Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Yunior Terry
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Yunior Terry
  • City/Place: New York City
  • Country: United States
  • Hometown: Havana, Cuba

Life & Work

  • Bio: One of New York City's most sought-after bass players, Yunior Terry is recognized for his big sound, versatility, and contagious rhythm.

    As the youngest son of one of Cuba’s most gifted musical families “Los Terry’s”, Yunior followed the tradition and began his musical training at age seven, graduating in 1994 from the prestigious National School of Art (ENA) in Havana with a double major in violin and bass.

    Soon after graduation he joined the National Philharmonic Orchestra, performing works of Europeans and Cubans composers at the Havana’s National Theater. In 1998 Mr. Terry moved to California to attend The California Institute of Arts where he received his B.A. with honors in 2002. It was at CalArts where he continued to expand his musical horizon under Charlie Haden, Derek Oles (Poland), Rajeev Taranath (India) and Alfred Ladzekpo (Ghana) by exposing him to a wide variety of music and traditions from around the world.

    In 2009, Yunior Terry won the Van Lier Fellowships, awarded each year by Meet The Composer to active professionals, supporting the creation of new musical work and engagement in the community.

    Yunior Terry has performed with Steve Coleman, Jerry Gonzales and Fort Apache, Lila Downs, Jeff Tain Watts, Eddie Palmieri, The late Hilton Ruiz, Gonzalo Rubalcaba, Steve Turre, Jane Bunnett and his brother Yosvany Terry among many others. In addition to his occupied schedule as a sideman, Terry leads his own band “Son de Altura”, created to innovate as well as to preserve the legacy of Cuban music; releasing his first album as a leader "Mi Bajo Danzón " published by Palo Santo Music.

Media | Markets

  • ▶ Twitter: YuniorTerry
  • ▶ Instagram: yunior.terry
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCm2vFpgTtktSB7iy1wSOU0w
  • ▶ Spotify: http://open.spotify.com/album/4DqOAmc3HzS5Tidfl8yOdp

Clips (more may be added)

  • Mi Bajo Danzón EPK - Yunior Terry & Son de Altura
    By Yunior Terry
    270 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Yunior Terry:

  • 1 Afro-Cuban Jazz
  • 1 Bass
  • 1 Cuba
  • 1 Havana
  • 1 Jazz
  • 1 NYU Faculty
  • 1 Violin

Nodes below are randomly generated. Reload for a different stack.

