Bio:
Grammy Award-winning jazz pianist, composer, and singer/songwriter Kevin Hays, is internationally recognized as one of the most original and compelling musicians of his generation. His many recordings have received critical acclaim from The New York Times, Downbeat Magazine and Jazz Times, as well as the “Coup de Coeur” award from the Académie Charles Cros (France).
Kevin has also appeared on numerous albums as a guest artist, recording with Chris Potter, Bill Stewart, Joshua Redman, Jeff Ballard, Nicholas Payton, and Al Foster, among many others. Notable collaborations include a piano duo project with Brad Mehldau (Modern Music - Nonesuch), world tours with James Taylor, Sonny Rollins, John Scofield, Joe Henderson, and Roy Haynes.
In addition to his celebrated work as pianist and composer, Kevin has become increasingly known as a gifted and expressive singer/songwriter. In 2015 he released the widely lauded recording New Day (Sunnyside), on which he performed his own songs along with a riveting performance of the Jimmy Webb classic ‘Highwayman’.
Hope, the highly anticipated 2019 collaboration with Beninese guitarist Lionel Loueke, was released on Edition Records. Their music moves effortlessly between melodic serenity and rhythmic interplay, highlighting the beauty and intimacy of the piano/acoustic guitar format.
Hays co-wrote several compositions on Steve Gadd Band’s eponymous album which garnered the 2019 GRAMMY Award for Best Contemporary Instrumental Album. The album features Kevin’s own ‘Spring Song’, the sole vocal track.
Kevin won the 2020 Independent Music Award in the ‘Jazz with Vocals’ category for the track ‘Circles of the Mind’ from the album “Across the Sea”, which he recorded with the Italian vocalist, Chiara Izzi.
Quotes, Notes & Etc.
“There are plenty of talented pianists… but few have Hays’ melodic charms and sense of style.”
- The New Yorker 'Best of the Year' list
“A jolt of joy.”
- The New York Times
“He’s all encompassing. Phenomenally so!”
- John Scofield
“Kevin Hays is a true original. Everything he plays has a deep intelligence and swing.”
- Brad Mehldau
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).