Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Lucio Yanel
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Lucio Yanel
  • City/Place: Caxias do Sul, Rio Grande do Sul
  • Country: Brazil
  • Hometown: Corrientes, Argentina

Life & Work

  • Bio: Lucio Yanel atua como violonista, intérprete, autor, compositor, ator e folclorista. Como violonista, realizou apresentações por diversos países como Brasil, Argentina, Paraguai, Uruguai, Chile, França, Rússia, Suíça, Espanha e Estados Unidos. Radicado no Brasil há 35 anos, Lúcio Yanel é considerado um dos alicerces do violão solista na música regional sulina e o violonista com maior produção na história do violão gaúcho.

    Além de se dedicar à música regional gaúcha, o violonista Lucio Yanel também conheceu e atuou, em diversas ocasiões, ao lado de diversos nomes do cenário musical argentino como Mercedes Sosa, Atahualpa Yupanqui e Antônio Tarrago Ross. Apresentou-se ainda em inúmeros festivais e gravou com renomados artistas do Rio Grande do Sul como Gilberto Monteiro, Jayme Caetano Braum, Renato Borguetti, Gaúcho da Fronteira, Joca martins, Luiz Marenco, César Oliveira e Rogério Melo e Luiz Carlos Borges. Entre os anos 2016 e 2018, realizou diversos concertos com a Orquestra Sinfônica da UCS, sob a regência do Maestro Manfredo Schmidt.

    As premiações por sua trajetória são muitas, destacam-se o Prêmio Açorianos 2001 de Melhor Disco Instrumental e Melhor Instrumentista Regional. Açorianos em 2004 como Melhor Disco Regional com o Acuarela del Sur. Prêmio Açorianos 2011 como Melhor Instrumentista. No ano de 2005, a Assembleia Legislativa do Rio Grande do Sul, juntamente com a Associação dos Municípios e o Banrisul, concederam-lhe o Destaque Cultural do Mercosul, lhe sendo entregue em solenidade oficial a comenda Negrinho do Pastoreio. No ano de 2016, recebeu a Menção Especial no Prêmio Açorianos de Música 2015/2016, pelos relevantes serviços prestados à música gaúcha e a forte influência gerada na vida e carreira de muitos outros instrumentistas ao longo de sua exitosa carreira. No ano de 2017 recebeu do Comandante Jorge Emerson Ribas S. de Lima do 12° Batalhão de Polícia Militar a Comenda 12° BPM - Grau Bronze, pelos relevantes serviços prestados a OPM.

Contact Information

  • Email: [email protected]
  • Telephone: +55 (51) 9 9942-5073

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://tratore.com.br/um_artista.php?id=27223
  • ▶ Instagram: lucioyanel
  • ▶ Website: http://www.lucioyanel.com.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCiVNNPUOsrKbqhk3mRlf1-A
  • ▶ YouTube Music: http://music.youtube.com/channel/UCzZNmQeNOLMJPZG_uyvTaRQ
  • ▶ Spotify: http://open.spotify.com/album/76FYK3rBEYYMtc5MAGQSab
  • ▶ Spotify 2: http://open.spotify.com/album/2JR82e18JhwyUi8TxMHeLa
  • ▶ Spotify 3: http://open.spotify.com/album/2EZlvzVad473WH8BR82pUc
  • ▶ Spotify 4: http://open.spotify.com/album/6LL82SmsyAYF3em9BZTf8u
  • ▶ Spotify 5: http://open.spotify.com/album/14PU2185mVkPGp9YdBuycX
  • ▶ Spotify 6: http://open.spotify.com/album/6TVpBui0qrTwHHyyL9KEAo

My Instruction

  • Instruction: http://www.lucioyanel.com.br

Clips (more may be added)

  • 3:01
    Milonga Para Don Ventura - Lucio Yanel & Grupo de Cordas da Orquestra Sinfônica da UCS
    By Lucio Yanel
    224 views
  • 0:31:40
    Lucio Yanel e Yamandu Costa - 29ª Fiesta Nacional del Chamamé
    By Lucio Yanel
    147 views
  • 0:55:27
    Lucio Yanel - 37ª Coxilha Nativista
    By Lucio Yanel
    137 views
  • 4:33
    Lucio Yanel - Pantanal
    By Lucio Yanel
    247 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Lucio Yanel:

  • 3 Argentina
  • 3 Brazil
  • 3 Composer
  • 3 Gaucho Culture
  • 3 Guitar
  • 3 Guitar Courses
  • 3 Singer

Nodes below are randomly generated. Reload for a different stack.

