Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • David Sedaris
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: David Sedaris
  • City/Place: Rackham, West Sussex
  • Country: United Kingdom

Life & Work

  • Bio: With sardonic wit and incisive social critiques, David Sedaris has become one of America’s pre-eminent humor writers. The great skill with which he slices through cultural euphemisms and political correctness proves that Sedaris is a master of satire and one of the most observant writers addressing the human condition today.

    David Sedaris is the author of Barrel Fever and Holidays on Ice, as well as collections of personal essays, Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, When You Are Engulfed in Flames, and his most recent book, Let’s Explore Diabetes with Owls, each of which became an immediate bestseller. The audio version of Let's Explore Diabetes with Owls is a 56th Annual GRAMMY Awards Nominee for Best Spoken Word Album. He is the author of the NYT-bestselling collection of fables entitled Squirrel Seeks Chipmunk: A Modest Bestiary (with illustrations by Ian Falconer). He was also the editor of Children Playing Before a Statue of Hercules: An Anthology of Outstanding Stories. Sedaris’ pieces appear regularly in The New Yorker and have twice been included in “The Best American Essays.” There are over ten million copies of his books in print and they have been translated into 25 languages.

    He and his sister, Amy Sedaris, have collaborated under the name “The Talent Family” and have written half-a-dozen plays which have been produced at La Mama, Lincoln Center, and The Drama Department in New York City. These plays include Stump the Host, Stitches, One Woman Shoe, which received an Obie Award, Incident at Cobbler’s Knob, and The Book of Liz, which was published in book form by Dramatists Play Service. David Sedaris’ original radio pieces can often be heard on the public radio show This American Life. David Sedaris has been nominated for three Grammy Awards for Best Spoken Word and Best Comedy Album.

    His latest audio recording of new stories (recorded live) is “David Sedaris: Live for Your Listening Pleasure” (November 2009). A feature film adaptation of his story C.O.G. was released after a premiere at the Sundance Film Festival (2013). Since 2011, he can be heard annually on a series of live recordings on BBC Radio 4 entitled “Meet David Sedaris.” David Sedaris’ new book is a collection of his diaries, entitled Theft By Finding, Diaries (1977-2002) (May 2017). An art book, about David Sedaris’ diary covers was also just published and edited by Jeffrey Jenkins, entitled: David Sedaris Diaries: A Visual Compendium (October 2017, Little, Brown and Company). The nationally bestselling essay collection Calypso was published in June 2018, and a second volume of his diaries is expected for summer 2021.

Contact Information

  • Management/Booking: For media, press, and publicity inquiries:
    Katharine Myers
    Little, Brown and Company
    1290 Avenue of the Americas
    New York, NY 10104
    Phone: 212-364-1588
    Email: [email protected]

    For speaking engagement requests and inquiries:
    Steven Barclay
    Steven Barclay Agency
    12 Western Avenue
    Petaluma, CA 94952
    Phone: 707-773-0654
    Email: [email protected] or [email protected]

    For rights, literary agent requests, and inquiries:
    Cristina Concepcion
    Don Congdon Associates
    110 William St., Suite 2202
    New York, NY 10038
    Phone: 212-645-1229
    Email: [email protected]

    For permissions:
    Hachette Book Group
    ℅ Frederick T. Courtright
    The Permissions Company
    47 Seneca Road
    P.O. Box 604
    Mount Pocono, PA 18344
    Phone: 570-839-7477
    Fax: 570-839-7448
    Email: [email protected]

Media | Markets

  • ▶ Twitter: davidsedaris
  • ▶ Instagram: davidsedarisbooks
  • ▶ Articles: http://www.davidsedarisbooks.com/landing-page/david-sedaris-homepage/links-david-sedaris/

More

  • Quotes, Notes & Etc. “Sedaris ain’t the preeminent humorist of his generation by accident”
    —Whitney Pastorek, Entertainment Weekly

    “Sedaris has hit upon the narrative equivalent of Pepsi, or the PlayStation, or oxygen, or the haircut: something that others in the world might actually want and find useful. . . He’s smart, he’s caustic, he’s mordant, and, somehow, he’s . . . well, nice.”
    —Bill Richardson, Toronto Globe and Mail

    “Sedaris’s droll assessment of the mundane and the eccentrics who inhabit the world’s crevices make him one of the greatest humorists writing today.”
    —Chicago Tribune

    “Sedaris belongs on any list of people writing in English at the moment who are revising our ideas about what’s funny.”
    —San Francisco Chronicle

Clips (more may be added)

  • 2:20
    David Sedaris on Keeping a Diary in the Age of Over-Sharing
    By David Sedaris
    225 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending David Sedaris:

  • 1 Essayist
  • 1 Humor
  • 1 Writer

Nodes below are randomly generated. Reload for a different stack.

