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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Rowney Scott
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Rowney Scott
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: É membro fundador do Grupo Garagem, formado em instrumento pela Universidade Federal da Bahia (UFBA), com mestrado em Jazz Performance pela CalArts (EUA) em 1990, doutorado em Execução Musical (saxofone) pela Escola de Música da UFBA em 2007 e Pós-doutorado na Universidade de Amsterdam. Foi aluno de Klaus Haeffele, David Roitstein, Paul Novros e Charlie Haden.

    á foi solista das Orquestras Sinfônicas do Estado da Bahia e da UFBA. Tocou com Caetano Veloso, Gilberto Gil, Sexteto do Beco, Daniela Mercury e Ivete Sangalo, entre outros. Ganhou o Troféu Caymmi de Melhor Instrumentista em 1985 e 1989. É professor adjunto concursado da Escola de Música da UFBA desde 2004 e foi coordenador do curso de Graduação em Música Popular da UFBA

    É o idealizador, curador e diretor artístico do Festival de Jazz do Capão. Atualmente toca com Carlinhos Brown, Orkestra Rumpilezz, Banda da Jam no MAM, Grupo Garagem e Mou Brasil Quarteto.

Media | Markets

  • ▶ Instagram: rowneyscott
  • ▶ Website: http://www.jamnomam.com.br/banda-geleia-solar/rowney-scott
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCL5xnMnkM-Xcw5QMmoDvdKg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCvHPguFyIg_ob2PlgvEyTbw

Clips (more may be added)

  • 5:06
    Pecado de Francine, Pontier e Bahr, por ACC Música no Capão UFBA
    By Rowney Scott
    2 views
  • 3:59
    A Ostra e o Vento , de Chico Buarque. Turma de Música de Câmara da UFBA
    By Rowney Scott
    2 views
  • 2:47
    Humpty Dumpty - de Chick Corea
    By Rowney Scott
    3 views
  • 5:11
    Endangered Species, de Wayne Shorter - Rowney Scott Quarteto
    By Rowney Scott
    3 views
  • 0:06:51
    Samba e Amor, de Chico Buarque - Rowney Scott Quarteto
    By Rowney Scott
    16 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Rowney Scott:

