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  • Saileog Ní Cheannabháin

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Saileog Ní Cheannabháin
  • City/Place: Dublin
  • Country: Ireland

CURATION

  • from this node by: Criador acima/Creator above

Current News

  • What's Up? "Her refusal to follow the tired trajectory that often characterises that instrument within the tradition results in a beautiful lightness of touch, and her own compositions shimmer in the spaces in between"
    - The Irish Times

Life & Work

  • Bio: Saileog Ní Cheannabháin is a musician, singer and composer. A native Irish speaker (Connemara dialect, Iorras Aithneach), who grew up in Dublin, her sean-nós singing style is mainly influenced by singers from Iorras Aithneach in the Connemara Gaeltacht, where she spent a lot of time over the years. Her father Peadar is a sean nós singer from Aill na Brún, Iorras Aithneach, her mother Úna Lawlor is a classical violinist and her siblings Eoghan and Muireann are also singers and musicians.

    She plays Irish traditional music on fiddle, piano and viola, having taken fiddle lessons from various teachers at Craobh Naithí CCÉ and at the Willie Clancy Summer School and Joe Mooney Summer School at a young age. She also studied classical piano for twelve years at DIT, mainly with Shirin Tobin, and subsequently continued lessons at University College Cork, with Andrew Zolinsky and Tra Nguyen. Her traditional piano playing is self taught. She has been playing viola since 2010, as a result of trying a viola given to her mother Úna by cellist, luthier and family friend Peter Healy (R.I.P. 2016).

    Saileog had the opportunity to study many genres of music and experience and explore various approaches to music during her time at UCC. Having graduated with a BMus (2009), UCC awarded her the Seán Ó Riada Prize, for a study of the Songs and Singers of Iorras Aithneach. She has performed at various festivals and venues in Ireland and abroad, and has also featured on music programmes for TG4, Raidió na Gaeltachta, Lyric Fm, RTÉ Radio 1 and BBC Alba.

    In 2012, Saileog released her first album, I bhfíor-dheiriú oidhche, which consists of sean nós songs which she learned from Seamus Ennis' collection, from various singers in Iorras Aithneach, Connemara. The songs were collected in the early 1940s, and are a combination of songs that are no longer sung and unusual versions of more well known songs, chosen from the collection.

    Saileog also features as a guest on Ensemble Ériu's debut album (2011), on the Tunes in the Church compilation album (2013) and on the forthcoming Rogha Raelach Volume 1 compilation (November 2020).

    In 2014, she did research work for the project Amhráin Ó Iorrus, a compilation album of songs from Erris, North Mayo, which were collected at the beginning of the last century from emigrants based in Chicago. The project was initiated by Séamas Ó Mongáin and Síle Uí Mhongáin.

    Saileog's second album is Roithleán (released October 2016), an album of Irish traditional music and sean nós songs, produced by Jack Talty, and released on the Raelach Records label. The recording also includes some of her own tune compositions. It features solo piano, fiddle, viola, and sean nós singing, as well as tracks with guest musicians Muireann Ní Cheannabháin, Eoghan Ó Ceannabháin, Jack Talty, Marie McHugh, Tim McHugh and Eoin Ó Beaglaoich. Roithleán was awarded Albam Thraidisiúnta na Bliana - Traditional Album of the Year by Nós Iris (Nós Magazine) in 2018.

    She recently recorded a track for the 2020 Rogha Raelach Volume 1 compilation.

    One of Saileog’s projects includes arrangements of sean nós songs from Connemara and Rinn Ó gCuanach, as part of a trio with Ailbhe Nic Dhonncha from Rinn Ó gCuanach, Co. Waterford, and uilleann piper Pádraic Keane from Oranmore, Co. Galway.

    In the summer of 2018, she composed, arranged and performed original music, in collaboration with Maitiú Ó Casaide, for the play Baoite, written and directed by Darach Mac Con Iomaire. Some of the music was composed between both musicians, and other parts in collaboration with sound designer Steve Lynch. Baoite was commissioned by the Abbey Theatre, and performed for ten days in An Taibhdhearc, as part of the Galway International Arts Festival 2018. In 2019, the play was commissioned by the Abbey Theatre and performed again for several nights in the Peacock Theatre, Dublin, in May 2019.