  • David Chesky Piano
  • Nelson Faria Guitar
  • Marcela Valdes Journalist
  • John Patitucci Jazz
  • Alegre Corrêa Berimbau
  • Eivør Pálsdóttir Singer-Songwriter
  • Super Chikan Delta Blues
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • Scott Kettner Percussion
  • Sameer Gupta Tabla
  • Walter Pinheiro Flute
  • Dan Tepfer Piano
  • John Medeski Keyboards
  • Jay Blakesberg San Francisco
  • Robertinho Silva Choro
  • Alessandro Penezzi Multi-Instrumentalist
  • Congahead Jazz
  • Moreno Veloso Pandeiro
  • Martín Sued Bandoneon
  • Horacio Hernández Havana
  • Wolfgang Muthspiel Record Label Owner
  • Júlio Caldas Bandolim, Mandolin
  • Asma Khalid Journalist
  • Adriene Cruz Textile Artist
  • John McWhorter Columbia University Faculty
  • Demond Melancon Louisiana
  • Brett Orrison Record Label Owner
  • Martin Fondse Amsterdam
  • Spok Frevo Orquestra Pernambuco
  • Jorge Pita Percussion
  • Marcel Powell Choro
  • Tony Austin Drums
  • Capitão Corisco Pife
  • Flora Purim Singer-Songwriter
  • Owen Williams Developer
  • Cássio Nobre Bahia
  • David Chesky Record Label Owner
  • Andy Romanoff Photographer
  • Maia Sharp Singer-Songwriter
  • Dale Bernstein Wet Plate Photography
  • Kris Davis Jazz
  • Alexandre Vieira Bahia
  • Marcos Sacramento Samba
  • Rhiannon Giddens Fiddle
  • Weedie Braimah Djembefola
  • Paquito D'Rivera Clarinet
  • Roy Ayers Jazz, Funk, R&B, Soul, Hip-Hop
  • Sam Eastmond Trumpet
  • Willie Jones III Drumming Instruction
  • Stephan Crump Bass
  • Kurt Andersen Essayist
  • Isaac Julien England
  • Kaia Kater Singer-Songwriter
  • Gab Ferruz Bahia
  • Nomcebo Zikode Singer-Songwriter
  • Richie Stearns Tenor Guitar
  • Monarco Samba
  • J. Pierre Painter
  • Linda Sikhakhane Ropeadope
  • Isaiah Sharkey Guitar
  • Simon Brook Director
  • Jan Ramsey New Orleans
  • Little Dragon Sweden
  • Miles Okazaki Author
  • Eric Bogle Scotland
  • Tero Saarinen Choreographer
  • Maria Rita Rio de Janeiro
  • Paulo César Pinheiro Lyricist
  • Jaleel Shaw Composer
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Bebê Kramer Composer
  • Manassés de Souza Brazil
  • Custódio Castelo Castelo Branco
  • Pururu Mão no Couro Samba Rock
  • Aurino de Jesus Chula
  • Samuca do Acordeon Accordion
  • Nath Rodrigues Singer-Songwriter
  • Shankar Mahadevan Playback Singer
  • Issa Malluf Udu
  • Richie Barshay Percussion
  • Maciel Salú Cavalo Marinho
  • Mauro Senise Composer
  • Marcus Printup Composer
  • Willie Jones III Drumming Instruction
  • Liron Meyuhas Multi-Cultural
  • Robby Krieger Guitar
  • Nabih Bulos Classical Music
  • Asma Khalid Journalist
  • Peter Serkin Piano
  • Victor Wooten Multi-Instrumentalist
  • Chris Thile Folk & Traditional
  • Mokhtar Samba Paris
  • Derrick Hodge Jazz
  • Berta Rojas Classical Guitar
  • Larry Grenadier Jazz
  • Alex Cuadros Journalist
  • Paul McKenna Irish Traditional Music
  • Devin Naar Writer
  • Corey Ledet Singer-Songwriter
  • Lina Lapelytė Lithuania
  • Marcelo Caldi Brazil
  • Michael Peha Talent Management
  • Benoit Fader Keita Bedik
  • David Chesky Record Label Owner
  • Arturo Sandoval Jazz
  • Gringo Cardia Graphic Design
  • Taylor McFerrin Singer-Songwriter
  • Katuka Africanidades Editora de Livros, Book Publisher
  • Thomas Àdes London
  • César Camargo Mariano Arranger
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Henry Cole Drumming Instruction
  • Carl Allen Jazz
  • Al Kooper Singer-Songwriter
  • Ned Sublette Guitar