  • 5 Bahia
  • 5 Brasil, Brazil
  • 5 Compositor, Composer
  • 5 Diretor Artístico, Artistic Director
  • 5 Faculdade da UFBA, Federal University of Bahia Faculty
  • 5 Jazz
  • 5 Jazz Brasileiro, Brazilian Jazz
  • 5 Música Clássica, Classical Music
  • 5 Salvador
  • 5 Saxophone
  • Hot Dougie's Porto da Barra
  • Afrocidade Dub
  • Roosevelt Collier Pedal Steel Guitar
  • Ken Coleman Writer
  • Immanuel Wilkins New York City
  • Nêgah Santos Jazz
  • Sahba Aminikia Composer
  • Carlos Henriquez Northwestern University Faculty
  • Roy Germano Author
  • Inaicyra Falcão Dançarina, Dancer
  • Tal Wilkenfeld Jazz
  • Jonga Cunha Author
  • Roberto Mendes Brazil
  • Armen Donelian Jazz
  • Melanie Charles Brooklyn, NY
  • Chano Domínguez Spain
  • Ethan Iverson Composer
  • Edil Pacheco Brazil
  • Eli Degibri אלי דג'יברי Saxophone
  • Casey Driessen Fiddle
  • Badi Assad Guitar
  • Stephen Guerra Choro
  • Allen Morrison Piano
  • Moses Sumney Soul
  • Rahim AlHaj Oud
  • Kenyon Dixon R&B
  • Gabriel Policarpo Samba
  • Shannon Sims Rio de Janeiro
  • Joanna Majoko Jazz
  • Jovino Santos Neto Flute
  • Ibram X. Kendi Historian
  • Case Watkins Writer
  • Chris Thile Mandolin
  • Bruce Williams Juilliard Faculty
  • Irmandade da Boa Morte Candomblé
  • Paul Anthony Smith Picotage
  • Kim André Arnesen Choral Works
  • Olga Mieleszczuk Warsaw
  • Tutwiler Quilters Quilts
  • Joe Newberry Singer-Songwriter
  • Luedji Luna Singer-Songwriter
  • Caroline Keane County Kerry
  • Gab Ferruz Salvador
  • Alphonso Johnson Bass
  • Yola Americana
  • Manolo Badrena Multi-Instrumentalist
  • Jimmy Dludlu Mozambique
  • Corey Ledet Singer-Songwriter
  • Tam-Ky Asian-African Foods
  • Ana Moura Portugal
  • Joshua White Composer
  • Sarz Africa
  • Meshell Ndegeocello Jazz, Funk, R&B, Soul, Hip-Hop, Reggae
  • Casey Benjamin Songwriter
  • John Patrick Murphy Jazz
  • Terell Stafford Classical Music
  • Rick Beato Recording Engineer
  • Tambay Obenson Los Angeles
  • Flor Jorge Brazil
  • Arthur Verocai Arranger
  • Ethan Iverson Music Critic
  • Alphonso Johnson Bass
  • Rotem Sivan New York City
  • John Boutté Jazz
  • Rosa Passos Brazil
  • Ali Jackson Drums
  • Mulatu Astatke Keyboards
  • Ali Jackson Jazz
  • Sandro Albert Guitar
  • Norah Jones New York City
  • Rowney Scott Jazz
  • Clint Mansell Composer
  • Richie Stearns Appalachian Music
  • Issa Malluf Percussion
  • Richie Barshay Klezmer
  • Aindrias de Staic Cainteoir Gaeilge
  • Gretchen Parlato Jazz
  • Susheela Raman Singer-Songwriter
  • Scotty Apex Composer
  • Cleber Augusto Samba
  • Robby Krieger Guitar
  • Rogê Brazil
  • Frank London Multi-Cultural
  • Joshua Abrams Chicago
  • Magda Giannikou New York City
  • Brandee Younger New York University Faculty
  • Cláudio Badega Salvador
  • Cássio Nobre Guitarra Baiana
  • Derrick Hodge Film Scores
  • Etienne Charles Steel Drums
  • Brandon Coleman Keyboards
  • Chris Speed New York City
  • Conrad Herwig Trombone
  • Alê Siqueira Bahia
  • Lô Borges Belo Horizonte
  • Jorge Glem Cuatro
  • Yoruba Andabo Havana
  • Donald Vega Nicaragua
  • Keita Ogawa Percussion Samples
  • Omari Jazz Music Producer
  • John Patrick Murphy Author
  • Cécile Fromont Writer
  • Ayrson Heráclito Cachoeira
  • Garth Cartwright Music Promoter
  • Mestre Barachinha Nazaré da Mata
  • Samuca do Acordeon Accordion
  • Ceumar Coelho MPB
  • Márcio Valverde Samba
  • Kaia Kater Folk & Traditional
  • Raymundo Sodré Salvador
  • Joey Alexander New York City
  • Burhan Öçal Percussion
  • Oswaldo Amorim Composer
