Saileog Ní Cheannabháin MATRIX

IMPORTANT ▶▶▶

If You Can't Stand the Heat

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

This is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

"Onde tem miséria, tem música!"* - Raymundo Sodré

And it's not just music. And it's not just Brazil.

Welcome to the kitchen!

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

Saileog Ní Cheannabháin I RECOMMEND

CURATION

from this node by: Criador acima/Creator above

This is the Universe of

Name: Saileog Ní Cheannabháin
City/Place: Dublin
Country: Ireland

Current News

What's Up? "Her refusal to follow the tired trajectory that often characterises that instrument within the tradition results in a beautiful lightness of touch, and her own compositions shimmer in the spaces in between"
- The Irish Times

Life & Work

Bio: Saileog Ní Cheannabháin is a musician, singer and composer. A native Irish speaker (Connemara dialect, Iorras Aithneach), who grew up in Dublin, her sean-nós singing style is mainly influenced by singers from Iorras Aithneach in the Connemara Gaeltacht, where she spent a lot of time over the years. Her father Peadar is a sean nós singer from Aill na Brún, Iorras Aithneach, her mother Úna Lawlor is a classical violinist and her siblings Eoghan and Muireann are also singers and musicians.

She plays Irish traditional music on fiddle, piano and viola, having taken fiddle lessons from various teachers at Craobh Naithí CCÉ and at the Willie Clancy Summer School and Joe Mooney Summer School at a young age. She also studied classical piano for twelve years at DIT, mainly with Shirin Tobin, and subsequently continued lessons at University College Cork, with Andrew Zolinsky and Tra Nguyen. Her traditional piano playing is self taught. She has been playing viola since 2010, as a result of trying a viola given to her mother Úna by cellist, luthier and family friend Peter Healy (R.I.P. 2016).

Saileog had the opportunity to study many genres of music and experience and explore various approaches to music during her time at UCC. Having graduated with a BMus (2009), UCC awarded her the Seán Ó Riada Prize, for a study of the Songs and Singers of Iorras Aithneach. She has performed at various festivals and venues in Ireland and abroad, and has also featured on music programmes for TG4, Raidió na Gaeltachta, Lyric Fm, RTÉ Radio 1 and BBC Alba.

In 2012, Saileog released her first album, I bhfíor-dheiriú oidhche, which consists of sean nós songs which she learned from Seamus Ennis' collection, from various singers in Iorras Aithneach, Connemara. The songs were collected in the early 1940s, and are a combination of songs that are no longer sung and unusual versions of more well known songs, chosen from the collection.

Saileog also features as a guest on Ensemble Ériu's debut album (2011), on the Tunes in the Church compilation album (2013) and on the forthcoming Rogha Raelach Volume 1 compilation (November 2020).

In 2014, she did research work for the project Amhráin Ó Iorrus, a compilation album of songs from Erris, North Mayo, which were collected at the beginning of the last century from emigrants based in Chicago. The project was initiated by Séamas Ó Mongáin and Síle Uí Mhongáin.

Saileog's second album is Roithleán (released October 2016), an album of Irish traditional music and sean nós songs, produced by Jack Talty, and released on the Raelach Records label. The recording also includes some of her own tune compositions. It features solo piano, fiddle, viola, and sean nós singing, as well as tracks with guest musicians Muireann Ní Cheannabháin, Eoghan Ó Ceannabháin, Jack Talty, Marie McHugh, Tim McHugh and Eoin Ó Beaglaoich. Roithleán was awarded Albam Thraidisiúnta na Bliana - Traditional Album of the Year by Nós Iris (Nós Magazine) in 2018.

She recently recorded a track for the 2020 Rogha Raelach Volume 1 compilation.

One of Saileog’s projects includes arrangements of sean nós songs from Connemara and Rinn Ó gCuanach, as part of a trio with Ailbhe Nic Dhonncha from Rinn Ó gCuanach, Co. Waterford, and uilleann piper Pádraic Keane from Oranmore, Co. Galway.

In the summer of 2018, she composed, arranged and performed original music, in collaboration with Maitiú Ó Casaide, for the play Baoite, written and directed by Darach Mac Con Iomaire. Some of the music was composed between both musicians, and other parts in collaboration with sound designer Steve Lynch. Baoite was commissioned by the Abbey Theatre, and performed for ten days in An Taibhdhearc, as part of the Galway International Arts Festival 2018. In 2019, the play was commissioned by the Abbey Theatre and performed again for several nights in the Peacock Theatre, Dublin, in May 2019.

Saileog also participated in an outdoor production of Shakespeare's The Tempest, singing and playing music for St. John's Mill Theatre Company, Co. Kerry, in 2013, and sang as part of a dance performance called The Wake, choreographed by Sarah Dowling, for the Dublin Dance Festival in 2012.

In February 2020, Saileog participated in Úna Monaghan's Aonaracht 1 project at the National Concert Hall in Dublin, performing a piece for piano and electronics.

Saileog also teaches classical and traditional piano, traditional Irish fiddle and sean nós singing. She has been teaching privately and also giving occasional workshops since 2009.

Saileog has recently been invited to be 2021 sean nós singer in residence at NUI Galway.

She is currently working on some new solo compositions, which she hopes to release in 2022.