  • Carol Soares Bahia
  • Sabine Hossenfelder YouTuber
  • Carrtoons Bass
  • Aaron Goldberg New York City
  • Leandro Afonso Bahia
  • Eliane Elias Singer-Songwriter
  • Bill Hinchberger Journalist
  • Echezonachukwu Nduka Writer
  • Utar Artun Berklee College of Music Faculty
  • Pedrito Martinez Composer
  • Chris Thile Folk & Traditional
  • Alita Moses New York City
  • Marcos Portinari Diretor Artístico, Artistic Director
  • Tessa Hadley Bath Spa University Faculty
  • David Bragger UCLA Herb Alpert School of Music Faculty
  • Paul Mahern Singer-Songwriter
  • Walter Blanding Composer
  • Chico Buarque Author
  • Serginho Meriti Brazil
  • Jorge Pita Bahia
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • Adriano Giffoni Brazilian Jazz
  • Wynton Marsalis New York City
  • Sergio Krakowski Experimental Music
  • Nêgah Santos São Paulo
  • Dave Eggers Publisher
  • ANNA EDM
  • Maia Sharp Guitar
  • Karim Ziad North African Music
  • Şener Özmen Video Artist
  • Howard Levy Harmonica
  • Bob Telson New York City
  • Zakir Hussain Hindustani Classical Music
  • Custódio Castelo Compositor, Composer
  • Myron Walden Piccolo
  • Anoushka Shankar Tanpura
  • Matt Ulery Multi-Instrumentalist
  • Juliana Ribeiro Samba de Roda
  • Fernando César Brasília
  • Georgia Anne Muldrow Hip-Hop
  • Dafnis Prieto Jazz
  • Seckou Keita Kora
  • Ana Luisa Barral Salvador
  • Huey Morgan Songwriter
  • Evgeny Kissin Short Stories
  • Sharay Reed Gospel
  • Fábio Peron Choro
  • Saul Williams Filmmaker
  • Francisco Mela Jazz
  • Arthur L.A. Buckner Jazz
  • Randy Lewis Writer
  • Oscar Peñas Jazz
  • Kareem Abdul-Jabbar Essayist
  • Orrin Evans Composer
  • Jill Scott Poet
  • Gustavo Di Dalva Brazil
  • Kamasi Washington Saxophone
  • Wayne Krantz New York City
  • Rob Garland Guitar Instruction
  • Brandee Younger Pop Music
  • David Sánchez Jazz
  • Kiko Souza Salvador
  • Muhsinah Washington, D.C.
  • Eric Bogle Australia
  • Michael Formanek Peabody Conservatory of Music Faculty
  • Tommy Peoples Irish Traditional Music
  • Chris McQueen Video Producer
  • Stephen Guerra Composer
  • Laércio de Freitas Choro
  • Arthur Verocai Guitar
  • Karim Ziad Percussion
  • Eric Alexander Saxophone
  • Casa da Mãe Música ao Vivo, Live Music
  • Rob Garland Guitar
  • Stephanie Foden Brazil
  • Lenna Bahule Brazil
  • Chau do Pife Maceió
  • Aloísio Menezes Brazil
  • Varijashree Venugopal Singer
  • James Elkington Record Producer
  • Leon Bridges Fort Worth, Texas
  • Mario Ulloa Bahia
  • Brooklyn Rider String Quartet
  • Dave Holland Jazz
  • Calida Rawles Painter
  • Ariel Reich Actor
  • Peter Evans Avant-Garde Jazz
  • Jorge Washington Chef
  • Barry Harris Piano
  • Towa Tei テイ・トウワ Record Producer
  • Mariene de Castro Bahia
  • Daniel Jobim Brazil
  • Kaia Kater Folk & Traditional
  • Richie Barshay Percussion
  • Snigdha Poonam Delhi
  • Utar Artun Microtonal
  • Julian Lage Guitar
  • Renell Medrano Photographer
  • Airto Moreira Jazz
  • María Grand Saxophone
  • Luis Paez-Pumar New York City
  • Restaurante Axego Afro-Bahian Cuisine
  • Marc-André Hamelin Piano
  • Roque Ferreira Salvador
  • Mauro Senise Brazil
  • Miguel Atwood-Ferguson Music Producer
  • Alexia Arthurs Writer
  • Ferenc Nemeth Composer
  • Walter Blanding Composer
  • Wouter Kellerman World Music
  • Sergio Krakowski Brazil
  • Pretinho da Serrinha Brazil
  • Craig Ross Multi-Instrumentalist
  • Luizinho Assis Jazz
