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Ann Hallenberg
Connections Out

Network Node

  • Name: Ann Hallenberg
  • City/Place: Stockholm
  • Country: Sweden

Connections Out

  • from this node by: Matrix

Life & Work

  • Bio: Swedish mezzo-soprano Ann Hallenberg rose to fame in 2003 when she replaced Cecilia Bartoli on one day’s notice in Handel’s IL TRIONFO DEL TEMPO E DEL DISINGANNO at the Opernhaus Zürich. She is now established as one of the world’s leading mezzo-sopranos.

    She regularly appears in opera houses and festivals such as Teatro alla Scala Milan, Teatro la Fenice Venice, Teatro Real Madrid, Theater an der Wien, Opernhaus Zürich, Opéra National Paris, Théâtre des Champs-Elysées Paris, Théâtre de La Monnaie Brussels, Netherlands Opera Amsterdam, Vlaamse Opera Antwerp, Bayerische Staatsoper München, Staatsoper Berlin, Semperoper Dresden, Norwegian National Opera, Royal Swedish Opera, Salzburg Festival, Salzburg Whitsun Festival, Edinburgh Festival and the Drottningholm Festival in Stockholm.

    Her operatic repertoire includes a large number of roles in operas by Rossini, Mozart, Gluck, Handel, Vivaldi, Monteverdi, Purcell, Bizet and Massenet.

    She is highly sought after as a concert singer and she frequently appear in concert halls throughout Europe and North America. She has built an unusually vast concert repertoire that spans music from the early 17th Century works up to 20th-century works. She has performed with orchestras such as the Berliner Philharmoniker, Orchestre de Paris, Orchestre national de France, Royal Concertgebouw Orchestra, Accademia Nazionale di Santa Cecilia, London Symphony Orchestra, BBC Symphony Orchestra, Los Angeles Symphony Orchestra, Orchestre Symphonique de Montréal, Barcelona Symphony Orchestra, Russian National Orchestra, Swedish Radio Orchestra, Royal Stockholm Philharmonic Orchestra and the Danish Radio Orchestra. She enjoys a special close collaboration with the ensembles Les Talens Lyriques, Il Pomo d’Oro and Europa Galante.

    Ann Hallenberg regularly works with conductors such as Fabio Biondi, William Christie, Teodor Currentzis, Sir John Eliot Gardiner, Emmanuelle Haïm, Daniel Harding, Andrea Marcon, Cornelius Meister, Marc Minkowski, Riccardo Muti, Kent Nagano, Sir Roger Norrington, Sir Antonio Pappano, Evelino Pidò and Christophe Rousset.

    2017 included the title role in AGRIPPINA at Opera Vlaanderen, Marguérite in LA DAMNATION DE FAUST in London and La Côte-Saint-André with Orchestre Révolutionnaire et Romantique, Vagaus in JUDITHA TRIUMPHANS in New York and Illinoi with Venice Baroque Orchestra, Tangia in Gluck’s LE CINESI at Opera Palau de les Arts Reina Sofía in Valencia, Mahler’s RÜCKERT LIEDER in Amsterdam with the Royal Concertgebouw Orchestra, the title role in Vivaldi’s JUDITHA TRIUMPHANS in Venice, Beethoven’s SYMPHONY NO. 9 in Brussels, Antwerp and Gent with the Royal Flemish Orchestra, Bach’s CHRISTMAS ORATORIO in Paris with Orchestre National de France, Elgar’s THE DREAM OF GERONTIUS in Dortmund with Dortmunder Philharmoniker, Bach’s ST JOHN PASSION in Rome with Accademia Nazionale di Santa Cecilia, Medea in Handel’s TESEO in Moscow with Russian National Orchestra, arias by Handel at Teatro Real Madrid, Gismonda in Handel’s OTTONE in Vienna and Beaune, arias written for the castrato Farinelli in Gdansk with Les Talens Lyriques, arias by Rameau and Telemann in Hamburg with Les Talens Lyriques, and recitals with the pianist Magnus Svensson in Madrid as well as in Stockholm Concert Hall.

