CURATION
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from this page:
by Matrix
Network Node
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Name:
Fred P
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City/Place:
Berlin
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Country:
Germany
Life & Work
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Bio:
anyone who followed the development of house music made in the usa in the last decade will certainly have met the art of fred peterkin aka fred p aka black jazz consortium.
since a while the new york city native that is working on his very own music for almost 20 years is on everyone's lips as he is releasing some of the gentlest soul infiltrated four-to-the-floor house creations you can get.
his musical set phrase isn't new or special as he is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase "deepness" finally gets a fresh truthfully new meaning.
as a man who danced in his younger years in legendary nyc clubs like the red zone, sound factory or tunnel to dj sets of larger-than-life selectors like david morales, frankie knuckles or danny tenaglia, he learned that sometimes less is more. and that he should rather listen to his heart and soul, then to the susurrus of the music market.
that is why you can call his house music journey music, music to travel. sometimes it is an introspective and meditative journey sometimes an inspirational and lively one. it always stays visionary while using simple codes to transform his inner voice into rhythms and melodies.
most of the eps and albums that he produced as fred p or black jazz consortium have been released via his very own label soul people music, which exists since ten years. as fred p he also dropped 12inches on jus-ed's underground quality imprint as well as on toshiya kawasaki's mule music label.
for the latter he now produced an album under the moniker of fp-oner that is listening to simply title "5". why it does so the man from nyc borough queens explains in the liner notes by himself. it is the start of a new trilogy that will lean more to the jazzier, relaxed and atmospherically side of his artistically deep house expressions.
as he adapts more from influences than technique, the album partly reminds of great smooth and exhilarating house moments from the past while heading straight into future. like always in fred p's large œuvre all tracks are rooted in honesty and no chord, no groove, no tone is superficial.
and all eleven tracks thrive on mood – from sad to sunshiny.
the album starts with "in the mist of sunrise" – a track that seduces with a deep heavy bass-line, moony emotive chords and a hint of a gentle piano melody that charmingly isn't thought through. its followed by "manifestations taking place" – an emotive deep jazz influenced track that could easily fit in his black jazz consortium body of work.
with "the art of regeneration" he pushes the beat for the first time really to dance floor. it is a simple sensation of a track with an alien synth melody in the background, cool claps now and then and soft seducing keys. thenceforth the longplayer oscillates between uplifting and smooth sensations and seduces with african percussions, serpentine melodies, jacking beats, emotive deep jazz moments, airy analogue chords, ethereal synths, tinkling keys, lounging soul vocals and dreamy atmospheres.
a groove based introspection that he produced in berlin and up-road in hotel rooms between new york city and tokyo. it put all used elements together to the point in order to create elegant constructed house music that makes you feel entirely at ease.
anew the never tired dj that is constantly on the road playing from berlin to rio, from new york to tokyo proofed that he is one of the great spiritual house master builders of our time. "he who binds to himself a joy does the winged life destroy; but he who kisses the joy as it flies lives in eternity's sun rise." the british poet william blake ones wrote. a poem that suits to the art of fred p., as all his creations come to stay.
Contact Information
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Management/Booking:
General Manager
[email protected]
Booking Agent
https://onehouseartists.com/artists/fred-p/
Clips (more may be added)
The Integrated Global Creative Economy, uncoiling from this sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix.
The mathematics of the small world phenomenon transforming the creative universe into a creative village wherein all are connected by short pathways to all.
In a small world great things are possible.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
Accessible via pathways: Torto Arado (Crooked Plow), Itamar Vieira Junior's novel set in the Chapada Diamantina (ancient mountains dividing Bahia like a dorsal fin) has won Brazil's most prestigious literary prize (Prêmio Jabuti), been translated into a number of languages, and is now a musical with a book by Elísio Lopes Júnior, Aldri Assunção and Fábio Espírito Santo, and music by Jarbas Bittencourt... Laroyê!
Itamar Vieira Júnior
Author: Torto Arado
Director & Book Writer (musical): Torto Arado
Book Writer (musical): Torto Arado
Book Writer (musical): Torto Arado
Music: Torto Arado
Fan (among much else): Torto Arado
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Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
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