Colm Tóibín, steps away
Colm Tóibín and most of humanity are within 6 degrees of each other. This matrix combines the small-world principle behind this seemingly magical fact with inter-artist recommendations-in-series in order to make all artists potential curators and discoverable within a handful (or two) of steps from everywhere on the planet. It works like this:
I RECOMMEND people (do you?)Colm Tóibín & degrees of proximity
Why again is Colm Tóibín mere steps away from other artists in here, and by extension, most everybody on the planet?
WHO CURATES "I RECOMMEND" ABOVE?
- Vertex/Edges Out by: The Matrix via ↴
Artist & Where
- Name: Colm Tóibín
- City/Place: Dublin
- Country: Ireland
- Hometown: Enniscorthy, Co. Wexford
Life & Work
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Bio:
Colm Toibin was born in Enniscorthy, Co. Wexford in 1955. He studied at University College Dublin and lived in Barcelona between 1975 and 1978. Out of his experience in Barcelona be produced two books, the novel ‘The South’ (shortlisted for the Whitbread First Novel Award and winner of the Irish Times/ Aer Lingus First Fiction Award) and ‘Homage to Barcelona’, both published in 1990.
When he returned to Ireland in 1978 he worked as a journalist for ‘In Dublin’, ‘Hibernia’ and ‘The Sunday Tribune’, becoming features editor of ‘In Dublin’ in 1981 and editor of Magill, Ireland’s current affairs magazine, in 1982. He left Magill in 1985 and travelled in Africa and South America. His journalism from the 1980s was collected in ‘The Trial of the Generals’ (1990). His other work as a journalist and travel writer includes ‘Bad Blood: A Walk Along the Irish Border’ (1987) and ‘The Sign of the Cross: Travels in Catholic Europe’ (1994).
His other novels are: ‘The Heather Blazing (1992, winner of the Encore Award); ‘The Story of the Night’ (1996, winner of the Ferro-Grumley Prize); ‘The Blackwater Lightship’ (1999, shortlisted for the IMPAC Dublin Prize and the Booker Prize and made into a film starring Angela Lansbury); ‘The Master’ (2004, winner of the Dublin IMPAC Prize; the Prix du Meilleur Livre; the LA Times Novel of the Year; and shortlisted for the Booker Prize); ‘Brooklyn’ (2009, winner of the Costa Novel of the Year).
His short story collections are ‘Mothers and Sons’ (2006, winner of the Edge Hill Prize) and ‘The Empty Family (2010). His play ‘Beauty in a Broken Place’ was performed at the Peacock Theatre in Dublin in 2004. His other books include: ‘The Modern Library: the 200 Best Novels Since 1950’ (with Carmen Callil); ‘Lady Gregory’s Toothbrush’ (2002); ‘Love in a Dark Time: Gay Lives from Wilde to Almodovar’ (2002) and ‘All a Novelist Needs: Essays on Henry James’ (2010).
He has edited ‘The Penguin Book of Irish Fiction’. His work has been translated into more than thirty languages. Three books on his work have been published: 'Reading Colm Toibin', edited by Paul Delaney (2008); 'Mother/Country: Politics of the Personal in the Fiction of Colm Toibin' by Kathleen Costello-Sullivan (2012); and Eibhear Walshe's 'A Different Story: The Writings of Colm Toibin' (2013).
He has received honorary doctorates from the University of Ulster, University College Dublin, the University of East Anglia and the Open University. He is a regular contributor to the New York Review of books and a contributing editor at the London Review of Books. Between 2006 and 2013 he was a member of the Irish Arts Council.
He has twice been Visiting Stein Writer at Stanford University and has also been a visiting writing at the University of Texas at Austin. He taught at Princeton from 2009 to 2011 and was Professor of Creative Writing at the University of Manchester in 2011. He is currently Mellon Professor in the Department of English and Comparative Literature at Columbia and Chancellor of Liverpool University. He is President of Listowel Writers Week and a member of the Board of Druid Theatre.