    2018 included Giulietta in Zingarelli’s GIULIETTA E ROMEO at Theater an der Wien, Mahler’s KINDERTOTENLIEDER in Vienna and Salzburg, Berlioz’s LES NUITS D’ÉTÉ in London and Barcelona with the London Symphony Orchestra, Mahler’s SYMPHONY NO 2 in Tokyo and Osaka with Yomiuri Nippon Symphony Orchestra, Bach’s ST MATTHEW PASSION in Amsterdam with the Royal Concertgebouw Orchestra, Verdi‘s REQUIEM in London, Vienna, Munich, Amsterdam, Lucerne, Budapest, Pisa, Luxembourg and Wroclaw with The Monteverdi Choir & Orchestras, Teseo in Handel’s ARIANNA IN CRETA in Halle with Il Pomo d’Oro, Irene in Handel’s THEODORA in London with Arcangelo, arias by Handel in Madrid and Sevilla with Orquesta Barroca de Sevilla, arias by Rameau and Telemann in Brussels with Les Talens Lyriques, cantatas by Vivaldi in Rome with Accademia Barocca di Santa Cecilia, arias by Handel in Athens with Il Pomo d’Oro, arias by Handel in Ernen with Baroque Ensemble Ernen and various baroque arias in Trondheim with Trondheim Baroque.

    She has recorded more than 40 CD and DVD. At the International Opera Awards in London in May 2016 her solo-CD “Agrippina” won the award for “Best Operatic Recital”. This was her second win in the category, having also won in 2014. Her latest solo-CD “Carnevale 1729” has received raving reviews. She has so far performed the program in Vienna, Venice, Halle, Bordeaux, Grenoble, Groningen, Tours, Sofia and Froville with Il Pomo d’Oro.

Contact Information

  • Management/Booking: Artefact Artist Management
    www.artefact.no/artist/ann-hallenberg/

Media | Markets

  • ▶ YouTube Music: http://music.youtube.com/channel/UCdg5zgn6nCmLp0wpYdc8ccg
  • ▶ Spotify: http://open.spotify.com/album/0KvSHVUfudnEYM8FXgEZ8B
  • ▶ Spotify 2: http://open.spotify.com/album/6TNHbCY6uHcRCfiSxImbUT
  • ▶ Spotify 3: http://open.spotify.com/album/0gmlyD4KbBDA7xSTMIb03f
  • ▶ Spotify 4: http://open.spotify.com/album/0bRsKKLdbGQK38WwcfEIXQ
  • ▶ Spotify 5: http://open.spotify.com/album/2WvUlOkQBMwYOznY2k4F9T
  • ▶ Spotify 6: http://open.spotify.com/album/2vetSnsNmOKpMG1OmXJWDr
  • ▶ Article: http://www.nytimes.com/2020/02/20/arts/music/ann-hallenberg.html

Clips (more may be added)