  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Marta Sánchez New York City
  • Caroline Keane Educator
  • Aaron Parks Composer
  • Adam O'Farrill Composer
  • Snigdha Poonam India
  • Gino Banks Drums
  • Billy O'Shea Steampunk
  • Saul Williams Rapper
  • James Sullivan Journalist
  • Buck Jones Brasil, Brazil
  • César Camargo Mariano Piano
  • Olivia Trummer Berlin
  • Munyungo Jackson Composer
  • Bebê Kramer Brazil
  • Omar Sosa Afro-Cuban Jazz
  • Shaun Martin Multi-Instrumentalist
  • Horacio Hernández Afro-Cuban Jazz
  • Vanessa Moreno Brazil
  • Julie Fowlis Scotland
  • Marcelinho Oliveira Artistic Director
  • Urânia Munzanzu Jornalista, Journalist
  • Luciana Souza MPB
  • Sarz Hip-Hop
  • Edu Lobo MPB
  • Sandro Albert Record Producer
  • Ricky (Dirty Red) Gordon Zydeco
  • David Virelles Piano
  • David Bruce Contemporary Classical Music
  • Rogê Singer-Songwriter
  • Ana Tijoux Rapper
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Anat Cohen New York City
  • Sam Reider Composer
  • Sammy Britt Artist
  • Carlos Lyra Singer-Songwriter
  • William Skeen USC Thornton School of Music Faculty
  • Alan Brain Washington, D.C.
  • Bhi Bhiman Los Angeles
  • Leyla McCalla New Orleans
  • Dave Smith England
  • Kim André Arnesen Composer
  • Celso de Almeida São Paulo
  • Masao Fukuda Yokahama
  • Kiya Tabassian كيا طبسيان Composer
  • Vânia Oliveira Dança Afro
  • Tshepiso Ledwaba Johannesburg
  • 9Bach Multi-Cultural
  • Derek Sivers Guitar
  • Michael Cleveland Fiddle
  • Seu Jorge Brazil
  • Carlinhos 7 Cordas Brazil
  • Saileog Ní Cheannabháin Piano
  • Jared Sims Composer
  • Colm Tóibín Playwright
  • Gringo Cardia Rio de Janeiro
  • Luques Curtis New York City
  • Giveton Gelin Bahamas
  • Dorian Concept Synthesizer
  • Donna Leon Venice
  • Curtis Hasselbring Brooklyn, NY
  • Marc Ribot Composer
  • Isaias Rabelo Salvador
  • Tony Kofi Composer
  • Jason Reynolds Poet
  • Martyn House
  • Beth Bahia Cohen Rababa
  • Ben Monder Composer
  • Niwel Tsumbu Ireland
  • Frank London Klezmer
  • Tessa Hadley Non-Fiction
  • Rodrigo Amarante Brazil
  • Zebrinha Diretor Artístico, Artistic Director
  • Maria Nunes Trinidad
  • Eduardo Kobra Muralista, Muralist
  • Jorge Glem New York City
  • H.L. Thompson Artist Development
  • Angel Bat Dawid Jazz
  • Fábio Zanon Brazil
  • Béla Fleck Banjo
  • Frank Beacham Playwright
  • Soweto Kinch Composer
  • Patricia Janečková Prague
  • Ron McCurdy USC Thornton School of Music Faculty
  • Luis Paez-Pumar Editor
  • Herlin Riley Jazz
  • Sean Jones Trumpet
  • Maria Bethânia Samba de Roda
  • Abhijith P. S. Nair India
  • Kurt Andersen Essayist
  • Zachary Richard Poet
  • Intisar Abioto Journalist
  • Henry Cole New York City
  • Alyn Shipton Writer
  • Gal Costa Singer
  • Deborah Colker Rio de Janeiro
  • Chris Speed Clarinet
  • Bhi Bhiman R&B
  • Orquestra Afrosinfônica Salvador
  • Angel Bat Dawid Composer
  • THE ROOM Shibuya Dance Club
  • Cory Henry Organ
  • Abel Selaocoe Contemporary African Classical Music
  • Jean-Paul Bourelly Guitar
  • Jen Shyu Dancer
  • Jahi Sundance Hip-Hop
  • Siba Veloso Brazil
  • Steve Cropper Guitar
  • Rumaan Alam Short Stories
  • Ravi Coltrane Saxophone
  • Nic Hard Audio Engineer
  • Marcelo Caldi Choro
  • Yunior Terry Jazz
  • Chucho Valdés Havana
  • Bebel Gilberto MPB
  • Caoimhín Ó Raghallaigh Dublin
  • Varijashree Venugopal Carnatic Music
  • Arto Lindsay Record Producer
  • Horace Bray Los Angeles
  • Pedrito Martinez Santeria
  • Fernando Brandão Choro
