scores
  • Mestre Nenel Capoeira
  • Joshua Abrams Multi-Instrumentalist
  • Antônio Pereira Manaus
  • Orlando 'Maraca' Valle Havana
  • Paulinho do Reco Brazil
  • Loli Molina Guitar
  • Sandra de Sá Rio de Janeiro
  • Leandro Afonso Film Director
  • Sérgio Mendes Brazil
  • Colm Tóibín Literary Critic
  • Pedrito Martinez Composer
  • Otto Percussion
  • Serwah Attafuah Singer
  • Miguel Zenón Jazz
  • Ben Harper R&B
  • Nação Zumbi Pernambuco
  • Brian Blade Jazz
  • Ajeum da Diáspora Brazil
  • Joe Fiedler Jazz
  • Magda Giannikou Piano
  • Jonga Lima Salvador
  • David Ritz Novelist
  • Hercules Gomes Composer
  • Adam O'Farrill Brooklyn, NY
  • Zulu Araújo Militante do Movimento Negro, Militant Black Activist
  • Zigaboo Modeliste Funk
  • Paddy Groenland Jazz
  • Tal Wilkenfeld Bass
  • Michael Olatuja New York City
  • Romulo Fróes Samba
  • Aaron Diehl Jazz
  • Ricardo Markis Compositor, Composer
  • Arto Tunçboyacıyan Singer-Songwriter
  • Ben Paris New York City
  • Mokhtar Samba Morocco
  • Bodek Janke Germany
  • Lucian Ban Composer
  • Anna Webber Composer
  • Gonzalo Rubalcaba Havana
  • Laura Marling Singer-Songwriter
  • Giba Conceição Salvador
  • Paulão 7 Cordas Violão de Sete
  • Alex Rawls Music, Culture Website Owner, Editor
  • Michael Cleveland Fiddle
  • Mark Turner New York City
  • BaianaSystem Música Alternativa, Alternative Music
  • Djuena Tikuna Indigenous Brazilian Music
  • Itiberê Zwarg Rio de Janeiro
  • Adriana L. Dutra Film Festival Director
  • Bill Callahan Singer-Songwriter
  • Roberto Mendes Santo Amaro
  • Joe Fiedler Composer
  • Jamel Brinkley Novelist
  • Paulo Costa Lima Escritor, Writer
  • Chris Boardman Composer
  • Sunn m'Cheaux Writer
  • Bongo Joe Records Record Label
  • Elio Villafranca Caribbean Music
  • Mestrinho Singer-Songwriter
  • Shoshana Zuboff Harvard Business School Faculty
  • Horacio Hernández Percussion
  • Juliana Ribeiro Samba de Roda
  • Meklit Hadero Singer-Songwriter
  • Dale Barlow Composer
  • Arthur Verocai Rio de Janeiro
  • The Weeknd Record Producer
  • Beth Bahia Cohen Lyras
  • VJ Gabiru Brasil, Brazil
  • Mino Cinélu Multi-Instrumentalist
  • Mateus Alves Film Scores
  • Jack Talty University College Cork Faculty
  • Brandon Coleman Jazz, Funk, R&B, Soul
  • Aneesa Strings Jazz
  • Léo Rugero Brazil
  • Cory Wong Guitar
  • Angelique Kidjo Africa
  • Zebrinha Salvador
  • Willy Schwarz Songwriter
  • Yuja Wang China
  • Jimmy Dludlu Mozambique
  • Liberty Ellman Audio Engineer
  • BIGYUKI Keyboards
  • Edward P. Jones Novelist
  • Margareth Menezes Samba-Reggae
  • Jazzmeia Horn Writer
  • Hélio Delmiro Rio de Janeiro
  • Brooklyn Rider String Quartet
  • Jim Farber Clive Davis Institute of Recorded Music Faculty
  • Marcel Powell MPB
  • Alex Conde Piano
  • Jerry Douglas Nashville, Tennessee
  • Célestin Monga Author
  • Nei Lopes Samba
  • Danilo Brito Bandolim
  • Martin Shore Educator
  • Scotty Apex Hip-Hop
  • Patty Kiss Frevo
  • Michael Peha Talent Management
  • Ivan Huol Percussion
  • Keyon Harrold Multi-Instrumentalist
  • Carl Allen Music Director
  • James Martins Salvador
