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The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and on the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Mike Compton
    A category was added to Mike Compton:
    Mandolin Instruction
    • May 25
  • Mike Compton
    A category was added to Mike Compton:
    Country Blues
    • May 25
  • Mike Compton
    A category was added to Mike Compton:
    Songwriter
    • May 25
  • Mike Compton
    A category was added to Mike Compton:
    Nashville, Tennessee
    • May 25
  • Mike Compton
    A category was added to Mike Compton:
    Folk & Traditional
    • May 25
  • Mike Compton
    A category was added to Mike Compton:
    Old-Time Music
    • May 25
  • Mike Compton
    A category was added to Mike Compton:
    Bluegrass
    • May 25
  • Mike Compton
    A category was added to Mike Compton:
    Mandolin
    • May 25
  • Mike Compton
    A video was posted re Mike Compton:
    Mike Compton "Orange Blossom Breakdown" Single Video Premiere
    From the album, "RARE AND FINE-UNCOMMON TUNES OF BILL MONROE" Mike Compton, likely the most dedicated student of Bill Monroe's music over the past 50 years, was uniquely qualified to animate a set of rarely heard and unreleased instrumentals by the Fathe...
    • May 25
  • Mike Compton
    A video was posted re Mike Compton:
    Mike Compton and Chris Eldridge - "Squirrel Hunters" (Wintergrass 2016 Fretboard Journal workshop)
    Mike Compton and Chris Eldridge perform "Squirrel Hunters" during the Fretboard Journal's vintage instrument workshop. Compton is on a reverse scroll Regal mandolin with rosewood back and sides from the '30s (yes, it needed some fine tuning midway through...
    • May 25
  • Mike Compton
    Mike Compton is matrixed!
    • May 25
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  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Mike Compton)
    I RECOMMEND
    You can recommend Mike Compton from below when logged in ←

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Mike Compton
  • City/Place: Nashville, Tennessee
  • Country: United States
  • Hometown: Meridian, Mississippi

Life & Work

  • Bio: Befriended and mentored by Bill Monroe, the acknowledged Father of Bluegrass Music, Mike Compton is one of today’s foremost interpreters of Monroe’s genre-creating mandolin style. Mandolin students from around the world make the pilgrimage to his annual Monroe Mandolin Camp in Nashville, TN, where Compton and a select handful of other experts teach everything from the basics of bluegrass mandolin to the most intimate details of Monroe’s endlessly inspiring mandolin style.

    Mike Compton’s decades of touring and recording with musical luminaries ranging from rockstars Sting, Gregg Allman and Elvis Costello, to straight-from-the-still acoustic legends like John Hartford, Doc Watson, Peter Rowan, Ralph Stanley, and David Grisman, have established Compton as a true master of the modern American mandolin and a premier interpreter of roots and Americana musical styles.
    Compton’s mastery of mandolin is at once effortless and exceptional. A compelling entertainer either alone or with a group, his skills as a singer, arranger, instrumentalist, composer and accompanist also make him in-demand as a band member and ensemble player at festivals, clubs and concert halls, recording sessions, music workshops and as a private instructor. With more than 140 albums in his discography, including work with Willie Nelson, Dolly Parton, and Patty Loveless, Compton has helped keep mandolin a cool, relevant sound as the modern musical styles ebb and evolve to reach an ever broadening audience.

    A native of Mississippi, Compton picked up the mandolin in his teens and absorbed the area’s native blues, old-time country and bluegrass sounds. He soon gravitated to Nashville, where he helped found one of the 20th Century’s most admired and influential bluegrass groups, the iconic Nashville Bluegrass Band. He’s also been a part of the John Hartford Stringband, Helen Highwater Stringband, 1942, Compton & Newberry, and other seminal groups.

    When A-list Americana producer T-Bone Burnett needed experts in authentic rural musical styles to anchor the landmark O Brother, Where Art Thou? movie project and subsequent tour, he called upon Compton’s unique knowledge and signature mandolin style to authenticate the Soggy Bottom Boys’ rootsy sound. That Grammy Award Album of the Year -winning album went on to sell seven million copies and sparked a global revival in old-time and bluegrass musical styles.

    Connoisseur of hand-painted vintage silk ties, popularizer of the denim overall urban fashion statement, lover of iconic men’s hats and curator of oddball official days (ask him about National Lost Sock Memorial Day or National Root Canal Appreciation Day), Mike Compton thrives at the intersection of traditional funk and modern authenticity.
    Equally skilled in bluegrass, old-time string band music, country blues, rootsy Americana styles, and much more, Compton soars beyond easy categorization as an acoustic mandolin player and singer.

