Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Mariana Zwarg
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Mariana Zwarg
  • City/Place: Rio de Janeiro
  • Country: Brazil

Current News

  • What's Up? "I'm so glad to see my goddaughter work together with her group of great musicians! I am very happy with the homage! Thank you!"

    "Estou muito feliz em ver minha afilhadinha fazendo seu trabalho... juntamente com sua banda de grandes músicos! Muito feliz com a homenagem, obrigado!"

    - Hermeto Pascoal

Life & Work

  • Bio: Mariana Zwarg representa a terceira geração de músicos tocando e difundindo a tradição da "música universal", criada por seu padrinho, o genial músico brasileiro Hermeto Pascoal. Mariana é flautista, saxofonista, compositora e arranjadora e vem se apresentando em importantes festivais e salas de concerto em toda a América Latina e Europa com o "Itibere Zwarg & Grupo" nos últimos 15 anos.

    Em 2016, formou o seu "Sexteto Universal", unindo músicos de 5 países diferentes e excursionando regularmente na Europa e no Brasil.

    Mariana Zwarg represents the third generation of musicians playing and spreading the tradition of "universal music", created by her godfather, the musical genius Hermeto Pascoal from Brazil. Mariana is a flutist, saxophonist, composer and arranger and has been performing at leading festivals and concert halls all over Latin America and Europe with "Itibere Zwarg & Grupo" during the last 15 years.

    In 2016 she formed her "Sexteto Universal", uniting musicians from 5 different countries and touring regularly in Europe and Brazil.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.scubidu.com.br/product-page/nascentes
  • ▶ Instagram: marianazwarg
  • ▶ Website: http://www.marianazwargsexteto.com
  • ▶ YouTube Channel: http://www.youtube.com/user/marizwarg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCskcrhVkxrkzDN8mi0MBOYA
  • ▶ Spotify: http://open.spotify.com/album/0iaY8KI1991oqrOA6Ddn9I
  • ▶ Spotify 2: http://open.spotify.com/album/2AlHV1dceEpeSxpupOq5dZ
  • ▶ Spotify 3: http://open.spotify.com/album/3nSy7cCWijwwK1PZbbThRe

Clips (more may be added)

  • 0:07:15
    Crianças (Hermeto Pascoal) / Mariana Zwarg Sexteto Universal
    By Mariana Zwarg
    129 views
  • 2:29
    Vigília (Mariana Zwarg)
    By Mariana Zwarg
    114 views
  • 2:29
    Teresa ( Mariana Zwarg )
    By Mariana Zwarg
    108 views
  • 0:51
    Ventos Panamericanos (Felipe Salles e Mariana Zwarg)
    By Mariana Zwarg
    111 views
  • 3:20
    Futricando Na Rua (Hermeto Pascoal)
    By Mariana Zwarg
    264 views
  • 3:47
    Cavalinho (Hermeto Pascoal)
    By Mariana Zwarg
    111 views
  • 3:14
    There's no rain (Mariana Zwarg & Johannes von Ballestrem)
    By Mariana Zwarg
    133 views
  • 3:53
    Samba de Avedøre (Mariana Zwarg)
    By Mariana Zwarg
    268 views
  • 3:15
    Pra Ele (Mariana Zwarg)
    By Mariana Zwarg
    170 views
  • 0:59
    Cura Universal (Adriana Losi)
    By Mariana Zwarg
    125 views
  • 2:32
    23 de Junho ( Hermeto Pascoal / Calendário do Som)
    By Mariana Zwarg
    156 views
  • 4:24
    O Som Nosso De Cada Um (Mariana Zwarg)
    By Mariana Zwarg
    130 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Mariana Zwarg:

  • 0 Brazil
  • 0 Composer
  • 0 Flute
  • 0 Rio de Janeiro
  • 0 Samba
  • 0 Saxophone
  • 0 Universal Music

Nodes below are randomly generated. Reload for a different stack.