  • Gord Sheard Keyboards
  • Angelique Kidjo Multi-Cultural
  • Stormzy Rapper
  • Elodie Bouny Classical Guitar
  • Beth Bahia Cohen Viola
  • Rachael Price Americana
  • Owen Williams Writer
  • Eric Harland Composer
  • Dee Spencer Composer
  • William Skeen Early Music
  • Oscar Bolão Author
  • Nigel Hall Funk
  • Utar Artun Turkey
  • Júlio Lemos Choro
  • Manolo Badrena Berimbau
  • Lauranne Bourrachot Paris
  • Nelson Cerqueira Brasil, Brazil
  • Tony Trischka Americana
  • Moses Boyd Drums
  • Alan Bishop Singer-Songwriter
  • Lionel Loueke Guitar
  • Matt Glaser Berklee College of Music Faculty
  • Seu Jorge Brazil
  • Khruangbin Multi-Cultural
  • Caroline Shaw Violin
  • Curly Strings Tallinn
  • Liberty Ellman Composer
  • Paulinho Fagundes Porto Alegre
  • Liam Farrell 'Dr L' Senegal
  • Maladitso Band Lilongwe
  • International Anthem Chicago, Illinois
  • Alicia Keys Record Producer
  • Bob Lanzetti Brooklyn, NY
  • Emicida Rapper
  • Aloísio Menezes Samba
  • Orrin Evans Jazz
  • Trilok Gurtu Jazz
  • Hermeto Pascoal Multi-Instrumentalist
  • McCoy Mrubata Cape Town
  • Sam Reider Singer-Songwriter
  • Gabriel Grossi Samba
  • Choronas Samba
  • Michael League Bass
  • Vinnie Colaiuta Session Drummer
  • Lianne La Havas Singer-Songwriter
  • Niwel Tsumbu Congo
  • Tony Kofi London
  • Rodrigo Caçapa Brazil
  • Joshue Ashby Jazz
  • João Bosco Brasil, Brazil
  • Léo Brasileiro Salvador
  • Luis Perdomo Piano
  • Tom Green Scotland
  • Stephanie Soileau University of Chicago Faculty
  • Cara Stacey Johannesburg
  • Clint Mansell Singer-Songwriter
  • Gui Duvignau Composer
  • Arany Santana Bahia
  • Eddie Palmieri New York City
  • Niwel Tsumbu Composer
  • Estação Primeira de Mangueira Rio de Janeiro
  • Jau Salvador
  • Iuri Passos Salvador
  • Walter Ribeiro, Jr. MPB
  • Teresa Cristina Rio de Janeiro
  • Masao Fukuda Choro
  • Peter Slevin Northwestern University Faculty
  • Hot Dougie's Bar Restaurante
  • Don Moyer Graphic Design
  • Cristiano Nogueira Brazil Specialist
  • Alegre Corrêa Guitar
  • Ricardo Markis Guitarra Baiana
  • Louis Marks Apparel & Fashion
  • Luciano Matos DJ
  • Thundercat Singer
  • Louis Michot Louisiana
  • Mike Moreno Composer
  • Sam Yahel Hammond B-3
  • Mateus Aleluia Filho Candomblé
  • Nguyên Lê Film Scores
  • Shannon Ali Liner Notes
  • Ilya Kaminsky Poet
  • Monty's Good Burger Vegan Restaurant
  • Greg Spero Composer
  • Branford Marsalis Classical Music
  • Emicida MC
  • Brandee Younger Composer
  • Raymundo Sodré Forró
  • Miles Mosley Double Bass
  • Chad Taylor Drums
  • Cacá Diegues Brasil, Brazil
  • Omari Jazz Electronic Futurism
  • Welson Tremura Choro
  • Matthew F Fisher Collaborative Artist
  • Joel Ross Jazz
  • Yayá Massemba Bahia
  • Edivaldo Bolagi Produtor Cultural, Cultural Producer
  • Nels Cline New York City
  • Shannon Ali Cultural Critic
  • Edu Lobo Singer-Songwriter
  • Kotringo Piano
  • Márcio Valverde Samba
  • Teodor Currentzis Conductor
  • Daru Jones Jazz
  • Fábio Peron Brasil, Brazil
  • J. Period Record Producer

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share