Colm Tóibín via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Colm Tóibín:
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'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
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Who I Am & Where I Live
- Name: Colm Tóibín
- City: Dublin
- Country: Ireland
- Hometown: Enniscorthy, Co. Wexford
My Life & Work
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Bio:
Colm Toibin was born in Enniscorthy, Co. Wexford in 1955. He studied at University College Dublin and lived in Barcelona between 1975 and 1978. Out of his experience in Barcelona be produced two books, the novel ‘The South’ (shortlisted for the Whitbread First Novel Award and winner of the Irish Times/ Aer Lingus First Fiction Award) and ‘Homage to Barcelona’, both published in 1990.
When he returned to Ireland in 1978 he worked as a journalist for ‘In Dublin’, ‘Hibernia’ and ‘The Sunday Tribune’, becoming features editor of ‘In Dublin’ in 1981 and editor of Magill, Ireland’s current affairs magazine, in 1982. He left Magill in 1985 and travelled in Africa and South America. His journalism from the 1980s was collected in ‘The Trial of the Generals’ (1990). His other work as a journalist and travel writer includes ‘Bad Blood: A Walk Along the Irish Border’ (1987) and ‘The Sign of the Cross: Travels in Catholic Europe’ (1994).
His other novels are: ‘The Heather Blazing (1992, winner of the Encore Award); ‘The Story of the Night’ (1996, winner of the Ferro-Grumley Prize); ‘The Blackwater Lightship’ (1999, shortlisted for the IMPAC Dublin Prize and the Booker Prize and made into a film starring Angela Lansbury); ‘The Master’ (2004, winner of the Dublin IMPAC Prize; the Prix du Meilleur Livre; the LA Times Novel of the Year; and shortlisted for the Booker Prize); ‘Brooklyn’ (2009, winner of the Costa Novel of the Year).
His short story collections are ‘Mothers and Sons’ (2006, winner of the Edge Hill Prize) and ‘The Empty Family (2010). His play ‘Beauty in a Broken Place’ was performed at the Peacock Theatre in Dublin in 2004. His other books include: ‘The Modern Library: the 200 Best Novels Since 1950’ (with Carmen Callil); ‘Lady Gregory’s Toothbrush’ (2002); ‘Love in a Dark Time: Gay Lives from Wilde to Almodovar’ (2002) and ‘All a Novelist Needs: Essays on Henry James’ (2010).
He has edited ‘The Penguin Book of Irish Fiction’. His work has been translated into more than thirty languages. Three books on his work have been published: 'Reading Colm Toibin', edited by Paul Delaney (2008); 'Mother/Country: Politics of the Personal in the Fiction of Colm Toibin' by Kathleen Costello-Sullivan (2012); and Eibhear Walshe's 'A Different Story: The Writings of Colm Toibin' (2013).
He has received honorary doctorates from the University of Ulster, University College Dublin, the University of East Anglia and the Open University. He is a regular contributor to the New York Review of books and a contributing editor at the London Review of Books. Between 2006 and 2013 he was a member of the Irish Arts Council.
He has twice been Visiting Stein Writer at Stanford University and has also been a visiting writing at the University of Texas at Austin. He taught at Princeton from 2009 to 2011 and was Professor of Creative Writing at the University of Manchester in 2011. He is currently Mellon Professor in the Department of English and Comparative Literature at Columbia and Chancellor of Liverpool University. He is President of Listowel Writers Week and a member of the Board of Druid Theatre.
His second collection of stories ‘The Empty Family’, published in 2010, was shortlisted for the Frank O’Connor Prize. His book of essays on Henry James ‘All a Novelist Needs’, appeared also in 2010
In 2011, his play ‘Testament’, directed by Garry Hynes, was performed at the Dublin Theatre Festival with Marie Mullen in the lead role. Also in 2011, his memoir, ‘A Guest at the Feast’ was published by Penguin UK as a Kindle original. In 2012, ‘New Ways to Kill Your Mother: Writers & Their Families’ was published, as was his edition for Penguin Classics of ‘De Profundis and Other Writings’ by Oscar Wilde.
Also, in 2012, his novel ‘The Testament of Mary’ was published and short-listed for the Man Booker Prize. In April 2013, ‘The Testament of Mary’ opened on Broadway, with Fiona Shaw, and was nominated for a Tony Award for Best Play. In 2013 it was released as an audiobook with Meryl Streep.
Colm Toibin’s novel ‘Nora Webster’, published in 2014, won the Hawthornden Prize, and his ‘On Elizabeth Bishop’, published in 2015, was a finalist for the National Book Critics Circle Award for Criticism. His ninth novel ‘House of Names’ appeared in 2017. In May 2017, he co-curated ‘Henry James and American Painting’ at the Morgan Library’.
Contact Information
- Contact by Webpage: http://www.colmtoibin.com/contact
My Media & Markets
- ▶ Book Purchases: http://www.amazon.com/Colm-Toibin/e/B000AQ3K56
- ▶ Website: http://www.colmtoibin.com
- ▶ Articles: http://www.lrb.co.uk/contributors/colm-toibin
- ▶ Articles 2: http://www.nybooks.com/contributors/colm-toibin/
- ▶ Articles 3: http://www.theguardian.com/books/colmtoibin
My Writing
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Publications:
Mad, Bad, Dangerous to Know
From Colm Tóibín, the formidable award-winning author of The Master and Brooklyn, an illuminating, intimate study of Irish culture, history, and literature told through the lives and work of three men - William Wilde, John Butler Yeats, and John Stanislaus Joyce - and the complicated, influential relationships they had with their complicated sons.
Colm Tóibín begins his incisive, revelatory Mad, Bad, Dangerous to Know with a walk through the Dublin streets where he went to university - a wide-eyed boy from the country - and where three Irish literary giants also came of age. Oscar Wilde, writing about his relationship with his father, William Wilde, stated: “Whenever there is hatred between two people there is bond or brotherhood of some kind...you loathed each other not because you were so different but because you were so alike.” W.B. Yeats wrote of his father, John Butler Yeats, a painter: “It is this infirmity of will which has prevented him from finishing his pictures. The qualities I think necessary to success in art or life seemed to him egotism.” John Stanislaus Joyce, James’ father, was perhaps the most quintessentially Irish, widely loved, garrulous, a singer, and a drinker with a volatile temper, who drove his son from Ireland.
Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.
©2018 Colm Toibin (P) 2018 Simon & Schuster
Clips (more may be added)
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
