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  • Alyn Shipton

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Alyn Shipton
  • City/Place: Oxford
  • Country: United Kingdom

CURATION

  • from this node by: Criador acima/Creator above

Life & Work

  • Bio: Alyn Shipton is an award-winning author, musician and broadcaster, who wrote on jazz for over twenty years for The Times in London, and is a presenter/producer of jazz programmes for BBC Radio. He was Consultant Editor of the New Grove Dictionary of Jazz, and has a lifelong interest in oral history, including editing the memoirs of Danny Barker, Doc Cheatham, George Shearing and Chris Barber. His first biography, the life of Fats Waller, published in 1988, has scarcely been out of print since.

    His life of Bud Powell (written with Alan Groves) was the first English language biography of the pianist, and his book Groovin’ High, the life of Dizzy Gillespie, won the 2000 ARSC award for the best research of the year. His monumental New History of Jazz, published in 2001, and revised in 2007, was the Jazz Journalists’ Association Book of the Year, and won Alyn the coveted “Jazz Writer of the Year” title in the British Jazz Awards. He was shortlisted for ARSC Awards in 2010 and again in 2011 for his books on Jimmy McHugh and Cab Calloway, and he won the 2014 ARSC Award for best research in pop music with his biography of Harry Nilsson. The Nilsson book went on to win an ASCAP Deems Taylor/Virgil Thomson Award in November 2014, which was accepted on Alyn’s behalf by Kief O Nilsson.

    In 2003 he won the Willis Conover / Marian McPartland Award for lifetime achievement in Jazz Broadcasting. In 2010 he was named Jazz Broadcaster of the Year in the UK Parliamentary Jazz Awards.

    Alyn won an open scholarship to Oxford in 1972, where he read English at St. Edmund Hall. He later went on to take a PhD in music history at Oxford Brookes University. He has been a lecturer in music at Brookes (2002-3), teaching the jazz history course, and he has also given lectures on jazz and American popular music at Exeter University, at the Institute for United States Studies in the University of London, and at City University, London. He is currently a lecturer in Jazz History and a research fellow at the Royal Academy of Music, London. Alyn divides his time between living in Oxford, UK, and deep in rural France.

Contact Information

  • Contact by Webpage: http://www.alynshipton.co.uk/contact/

Media | Markets

  • ▶ Book Purchases: http://www.alynshipton.co.uk/writing/
  • ▶ Twitter: AlynShipton
  • ▶ Website: http://www.alynshipton.co.uk
  • ▶ Website 2: http://www.bbc.co.uk/programmes/profiles/1PkG436HnD62qxrBGJf7Y2G/alyn-shipton
  • ▶ Blog: http://www.alynshipton.co.uk/blog/
  • ▶ YouTube Channel: http://www.youtube.com/user/AlynShipton

Clips (more may be added)

  • 6:00
    Buck Clayton Legacy Band Quintet: Take The A Train
    By Alyn Shipton
    248 views
  • 0:07:05
    Alyn Shipton's New Orleans Friends: Precious Lord
    By Alyn Shipton
    170 views
  • 3:18
    Alyn Shipton's New Orleans Friends: Telephone to Glory
    By Alyn Shipton
    131 views
Previous
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Alyn Shipton Curated

  • 4 Bass
  • 4 Double Bass
  • 4 Jazz Historian
  • 4 Music Critic
  • 4 Radio Presenter
  • 4 Writer

