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  • Dwandalyn Reece

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Dwandalyn Reece
  • City/Place: Washington, D.C.
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Dr. Dwandalyn Reece is a musician, ethnomusicologist, and museum professional who is now Curator of Music and Performing Arts at The National Museum of African-American History & Culture in Washington, D.C.

Media | Markets

  • ▶ Twitter: dwanreece
  • ▶ Article: http://www.washingtonpost.com/washington-post-live/2021/08/19/race-america-giving-voice-with-dwandalyn-r-reece-phd-kevin-young/

Clips (more may be added)

  • 0:30:42
    Summer of Soul Q&A with Questlove | AFI DOCS
    By Dwandalyn Reece
    136 views
  • 0:07:11
    Understanding the history of 'blackface' — and why it's so harmful | Dwan Reece | TEDxMidAtlantic
    By Dwandalyn Reece
    91 views
  • 2:36
    Dr. Dwandalyn Reece's 5 Favorite Tiny Desk Concerts
    By Dwandalyn Reece
    135 views
  • 0:08:28
    Interview with Dwandalyn Reece (Smithsonian Institution)
    By Dwandalyn Reece
    107 views
  • 1:10
    Tell us about James Brown's Hammond B3 Organ
    By Dwandalyn Reece
    132 views
Previous
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Dwandalyn Reece Curated

  • 4 Ethnomusicologist
  • 4 Museum Professional
  • 4 Singer
  • 4 Washington, D.C.
  • 4 Writer

What's Been Happening?