    Saileog also participated in an outdoor production of Shakespeare's The Tempest, singing and playing music for St. John's Mill Theatre Company, Co. Kerry, in 2013, and sang as part of a dance performance called The Wake, choreographed by Sarah Dowling, for the Dublin Dance Festival in 2012.

    In February 2020, Saileog participated in Úna Monaghan's Aonaracht 1 project at the National Concert Hall in Dublin, performing a piece for piano and electronics.

    Saileog also teaches classical and traditional piano, traditional Irish fiddle and sean nós singing. She has been teaching privately and also giving occasional workshops since 2009.

    Saileog has recently been invited to be 2021 sean nós singer in residence at NUI Galway.

    She is currently working on some new solo compositions, which she hopes to release in 2022.

Contact Information

  • Email: [email protected]
  • Record Company: Raelach Records

Media | Markets

  • ▶ Twitter: saileogc
  • ▶ Blog: http://saileog.blogspot.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCjuvpib3abbHCdpET4JMlNA

Clips (more may be added)

  • 3:50
    Saileog and Muireann Ní Cheannabháin :: Uileacán Dubh Ó
    By Saileog Ní Cheannabháin
    148 views
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Saileog Ní Cheannabháin Curated

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  • 1 Irish Traditional Music
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  • 1 Raelach Records
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  • Saileog Ní Cheannabháin
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    Saileog and Muireann Ní Cheannabháin :: Uileacán Dubh Ó
    Saileog and Muireann Ní Cheannabháin perform the Sean Nos song Uileacán Dubh Ó, on Maghermore Beach in Co.Wicklow for the documentary Backwards To Go Forwards (2018) Directed by Myles O’Reilly. Produced by Jonanthan Pearson for Islander Presents, in colla...
    • January 20, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Ivan Huol Songwriter
  • Dadá do Trombone Bossa Nova
  • Eddie Palmieri Latin Funk
  • Geraldine Inoa Writer
  • John Schaefer Radio Presenter
  • Nduduzo Makhathini South Africa
  • Marcus Miller Record Producer
  • Jamie Dupuis Canada
  • Joshue Ashby Jazz
  • Celsinho Silva Record Producer
  • Joey Baron New York City
  • Nailor Proveta Compositor, Composer
  • Alain Mabanckou Novelist
  • James Brady Composer
  • Shane Parish Guitar Instruction
  • Tatiana Eva-Marie Swing
  • Juca Ferreira Ambientalista, Environmentalist
  • Rhiannon Giddens Opera
  • Paulo Aragão MPB
  • Dom Flemons Piedmont Blues
  • Shannon Alvis Choreographer
  • Speech Music Production
  • Linda May Han Oh Film Scores
  • Anthony Coleman Klezmer
  • Gavin Marwick Multi-Cultural
  • Luíz Paixão Composer
  • Ben Hazleton London
  • Eric Harland Composer
  • Sammy Britt Delta State University Faculty
  • Fred P Composer
  • Shannon Ali Jazz
  • Alicia Hall Moran Jazz
  • Marcelo Caldi Tango
  • Kenny Garrett Jazz
  • Flying Lotus Rapper
  • Roy Ayers New York City
  • Luiz Antônio Simas Compositor, Composer
  • Dadá do Trombone Bahia
  • Dave Weckl Drums
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Derrick Adams Performance Artist
  • Gregory Tardy Saxophone
  • Academia de Música do Sertão Bahia
  • The Bayou Mosquitos Zydeco