    Gifted at tastefully incorporating rural, roots-based lead and rhythm mandolin styles into modern Americana music, Compton’s unique musical skillset allows him to entertain audiences ranging from rockers and urban hipsters to die-hard country, folk and bluegrass fans.

    Mike proudly plays Gilchrist, Duff, and Randy Wood instruments and is endorsed by BlueChip picks and D’Addario strings.

Contact Information

  • Contact by Webpage: http://www.mikecompton.net/contact

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.mikecompton.net/store
  • ▶ Buy My Merch: http://www.mikecompton.net/store
  • ▶ Charts/Scores: http://www.mikecompton.net/store?category=Tablature+%26+Notation+Book
  • ▶ Twitter: taterbugmusic
  • ▶ Instagram: mistertaterbug
  • ▶ Website: http://www.mikecompton.net
  • ▶ YouTube Channel: http://www.youtube.com/user/TheMikeCompton
  • ▶ YouTube Music: http://music.youtube.com/channel/UCM5cKTVNYhbED5FA9DvuTIA
  • ▶ Spotify: http://open.spotify.com/album/2GlQ1VRMEeqPBXjwF9MllA
  • ▶ Spotify 2: http://open.spotify.com/album/2AdTI1Urp5U7LKvd6wOCAG
  • ▶ Spotify 3: http://open.spotify.com/album/6P1S2xa7c6CMbhQYdlpq3H
  • ▶ Spotify 4: http://open.spotify.com/album/5Sl65iMUotaY0rmVmxBx7m
  • ▶ Spotify 5: http://open.spotify.com/album/4azjcnI4Km32caEMp27REw
  • ▶ Spotify 6: http://open.spotify.com/album/1jifrKqcA2svvFRphUkBah

My Instruction

  • Lessons/Workshops: I specialize in Monroe style bluegrass, old-time fiddle tunes and country blues. If you are looking for a lesson on how to play “Ode to a Butterfly” you made a wrong turn at Albuquerque.

    Lessons are $50 per 30 minute slot, $100 per hour. Invoices are sent the first of each month via PayPal.

    I use Skype mostly but have used Google Chat, Zoom and Messages to initiate video chat, so you need to have a high speed connection. I used to have a student who got in her van and rode around town until she found a strong wifi signal she could jump on, but it seems most everybody has adequate internet these days so you probably won’t have to be that industrious. Satellite is not advisable and dial-up is out of the question. Lessons in person can be arranged if you are in the Nashville region, or if I have time when on tour.

    Your schedule is your own call. Some take every week, some every other, some once a month. I have a number of people on the list and everybody seems to learn differently. I make an effort to accommodate each person’s learning style. To do this I use audio, video, tablature, standard notation and whatever else is necessary to get the info across.

    I do not have an agenda that I try to force on people. I prefer that you have some idea where you want to go with your playing and I will help guide you. I see my job as more of a coach. I'm here to help you get ahead faster, not to tell you what to play. If you’re interested in one of the genres I’m familiar with all the better.

    Usually, I try and keep Friday, Saturday and Sunday open because of road work. When I have to be on the road I send out a notice saying as much. You will get an opportunity to reschedule in the event that I have to be gone. If you miss a scheduled lesson due to your own schedule you will be given one opportunity to reschedule.

    Please show up on time. I will wait 10 minutes beginning at our scheduled time. After that you will be charged regardless of if you show up or not.

    So if this all suits you I'll be happy to send along my calendar link and you can find a slot that works for you. Then we can decide how often you'd like to get together and we'll go from there. I am happy to help you as much as I can.

    Life is good. MC
  • Instruction: http://www.mikecompton.net/lessons

Clips (more may be added)

  • 2:46
    Mike Compton "Orange Blossom Breakdown" Single Video Premiere
    By Mike Compton
    18 views
  • 4:08
    Mike Compton and Chris Eldridge - "Squirrel Hunters" (Wintergrass 2016 Fretboard Journal workshop)
    By Mike Compton
    18 views
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Do you  recommend Mike Compton?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 0 Bluegrass
  • 0 Country Blues
  • 0 Folk & Traditional
  • 0 Mandolin
  • 0 Mandolin Instruction
  • 0 Nashville, Tennessee
  • 0 Old-Time Music
  • 0 Songwriter

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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