  • Robby Krieger Los Angeles
  • Gui Duvignau Brooklyn, NY
  • Mike Compton Songwriter
  • Jake Oleson Filmmaker
  • Urânia Munzanzu Poeta, Poet
  • Evgeny Kissin Poet
  • James Poyser New York City
  • Hot Dougie's Local de Música ao Vivo
  • Nels Cline Guitar
  • Zara McFarlane Singer-Songwriter
  • Cassandra Osei Brazilianist
  • Miguel Atwood-Ferguson Music Producer
  • Mou Brasil Salvador
  • Banning Eyre Guitar
  • Armen Donelian Multi-Cultural
  • Gretchen Parlato MPB
  • Samba de Nicinha Brazil
  • Ken Avis Music Writer
  • Joan Chamorro Double Bass
  • Neymar Dias Brazil
  • Tom Moon Music Critic
  • Hilary Hahn Classical Music
  • Bob Telson New York City
  • Gord Sheard Jazz
  • José Antonio Escobar Santiago de Chile
  • Rolando Herts Singer
  • Alicia Keys Art Collector
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • Kiko Loureiro Guitar
  • Ben Wendel New School for Jazz and Contemporary Music Faculty
  • Biréli Lagrène Guitar
  • Sahba Aminikia Contemporary Classical Music
  • Alegre Corrêa Brazilian Jazz
  • Lenine Recife
  • Anne Gisleson Writer
  • Rudy Royston Educator
  • Jeffrey Boakye England
  • Edgar Meyer Multi-Cultural
  • Alegre Corrêa Guitar
  • Lilli Lewis Americana
  • Stephanie Soileau Writer
  • Miroslav Tadić Jazz
  • Dave Smith Multi-Cultural
  • Steve McKeever Entertainment Lawyer
  • Vadinho França Samba
  • Gavin Marwick Edinburgh
  • BIGYUKI Jazz, Electronic, R&B, Soul
  • Moacyr Luz Songwriter
  • Grégoire Maret New York City
  • Lina Lapelytė Contemporary Classical Music
  • Will Vinson New York City
  • Brigit Katz Toronto
  • Ariane Astrid Atodji Cameroon
  • Jack Talty Musicologist
  • Patty Kiss Compositora, Songwriter
  • Sérgio Pererê Minas Gerais
  • Obed Calvaire Jazz
  • Stephan Crump Bass Instruction
  • Sam Yahel Organ
  • Eddie Palmieri Latin Funk
  • Andy Kershaw Radio Presenter
  • Sam Eastmond Trumpet
  • Scott Kettner Second Line
  • Teddy Swims Singer-Songwriter
  • Adam Rogers New York City
  • Andrew Gilbert Berkeley, California
  • Rema Namakula African Music
  • Hank Roberts Cello
  • Kyle Poole Jazz
  • Zé Katimba GRES Imperatriz Leopoldinense
  • Vincent Valdez Drawings
  • Alphonso Johnson Funk
  • Renell Medrano Dominican Republic
  • Carol Soares Brazil
  • Jerry Douglas Lap Steel Guitar
  • Fred Hersch New York Jazz Academy Faculty
  • Andra Day Los Angeles
  • Nic Hard DJ
  • Tam-Ky France
  • Dan Tyminski Bluegrass
  • Di Freitas Brazil
  • Jovino Santos Neto Composer
  • Paquito D'Rivera Clarinet
  • Jubu Smith Bass
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
  • Cristiano Nogueira Brazil Specialist
  • Ned Sublette Guitar
  • John Santos San Francisco State University Faculty
  • Los Muñequitos de Matanzas Cuba
  • Nabihah Iqbal London
  • Kiko Freitas Educator
  • Stephen Guerra Samba
  • MonoNeon R&B
  • Courtney Pine Clarinet
  • Ashley Pezzotti New York City
  • Alex de Mora Documentary Filmmaker
  • François Zalacain Record Label Owner
  • Eliane Elias Bossa Nova
  • Kimmo Pohjonen Composer
  • Andrés Prado Universidad Católica del Perú Faculty
  • John Waters Journalist
  • Arturo O'Farrill Bandleader
  • Dwandalyn Reece Singer
  • Louis Marks Music Producer
  • Papa Mali Guitar
  • Eliane Elias Classical Music
  • J. Velloso Singer
  • Michael Doucet Fiddle
  • Rayendra Sunito Jazz
  • Orrin Evans Composer
  • Rebeca Omordia Nigeria
  • Yazz Ahmed Composer
  • Nicholas Payton Composer
  • Greg Ruby Author
  • Adriano Giffoni Rio de Janeiro
  • Gui Duvignau Brazilian Jazz
