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  • IMPORTANT ▶▶▶
  • M.O. & Worldlines In(8)
  • The Network Originated in Brazil
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT ▶▶▶

M.O. & Worldlines In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the world. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Dan Trueman:

  • 1 Composer
  • 1 Hardanger Fiddle
  • 1 Software Designer
  • 1 New Instrument Creator
  • 1 Violin
  • 1 Electronic Music
  • 1 Princeton University Faculty
  • 1 Norwegian Traditional Music

The Network Originated in Brazil

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

This project began in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city.

 

It was inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone...

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Dan Trueman
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Dan Trueman
  • City/Place: Princeton, New Jersey
  • Country: United States

Current News

  • What's Up? "The dazzling results mixed George Crumb's knack for unearthly timbres, Alvin Lucier's infinitesimally fine gradations of tone and the fierce creative audacity of Jimi Hendrix."
    —The New York Times

Life & Work

  • Bio: Dan Trueman is a musician: a fiddler, a collaborator, a teacher, a developer of new instruments, a composer of music for ensembles of all shapes and sizes. He has worked with ensembles such as So Percussion, the PRISM Quartet, Eighth Blackbird, Gallicantus, the JACK Quartet, as well as individuals like scientist Naomi Leonard, choreographer Rebecca Lazier, poet Paul Muldoon, director Mark DeChiazza, fiddler Caoimhín Ó Raghallaigh, vocalist Iarla Ó Lionáird, guitarist/songwriter Monica Mugan, and many others. Dan's work has been recognized by fellowships, grants, commissions, and awards from the Guggenheim Foundation, the Barlow Endowment, the Bessies, the Fulbright Commission, the American Composers Forum, the American Council of Learned Societies, Meet the Composer, among others. He is Professor of Music and Director of the Princeton Sound Kitchen at Princeton University.

    Current and recent projects include bitKlavier (the prepared digital piano); The Fate of Bones, a new record with Caoimhín Ó Raghallaigh (to be released in April '20); The Cross Quartets, a set of string quartets in scordatura, for Brooklyn Rider and the Bergamot Quartet;12 Preludes for bitKlavier (recording in progress with Cristina Altamura and Adam Sliwinski); Songs That Are Hard To Sing, for So Percussion and the JACK Quartet (released by New Amsterdam Records in 2019); Midden Find, for fiddler Caoimhín Ó Raghallaigh and Contemporaneous (in progress); Olagón, an opera featuring Iarla Ó Lionáird, with text by Paul Muldoon, and directed by Mark DeChiazza (premiering at the National Concert Hall in Dublin, May '21, with the Crash Ensemble); There Might Be Others, with choreographer Rebecca Lazier and scientist Naomi Leonard (winner of a Bessie Award, Outstanding Music Composition).

Contact Information

  • Email: dantruemanmusic [at] gmail.com

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://manyarrowsmusic.com/recordings.html
  • ▶ Website: http://manyarrowsmusic.com
  • ▶ YouTube Channel: http://www.youtube.com/user/dtrueman1
  • ▶ Spotify: http://open.spotify.com/album/4UWY2QEgQatdERyC5iSrrG
  • ▶ Spotify 2: http://open.spotify.com/album/52UJBGxkgdgXt9VRu2KlAF
  • ▶ Spotify 3: http://open.spotify.com/album/1v9xAmiBgyedgdeSCKBh0w
  • ▶ Spotify 4: http://open.spotify.com/album/0P3E65VV38QydZzC5OzO6v
  • ▶ Spotify 5: http://open.spotify.com/album/29wE6qMuEDwNCnE3Z2LwWN
  • ▶ Spotify 6: http://open.spotify.com/album/1oNEbgBhb81NeCWLeb7huy
  • ▶ Articles: http://manyarrowsmusic.com/writings.html

My Instruction

  • Lessons/Workshops: Dan has taught a range of subjects at Princeton, where he is a professor of music composition. He works with graduate students in Princeton's renowned composition program on their creative and academic work through seminars on various topics, composition mentoring, and dissertation advising, and he is also Director of the Princeton Sound Kitchen concert series, the primary venue for composers in the department to workshop and share their work. He also taught the year-long undergraduate 16th- and 18th-century counterpoint sequence for over a decade, along with courses focusing in rhythm, songwriting, and more.

    Dan co-founded the Princeton Laptop Orchestra (PLOrk) in 2005 with Princeton Computer Science professor Perry Cook, which has served as a model for rethinking how to teach music technology over the last decade (pictures below). He also founded the Making Tunes course and concert series, focusing on teaching creative traditional music making with illustrious guests from around the world (some shown below).

    More recently, Dan created a new online course--Reinventing the Piano--that has become part of a Princeton course called Musical Instruments, Sound, Perception, and Creativity. This lab course brings together a wide range of subjects: music theory, acoustics, instrument design and embodiment, sound perception and cognition, physics-based software modeling of musical instruments, among others, with representative musical repertoire, and fills the university's Science-Technology-with-Lab (STL) distribution requirement.
  • Instruction: http://www.kadenze.com/courses/reinventing-the-piano/info

Clips (more may be added)

  • 5:08
    Caoimhín Ó Raghallaigh & Dan Trueman :: What What What
    By Dan Trueman
    42 views
  • 0:42:05
    Sō Percussion | Songs That Are Hard To Sing, by Dan Trueman
    By Dan Trueman
    24 views
  • 0:07:57
    Dan Trueman: Man Out of Time
    By Dan Trueman
    74 views
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