  • Yilian Cañizares Singer-Songwriter
  • Nancy Viégas Country
  • Kaveh Rastegar Los Angeles
  • Jeff Tang Composer
  • Bodek Janke World Music
  • Magary Lord Bahia
  • Sérgio Pererê Belo Horizonte
  • Brady Haran Podcaster
  • Eric R. Danton Writer
  • Paul Cebar Milwaukee
  • Peter Dasent Piano
  • Adriano Souza Piano
  • Arthur Jafa Filmmaker
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Nêgah Santos Brazil
  • Arthur Verocai Singer-Songwriter
  • Marcus Teixeira Brazil
  • Rhiannon Giddens Banjo
  • Tom Green Scotland
  • Marc Cary Keyboards
  • Cashmere Cat Record Producer
  • André Becker Saxophone
  • Chris Potter Multi-Instrumentalist
  • Tom Bergeron Composer
  • Parker Ighile Multi-Cultural
  • Mateus Aleluia Filho Cachoeira
  • Monarco Cavaquinho
  • Dave Jordan Americana
  • Miroslav Tadić CalArts Music Faculty
  • Melvin Gibbs Composer
  • Tony Kofi London
  • Zé Luíz Nascimento Salvador
  • Ken Avis Music Writer
  • Paulão 7 Cordas Guitar
  • Barney McAll Australia
  • Anna Webber Saxophone
  • Scott Kettner Pandeiro
  • Gretchen Parlato MPB
  • RAM Haiti
  • António Zambujo Cante Alentejano
  • Yasmin Williams Harp-Guitar
  • Mavis Staples Chicago
  • Stomu Takeishi Jazz
  • Ricky (Dirty Red) Gordon Drums
  • Nicolas Krassik Forró
  • Colm Tóibín Columbia University Faculty
  • Aaron Parks Composer
  • Kenyon Dixon Singer-Songwriter
  • Mino Cinélu Multi-Instrumentalist
  • Rick Beato Multi-Instrumentalist
  • Alexandre Vieira Salvador
  • BIGYUKI Keyboards
  • Bombino Blues
  • Corey Harris Guitar
  • Francisco Mela Jazz
  • Flor Jorge Rio de Janeiro
  • Ethan Iverson Writer
  • James Martins Jornalista, Journalist
  • Tambay Obenson Cultural Critic
  • Saileog Ní Cheannabháin Fiddle
  • Joe Chambers New York City
  • Stan Douglas Canada
  • Carol Soares Brazil
  • Shemekia Copeland Chicago
  • Márcio Bahia Rio de Janeiro
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Lalah Hathaway Piano
  • Hercules Gomes Choro
  • Missy Mazolli New York City
  • Ivo Perelman Jazz
  • Mike Marshall Guitar
  • Jessie Reyez Hip-Hop
  • Sabine Hossenfelder YouTuber
  • Negrizu Salvador
  • Larry McCray Arkansas
  • Rogê Singer-Songwriter
  • Warren Wolf Vibraphone
  • Cássio Nobre Salvador
  • Janine Jansen Utrecht
  • Kris Davis Jazz
  • Luciano Salvador Bahia Record Producer
  • Yola Country
  • Gevorg Dabaghyan Yerevan
  • Safy-Hallan Farah Magazine Publisher
  • The Assad Brothers Brazil
  • Concha Buika Spain
  • Joanna Majoko Singer-Songwriter
  • Rumaan Alam Literary Critic
  • Larry Achiampong Ghana
  • Lorna Simpson Brooklyn, NY
  • Leo Nocentelli Guitar
  • Siba Veloso Rabeca
  • Restaurante Axego Bahia
  • Jakub Józef Orliński Hip-Hop
  • Scott Devine Bass Instruction
  • Sérgio Pererê Multi-Instrumentalist
  • Arthur L.A. Buckner Jazz
  • Matt Garrison Brooklyn, NY
  • Milford Graves Vocals
  • Chad Taylor Philadelphia
  • Marc-André Hamelin Composer
  • John Zorn New York City
  • Frank London Trumpet
  • The Umoza Music Project Rap
  • Tal Wilkenfeld Los Angeles
  • Marquis Hill Trumpet
  • Mauro Senise Composer
  • Corey Ledet Creole Music
  • Adanya Dunn Toronto
  • Brandon J. Acker Theorbo
  • Kirk Whalum Jazz
  • Mateus Alves Bass
  • Ken Dossar Philadelphia
  • Ron Mader Writer
  • Gord Sheard MPB
  • Bukassa Kabengele Brazil
  • Marcel Camargo MPB
  • Will Holshouser Composer
  • Paulão 7 Cordas Samba
  • Chano Domínguez Flamenco
  • Sérgio Pererê Percussion
  • Andrew Finn Magill Choro