  • Louis Michot Record Label Owner
  • Bebel Gilberto Samba
  • Christopher Seneca Diplomat
  • Leo Nocentelli Funk
  • David Braid Classical Music
  • Lalah Hathaway Singer-Songwriter
  • Moacyr Luz Rio de Janeiro
  • Anoushka Shankar Composer
  • Catherine Russell New York City
  • Virgínia Rodrigues Bahia
  • Tommy Orange Novelist
  • Owen Williams Writer
  • Danilo Caymmi Television Scores
  • Justin Brown Composer
  • Michael Peha Talent Management
  • Leon Bridges Singer-Songwriter
  • Luedji Luna Brazil
  • Guga Stroeter Bandleader
  • Danilo Caymmi Rio de Janeiro
  • Samba de Nicinha Maculelê
  • Irmandade da Boa Morte Irmandade
  • Fred Dantas Ethnomusicologist
  • Adenor Gondim Bahia
  • Cassie Kinoshi London
  • Jimmy Dludlu Mozambique
  • Andrés Beeuwsaert Jazz
  • Nubya Garcia Flute
  • Molly Tuttle Nashville, Tennessee
  • Neo Muyanga South Africa
  • Asanda Mqiki Port Elizabeth
  • César Orozco Venezuela
  • Benny Benack III Piano
  • Karla Vasquez Food Writer
  • Julie Fowlis Traditional Scottish Music
  • Tonynho dos Santos Salvador
  • Alegre Corrêa Florianópolis
  • Béco Dranoff Record Label Owner
  • As Ganhadeiras de Itapuã Brazil
  • Casa Preta Espaço de Cultura, Cultural Space
  • Daymé Arocena Jazz
  • Anissa Senoussi VFX Artist
  • Tom Oren Composer
  • Alex Mesquita Federal University of Bahia Faculty
  • Shalom Adonai Bahia
  • Glória Bomfim Samba
  • Carl Allen Jazz
  • Choronas Baião
  • Yoko Miwa Boston
  • Scotty Barnhart Florida State University College of Music Faculty
  • Merima Ključo Los Angeles
  • Nabihah Iqbal Radio Presenter
  • Warren Wolf Piano
  • António Zambujo Fado
  • Amy K. Bormet Piano
  • Shuya Okino Music Producer
  • Papa Mali Record Producer
  • Jake Webster Indiana
  • Ben Wolfe New York City
  • Chris Boardman Television Scores
  • Walter Pinheiro Saxophone
  • Cale Glendening Cinematographer
  • James Andrews Funk
  • Casa da Mãe Chula
  • THE ROOM Shibuya Cocktail Bar
  • Betão Aguiar Brazil
  • Luques Curtis Double Bass
  • Richard Galliano Jazz
  • Musa Okwonga Football Journalist
  • Paul Cebar Singer-Songwriter
  • Trombone Shorty Jazz
  • Nikki Yeoh London
  • Evgeny Kissin Contemporary Classical Music
  • Luíz Paixão Pernambuco
  • Yamandu Costa Samba
  • Wayne Krantz Composer
  • Júlio Lemos Violão de Sete
  • Dan Trueman Composer
  • Sérgio Mendes Brazil
  • Gustavo Di Dalva Bahia
  • Aubrey Johnson Queens College Faculty
  • Jared Sims Funk
  • Samba de Nicinha Samba
  • Theon Cross Jazz
  • Bai Kamara Jr. Singer-Songwriter
  • Fernando Brandão Pífano
  • Thiago Espírito Santo Baixo, Bass
  • Zachary Richard Cajun Music
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Aindrias de Staic Fiddle
  • Celino dos Santos Samba de Roda
  • Camille Thurman Singer
  • Rumaan Alam Writer
  • António Zambujo Portugal
  • Guillermo Klein New York City
  • Michael League Brooklyn, NY
  • Ambrose Akinmusire New York City
  • Luiz Santos Drums
  • Max ZT Brooklyn, NY
  • Frank London Multi-Cultural
  • Larry McCray Keeping the Blues Alive Records
  • Andrew Finn Magill Irish Traditional Music
  • Missy Mazolli Piano
  • Bejun Mehta Berlin
  • Mart'nália Rio de Janeiro
  • Katuka Africanidades Editora de Livros, Book Publisher
  • Ivan Huol Salvador
  • Yotam Silberstein Guitar
  • Thomas Àdes London
  • Gamelan Sekar Jaya Indonesia
  • Soweto Kinch Hip-Hop
  • Fred P DJ
  • Aurino de Jesus Samba de Roda
  • Virgínia Rodrigues Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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