  • Kiko Freitas Brazil
  • Louis Marks Ropeadope
  • Grégoire Maret Jazz
  • Patty Kiss Multi-Instrumentalista, Multi-Instrumentalist
  • Dave Smith Drums
  • Hank Roberts Ithaca, New York
  • Vincent Herring Saxophone
  • Snigdha Poonam Delhi
  • Joshue Ashby Violin
  • Craig Ross Recording Engineer
  • Harold López-Nussa Composer
  • Mehdi Rajabian Record Producer
  • Mart'nália Singer-Songwriter
  • Alexandre Vieira Baixo, Bass
  • John Morrison Sample-Flipper
  • Monarco Cavaquinho
  • Dadá do Trombone Trombone
  • Rick Beato YouTuber
  • Eric Harland Drums
  • Ron Blake Flute
  • Mulatu Astatke Ethio-Jazz
  • Michel Camilo Dominican Republic
  • Martin Koenig Ethnomusicologist
  • Merima Ključo Theater Scores
  • Tom Oren Piano
  • Menelaw Sete Escultor, Sculptor
  • Avishai Cohen אבישי כה Composer
  • Jon Batiste Jazz
  • Cara Stacey Mbabane
  • William Parker Essayist
  • Robert Glasper Composer
  • Germán Garmendia YouTuber
  • Dale Farmer Fiddle
  • Rodrigo Amarante Rio de Janeiro
  • Alyn Shipton Music Critic
  • Bobby Vega Rock 'n' Roll
  • Márcia Short Brazil
  • Itamar Borochov Multi-Cultural
  • Giba Gonçalves Bahia
  • Beeple VJ Loops
  • G. Thomas Allen Gospel
  • Marko Djordjevic Drums
  • Yola R&B
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Caetano Veloso MPB
  • Pururu Mão no Couro Brasil, Brazil
  • Gilson Peranzzetta Accordion
  • Colm Tóibín Writer
  • Mateus Aleluia Filho Brasil, Brazil
  • Tray Chaney Songwriter
  • Neo Muyanga Composer
  • Vincent Valdez Painter
  • Rahim AlHaj Oud
  • Rogê Samba
  • Ariane Astrid Atodji African Cinema
  • BIGYUKI Composer
  • Jas Kayser London
  • Serwah Attafuah NFTs
  • Billy Strings Mandolin
  • Justin Stanton Composer
  • Alain Pérez Bass
  • Perumal Murugan Writer
  • Mateus Asato Guitar
  • Negra Jhô Brazil
  • Mestre Barachinha Nazaré da Mata
  • Oscar Peñas New York City
  • Juçara Marçal Brazil
  • Béla Fleck Banjo
  • Ry Cooder Singer-Songwriter
  • Imani Winds Classical Music
  • Marisa Monte Singer-Songwriter
  • César Camargo Mariano Composer
  • Hank Roberts Avant-Garde, Folk, Classical
  • Richard Bona Multi-Instrumentalist
  • Mary Halvorson Guitar
  • Dale Barlow Australia
  • Zigaboo Modeliste New Orleans
  • Louis Michot Louisiana
  • Stephen Guerra Samba
  • Scotty Apex Composer
  • Art Rosenbaum Muralist
  • Nelson Cerqueira Salvador
  • James Elkington Chicago, Illinois
  • Bodek Janke Multi-Cultural
  • Nação Zumbi Olinda
  • Dan Tepfer Composer
  • Capitão Corisco Pife
  • Ben Okri Essayist
  • Don Byron Jazz
  • Vadinho França Bahia
  • Ana Tijoux Rapper
  • Zeca Pagodinho Brazil
  • Arthur L.A. Buckner Gospel
  • Peter Dasent Sydney
  • Tomo Fujita Jazz
  • Tony Austin Composer
  • Onisajé Candomblé
  • Tatiana Campêlo Dancer
  • Andrew Finn Magill Ropeadope
  • Jacám Manricks Saxophone
  • Trilok Gurtu Jazz
  • Mike Moreno New York City
  • João Rabello Brazil
  • Ênio Bernardes Percussão, Percussion
  • Swizz Beatz DJ
  • Meddy Gerville Composer
  • Eivør Pálsdóttir Faroe Islands
  • Ivan Bastos Salvador
  • Utar Artun Composer
  • Shaun Martin Gospel
  • Max ZT Brooklyn, NY
  • Theon Cross Composer
  • Dan Moretti Composer
  • Nabihah Iqbal Singer-Songwriter
  • Guga Stroeter Candomblé
  • Francisco Mela Composer
  • Utar Artun Turkey
  • Edgar Meyer Multi-Cultural
  • Isaac Julien Filmmaker
  • Gail Ann Dorsey Bass
  • Cory Wong R&B
  • Rudresh Mahanthappa New York City
  • Nelson Faria YouTuber
  • Colson Whitehead Essayist
