Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Fred P
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Fred P
  • City/Place: Berlin
  • Country: Germany

Life & Work

  • Bio: anyone who followed the development of house music made in the usa in the last decade will certainly have met the art of fred peterkin aka fred p aka black jazz consortium.

    since a while the new york city native that is working on his very own music for almost 20 years is on everyone's lips as he is releasing some of the gentlest soul infiltrated four-to-the-floor house creations you can get.

    his musical set phrase isn't new or special as he is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase "deepness" finally gets a fresh truthfully new meaning.

    as a man who danced in his younger years in legendary nyc clubs like the red zone, sound factory or tunnel to dj sets of larger-than-life selectors like david morales, frankie knuckles or danny tenaglia, he learned that sometimes less is more. and that he should rather listen to his heart and soul, then to the susurrus of the music market.

    that is why you can call his house music journey music, music to travel. sometimes it is an introspective and meditative journey sometimes an inspirational and lively one. it always stays visionary while using simple codes to transform his inner voice into rhythms and melodies.

    most of the eps and albums that he produced as fred p or black jazz consortium have been released via his very own label soul people music, which exists since ten years. as fred p he also dropped 12inches on jus-ed's underground quality imprint as well as on toshiya kawasaki's mule music label.

    for the latter he now produced an album under the moniker of fp-oner that is listening to simply title "5". why it does so the man from nyc borough queens explains in the liner notes by himself. it is the start of a new trilogy that will lean more to the jazzier, relaxed and atmospherically side of his artistically deep house expressions.

    as he adapts more from influences than technique, the album partly reminds of great smooth and exhilarating house moments from the past while heading straight into future. like always in fred p's large œuvre all tracks are rooted in honesty and no chord, no groove, no tone is superficial.

    and all eleven tracks thrive on mood – from sad to sunshiny.

    the album starts with "in the mist of sunrise" – a track that seduces with a deep heavy bass-line, moony emotive chords and a hint of a gentle piano melody that charmingly isn't thought through. its followed by "manifestations taking place" – an emotive deep jazz influenced track that could easily fit in his black jazz consortium body of work.

    with "the art of regeneration" he pushes the beat for the first time really to dance floor. it is a simple sensation of a track with an alien synth melody in the background, cool claps now and then and soft seducing keys. thenceforth the longplayer oscillates between uplifting and smooth sensations and seduces with african percussions, serpentine melodies, jacking beats, emotive deep jazz moments, airy analogue chords, ethereal synths, tinkling keys, lounging soul vocals and dreamy atmospheres.

    a groove based introspection that he produced in berlin and up-road in hotel rooms between new york city and tokyo. it put all used elements together to the point in order to create elegant constructed house music that makes you feel entirely at ease.

    anew the never tired dj that is constantly on the road playing from berlin to rio, from new york to tokyo proofed that he is one of the great spiritual house master builders of our time. "he who binds to himself a joy does the winged life destroy; but he who kisses the joy as it flies lives in eternity's sun rise." the british poet william blake ones wrote. a poem that suits to the art of fred p., as all his creations come to stay.

Contact Information

  • Management/Booking: General Manager
    [email protected]

    Booking Agent
    https://onehouseartists.com/artists/fred-p/

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://fredpmusic.bandcamp.com
  • ▶ Twitter: SoulPeopleMusic
  • ▶ Instagram: fred_p_perpetual_sound
  • ▶ Website: http://www.fredpblackjazzconsortium.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCU7AqOn398eUtLZ28xydaXA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCeWaDuS9WOLszcFBTB6WqpQ

Clips (more may be added)

  • Fred P Boiler Room Berlin DJ Set
    By Fred P
    256 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Fred P:

  • 0 Ambient Music
  • 0 Berlin
  • 0 Composer
  • 0 Deep House
  • 0 DJ
  • 0 Electronic Music
  • 0 Future Jazz
  • 0 Record Producer
  • 0 Techno

Nodes below are randomly generated. Reload for a different stack.