  • Dan Weiss Drumming Instruction
  • Rebeca Omordia Classical Music
  • Vinson Cunningham Writer
  • Michael League Bandleader
  • Bongo Joe Records Record Shop
  • Greg Ruby Jazz
  • Jean-Paul Bourelly Educator
  • Ron Miles Cornet
  • Nancy Viégas Fotógrafa, Photographer
  • Damion Reid Drums
  • Mestre Barachinha Brazil
  • Wayne Escoffery Jazz
  • Roosevelt Collier Pedal Steel Guitar
  • Henrique Cazes Bandolim
  • Isaac Julien Installation Artist
  • Nguyên Lê Vietnam
  • Steve Lehman Jazz
  • Larry Grenadier Jazz
  • John Santos Record Label Owner
  • Airto Moreira Brazil
  • Keshav Batish North Indian Classical Music
  • Kenny Barron Piano
  • Stormzy Grime
  • Ubiratan Marques Bahia
  • Kotringo Tokyo
  • Shannon Sims Writer
  • Otto Manguebeat
  • Iuri Passos Candomblé
  • Jeff Ballard New York City
  • Gustavo Caribé Compositor, Composer
  • Brandon Seabrook New York City
  • Steve McKeever Entertainment Lawyer
  • Margareth Menezes Guitar
  • Danilo Brito Composer
  • Nic Hard New York City
  • Yilian Cañizares Violin
  • Diosmar Filho Rio de Janeiro
  • Atlantic Brass Quintet Classical Music
  • Jack Talty Concertina
  • Milton Primo Singer-Songwriter
  • Danilo Brito Brazil
  • Andrés Prado Latin Jazz
  • Muri Assunção Writer
  • Anoushka Shankar Film Scores
  • Danilo Brito São Paulo
  • Joey Baron Jazz
  • James Grime Mathematics
  • André Mehmari Piano
  • Cédric Villani Author
  • Camille Thurman Flute
  • Henrique Cazes Samba
  • Eddie Palmieri Latin Funk
  • Angelique Kidjo Benin
  • David Bragger Banjo Instruction
  • Luciana Souza MPB
  • Ajurinã Zwarg Rio de Janeiro
  • Renee Rosnes New York City
  • Avner Dorman Gettysburg College Faculty
  • Luques Curtis Record Label Owner
  • Omari Jazz Composer
  • Nahre Sol Toronto
  • Etan Thomas Motivational Speaker
  • Marcus J. Moore Writer
  • Kathy Chiavola Country
  • Beeple NFTs
  • Nicholas Daniel Guildhall School of Music Staff
  • Mika Mutti DJ
  • Zara McFarlane Soul
  • Bebê Kramer Tango
  • Joan Chamorro Double Bass
  • Cara Stacey Mbabane
  • Maria Drell Produtora Musical, Music Producer
  • Kim André Arnesen Choral Works
  • Aaron Goldberg Piano
  • Paquito D'Rivera Composer
  • Fábio Peron Brasil, Brazil
  • Edil Pacheco Singer
  • Mohini Dey Indian Fusion
  • Lucinda Williams Americana
  • Vanessa Moreno Singer-Songwriter
  • Garvia Bailey Arts Journalist
  • Alex Hargreaves Jazz
  • Joe Newberry Singer-Songwriter
  • Lalah Hathaway Record Producer
  • Jas Kayser London
  • Sierra Hull Singer-Songwriter
  • Etienne Charles Trumpet
  • Richard Galliano Composer
  • Edsel Gomez Composer
  • Esperanza Spalding Jazz
  • Jonathon Grasse Gamelan
  • Brian Lynch Record Label Owner
  • Chris Boardman Composer
  • Jon Cowherd Jazz
  • Nikki Yeoh Composer
  • Arismar do Espírito Santo Samba
  • Michael Garnice Writer
  • 9Bach Welsh Traditional Music
  • Luiz Brasil Brazil
  • Liberty Ellman Jazz
  • Nicholas Gill Food Writer
  • Sam Yahel Piano Instruction
  • Ta-Nehisi Coates Writer
  • Ibrahim Maalouf Composer
  • Jau Bahia
  • Bejun Mehta New York City
  • Bruce Williams Saxophone
  • Billy Strings Americana
  • Alicia Keys R&B
  • H.L. Thompson Music Consultant
  • James Carter Saxophone
  • Lizz Wright Jazz
  • Gabrielzinho do Irajá Cavaquinho
  • Zebrinha Cineasta Documentarista, Documentary Filmmaker

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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