  • Ann Hallenberg - Ariodante - "Dopo notte" - Andrea Marcon/Johannes Keller: harpsicord
    By Ann Hallenberg
    487 views
  • Farinelli: Son qual nave ch'agitata - Ann Hallenberg and Stile Galante - Early Music Festival - Live
    By Ann Hallenberg
    411 views
  • Giacomelli: Quell'usignolo - Ann Hallenberg and Stile Galante - Early Music Festival - Live HD
    By Ann Hallenberg
    501 views
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  • Ann Hallenberg
    A video was posted re Ann Hallenberg:
    Ann Hallenberg - Ariodante - "Dopo notte" - Andrea Marcon/Johannes Keller: harpsicord
    Ann Hallenberg Handel - Ariodante - "Dopo notte" ANN HALLENBERG: FIRST GLOBAL AMBASSADOR OF TEATRO SAN CASSIANO (VENICE, ITALY) "Dopo notte" was performed in...
    • February 20, 2020
  • Ann Hallenberg
    A video was posted re Ann Hallenberg:
    Farinelli: Son qual nave ch'agitata - Ann Hallenberg and Stile Galante - Early Music Festival - Live
    Mezzo-soprano Ann Hallenberg sings the aria 'Son qual nave ch'agitata' from Farinelli's opera 'Mitridate' during the Utrecht Early Music Festival 2019. The m...
    • February 20, 2020
  • Ann Hallenberg
    A video was posted re Ann Hallenberg:
    Giacomelli: Quell'usignolo - Ann Hallenberg and Stile Galante - Early Music Festival - Live HD
    Mezzo-soprano Ann Hallenberg sings 'Quell'usignolo' from the opera 'Merope' by Geminiano Giacomelli during the Utrecht Early Music Festival 2019. The music i...
    • February 20, 2020
  • Ann Hallenberg
    A category was added to Ann Hallenberg:
    Opera Singer
    • February 20, 2020
  • Ann Hallenberg
    A category was added to Ann Hallenberg:
    Sweden
    • February 20, 2020
  • Ann Hallenberg
    A category was added to Ann Hallenberg:
    Mezzo-Soprano
    • February 20, 2020
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    Ann Hallenberg is matrixed!
    • February 20, 2020
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Ann Hallenberg
Connections Out

 

 

 

Human creativity is everywhere. From Brazil it's all being connected in a manner allowing one to move from any creator to any other creator in just a few steps. Artificial Intelligence & algorithms not necessary. Real intelligence, yes.

 

Raymundo Sodré
Raymundo Sodré Global

Via Matrix, artists like Raymundo Sodré (who was crushed under Brazil's dictatorship) can inspire around the world. Sodré's (and Jorge Portugual's) A MASSA is a Brazilian anthem exhorting the powerless to stand up to the powerful.

A Massa (do povo carente) / The Masses (of people in need)

A Massa (do povo carente) / The Masses (of people in need)
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THE MATRIX IS THE MOTHER SHIP (it carries people to culture; per above, it carries culture too)

 

THE MATRIX IS CULTURAL DIFFUSION ON A PLANETARY SCALE (Bahia is Ground Zero)

 

 

THE MATRIX IS THE INTEGRATED GLOBAL CREATIVE ECONOMY (matrixed economist, Dr. Darius Mans, presents the Africare Award to Luiz Inácio Lula da Silva — Brazil's current president — in 2012)

SPARROW/PARDAL ROBERTS

 

Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix. — Susan Rogers (personal recording engineer for Prince; recorded "Purple Rain", "Around the World in a Day", "Parade", and "Sign o' the Times"; now director of the Berklee Music Perception and Cognition Laboratory)

SUSAN ROGERS

 

Dear Sparrow, Many thanks for this – I am touched! — Julian Lloyd Webber (most highly renowned cellist in the United Kingdom; brother of composer Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats...)

JULIAN LLOYD WEBBER

 

This is super impressive work ! Congratulations ! Thanks for including me :))) — Clarice Assad (pianist, composer with works performed by Yo Yo Ma and orchestras around the world)

CLARICE ASSAD

 

Thanks, this is a brilliant idea!! — Alicia Svigals (world's premier klezmer violinist; founding member of The Klezmatics)

ALICIA SVIGALS

 

Thank you for your note below and we appreciate you including Kamasi in the matrix, Sparrow. — Banch Abegaze (manager, Kamasi Washington)

KAMASI WASHINGTON

 

This Matrix was built by an ex-royalty "rescuer" (Aretha Franklin, Barbra Streisand, Gilberto Gil, Astrud Gilberto, Mongo Santamaria, Jim Hall, Led Zeppelin, Bob Marley and many others) so that deep Brazilian culture, much of it otherwise impossible to find if one is not right there where it is made, might also (via an alternative to major media) be discoverable from all around the world. To do this it integrates this immensity into a system whereby ALL CULTURE EVERYWHERE — from small villages in Africa to Grammy-winning artists in Los Angeles — writers, filmmakers, painters... — can be found from anywhere on the planet.