  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • Ivan Bastos Faculdade da UFBA, Federal University of Bahia Faculty
  • Anna Mieke Irish Folk Music
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • David Castillo Trumpet
  • Omer Avital Middle Eastern Music
  • Johnny Lorenz Essayist
  • Ivan Sacerdote Clarinet
  • Ajeum da Diáspora AFROBIZ Salvador
  • Ofer Mizrahi Tel Aviv
  • Melanie Charles Soul
  • Ayrson Heráclito Brazil
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Bukassa Kabengele Brazil
  • Gilmar Gomes Percussion
  • Peter Dasent Songwriter
  • César Orozco Composer
  • Joan Chamorro Clarinets
  • Onisajé Salvador
  • Herbie Hancock Piano
  • Helado Negro Ecuador
  • João Rabello Classical Guitar
  • Tony Kofi Flute
  • Danilo Pérez Panama
  • Wayne Escoffery Composer
  • Damon Albarn Singer-Songwriter
  • Flora Purim Brazil
  • Moreno Veloso Singer-Songwriter
  • Simon Shaheen Composer
  • Alex de Mora London
  • Léo Rugero Sanfona de 8 Baixos
  • Julia Alvarez Middlebury College Faculty
  • Caroline Shaw New York City
  • Raymundo Sodré Ropeadope
  • Vincent Valdez Printmaker
  • Richie Barshay Drums
  • Pedro Abib Samba
  • Ryuichi Sakamoto Record Producer
  • Restaurante Axego Salvador
  • Omar Sosa Cuba
  • Matt Parker Author
  • Béco Dranoff Record Producer
  • Jakub Józef Orliński Warsaw
  • Dale Farmer Folk & Traditional
  • Bob Bernotas Writer
  • William Parker Composer
  • Onisajé Candomblé
  • Di Freitas Rabeca
  • Esperanza Spalding Singer
  • Cara Stacey Mbabane
  • Tony Allen Afrobeat
  • David Virelles New York City
  • Carlinhos Brown Record Producer
  • Richard Bona Multi-Cultural
  • Christopher James Musicologist
  • Nação Zumbi Pernambuco
  • Julian Lage Jazz
  • Shalom Adonai Salvador
  • Henrique Araújo Mandolin
  • Pururu Mão no Couro Compositor, Songwriter
  • Logan Richardson Composer
  • Fernando César Choro
  • Del McCoury Old-Time Music
  • Marcela Valdes Latino Culture
  • Hercules Gomes Brazil
  • Chad Taylor Jazz
  • Carlinhos Brown Salvador
  • King Britt Live Producer
  • Jeff Tang Creative Producer
  • Yazhi Guo 郭雅志 Jazz
  • Dan Tepfer Composer
  • Mark Stryker Detroit
  • Eddie Palmieri Puerto Rico
  • Cashmere Cat Electronic Music
  • Awadagin Pratt Classical Music
  • Sabine Hossenfelder Author
  • Stan Douglas Installation Artist
  • Dwandalyn Reece Writer
  • Joachim Cooder Singer-Songwriter
  • The Assad Brothers Brazil
  • Lucía Fumero Piano
  • Nara Couto Diretora, Director
  • Rick Beato Educator
  • Elio Villafranca Piano
  • Lina Lapelytė Lithuania
  • Mika Mutti Los Angeles
  • Gretchen Parlato Composer
  • Flora Purim Jazz Fusion
  • Catherine Bent Boston
  • Jason Moran New England Conservatory of Music Faculty
  • Jared Sims Funk
  • Diosmar Filho Bahia
  • Eliane Elias Bossa Nova
  • Bill Callahan Americana
  • Michael Doucet Louisiana
  • Django Bates Bern University of the Arts Faculty
  • Nana Nkweti University of Alabama Faculty
  • Cássio Nobre Bahia
  • Jack Talty University College Cork Faculty
  • David Sacks Latin Jazz
  • Echezonachukwu Nduka Piano
  • Pedro Abib Samba
  • Martin Fondse Contemporary Music
  • Casey Driessen Composer
  • Cédric Villani France
  • Shannon Sims Brazil
  • Del McCoury Singer
  • Carol Soares Bahia
  • Hélio Delmiro Rio de Janeiro
  • Andy Romanoff Photographer
  • Gerônimo Santana Bahia
  • Donald Vega Piano Instruction
  • Will Holshouser Musette
  • Vincent Herring Composer
  • Jeremy Pelt Jazz
  • José Antonio Escobar Barcelona
  • Mark Stryker Jazz
  • Chau do Pife Maceió