  • Trilok Gurtu Drums
  • Rosângela Silvestre Bahia
  • Cécile McLorin Salvant Singer
  • Nublu Turkish Music
  • Hercules Gomes Piano
  • Jill Scott Hip-Hop
  • Adanya Dunn Toronto
  • Clint Mansell Television Scores
  • Della Mae Nashville, Tennessee
  • John McWhorter Columbia University Faculty
  • Dave Smith Drums
  • Alê Siqueira Classical Guitar
  • Quincy Jones Composer
  • Muhsinah Singer-Songwriter
  • Joan Chamorro Double Bass
  • Eddie Palmieri Ropeadope
  • Irma Thomas Gospel
  • Nardis Jazz Club Istanbul
  • Gilberto Gil Singer-Songwriter
  • Yotam Silberstein Israel
  • Shamarr Allen Singer-Songwriter
  • James Martin Brass Band
  • Milford Graves Percussion
  • Saul Williams Singer-Songwriter
  • Airto Moreira Compositor, Composer
  • Atlantic Brass Quintet Baroque
  • Frank Olinsky Illustrator
  • Samba de Nicinha Samba
  • Urânia Munzanzu Cineasta, Filmmaker
  • Michael Pipoquinha Brazilian Jazz
  • Gabrielzinho do Irajá Cavaquinho
  • Derek Sivers Singer-Songwriter
  • Tatiana Eva-Marie Brooklyn, NY
  • Monarco Brazil
  • Melanie Charles Jazz
  • Gaby Moreno Guitar
  • Ken Dossar Philadelphia
  • Nara Couto Salvador
  • Nana Nkweti Short Stories
  • Catherine Bent Classical Music
  • Juliana Ribeiro Samba
  • Brooklyn Rider Contemporary Classical Music
  • Echezonachukwu Nduka Musicologist
  • Psoy Korolenko Псой Короленко Songwriter
  • Ben Wendel Composer
  • Capitão Corisco Flute
  • Lalá Evangelista Pandeiro
  • Herbie Hancock Keyboards
  • Johnathan Blake Composer
  • Marcelo Caldi Forró
  • Walter Mariano Desenho, Design
  • Milad Yousufi Brooklyn Conservatory of Music Faculty
  • Marcus Rediker Historian
  • Dee Spencer Jazz
  • Duane Benjamin Jazz
  • Jan Ramsey Creole Music
  • Bob Mintzer Multi-Instrumentalist
  • Sarah Jarosz Americana
  • Cara Stacey Radio Presenter
  • Gel Barbosa Brasil, Brazil
  • Anton Fig Percussion
  • David Chesky Contemporary Classical Music
  • Louis Michot Louisiana
  • Aubrey Johnson Queens College Faculty
  • Wayne Escoffery Composer
  • Sheryl Bailey Jazz
  • Nubya Garcia England
  • Eduardo Kobra Arte da Rua, Street Art
  • Sandro Albert Brazilian Jazz
  • Brandon Coleman Composer
  • Nicolas Krassik Choro
  • Sabine Hossenfelder YouTuber
  • Guinga Rio de Janeiro
  • Shaun Martin Keyboards
  • Karim Ziad Multi-Instrumentalist
  • Joe Lovano Clarinet
  • Jericho Brown Emory University Faculty
  • Danilo Brito Choro
  • Iuri Passos Percussion
  • Marcel Powell MPB
  • Maurício Massunaga Choro
  • John Patrick Murphy Pernambuco
  • John Morrison DJ
  • Roosevelt Collier Pedal Steel Guitar
  • Calida Rawles Painter
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Baiba Skride Latvia
  • Mykia Jovan Singer-Songwriter
  • Edsel Gomez Multi-Cultural
  • Jakub Józef Orliński Poland
  • Lauren Martin Editor
  • Hopkinson Smith Schola Cantorum Basiliensis Faculty
  • David Braid Classical Music
  • Carlos Henriquez Northwestern University Faculty
  • Carl Allen Jazz
  • Lazzo Matumbi Salvador
  • Tommaso Zillio Author
  • Shankar Mahadevan Bollywood
  • Rita Batista Jornalista, Journalist
  • Benoit Fader Keita Techno
  • Sarah Jarosz Folk & Traditional
  • Rudy Royston Jazz
  • Helder Barbosa Bahia
  • Joe Newberry Old-Time Music
  • Masao Fukuda Brazil
  • Zeca Baleiro Maranhão