 

 

(Clip by Jorge Pacoa)

  • Garth Cartwright Music Promoter

The Matrix uncoils from the Recôncavo of Bahia, Brazil, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made (samba and its precursor chula, per the Saturno Brothers above) evolved...

  • William Skeen Cello

WHAT IS THE RECÔNCAVO? The peninsula upon which Salvador is situated is like the thumb of an open and grasping hand, what is normally thought of as the Recôncavo then being defined by the curved index finger. This way of definition developed when agricultural products were brought to Salvador by boat, sometimes making their way first down the Paraguaçu river after having been carried overland from the sertão (backlands) to Cachoeira, the river debouching into the Bay of All Saints at Maragogipe. The city of Bahia (as it was usually called then) was crouched on the bay, comprised of a commercial district much smaller in area than today (landfill has increased it greatly), the area around the upper section of the elevator, and what is now called Pelourinho.

  • Rosildo Rosário Brasil, Brazil

Much of the remainder of the peninsula was given to sugarcane plantations, and dotted within the Atlantic rainforest were countless quilombos (Afro-Brazilian villages founded during the age of slavery); both are attested to today in commonly used city names. The neighborhood of Garcia was once Fazenda Garcia (fazenda being a farm or plantation), and this denomination is still used today to distinguish one end of Garcia (fim-de-linha) from the other (the Campo Grande end). Neighborhoods Engenho Velho de Federação and Engenho Velho de Brotas are so called for the old mills (engenhos velhos) which pressed the caldo (juice, so to speak) from the cane so laboriously hacked out of the fields. The neighborhood of Cabula is named for an nkisi (deity) of candomblé angola (the first candomblé -- a West African religious belief system -- to arrive in Bahia)...whose rhythms comprise the basis for samba, meaning that the rhythms to which so many in the world inexpertly swayed as Stan Getz's saxophone soared and João and Astrud Gilberto sensuously intoned -- this paragon of suave Brazilian sophistication -- was born in the rough senzalas (slavequarters) of Bahia. Ironically enough, the barefoot senzala version was/is far more sophisticated than the sophisticated version.

  • Waldonys Ceará

But times have changed, and Cabula is now a crowded, non-descript middle-to-working class Salvador city neighborhood (plenty of candomblé around though), and Engenhos Velhos de Federação and Brotas are swarming working class neighborhoods (ditto the candomblé); the senzala samba, the samba chula and samba-de-roda have disappeared. A simplified version -- Bahian pagode -- is heard everywhere in Salvador, but the real-deal stuff has died out here in the big city. It remains, however, a potent force on the remainder of its native ground, the Recôncavo proper, where it is danced to upon pounded earth, under moonlight broken by banana, palm and mango leaves, lifting the souls of its participants almost like something religious, which it was, and gods aside, is (again, per the Saturno brothers in the clip above).

  • Katherine McMahon Multidisciplinary Artist

Connect to anybody in here. You appear on their page. Anybody in here connects to you, they appear on your page...

  • Di Freitas Violin

...plugged into a superpower: the small world phenomenon.

  • Frank Beacham Photographer

By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.

  • Gian Correa Guitar

And by extension, to within discoverable reach of everybody everywhere on the planet.

  • Fernando César Educator

A little bit about how the math works:

EM PORTUGUÊS / IN ENGLISH

 

BUT WHY BRAZIL???

  • Reza Filsoofi Tehran

"The time has come for these bronzed people to show their worth..."

 

 

(Music by Assis Valente. Clip by Betão Aguiar. The Matrix was built in Salvador's Centro Histórico above, incorporating these marvelous people.)