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  • Dwandalyn Reece
    Dom Flemons → Singer-Songwriter has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    Dom Flemons → Piedmont Blues has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    Dom Flemons → Old-Time Music has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    Dom Flemons → Neotraditionalist Country has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    Dom Flemons → Multi-Instrumentalist has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    Dom Flemons → Folk & Traditional has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    Dom Flemons → Chicago has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    Dom Flemons → Banjo has been recommended via Dwandalyn Reece.
    • December 17, 2022
  • Dwandalyn Reece
    A category was added to Dwandalyn Reece:
    Writer
    • January 14, 2022
  • Dwandalyn Reece
    A video was posted re Dwandalyn Reece:
    Summer of Soul Q&A with Questlove | AFI DOCS
    Watch a special conversation with Summer of Soul director Ahmir Thompson/Questlove moderated by Smithsonian National Museum of African American History and Culture Curator Dwandalyn Reece.
    • January 14, 2022
  • Dwandalyn Reece
    A video was posted re Dwandalyn Reece:
    Understanding the history of 'blackface' — and why it's so harmful | Dwan Reece | TEDxMidAtlantic
    Throughout history, portrayals of characters in 'blackface' — with white people made up to caricature Black stereotypes — have been used in ways that demean, denigrate, and trivialize people of African descent. Dwan Reece, Curator of Music and Performing ...
    • January 14, 2022
  • Dwandalyn Reece
    A video was posted re Dwandalyn Reece:
    Dr. Dwandalyn Reece's 5 Favorite Tiny Desk Concerts
    More Videos 00:33:08  Christian Scott aTunde Adjuah: Tiny Desk Concert  Edmar Castaneda: Tiny Desk Concert 00:20:05  René Marie: Tiny Desk Concert 00:17:41  Terri Lyne Carrington + Social Science: Tiny Desk Concert 00:17:25  Gregory Porter: Tiny...
    • January 14, 2022
  • Dwandalyn Reece
    A video was posted re Dwandalyn Reece:
    Interview with Dwandalyn Reece (Smithsonian Institution)
    Dwandalyn Reece is Curator of Music and Performing Arts at the Smithsonian Institution’s National Museum of African American History and Culture. In this interview, she discusses her educational background in museum studies and performance studies; employ...
    • January 14, 2022
  • Dwandalyn Reece
    A video was posted re Dwandalyn Reece:
    Tell us about James Brown's Hammond B3 Organ
    Dr. Dwandalyn Reece, Curator of Music and Performing Arts at the National Museum of African-American History and Culture, tells us about James Brown's Hammond B3 Organ that is on display in "Through the African-American Lens" exhibit at National Museum of...
    • January 14, 2022
  • Dwandalyn Reece
    A category was added to Dwandalyn Reece:
    Washington, D.C.
    • January 14, 2022
  • Dwandalyn Reece
    A category was added to Dwandalyn Reece:
    Museum Professional
    • January 14, 2022
  • Dwandalyn Reece
    A category was added to Dwandalyn Reece:
    Singer
    • January 14, 2022
  • Dwandalyn Reece
    A category was added to Dwandalyn Reece:
    Ethnomusicologist
    • January 14, 2022
  • Dwandalyn Reece
    Dwandalyn Reece is matrixed!
    • January 14, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Casey Benjamin Funk
  • Cedric Watson Singer-Songwriter
  • Corey Henry Trombone
  • Saul Williams Poet
  • Hua Hsu Vassar College Faculty
  • Ryuichi Sakamoto Actor
  • Paulo Martelli Brasil, Brazil
  • Ryan Keberle Hunter College Faculty
  • Barry Harris New York City
  • Pedro Aznar Guitar
  • Loli Molina Argentina
  • Corey Ledet Zydeco
  • Antonio Adolfo Escritor, Writer
  • Roots Manuva London
  • Gabriel Policarpo Percussion
  • Luizinho do Jêje Salvador
  • Ronaldo do Bandolim Brazil
  • Jorge Washington Actor
  • Lionel Loueke African Music
  • Pururu Mão no Couro Percussão, Percussion
  • Sátyra Carvalho Bahia
  • Christian McBride Bass
  • Yazhi Guo 郭雅志 Chinese Traditional Music
  • Dee Spencer Sound Designer
  • David Braid Classical Music
  • Andy Romanoff Photographer
  • Filhos da Pitangueira Chula
  • Galactic Funk
  • Rebeca Tárique Candomblé
  • Nic Hard Audio Engineer
  • Brenda Navarrete Singer