  • Helen Shaw New York City
  • Yotam Silberstein Israel
  • Hugo Linns Multi-Instrumentalist
  • THE ROOM Shibuya Dance Club
  • Cleber Augusto Guitar
  • Frank Beacham New York City
  • Amy K. Bormet Singer
  • Bill T. Jones New York City
  • Alegre Corrêa Jazz
  • Rita Batista Brasil, Brazil
  • Larry Grenadier Bass
  • Mariana Zwarg Rio de Janeiro
  • Marc-André Hamelin Boston
  • Adriana L. Dutra Film Festival Director
  • Casa da Mãe Chula
  • Nelson Cerqueira Romancista, Novelist
  • Chief Xian aTunde Adjuah New Orleans
  • Brandee Younger Composer
  • Nettrice R. Gaskins Ford Global Fellow
  • Anders Osborne R&B
  • Itamar Vieira Júnior Bahia
  • Eric Bogle Folk & Traditional
  • Christopher Seneca Writer
  • Jubu Smith Singer-Songwriter
  • Tedy Santana Bahia
  • Ambrose Akinmusire Composer
  • Jau Bahia
  • Chico César Singer-Songwriter
  • Magary Lord Semba
  • Elza Soares Samba
  • Louis Michot Cajun Music
  • Barlavento Samba
  • Johnny Lorenz Translator
  • Paul Anthony Smith Painter
  • Joey Alexander Piano
  • Serwah Attafuah Punk
  • Marilda Santanna Samba
  • Liz Pelly Writer
  • Clint Mansell Film Scores
  • Don Byron Jazz
  • Christian McBride Composer
  • Corey Harris Reggae
  • Michael Cleveland Indiana
  • Scotty Barnhart Big Band Leader
  • Cláudio Jorge MPB
  • Caoimhín Ó Raghallaigh Dublin
  • Kenny Garrett Saxophone
  • Shalom Adonai Brazil
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Luciana Souza Brazil
  • Michael Cleveland Bluegrass
  • Tia Surica Brazil
  • Júlio Lemos San Francisco
  • Oscar Bolão Choro
  • João Callado Brazilian Jazz
  • Christopher Seneca Drums
  • Malin Fezehai Photographer
  • Jamel Brinkley Iowa Writers' Workshop Faculty
  • Barry Harris New York City
  • Anat Cohen Jazz
  • Buck Jones Brasil, Brazil
  • Aubrey Johnson Queens College Faculty
  • Arismar do Espírito Santo Choro
  • Towa Tei テイ・トウワ DJ
  • Little Dragon Sweden
  • Utar Artun Turkey
  • Leon Bridges R&B
  • Negra Jhô Brazil
  • Ricardo Herz Choro
  • Keita Ogawa Brooklyn, NY
  • Bob Telson Piano
  • Zé Luíz Nascimento Multi-Cultural
  • Melanie Charles R&B
  • Keita Ogawa Multi-Cultural
  • David Kirby Writer
  • Anthony Coleman Composer
  • Marc Ribot Composer
  • Gilberto Gil MPB
  • Arismar do Espírito Santo Guitar
  • Jared Jackson Literary Critic
  • Bing Futch Americana
  • Yazz Ahmed Bahrain
  • Sean Jones Composer
  • Parker Ighile Multi-Cultural
  • Tom Bergeron Ethnomusicologist
  • Dadi Carvalho Brazil
  • Ferenc Nemeth App Developer
  • Jon Otis Drums
  • Jorge Alfredo Brasil, Brazil
  • Jubu Smith Bass
  • Djuena Tikuna Indigenous Brazilian Music
  • Jericho Brown Poet
  • Luizinho Assis Compositor, Composer
  • Walter Pinheiro Frevo
  • Lula Galvão Guitar
  • Miguel Atwood-Ferguson Music Producer
  • Leo Genovese Multi-Instrumentalist
  • Guinha Ramires Florianópolis
  • Brian Stoltz Funk
  • Melissa Aldana Composer
  • Léo Rodrigues Brazil
  • PATRICKTOR4 Recife
  • Menelaw Sete Artista Plástico, Artist
  • Richie Stearns Composer
  • Ivan Sacerdote Bahia
  • Darren Barrett Flugelhorn
  • Hisham Mayet DJ
  • Aindrias de Staic Storyteller
  • Tatiana Campêlo Bahia
  • Ubiratan Marques Música Clássica Contemporânia, Contemporary Classical Music
  • Kenny Garrett Jazz
  • Fatoumata Diawara Singer-Songwriter
  • Sam Dagher The Middle East
  • Zé Luíz Nascimento Percussion
  • Luciano Salvador Bahia Singer-Songwriter
  • Miles Mosley Television Scores
  • Ricardo Herz Rabeca
  • Avishai Cohen New York City
  • Margareth Menezes Afropop