  • Ben Wendel New School Faculty

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

  • Carlos Aguirre Singer

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

  • Darius Mans Economist

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

  • Deesha Philyaw Essayist

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

  • Crystal Worl Haida Design

Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.

  • Tero Saarinen Dancer

Nowhere else but here. Brazil itself is a matrix.

  • John McEuen Guitar
  • Jason Marsalis New Orleans
  • Sabine Hossenfelder YouTuber
  • Corey Harris Guitar
  • Elísio Lopes Jr. Salvador
  • Mike Compton Songwriter
  • Pedrito Martinez Congas
  • Jakub Knera Writer
  • Dwandalyn Reece Writer
  • NIcholas Casey Spain
  • Abel Selaocoe Johannesburg
  • Ivan Lins Rio de Janeiro
  • Cara Stacey Johannesburg
  • Andra Day Pop
  • Cécile McLorin Salvant Composer
  • David Murray Saxophone
  • Jessie Montgomery New York City
  • Solange Borges Camaçari
  • Kimberlé Crenshaw Critical Race Theory
  • Taj Mahal Blues
  • Benjamin Grosvenor United Kingdom
  • Chico Buarque Samba
  • Moyseis Marques Bateria, Drums
  • Jimmy Dludlu Composer
  • Philip Ó Ceallaigh Translator
  • Milad Yousufi Brooklyn Conservatory of Music Faculty
  • Thana Alexa Jazz
  • Vavá Botelho Diretor de Compania de Dança, Dance Company Director
  • Daphne A. Brooks Music Critic
  • Paulinho Fagundes Composer
  • André Muato Brazil
  • Bisa Butler Pan-African Culture
  • Gonzalo Rubalcaba Cuba
  • Ubiratan Marques Salvador
  • Erika Goldring New Orleans
  • Mario Caldato Jr. Record Producer
  • Zabelê Gomes MPB
  • Luiz Santos Multi-Cultural
  • Aneesa Strings Jazz
  • Thiago Espírito Santo MPB
  • Brandon Coleman Composer
  • Arturo Sandoval Cuba
  • Nêgah Santos MPB
  • Rob Garland Los Angeles
  • Oriente Lopez Productor Musical, Music Producer
  • Bobby Sanabria Manhattan School of Music Faculty
  • Tambay Obenson Writer
  • Askia Davis Sr. Brooklyn, NY
  • Caroline Keane Concertina
  • Nabaté Isles Educator
  • Roy Germano Filmmaker
  • G. Thomas Allen Opera
  • Shez Raja Bass
  • Doug Wamble New York City
  • Caoimhín Ó Raghallaigh Composer
  • Nêgah Santos Jazz
  • Joshua Abrams Guimbri
  • Brian Cox Scotland
  • Pallett Tehran
  • Joshua White San Diego, California
  • Little Simz Singer-Songwriter
  • Regina Caciquinho Apresentadora de TV
  • Paulo Costa Lima Academía Brasileira de Música, Brazilian Academy of Music
  • Academia de Música do Sertão Bahia
  • Toninho Horta Minas Gerais
  • Eric Bogle Scotland
  • Lula Moreira Samba de Coco
  • Riley Baugus Fiddle
  • Brian Cox Writer
  • Brandon Deener Los Angeles
  • Sharita Towne Video Artist
  • Kirk Whalum R&B
  • Gary Clark Jr. Singer-Songwriter
  • James Gadson Soul
  • Arifan Junior Rio de Janeiro
  • Natalia Contesse Santiago
  • Betsayda Machado Folk & Traditional
  • Heloisa Buarque de Hollanda Academia Brasileira de Letras
  • Paulo Costa Lima Compositor, Composer
  • Yola Country