  • Rayendra Sunito Drums
  • Cara Stacey Umrhubhe, Uhadi, Makhoyane
  • Yoron Israel Jazz
  • Carlos Malta Saxophone
  • Michael Peha Composer
  • Gabrielzinho do Irajá Rio de Janeiro
  • Anthony Hervey Singer
  • Leo Nocentelli Songwriter
  • David Binney Composer
  • Roberta Sá MPB
  • Doug Wamble New York City
  • André Becker Saxophone
  • Tom Bergeron Brazilian Jazz
  • Hugues Mbenda Marseille
  • Christopher Wilkinson Movie Producer
  • Justin Kauflin Piano
  • Courtney Pine Jazz
  • Luis Paez-Pumar Writer
  • Theon Cross Composer
  • Paul Mahern Record Producer
  • Benoit Fader Keita Techno
  • Ivan Huol Songwriter
  • Harvey G. Cohen Cultural Historian
  • Jessie Reyez Singer-Songwriter
  • Cécile McLorin Salvant Illustrator
  • Mark Stryker Author
  • Nigel Hall New Orleans
  • Robby Krieger Painter
  • Miguel Atwood-Ferguson Composer
  • Jorge Washington Salvador
  • Michael Peha Talent Management
  • Luiz Brasil MPB
  • Isaak Bransah Ghana
  • John Patrick Murphy Saxophone
  • Shemekia Copeland Singer
  • Masao Fukuda Guitar
  • Ben Hazleton London
  • Eliane Elias Brazilian Jazz
  • Tomo Fujita Berklee College of Music Faculty
  • Walter Pinheiro Choro
  • Luciano Calazans Brazil
  • Ben Okri Short Stories
  • Ben Okri London
  • Carla Visi Salvador
  • Anat Cohen Israel
  • Cleber Augusto Rio de Janeiro
  • Arismar do Espírito Santo Multi-Instrumentalist
  • Damon Albarn Multi-Instrumentalist
  • Thiago Amud Singer-Songwriter
  • Alicia Keys Author
  • Victoria Sur Singer-Songwriter
  • Tom Moon Saxophone
  • Tshepiso Ledwaba University of South Africa Staff
  • Gel Barbosa Bahia
  • Derrick Adams Multidisciplinary Artist
  • James Poyser Television Scores
  • Anoushka Shankar Tanpura
  • Eivør Pálsdóttir Singer-Songwriter
  • Guto Wirtti Bass
  • Iuri Passos Brazil
  • Marcus Miller Jazz
  • Woz Kaly African Music
  • Celso de Almeida MPB
  • Jill Scott Jazz
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • Scott Yanow Music Critic
  • Negra Jhô Brazil
  • Eric Coleman Cinematographer
  • Dezron Douglas Record Producer
  • Trilok Gurtu Drums
  • Jeremy Danneman New York City
  • Safy-Hallan Farah Journalist
  • Yola Bristol
  • Clarice Assad Piano
  • Varijashree Venugopal Bengaluru
  • Yamandu Costa Violão de Sete
  • Aurino de Jesus Samba de Roda
  • Paulo César Figueiredo Jornalista, Journalist
  • Alan Brain Peru
  • Huey Morgan Singer
  • Mandla Buthelezi Johannesburg
  • Raul Midón Singer
  • Marc Ribot Free Jazz
  • Mika Mutti DJ
  • Irma Thomas Singer
  • George Porter Jr. Bass
  • Shirazee New York City
  • Sheryl Bailey New York City
  • Dwayne Dopsie Accordion
  • Mike Compton Old-Time Music
  • Betsayda Machado Venezuela
  • Brandee Younger Jazz
  • Uli Geissendoerfer Composer
  • Cassandra Osei Brazilianist
  • Asma Khalid Podcaster
  • Andrew Huang Video Producer
  • Eric Alexander Composer
  • Renato Braz MPB
  • Kirk Whalum Contemporary R&B
  • Ben Hazleton Composer
  • Jorge Washington Afro-Bahian Cuisine
  • Ajurinã Zwarg Brazil
  • D.D. Jackson Film Scores
  • Casey Benjamin R&B
  • James Andrews New Orleans
  • Adriene Cruz Quilts
  • Jorge Aragão Singer-Songwriter
  • Omar Sosa Cuba
  • Martin Hayes Ireland
  • Fábio Luna Multi-Instrumentalista, Multi-Instrumentalist
  • Sameer Gupta Percussion
  • Tessa Hadley Non-Fiction
  • THE ROOM Shibuya Soul
  • Jen Shyu Dancer
  • Abel Selaocoe Classical Music
  • Alex Rawls New Orleans
  • Derrick Adams Sculptor
  • Béco Dranoff New York City
  • Christone 'Kingfish' Ingram Mississippi
  • Perumal Murugan Tamil Literature