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Matias Traut Salvador
  • Michel Camilo Piano
  • Berkun Oya Playwright
  • Tom Bergeron Brazilian Jazz
  • Jon Faddis Flugelhorn
  • Matt Dievendorf Washington, D.C.
  • Run the Jewels Hip-Hop
  • Peter Dasent Australia
  • June Yamagishi New Orleans
  • Lauranne Bourrachot Television Producer
  • Los Muñequitos de Matanzas Cuba
  • Matthew F Fisher Collaborative Artist
  • Restaurante Axego AFROBIZ Salvador
  • Alyn Shipton Writer
  • Pedrito Martinez Batá
  • Nate Smith Music Producer
  • Luê Soares Belém do Pará
  • Sam Eastmond Bandleader
  • Laura Cole Canada
  • Speech Record Producer
  • Esteban Sinisterra Paz Moda Afrocolombiana, Afro-Colombian Fashion
  • Mariene de Castro Samba de Roda
  • Laércio de Freitas Choro
  • Chris Cheek Jazz
  • Muri Assunção New York City
  • Renata Flores Peru
  • Antonio Adolfo Piano
  • João Camarero Choro
  • Djamila Ribeiro Filósofa, Philosopher
  • Brian Q. Torff Piano
  • Jane Ira Bloom Multi-Cultural
  • Lenna Bahule Maputo
  • Tessa Hadley Short Stories
  • Arson Fahim Classical Music
  • Huey Morgan Singer
  • Quincy Jones Trumpet
  • Bright Red Dog Albany, New York
  • Léo Brasileiro Guitarra, Guitar
  • Munir Hossn Guitar
  • Maria Rita Singer
  • Yola Americana
  • Oren Levine Piano
  • Andrés Beeuwsaert Buenos Aires
  • Otmaro Ruiz Piano Instruction
  • Casa Preta Espaço de Cultura, Cultural Space
  • Raul Midón Songwriter
  • Lina Lapelytė Composer
  • Robertinho Silva Percussion
  • Sebastian Notini Salvador
  • Joe Newberry Singer-Songwriter
  • Gustavo Di Dalva Percussion
  • Jennifer Koh Violin
  • LaTasha Lee Texas
  • Frank London Jewish Music
  • Gringo Cardia Brazil
  • Mino Cinélu Percussion
  • Daymé Arocena Santeria
  • Albin Zak Singer-Songwriter
  • Darryl Hall Bass
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Seu Regi de Itapuã Forró
  • Francisco Mela Cuba
  • Joshua Abrams Bass
  • Luizinho Assis Brasil, Brazil
  • Vijith Assar Tech Writer
  • Carlos Aguirre Piano
  • Joshue Ashby Composer
  • Alberto Pitta Salvador
  • Darol Anger Folk & Traditional
  • Gearóid Ó hAllmhuráin Author
  • George Cables Jazz
  • Dan Tyminski Bluegrass
  • Lauren Martin Electronic Music
  • Jan Ramsey Louisiana
  • Ron Carter Composer
  • Terrace Martin Record Label Owner
  • Casa Preta Teatro, Theater
  • David Mattingly Matte Painter
  • Tom Piazza Writer
  • Larissa Luz Salvador
  • Kiya Tabassian كيا طبسيان Composer
  • Andrew Finn Magill Choro
  • Edivaldo Bolagi Bahia
  • Bill Summers R&B, Soul
  • Yoko Miwa Piano
  • Soweto Kinch Hip-Hop
  • Tony Allen Paris
  • Kenny Barron Composer
  • Jurandir Santana Timple
  • Shuya Okino Music Producer
  • Milton Nascimento Singer-Songwriter
  • Caridad De La Luz Puerto Rico
  • Diosmar Filho Bahia
  • Little Simz Photographer
  • Carlos Prazeres Diretor Artístico, Artistic Director
  • Yilian Cañizares Havana
  • Rez Abbasi Multi-Cultural
  • Steve Earle Singer-Songwriter
  • Guto Wirtti Brazil
  • Hercules Gomes MPB
  • Courtney Pine Composer
  • Logan Richardson New York City
  • Jon Madof Bandleader
  • Yayá Massemba Brasil, Brazil
  • Aaron Goldberg New York City
  • Miles Okazaki Jazz
  • Anissa Senoussi VFX Artist
  • César Camargo Mariano São Paulo
  • Ahmad Sarmast Ethnomusicologist
  • Simone Sou Brazil
  • Bejun Mehta Berlin
  • Jill Scott R&B
  • H.L. Thompson New York City
  • Ivan Sacerdote Clarinet
  • Célestin Monga Author
  • Rhiannon Giddens Writer
  • Jeff Tweedy Multi-Instrumentalist
  • Emily Elbert Singer-Songwriter
  • Colson Whitehead Essayist
  • Juca Ferreira Salvador
  • Stomu Takeishi Bass
  • Mykia Jovan Blues
  • Randy Lewis Writer
  • Paul Mahern Record Producer
  • Sheryl Bailey Guitar
  • Dave Douglas Composer
  • Massimo Biolcati Brooklyn, NY
  • Priscila Castro Música Afro-Amazônica, Afro-Amazonian Music
  • Stephen Kurczy The King's College Faculty
  • Hopkinson Smith Switzerland
  • Pururu Mão no Couro Chula
  • Ronaldo Bastos Lyricist
  • Ramita Navai Documentary Filmmaker
  • Mary Halvorson Avant-Garde Jazz
  • Helder Barbosa Consultor Organizacional, Organizational Consultant
  • Mickalene Thomas Collage
  • José James Singer-Songwriter
  • Ballaké Sissoko Mali
  • Nêgah Santos Percussion
  • Vik Sohonie Writer
  • César Orozco Venezuela
  • Fabian Almazan Composer
  • Chris Dingman Jazz
  • Elodie Bouny Classical Guitar