  • Bobby Sanabria New York City
  • Fred Dantas Ethnomusicologist
  • Christopher Wilkinson Guitar
  • Waldonys Forró
  • Daymé Arocena Havana
  • Peter Slevin Chicago, Illinois
  • John Waters Journalist
  • Arturo O'Farrill Latin Jazz
  • Zeca Baleiro Violão, Guitar
  • Mariana Ramos NEOJIBA
  • Curly Strings Estonia
  • Hugues Mbenda Congolese Cuisine
  • George Porter Jr. Funk
  • Moacyr Luz Brazil
  • Vinson Cunningham Writer
  • Paulo Axé Salvador
  • Glenn Patscha Jazz
  • Anderson Lacerda Salvador
  • Lolis Eric Elie Filmmaker
  • Arthur L.A. Buckner YouTuber
  • Carol Soares Singer
  • Plamen Karadonev Berklee College of Music Faculty
  • Calypso Rose Calypso
  • Lenine Singer-Songwriter
  • Eduardo Kobra Grafiteiro, Graffiti Artist
  • Dona Dalva Samba de Roda
  • Celso de Almeida São Paulo
  • Jaques Morelenbaum Classical Music
  • Irma Ferreira Salvador
  • Nigel Hall New Orleans
  • Pablo Albarenga Fotógrafo, Photographer
  • Arany Santana Ativista do Movimento Negro, Black Power Movement Activist
  • Kermit Ruffins Trumpet
  • Priscila Trummer Miami, Florida
  • Luciana Souza Bossa Nova
  • Concha Buika Spain
  • Mestrinho MPB
  • Herlin Riley Jazz
  • Rayendra Sunito Record Producer
  • Victor Wooten Record Label Owner
  • Taylor McFerrin Multi-Instrumentalist
  • Tab Benoit Baton Rouge
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Ênio Nogueira Bahia
  • Mou Brasil Salvador
  • Ed Roth Music Producer
  • Ricardo Bacelar Piano
  • Kurt Andersen New York City
  • Marc Johnson Record Producer
  • Jakub Knera Poland
  • Nilze Carvalho Samba
  • Carlos Lyra Rio de Janeiro
  • PESSEGA DISCOS (RECORDS) Bahia
  • Elísio Lopes Jr. Bahia
  • Nicholas Daniel Music Director
  • Paquito D'Rivera Havana
  • Alex Cuadros Author
  • Eli Teplin Piano
  • Gilberto Gil Bahia
  • Paulinho da Viola Rio de Janeiro
  • Susana Baca Folklorist
  • Fred P Future Jazz
  • Celso Fonseca Brazil
  • Miroslav Tadić Jazz
  • Chico Chagas Compositor, Composer
  • Woody Mann Folk & Traditional
  • Shannon Ali Liner Notes
  • Robert Everest Guitar
  • Doca 1 Brasil, Brazil
  • Ronaldo Bastos Rio de Janeiro
  • Omer Avital Bass
  • Itamar Vieira Júnior Writer
  • Karla Vasquez Food Writer
  • Joshua Abrams Composer
  • Talita Avelino Cantora-Compositora, Singer-Songwriter
  • Meena Karimi Classical Music
  • Sarah Hanahan Juilliard Student
  • Mário Lúcio Compositor, Composer
  • Jimmy Cliff Ska
  • Cássio Nobre Guitarra Baiana
  • Matias Traut Brasil, Brazil
  • Gaby Moreno Multi-Cultural
  • Bertram Educator
  • Kronos Quartet San Francisco
  • Igor Osypov Guitar
  • Varijashree Venugopal India
  • Ana Luisa Barral Bahia
  • J. Period Record Producer
  • John McWhorter Linguist
  • Milton Primo Bahia
  • Collins Omondi Okello Kenya
  • Howard Levy Keyboards
  • Omari Jazz Electronic Futurism
  • Darol Anger Folk & Traditional
  • Gregory Hutchinson New York City
  • John Waters Playwright
  • Roberta Sá Singer
  • H.L. Thompson DJ
  • Steve McKeever Los Angeles