  • Ben Wolfe New York City
  • Oswaldinho do Acordeon Forró
  • Chris Boardman Television Scores
  • Léo Rugero Accordion
  • Tank and the Bangas Spoken Word
  • Heriberto Araujo Amazon
  • Stanton Moore Funk
  • Glória Bomfim Singer
  • Nonesuch Records Broadway
  • Matt Ulery Record Label Owner
  • Andrew Finn Magill Fiddle
  • Simon Shaheen Arabic Music
  • Raymundo Sodré Ropeadope
  • Hugo Linns Pernambuco
  • Jill Scott Singer-Songwriter
  • Rolando Herts Delta State University Faculty
  • Sam Harris Jazz
  • Les Thompson Singer
  • Oswaldinho do Acordeon Brazil
  • Gretchen Parlato Composer
  • Eliane Elias New York City
  • Tessa Hadley Writer
  • Lauren Martin Radio Presenter
  • Michelle Mercer Radio Producer
  • Ben Allison Jazz
  • Rotem Sivan Jazz
  • Walter Ribeiro, Jr. Bahia
  • Vijith Assar Writer
  • David Kirby New York City
  • Ken Coleman Reporter
  • Serginho Meriti Brazil
  • Dafnis Prieto Afro-Cuban Jazz
  • Gamelan Sekar Jaya Gamelan
  • Fidelis Melo Bahia
  • Kiko Horta Composer
  • Lynn Nottage Pulitzer Prize
  • Mestre Nelito Salvador
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • Adam Cruz New York City
  • Luedji Luna Brazil
  • Ballaké Sissoko Kora
  • François Zalacain Record Label Owner
  • Bukassa Kabengele Brazil
  • Darcy James Argue Piano
  • Aloísio Menezes Salvador
  • Eric Alper Music Publicist
  • Joe Fiedler Arranger
  • Gretchen Parlato MPB
  • Bruno Monteiro Jornalista, Journalist
  • MonoNeon Funk
  • Nicholas Payton Writer
  • Thiago Trad Percussão, Percussion
  • Grant Rindner Journalist
  • Gregory Hutchinson Drum Clinics
  • Germán Garmendia Singer
  • Kimmo Pohjonen Accordion
  • Airto Moreira Jazz
  • Anat Cohen Clarinet
  • Anat Cohen New York City
  • Jessie Montgomery Composer
  • Monk Boudreaux Percussion
  • Linda Sikhakhane Saxophone
  • Renato Braz Brazil
  • Casey Benjamin Jazz
  • Wayne Shorter Composer
  • Karla Vasquez Cooking Classes
  • Betão Aguiar Bass
  • Stefon Harris Marimba
  • Marcus Printup Trumpet
  • Ray Angry Keyboards
  • Robi Botos Piano
  • Towa Tei テイ・トウワ Keyboards
  • Oswaldinho do Acordeon São Paulo
  • Yazhi Guo 郭雅志 Boston, Massachusetts
  • Mike Marshall Violin
  • Vânia Oliveira Brasil, Brazil
  • Caroline Keane Educator
  • Rebeca Tárique Produtora Cultural, Cultural Producer
  • Soweto Kinch Radio Presenter
  • Abel Selaocoe South Africa
  • João Teoria Bahia
  • Andrew Dickson Radio Presenter
  • André Mehmari Piano
  • Jeff Preiss Filmmaker
  • Celsinho Silva Pandeiro
  • Simone Sou São Paulo
  • Jovino Santos Neto Record Producer
  • Chris Speed Saxophone
  • H.L. Thompson DJ
  • Oswaldinho do Acordeon Composer
  • King Britt University of San Diego Faculty
  • Mauro Diniz Brazil
  • Adam Shatz Literary Critic
  • Dónal Lunny Bouzouki
  • Shemekia Copeland R&B
  • Marília Sodré Bahia
  • Tonynho dos Santos Teclado, Keyboards
  • Yvette Holzwarth Theater Sound Design
  • Gregory Hutchinson New York City
  • Yoko Miwa Jazz
  • Scott Devine Bass
  • Mike Compton Country Blues
  • Ivan Bastos Faculdade da UFBA, Federal University of Bahia Faculty
  • Bruce Williams Jazz
  • Ed Roth Songwriter
  • Adanya Dunn Canada
  • Mário Santana Brazil
  • Angel Bat Dawid Piano
  • Luiz Antônio Simas Professor
  • Justin Stanton Composer
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