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  • Alyn Shipton
    A video was posted re Alyn Shipton:
    Buck Clayton Legacy Band Quintet: Take The A Train
    In another excerpt from our concert at Fondacion Juan March in Madrid in November 2019, the Buck Clayton Legacy Band Quintet plays Billy Strayhorn's Take the A Train. Featuring Menno Daams, trumpet; Luca Stoll, Tenor; Jonathan Vinten, piano; Alyn Shipton,...
    • April 21, 2022
  • Alyn Shipton
    A video was posted re Alyn Shipton:
    Alyn Shipton's New Orleans Friends: Precious Lord
    Playing the music of George Lewis at Calstock in Cornwall in May 2019, part of the Jazz At Vespers Concert.
    • April 21, 2022
  • Alyn Shipton
    A video was posted re Alyn Shipton:
    Alyn Shipton's New Orleans Friends: Telephone to Glory
    From the Jazz at Vespers concert paying tribute to George Lewis on our May 2019 tour, filmed at Calstock Arts. Finlay Milne, trumpet; Adrian Cox, clarinet; Simon Picton, banjo; Alyn Shipton, bass and Emile Martyn drums.
    • April 21, 2022
  • Alyn Shipton
    A category was added to Alyn Shipton:
    Double Bass
    • April 21, 2022
  • Alyn Shipton
    A category was added to Alyn Shipton:
    Music Critic
    • April 21, 2022
  • Alyn Shipton
    A category was added to Alyn Shipton:
    Radio Presenter
    • April 21, 2022
  • Alyn Shipton
    A category was added to Alyn Shipton:
    Jazz Historian
    • April 21, 2022
  • Alyn Shipton
    A category was added to Alyn Shipton:
    Bass
    • April 21, 2022
  • Alyn Shipton
    A category was added to Alyn Shipton:
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    • April 21, 2022
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    Alyn Shipton is matrixed!
    • April 21, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • John Zorn New York City
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  • Terell Stafford Trumpet
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  • James Martins Locutor de Rádio, Radio Presenter
  • Andrés Beeuwsaert Buenos Aires
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  • Keyon Harrold Singer
  • Marcus Rediker Playwright
  • Ryuichi Sakamoto Film Scores
  • Denzel Curry Singer-Songwriter
  • Eric Alper Music Publicist
  • Anne Gisleson Writer
  • Mike Marshall Violin
  • Arto Tunçboyacıyan Armenian Folk Music
  • Errollyn Wallen Singer-Songwriter
  • Rob Garland Jazz, Funk
  • Yazz Ahmed Bahrain
  • Tommaso Zillio Canada
  • Les Filles de Illighadad Tende
  • Rolando Herts Singer
  • Brian Lynch Jazz
  • Cashmere Cat DJ
  • John Morrison Sample-Flipper
  • Michael League Brooklyn, NY
  • Joe Newberry Banjo
  • Kíla Dublin
  • Celso de Almeida Brazil
  • Gino Banks India
  • Issac Delgado Salsa
  • Alessandro Penezzi Composer
  • Nelson Cerqueira Ensaísta, Essayist
  • Yamandu Costa Guitar
  • Casey Benjamin Record Producer
  • Leela James Blues
  • Donnchadh Gough Waterford
  • Joanna Majoko Germany
  • Little Simz Rapper
  • Elisa Goritzki Choro
  • Victor Gama Experimental Music
  • Bebê Kramer Samba
  • Issa Malluf Percussion
  • Quatuor Ebène Classical Music
  • Djamila Ribeiro YouTuber
  • Leon Parker Multi-Cultural
  • Bule Bule Salvador
  • Arthur Jafa Multidisciplinary Artist
  • Gerson Silva Salvador
  • Bob Mintzer Jazz
  • Rodrigo Caçapa Record Producer
  • Jovino Santos Neto Rio de Janeiro
  • Ron Carter Author
  • Olivia Trummer Singer
  • Orlando Costa Rio de Janeiro
  • James Andrews Jazz
  • Del McCoury Country
  • Julie Fowlis Traditional Scottish Music
  • Sérgio Pererê Belo Horizonte
  • Eder Muniz Brasil, Brazil
  • Mariana Zwarg Composer
  • Branford Marsalis Film Scores
  • Sarah Jarosz Texas
  • Edmar Colón Flute
  • Paquito D'Rivera Afro-Cuban Jazz
  • Larnell Lewis Toronto
  • Colm Tóibín Journalist
  • Noam Pikelny Nashville, Tennessee
  • Giovanni Russonello Journalist