  • John Schaefer New York City
  • Kevin Hays Singer-Songwriter
  • Chris Potter Saxophone
  • Nublu New York City
  • Dale Farmer Screenwriter
  • Henrique Araújo Escola de Choro de São Paulo Faculty
  • Philip Sherburne Essayist
  • Lauranne Bourrachot Television Producer
  • Nic Hard Audio Engineer
  • Omar Sosa Cuba
  • Keola Beamer Hawaiian Music
  • Nailor Proveta Brasil, Brazil
  • Nabihah Iqbal Electronic, Experimental, Alternative Music
  • David Ritz Writer
  • Marcus Miller Record Producer
  • Vijay Iyer Harvard University Faculty
  • Doug Adair Music & Cultural Education
  • Soweto Kinch MC
  • David Castillo New Orleans
  • Sara Gazarek USC Thornton School of Music Faculty
  • Delbert Anderson Funk
  • Sandi Bachom Visual Journalist
  • Gabi Guedes Percussion
  • Terence Blanchard Trumpet
  • Alfredo Rodriguez Jazz
  • Isaak Bransah Choreographer
  • Eric Coleman Cinematographer
  • Nath Rodrigues Belo Horizonte
  • Martin Fondse Jazz
  • Maciel Salú Singer
  • Cláudio Jorge Arranger
  • Mestre Memeu Olodum
  • Jakub Knera Gdańsk
  • Philipp Meyer Austin, Texas
  • Carlinhos 7 Cordas Guitar
  • Jared Jackson Harlem
  • Greg Ruby Jazz
  • David Bragger Fiddle Instruction
  • Marcos Bezerra Samba
  • Nancy Ruth Jazz
  • Katuka Africanidades Bahia
  • Margareth Menezes Samba-Reggae
  • Dayane Sena Diretora, Director
  • Lazzo Matumbi Salvador
  • James Shapiro Columbia University Faculty
  • Fábio Luna Bateria, Drums
  • Lonnie Liston Smith Keyboards
  • Cássio Nobre Bahia
  • Mateus Aleluia Samba
  • Derrick Hodge Bass
  • Sued Nunes Atriz, Actor
  • Manolo Badrena Multi-Instrumentalist
  • Hercules Gomes Brazil
  • Maria de Xindó Bahia
  • Stefan Grossman Singer
  • Milford Graves Jazz
  • Tobias Meinhart Saxophone
  • Hugo Rivas Buenos Aires
  • Donnchadh Gough Irish Traditional Music
  • Roots Manuva Dub
  • Tony Allen Composer
  • Daru Jones Hip-Hop
  • Mehdi Rajabian Iran
  • Philip Glass Contemporary Classical Music
  • Gregory Hutchinson Soul
  • Conceição Evaristo Belo Horizonte
  • Alain Pérez Bass
  • Hugues Mbenda France
  • Iuri Passos Candomblé
  • Varijashree Venugopal Flute
  • Anthony Wilson Los Angeles
  • John Medeski Piano
  • Nelson Ayres Jazz
  • David Bragger Old-Time Music
  • Joe Newberry Old-Time Music
  • Katherine McMahon East Hampton, NY
  • Mahsa Vahdat Composer
  • Cláudio Badega Pandeiro
  • Nara Couto Salvador
  • Bruce Molsky Banjo
  • Eric R. Danton Reporter
  • Albin Zak Musicologist
  • Guilherme Varella São Paulo
  • Diego Figueiredo Jazz Brasileiro, Brazilian Jazz
  • Elif Şafak Turkey
  • Ajurinã Zwarg Percussion
  • María Mercedes Coroy Santa María de Jesus, Guatamala
  • Kiko Horta Composer
  • Magary Lord Cantor-Compositor, Singer-Songwriter
  • Mauro Refosco Compositor de Shows da Moda, Fashion Show Music
  • Swizz Beatz DJ
  • Bombino Tuareg Music
  • Isaac Butler Actor
  • Irma Thomas Gospel
  • Yola Americana
  • Nettrice R. Gaskins Writer
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