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  • Don Byron Jazz
  • Keyon Harrold Trumpet
  • Tutwiler Quilters Mississippi
  • Sérgio Pererê MPB
  • Fapy Lafertin Gypsy Jazz
  • Cláudio Jorge Samba
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  • Marilda Santanna Escritora, Writer
  • Arthur Verocai Guitar
  • Mohamed Diab Filmmaker
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  • Hank Roberts Vocalist
  • Ken Coleman Black American Culture & History
  • Paulo César Pinheiro Lyricist
  • Inaicyra Falcão Faculdade da UNICAMP/UNICAMP Faculty
  • Restaurante Axego AFROBIZ Salvador
  • Leela James Soul
  • Brenda Navarrete Singer
  • D.D. Jackson Piano
  • Cássio Nobre Brazil
  • Derrick Adams Brooklyn, NY
  • Wynton Marsalis Bandleader
  • Mike Marshall Guitar
  • Gilsons Salvador
  • Rowney Scott Bahia
  • Jonathon Grasse California State University, Dominguez Hills Faculty
  • Damion Reid Jazz
  • Serwah Attafuah Australia
  • Shankar Mahadevan Film Scores
  • Milton Nascimento Singer-Songwriter
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • Pedro Abib Bahia
  • Restaurante Axego Restaurant
  • Cara Stacey Johannesburg
  • Jeff Tweedy Country
  • Dale Bernstein Wet Plate Photography
  • Marcello Gonçalves Rio de Janeiro
  • Nego Álvaro Brazil
  • Leonardo Mendes Santo Amaro
  • David Binney Composer
  • Grégoire Maret Harmonica
  • Marcel Powell Rio de Janeiro
  • Sierra Hull Americana
  • Derrick Hodge Composer
  • Dezron Douglas NYU Steinhardt Faculty
  • Ivan Lins Piano
  • Andrew Finn Magill Violin
  • Cara Stacey Piano
  • Paulo César Figueiredo Produtor Cultural, Cultural Producer
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  • Dermot Hussey Musicologist
  • David Hoffman Documentary Filmmaker
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  • Eric Galm Percussion
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  • Richie Stearns Composer
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  • John Morrison Music Journalist
  • Shez Raja Multi-Cultural
  • Jimmy Greene Western Connecticut State University Faculty
  • Chau do Pife Alagoas
  • Jorge Washington Bahia
  • Ivan Sacerdote Composer
  • John Francis Flynn Dublin
  • Hugo Rivas Tango
  • Yilian Cañizares Classical Music
  • Gevorg Dabaghyan Armenian Folk Music
  • Jess Gillam Classical Music
  • Flor Jorge MPB
  • João Camarero Choro
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  • Howard Levy Multi-Cultural
  • Demond Melancon New Orleans
  • Mazz Swift Singer
  • Mavis Staples Soul
  • Zigaboo Modeliste New Orleans
  • Brenda Navarrete Singer
  • Martin Fondse Vibrandeon
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  • Mauro Refosco Compositor de Filmes, Film Scores
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  • João Teoria Compositor, Composer
  • Alex Clark Digital Media Producer
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  • Sheryl Bailey Guitar
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  • Snigdha Poonam Delhi
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  • Arthur Jafa Sculptor
  • Hugues Mbenda Congo
  • Gilad Hekselman Israel
  • Milford Graves Composer
  • Mauro Senise Brazil
  • Sharita Towne Printmaker
  • Marvin Dunn Historian
  • Hank Roberts Jazz
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  • Bobby Vega R&B
  • Ivan Bastos Compositor, Composer
  • Choronas Brasil, Brazil
  • Edivaldo Bolagi Produtor Musical, Music Producer
  • Taylor McFerrin Multi-Instrumentalist
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  • Bob Mintzer Big Band Leader
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  • Bernardo Aguiar Rio de Janeiro
  • Maia Sharp Americana
  • Nelson Cerqueira Faculdade da UFBA, Federal University of Bahia Faculty
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  • Kurt Andersen New York City
  • Little Dragon Electronic Music
  • Anna Webber Contemporary Classical Music
  • Spok Frevo Orquestra Big Band
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  • Wayne Escoffery Composer
  • Eli Degibri אלי דג'יברי Jazz
  • Willy Schwarz Theater Composer
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  • Marc Ribot Composer
  • Rick Beato Author
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  • Nels Cline New York City
  • Chris Dave Jazz
  • Joshue Ashby Composer
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  • Luizinho Assis Salvador
  • Jared Sims Saxophone
  • Ballaké Sissoko Kora
  • Damion Reid R&B
  • Mahsa Vahdat Persian Classical Music
  • Anthony Hamilton R&B
  • Tony Trischka Author
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  • Mayra Andrade Lisbon
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  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Harvey G. Cohen King's College London Faculty
  • Tom Bergeron Brazilian Jazz
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  • Andrew Dickson Writer
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  • Elie Afif Lebanon
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  • Tero Saarinen Finland
  • Jason Moran Composer
  • John Francis Flynn Guitar
  • Nabih Bulos Classical Music
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  • Leon Bridges Soul
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  • Brett Kern West Virginia
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  • Anders Osborne Blues
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  • Matt Garrison Brooklyn, NY
  • Mona Lisa Saloy Louisiana
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  • Hugues Mbenda Chef
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  • Simon Shaheen Composer
  • Armandinho Macêdo Salvador
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  • Caroline Keane Irish Traditional Music
  • Jan Ramsey Zydeco
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  • Mário Pam Bahia
  • Jared Jackson New York City
  • Ari Rosenschein Journalist
  • MicroTrio de Ivan Huol Brasil, Brazil
  • Jakub Józef Orliński Countertenor
  • Willy Schwarz Jewish Music
  • Michael Janisch Soul
  • Jason Treuting Composer
  • Otis Brown III Drums
  • Lilli Lewis Louisiana Red Hot Records
  • Sérgio Pererê Percussion
  • Guto Wirtti Brazil
  • Andy Romanoff Writer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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