  • Ricardo Herz Violin
  • Jeremy Danneman Saxophone
  • Leandro Afonso Brazil
  • Jeremy Danneman Composer
  • BIGYUKI Jazz, Electronic, R&B, Soul
  • Otmaro Ruiz Los Angeles
  • David Byrne Singer-Songwriter
  • Philip Ó Ceallaigh Translator
  • Harvey G. Cohen King's College London Faculty
  • Zebrinha Salvador
  • Jean Rondeau Piano
  • James Martins Bahia
  • Bebel Gilberto Brazil
  • Mart'nália Samba
  • Gerson Silva Salvador
  • Giba Gonçalves Candomblé
  • Mandisi Dyantyis South African Jazz
  • Jeff Preiss Producer
  • Rahim AlHaj Oud
  • Linda May Han Oh Composer
  • Nicholas Payton Trumpet
  • Nara Couto MPB
  • Jimmy Cliff Jamaica
  • As Ganhadeiras de Itapuã Bahia
  • Burhan Öçal Istanbul
  • Serwah Attafuah Graphic Designer
  • Keshav Batish Composer
  • Giba Gonçalves Percussion
  • Nahre Sol YouTuber
  • Richard Rothstein Historian
  • Casa da Mãe Brasil, Brazil
  • Ron Carter Cello
  • Djuena Tikuna Indigenous Brazilian Music
  • Jovino Santos Neto Composer
  • Marcus Strickland Jazz
  • Osvaldo Golijov Argentina
  • Reggie Ugwu Writer
  • Cyro Baptista New York City
  • Marcel Camargo Jazz
  • Kim André Arnesen Choral Works
  • Sahba Aminikia Iran
  • BaianaSystem Música Alternativa, Alternative Music
  • Ben Okri Nigeria
  • Rosângela Silvestre Choreographer
  • Robert Glasper Songwriter
  • Fatoumata Diawara Singer-Songwriter
  • Burhan Öçal Turkey
  • Susana Baca Folklorist
  • Raul Midón Singer
  • Airto Moreira Compositor, Composer
  • Andrew Huang Toronto
  • Jubu Smith R&B
  • Jane Ira Bloom Contemporary Classical Music
  • Asa Branca Federal University of Bahia Faculty
  • Victor Wooten Singer
  • Maurício Massunaga Rio de Janeiro
  • Adam Cruz Drums
  • Derrick Adams Installation Artist
  • Vânia Oliveira Brasil, Brazil
  • Les Thompson Goldsmith
  • John McLaughlin Composer
  • Peter Serkin Contemporary Classical Music
  • Aruán Ortiz Jazz
  • Marc Cary Composer
  • Philip Glass Film Scores
  • Chau do Pife Brazil
  • Danilo Brito São Paulo
  • Walmir Lima Bahia
  • Brandon Coleman Los Angeles
  • Raynald Colom Flamenco
  • Conrad Herwig Jazz
  • Danilo Brito Composer
  • Tiganá Santana Produtor Musical, Music Producer
  • Leyla McCalla Cello
  • Mário Santana Bahia
  • Matt Ulery Bass
  • Darren Barrett Flugelhorn
  • Zisl Slepovitch Clarinet
  • Brian Lynch Latin Jazz
  • Jonathon Grasse Ethnomusicologist
  • Karim Ziad Composer
  • Magda Giannikou New York City
  • Marko Djordjevic Balkan Music
  • Nabih Bulos Los Angeles
  • Biréli Lagrène France
  • Jorge Aragão Multi-Instrumentalist
  • Michael Peha Keyboards
  • Mulatu Astatke Ethiopia
  • Larry Grenadier Bass
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Yasmin Williams Guitar
  • Badi Assad Brazil
  • Anthony Hervey Singer
  • Irmandade da Boa Morte Cachoeira
  • Fernando Brandão Choro
  • George Porter Jr. New Orleans
  • The Assad Brothers Classical Guitar
  • Luizinho Assis Bahia
  • Lavinia Meijer Harp
  • Rhuvaal Scotland
  • Orquestra Afrosinfônica Brasil, Brazil
  • Yazz Ahmed London
  • Simon McKerrell Uilleann Pipes
  • Isaac Butler Actor
  • Marcelinho Oliveira Bahia
  • Terell Stafford Trumpet
  • Maladitso Band Singers-Songwriters
  • Heriberto Araujo Writer
  • Peter Evans Experimental Music
  • Allen Morrison Press Releases
  • Myles Weinstein Drums
  • Vanessa Moreno MPB
  • Sameer Gupta Brooklyn, NY
  • Léo Rodrigues Côco
  • Marilda Santanna Atriz, Actor
  • Jimmy Greene Composer
  • Marc Ribot Writer
  • Zara McFarlane Singer-Songwriter
  • Shirazee Benin
  • Miguel Zenón Jazz
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Anat Cohen Clarinet
  • Alex Hargreaves Jazz
  • Kiko Souza Salvador
  • Ravi Coltrane Record Label Owner
  • Mehdi Rajabian Composer
  • Loli Molina Guitar
  • Reena Esmail Piano
  • John Edward Hasse Author
  • Tatiana Eva-Marie Manouche
  • Jelly Green Painter
  • Milford Graves Composer
  • Edsel Gomez Piano
  • Ivan Bastos Salvador
  • Kenny Garrett Composer
  • Quincy Jones Record Producer
  • Samuel Organ Synthesizers
  • Leyla McCalla Singer-Songwriter
  • Mart'nália Brazil
  • Howard Levy Jazz
  • Sam Wasson Cultural Historian
  • Alex Clark Cinematographer
  • William Skeen Baroque Cello
  • Paulinho do Reco Candomblé
  • Chief Xian aTunde Adjuah Ropeadope
  • Tam-Ky Marseille
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