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Ênio Bernardes Salvador
  • Arismar do Espírito Santo São Paulo
  • Fred Dantas Salvador
  • Kalani Pe'a Hawaiian Music
  • Roots Manuva Singer-Songwriter
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Courtney Pine Podcaster
  • Woody Mann Blues
  • Darren Barrett Record Producer
  • Sharay Reed Bass
  • Chris Potter Composer
  • Badi Assad Singer-Songwriter
  • Pedro Abib Salvador
  • Onisajé Candomblé
  • Barlavento Salvador
  • João Parahyba Songwriter
  • Pharoah Sanders Jazz
  • Áurea Martins Brasil, Brazil
  • Arturo Sandoval Trumpet
  • César Camargo Mariano São Paulo
  • Kiko Souza MPB
  • Wouter Kellerman World Music
  • Helado Negro Multi-Instrumentalist
  • Mike Marshall Mandolin
  • Sérgio Pererê Multi-Instrumentalist
  • Romero Lubambo Guitar
  • Cédric Villani Author
  • Byron Thomas Piano
  • David Ritz Lyricist
  • Arthur L.A. Buckner Gospel
  • Dave Smith England
  • Milford Graves Drums
  • Melvin Gibbs Funk, HIp-Hop, Alternative
  • Jocelyn Ramirez Online Cooking Classes
  • David Chesky Composer
  • César Camargo Mariano Brazil
  • Adriana L. Dutra Brazil
  • Mateus Alves Pernambuco
  • Caroline Keane County Kerry
  • Teresa Cristina Samba
  • Fábio Luna Flauta, Flute
  • Vijith Assar Writer
  • Andrés Beeuwsaert Multi-Cultural
  • Yilian Cañizares Violin
  • Siphiwe Mhlambi Photographer
  • Peter Slevin Northwestern University Faculty
  • Lina Lapelytė Contemporary Classical Music
  • Maria Nunes Photographer
  • Gabrielzinho do Irajá Singer
  • Alexa Tarantino New York City
  • MicroTrio de Ivan Huol Brasil, Brazil
  • Susheela Raman Indian Classical Music
  • Sam Yahel Piano
  • Bill T. Jones New York City
  • Yamandu Costa Samba
  • Ron McCurdy USC Thornton School of Music Faculty
  • VJ Gabiru Bahia
  • Issac Delgado Composer
  • Brian Blade Composer
  • Jonathan Scales Composer
  • Alicia Svigals Writer
  • María Grand Composer
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Renato Braz Singer
  • Meddy Gerville Singer
  • Jas Kayser Afrobeat
  • Leigh Alexander Writer
  • Bertram Recording Artist
  • Ronaldo do Bandolim Bandolim
  • Pedro Aznar Poet
  • Michelle Mercer Radio Producer
  • Chico Buarque Singer-Songwriter
  • Joachim Cooder Americana
  • Paulo Martelli Alto Guitar
  • Ben Paris Bahia
  • Paul Cebar Milwaukee
  • Ann Hallenberg Mezzo-Soprano
  • Judith Hill Singer-Songwriter
  • Michael Pipoquinha Composer
  • Sam Yahel Organ
  • Dhafer Youssef ظافر يوسف Oud
  • Musa Okwonga Songwriter
  • Daphne A. Brooks Black American Culture & History
  • Luciana Souza New York City
  • Tigran Hamasyan Jazz
  • Benny Benack III Pittsburgh
  • Mário Pam Percussion
  • Glória Bomfim Chula
  • Armen Donelian New School for Jazz and Contemporary Music Faculty
  • Priscila Castro Pará
  • David Mattingly Pratt Institute Faculty
  • Armandinho Macêdo Bandolim
  • Rick Beato Author
  • Mohini Dey Indian Fusion
  • Chief Xian aTunde Adjuah Record Producer
  • Alegre Corrêa MPB
  • Joshua Abrams Guimbri
  • Taylor Ashton Banjo
  • Christian McBride Composer
  • Ryuichi Sakamoto Film Scores
  • Fred P Future Jazz
  • Carlinhos Pandeiro de Ouro Brazil
  • Chris Cheek Composer
  • Nelson Ayres São Paulo
  • Eddie Palmieri Latin Jazz
  • Gretchen Parlato Jazz
  • David Sacks Vocals
  • Rowney Scott Salvador
  • Sharita Towne Printmaker
  • Asma Khalid White House Correspondent
  • Swizz Beatz Songwriter

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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