  • Nancy Viégas Indie Experimental
  • Mandisi Dyantyis Singer
  • Vik Sohonie Ostinato Records
  • Daniel Owoseni Ajala Lagos
  • Jupiter Bokondji Singer-Songwriter
  • Ron Miles Trumpet
  • Ricky (Dirty Red) Gordon Jazz
  • Johnny Lorenz Literary Critic
  • Fernanda Bezerra Bahia
  • Luis Perdomo New York City
  • Brett Orrison Sound Engineer
  • Nancy Ruth Vocal Instruction
  • Max ZT Composer
  • Scott Devine Bass Instruction
  • Les Thompson Leesburg, Virginia
  • Marko Djordjevic Balkan Music
  • Frank Negrão Composer
  • Jacob Collier Multi-Instrumentalist
  • Bright Red Dog Ropeadope
  • Casey Benjamin Jazz
  • Ryuichi Sakamoto Singer-Songwriter
  • Gilad Hekselman Israel
  • Edmar Colón Jazz
  • Myron Walden Composer
  • Endea Owens Composer
  • David Sánchez Jazz
  • Utar Artun Film Scores
  • Otto Recife
  • George Porter Jr. R&B
  • Jakub Józef Orliński Countertenor
  • Celino dos Santos Viola Machete
  • Casuarina Choro
  • Antonio Adolfo Choro
  • Ranky Tanky Gullah Geechee
  • Luíz Paixão Brazil
  • Jacám Manricks Saxophone
  • Fabiana Cozza Writer
  • Inon Barnatan Classical Music
  • Carol Soares Santo Amaro
  • Ryan Keberle Manhattan School of Music Faculty
  • Mick Goodrick Guitar
  • Eivør Pálsdóttir Faroe Islands
  • David Bragger Old-Time Music
  • Fernando Brandão Pífano
  • Nelson Ayres MPB
  • Duncan Chisholm Traditional Scottish Music
  • Jeremy Danneman Composer
  • Nabihah Iqbal Guitar
  • Tony Allen Composer
  • Speech Record Producer
  • Munir Hossn Salvador
  • Terri Hinte Music Writer
  • Marco Pereira Brazil
  • Ben Wendel Composer
  • Marcel Powell Samba
  • Cathal McNaughton Photographer
  • Zé Luíz Nascimento Multi-Cultural
  • MicroTrio de Ivan Huol MicroTrio
  • Gaby Moreno Singer-Songwriter
  • Pierre Onassis Salvador
  • Peter Dasent Composer
  • Kevin Burke Irish Traditional Music
  • Banning Eyre Photographer
  • Miles Okazaki Author
  • Nate Chinen Radio Director
  • Keyon Harrold Composer
  • Ken Coleman Black American Culture & History
  • Safy-Hallan Farah Somalia
  • Orlando 'Maraca' Valle Flute
  • Jim Beard Composer
  • Muri Assunção LGBTQ
  • Pretinho da Serrinha Singer
  • Taylor McFerrin Singer-Songwriter
  • Nicolas Krassik MPB
  • Natalia Contesse Guitar
  • Afel Bocoum Singer-Songwriter
  • Donald Vega Jazz
  • Anthony Wilson Los Angeles
  • Gilad Hekselman Photographer
  • John Santos San Francisco State University Faculty
  • Seckou Keita Percussion
  • Turíbio Santos Choro
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  • Bill Frisell Guitar
  • Ibram X. Kendi Essayist
  • Horace Bray Experimental, Electronic Music
  • Donald Harrison Berklee College of Music Faculty
  • Joan Chamorro Jazz
  • David Hepworth Podcaster
  • Nego Álvaro Samba
  • Marilda Santanna Salvador
  • Henrique Cazes Samba
  • Papa Mali Singer-Songwriter
  • Rowney Scott Jazz
  • João Bosco MPB
  • Brian Stoltz New Orleans
  • Andrew Gilbert Writer
  • Ben Harper Reggae
  • Yotam Silberstein New York City
  • James Martin New Orleans
  • Marcus Gilmore Composer
  • Warren Wolf Composer
  • Swizz Beatz Record Producer
  • Damon Krukowski Poet
  • Antônio Queiroz Repente
  • Reena Esmail Piano
  • Wouter Kellerman Bass Flute
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  • Del McCoury Bluegrass
  • Marko Djordjevic Berklee College of Music Faculty
  • Celino dos Santos Chula
  • Amilton Godoy Brazilian Jazz
  • Mauro Refosco Compositor de Televisão, Television Scores
  • Keyon Harrold New York City
  • Damion Reid R&B
  • Carlinhos Brown Painter
  • Ibrahim Maalouf Beirut, Lebanon
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  • Christopher James Record Producer
  • Guto Wirtti Composer
  • María Grand Saxophone
  • Manolo Badrena Puerto Rico
  • Bob Telson Composer
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  • Justin Stanton Trumpet