  • Rez Abbasi Microtonal
  • Wynton Marsalis Bandleader
  • H.L. Thompson Hip-Hop
  • Perumal Murugan Writer
  • Jill Scott Model
  • Sarah Jarosz Singer-Songwriter
  • Marc-André Hamelin Composer
  • Perumal Murugan India
  • John Waters Public Speaker
  • Darrell Green New York City
  • Sérgio Pererê MPB
  • Luíz Paixão Brazil
  • Corey Henry Jazz
  • Errollyn Wallen Piano
  • Angelique Kidjo Benin
  • Gui Duvignau Brazilian Jazz
  • Bertram Writer
  • Carlinhos 7 Cordas Guitar
  • Gregory Porter Singer
  • Raynald Colom Trumpet
  • Stormzy London
  • Larry McCray Keeping the Blues Alive Records
  • Carla Visi Singer
  • Yelaine Rodriguez Multimedia Art
  • Omer Avital Jazz
  • Mickalene Thomas Brooklyn, NY
  • Aneesa Strings R&B
  • Corey Henry New Orleans
  • Jon Cowherd Piano
  • Alex Clark Journalist
  • David Binney New York City
  • Robertinho Silva Jazz
  • Jeff Tweedy Multi-Instrumentalist
  • Marcela Valdes Journalist
  • Henrique Cazes Choro
  • Immanuel Wilkins New York City
  • Samuca do Acordeon Choro
  • Alicia Svigals New York City
  • Gord Sheard Composer
  • Mohamed Diab Filmmaker
  • Shannon Alvis Chicago
  • Siphiwe Mhlambi Visual Story Teller
  • Mario Caldato Jr. Keyboards
  • Guillermo Klein New York City
  • Rosa Cedrón Singer
  • A-KILL Building Art
  • Marcos Portinari Brasil, Brazil
  • Sam Eastmond Trumpet
  • Mykia Jovan Singer-Songwriter
  • Marcelo Caldi Tango
  • Alana Gabriela Cantora, Singer
  • Ben Monder Jazz
  • Aaron Goldberg Composer
  • Gino Sorcinelli DJ Culture
  • Jorge Washington AFROBIZ Salvador
  • Oscar Bolão Brazil
  • Papa Grows Funk Funk
  • Hélio Delmiro Brazilian Jazz
  • Byron Thomas Music Director
  • Tonynho dos Santos Teclado, Keyboards
  • Darren Barrett Jazz
  • João Rabello Classical Guitar
  • Celso Fonseca Guitar
  • Fernando Brandão Author
  • Sarah Jarosz Folk & Traditional
  • Susheela Raman Multi-Cultural
  • Case Watkins Cultural-Environmental Geographer
  • Mauro Refosco Forró
  • Hugues Mbenda African Cuisine
  • Francisco Mela Percussion
  • Bombino Niger
  • Khruangbin Houston, Texas
  • André Muato 8 String Guitar
  • Ken Avis Radio Presenter
  • Mono/Poly Music Producer
  • Ayrson Heráclito Bahia
  • Tommy Peoples Ireland
  • Questlove Drums
  • Plínio Fernandes Brazilian Classical Guitar
  • Lynn Nottage Brooklyn, NY
  • Rosângela Silvestre Brazil
  • Msaki Singer-Songwriter
  • Carol Soares Singer
  • Mary Halvorson Guitar
  • Loli Molina Guitar
  • ANNA Berlin
  • Colson Whitehead Literary Critic
  • Jorge Glem New York City
  • Alfredo Del-Penho Samba
  • Horacio Hernández Drums
  • Miroslav Tadić Classical, Baroque Music
  • Brandon Seabrook New York City
  • Joanna Majoko Toronto
  • Ajurinã Zwarg Rio de Janeiro
  • Tom Schnabel Music Salon
  • Robert Glasper Songwriter
  • Peter Mulvey Folk & Traditional
  • D.D. Jackson Jazz
  • Kehinde Wiley New York City
  • Abhijith P. S. Nair Violin
  • Will Holshouser Musette
  • Norah Jones Singer-Songwriter
  • China Moses Actor
  • Iuri Passos Percussion
  • Gerson Silva Bahia
  • Plínio Fernandes Choro
  • Eliane Elias Singer-Songwriter
  • June Yamagishi Funk
  • David Fiuczynski Composer
  • Anthony Hervey Composer
  • Fábio Peron Multi-Cultural
  • Stanton Moore New Orleans
  • Arifan Junior Produtor Cultural, Cultural Producer
  • Paulinho do Reco Songwriter
  • Isaac Julien Installation Artist
  • Edgar Meyer Jazz
  • Jan Ramsey Funk
  • Frank Beacham Writer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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