His second collection of stories ‘The Empty Family’, published in 2010, was shortlisted for the Frank O’Connor Prize. His book of essays on Henry James ‘All a Novelist Needs’, appeared also in 2010
In 2011, his play ‘Testament’, directed by Garry Hynes, was performed at the Dublin Theatre Festival with Marie Mullen in the lead role. Also in 2011, his memoir, ‘A Guest at the Feast’ was published by Penguin UK as a Kindle original. In 2012, ‘New Ways to Kill Your Mother: Writers & Their Families’ was published, as was his edition for Penguin Classics of ‘De Profundis and Other Writings’ by Oscar Wilde.
Also, in 2012, his novel ‘The Testament of Mary’ was published and short-listed for the Man Booker Prize. In April 2013, ‘The Testament of Mary’ opened on Broadway, with Fiona Shaw, and was nominated for a Tony Award for Best Play. In 2013 it was released as an audiobook with Meryl Streep.
Colm Toibin’s novel ‘Nora Webster’, published in 2014, won the Hawthornden Prize, and his ‘On Elizabeth Bishop’, published in 2015, was a finalist for the National Book Critics Circle Award for Criticism. His ninth novel ‘House of Names’ appeared in 2017. In May 2017, he co-curated ‘Henry James and American Painting’ at the Morgan Library’.
Contact Information
- Contact by Webpage: http://www.colmtoibin.com/contact
Media & Markets
- ▶ Book Purchases: http://www.amazon.com/Colm-Toibin/e/B000AQ3K56
- ▶ Website: http://www.colmtoibin.com
- ▶ Articles: http://www.lrb.co.uk/contributors/colm-toibin
- ▶ Articles 2: http://www.nybooks.com/contributors/colm-toibin/
- ▶ Articles 3: http://www.theguardian.com/books/colmtoibin
My Writing
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Publications:
Mad, Bad, Dangerous to Know
From Colm Tóibín, the formidable award-winning author of The Master and Brooklyn, an illuminating, intimate study of Irish culture, history, and literature told through the lives and work of three men - William Wilde, John Butler Yeats, and John Stanislaus Joyce - and the complicated, influential relationships they had with their complicated sons.
Colm Tóibín begins his incisive, revelatory Mad, Bad, Dangerous to Know with a walk through the Dublin streets where he went to university - a wide-eyed boy from the country - and where three Irish literary giants also came of age. Oscar Wilde, writing about his relationship with his father, William Wilde, stated: “Whenever there is hatred between two people there is bond or brotherhood of some kind...you loathed each other not because you were so different but because you were so alike.” W.B. Yeats wrote of his father, John Butler Yeats, a painter: “It is this infirmity of will which has prevented him from finishing his pictures. The qualities I think necessary to success in art or life seemed to him egotism.” John Stanislaus Joyce, James’ father, was perhaps the most quintessentially Irish, widely loved, garrulous, a singer, and a drinker with a volatile temper, who drove his son from Ireland.
Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.
©2018 Colm Toibin (P) 2018 Simon & Schuster
Clips (more may be added)
ABOUT THE MATRIX
This matrix is dedicated to creative artists and non-algorithmic discovery.
It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):
www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world
While the Brazilian musicians I work with now you may not know, I formerly worked (chasing unpaid royalties!) on behalf of Aretha Franklin, Barbra Streisand, Led Zeppelin, Jim Hall, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Wah Wah Watson (Melvin Ragin), Philip Glass, The Cadillacs (Earl Carroll), The Flamingos (Zeke and Jake Carey), and others, including Oscar-winning world-class great-guy Robb Royer. I was interviewed by David Dye for broadcast on U.S. National Public Radio several years ago ... about the Brazilians:
- Randy "Pardal/Sparrow" Roberts
All is more connected than we know.
w/ David Dye for U.S. National Public Radio
The matrix was inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone...
Our logo, per the "spirit" above, is a cortador de cana, a cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.