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  • Molly Tuttle Nashville, Tennessee
  • Huey Morgan Guitar
  • Adriene Cruz Textile Artist
  • Sátyra Carvalho Brasil, Brazil
  • Bombino Tuareg Music
  • David Byrne Singer-Songwriter
  • Pedrão Abib Salvador
  • Luiz Inácio Lula da Silva Sindicalista, Union Leader
  • Bill Callahan Austin, Texas
  • John Patrick Murphy Irish Traditional Music
  • Tyler Gordon Writer
  • Nicholas Payton Writer
  • Nicolas Krassik Violin
  • Stephanie Foden Toronto
  • Luiz Brasil Samba
  • Adam Rogers Jazz
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  • Beth Bahia Cohen Kabak Kemane
  • Luciano Matos Bahia
  • Elio Villafranca Jazz
  • Luke Daniels Glasgow
  • Curtis Hasselbring Jazz
  • Vivien Schweitzer Writer
  • Miroslav Tadić Composer
  • Eric Alper Radio Presenter
  • Alex de Mora Photographer
  • Malin Fezehai Photographer
  • Paulo Martelli Brazilian Classical Guitar
  • Gregory Hutchinson Soul
  • Mykia Jovan Singer-Songwriter
  • Itamar Borochov Trumpet
  • Chico César Paraíba
  • The Assad Brothers San Francisco
  • China Moses Soul
  • Nailor Proveta Samba
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  • Thiago Espírito Santo MPB
  • Jane Ira Bloom Jazz
  • Joshua Abrams Chicago
  • Jimmy Greene Composer
  • Nubya Garcia Flute
  • Willie Jones III New York City
  • John Edward Hasse Piano
  • Nick Douglas Journalist
  • Casa da Mãe Choro
  • Jim Beard Record Producer
  • Oswaldo Amorim Composer
  • Ron Blake Juilliard Faculty
  • Carlos Blanco Brasil, Brazil
  • Dermot Hussey Jamaica
  • César Camargo Mariano São Paulo
  • Kareem Abdul-Jabbar Actor
  • Tshepiso Ledwaba University of South Africa Staff
  • James Brandon Lewis New York City
  • Susana Baca Multi-Cultural
  • Cécile McLorin Salvant Illustrator
  • Aurino de Jesus Bahia
  • Joey Alexander Indonesia
  • Tony Kofi Flute
  • Goran Krivokapić Contemporary Classical Music
  • Aaron Parks Jazz
  • Etan Thomas Radio Presenter
  • Zeca Freitas Saxophone
  • Scotty Barnhart Florida State University College of Music Faculty
  • Ênio Bernardes Choro
  • Harold López-Nussa Cuba
  • LaTasha Lee Singer-Songwriter
  • Cássio Nobre Samba de Roda
  • Soweto Kinch Birmingham, UK
  • Nana Nkweti Short Stories
  • Matt Dievendorf Composer
  • Yola R&B
  • Merima Ključo Klezmer
  • Martín Sued Buenos Aires
  • Jam no MAM Jazz
  • Eric Roberson Record Producer
  • Carwyn Ellis Wales
  • Don Byron Clarinet
  • Margareth Menezes Violão, Guitar
  • Gunter Axt Secretário de Cultura, Secretary of Culture
  • Weedie Braimah Drums
  • Gregory Hutchinson Drumming Instruction
  • Darryl Hall Paris
  • Emicida Hip-Hop
  • Carlos Henriquez Latin Jazz
  • Roy Germano Author
  • Lucía Fumero Spain
  • Dadi Carvalho Brazil
  • Alicia Keys Record Producer
  • Bruce Molsky Fiddle
  • Yelaine Rodriguez Site-Specific Installations
  • Margareth Menezes Afropop
  • Clint Mansell Film Scores
  • Les Thompson Multi-Instrumentalist
  • Rodrigo Amarante Singer-Songwriter
  • Tedy Santana Drums
  • Fred P Berlin
  • Leela James Soul
  • Yo La Tengo Experimental Rock
  • Manassés de Souza Ceará
  • Diana Fuentes Singer-Songwriter
  • Anthony Hamilton Singer-Songwriter
  • Katuka Africanidades Loja de Arte, Art Shop
  • Muireann Nic Amhlaoibh Fiddle
  • Gilmar Gomes Percussion
  • John Medeski Jazz
  • Brandon J. Acker Theorbo
  • Alyn Shipton Jazz Historian
  • Brigit Katz Toronto
  • Fabrício Mota Brasil, Brazil
  • Armandinho Macêdo Bahia
  • Ben Wolfe New York City
  • Piti Canella Salvador
  • Yunior Terry Violin
  • Şener Özmen Multimedia Art
  • H.L. Thompson Music Consultant
  • Tab Benoit Singer-Songwriter
  • Piti Canella Produtora Cultural, Cultural Producer
  • Tele Novella Texas
  • Luiz Santos Rio de Janeiro
  • John Schaefer New York City
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