  • Logan Richardson Jazz
  • Eddie Palmieri New York City
  • Rosa Cedrón Composer
  • Martin Fondse Amsterdam
  • Negra Jhô Turbantes, Turbans
  • Margareth Menezes Singer-Songwriter
  • Evgeny Kissin Composer
  • Fabiana Cozza São Paulo
  • Tom Green Contemporary Classical Music
  • Spider Stacy New Orleans
  • Jocelyn Ramirez Author
  • Yotam Silberstein Guitar Instruction
  • Jau Bahia
  • Robby Krieger Jazz
  • Sergio Krakowski Pandeiro Instruction
  • Cassie Kinoshi London
  • David Kirby Non-Fiction
  • MonoNeon Experimental Music
  • Tia Fuller Jazz
  • Tony Allen Afrobeat
  • Meklit Hadero Multi-Cultural
  • Ajeum da Diáspora Salvador
  • William Parker New York City
  • Liz Pelly Brooklyn, NY
  • Amilton Godoy MPB
  • Steve Lehman Experimental Music
  • Alexandre Leão Bahia
  • Lucio Yanel Composer
  • Michael Janisch Double Bass
  • Christian Sands Composer
  • Asa Branca Chula
  • Gretchen Parlato MPB
  • Felipe Guedes Salvador
  • Theon Cross Tuba
  • Pedrito Martinez Congas
  • Keshav Batish Jazz
  • Richard Bona Jazz
  • RAM Mizik Rasin
  • Cedric Watson Singer-Songwriter
  • Shannon Alvis Choreographer
  • Joshue Ashby Afro-Caribbean Music
  • Nels Cline Composer
  • Wayne Krantz Jazz
  • Scotty Barnhart Florida State University College of Music Faculty
  • Keshav Batish Percussion
  • Rissi Palmer Country
  • John Francis Flynn Guitar
  • Frank Olinsky Illustrator
  • Henrique Cazes Choro
  • Kiko Loureiro Rio de Janeiro
  • Harold López-Nussa Piano
  • Steve Lehman Jazz
  • Mary Norris Writer
  • Nublu New York City
  • Victor Gama Multimedia Opera
  • Jessie Reyez Hip-Hop
  • Tonynho dos Santos Guitarra, Violão, Guitar
  • Jennifer Koh Contemporary Classical Music
  • Igor Osypov Ukraine
  • Dadi Carvalho MPB
  • Célestin Monga Cameroon
  • Saileog Ní Cheannabháin Fiddle
  • Bodek Janke Composer
  • Paul Mahern Mastering Engineer
  • Dan Auerbach Record Producer
  • James Poyser Multi-Instrumentalist
  • Samba de Nicinha Maculelê
  • Stefano Bollani Piano
  • Chau do Pife Pífano
  • Dan Trueman New Instrument Creator
  • Arturo Sandoval Timbales
  • Atlantic Brass Quintet Baroque
  • Siobhán Peoples Irish Traditional Music
  • David Hoffman Documentary Filmmaker
  • Nêgah Santos Jazz
  • Augustin Hadelich Violin
  • Doug Adair Singer-Songwriter
  • Utar Artun Film Scores
  • Jean-Paul Bourelly Multi-Cultural
  • John Patitucci Berklee College of Music Faculty
  • Dan Nimmer New York City
  • Dadi Carvalho Singer-Songwriter
  • Peter Dasent Film Scores
  • Philip Ó Ceallaigh Translator
  • Hamilton de Holanda Bandolim
  • Lilli Lewis Louisiana Red Hot Records
  • Stephen Kurczy Journalist
  • Brigit Katz Canada
  • Cristovão Bastos Choro
  • Hugues Mbenda Congo
  • Moacyr Luz Rio de Janeiro
  • Henry Cole Jazz
  • Fred P Ambient Music
  • Kermit Ruffins Trumpet
  • Daedelus Electronic Music
  • David Binney Los Angeles
  • David Chesky Multi-Cultural
  • Daphne A. Brooks Writer
  • João Parahyba Percussion
  • Toninho Ferragutti São Paulo
  • Keshav Batish Multi-Cultural
  • Ibrahim Maalouf Paris, France
  • Stefon Harris Manhattan School of Music Faculty
  • Anthony Hervey Trumpet Instruction
  • Elizabeth LaPrelle Appalachian Music
  • Nei Lopes Samba
  • Cláudio Badega Brasil, Brazil
  • Jura Margulis Musik und Kunst Privatuniversität der Stadt Wien Faculty
  • Luke Daniels Glasgow
  • Courtney Pine Composer
  • Alex Conde Spain

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share