Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Stephen Guerra
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Stephen Guerra
  • City/Place: New York City
  • Country: United States

Life & Work

  • Bio: Specializing in violão brasileiro (Brazilian classical guitar), Stephen Paul Guerra is a band leader, accompanist, composer, arranger, and educator. He performs at music clubs, cultural centers, universities, and guitar societies around the United States and has shared the stage with Rogério Souza, Duo Violão, Ami Molinelli, Tiago do Bandolim, Q Morrow, Regional de NY, Susanne Ortner, and Catherine Bent among others.

    In early 2020, his classical-guitar project Duo Guerra/Morrow released its debut album Choro in the Time of Bossa Nova (now available on Bandcamp), supported by an artist grant from the Brooklyn Arts Council. In late June 2021, Mel Bay will release his book 10 Brazilian Choros Arranged for Solo Classical Guitar.

    Currently, Stephen is realizing his latest project: composing, recording, and concertizing a new album of original Brazilian choros entitled Choro-Sambas de NY, which features Grant Ziolkowski on bandolim and Eduardo Belo on bass. Stephen has a Ph.D. in music theory from Yale University. He has published various research articles about rhythm and meter in Latin-American African-diasporic music and has taught music at UMass Amherst, Northern Arizona University, Rutgers University, and Yale University.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://duoguerramorrow.bandcamp.com/releases
  • ▶ Website: http://stephenpaulguerra.com
  • ▶ YouTube Channel: http://www.youtube.com/c/StephenGuerra
  • ▶ Articles: http://stephenpaulguerra.com/writings.html

Clips (more may be added)

  • 2:03
    Amor mascarado - Choro-Sambas de NYC (2021) - Stephen Guerra
    By Stephen Guerra
    72 views
  • 2:56
    Acorde vagabundo - Choro-Sambas de NYC (2021) - Stephen Guerra
    By Stephen Guerra
    80 views
  • 3:20
    A Lívia comprou chiclete - Choro-Sambas de NYC (2021) - Stephen Guerra
    By Stephen Guerra
    89 views
  • 1:46
    Over the Rainbow from Wizard of Oz with Judy Garland - Solo Brazilian Guitar Arrangement
    By Stephen Guerra
    68 views
  • 2:52
    Consolação by Baden Powell - Brazilian Guitar with Duo Guerra/Morrow
    By Stephen Guerra
    84 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Stephen Guerra:

  • 1 Arranger
  • 1 Author
  • 1 Brazil
  • 1 Brazilian Classical Guitar
  • 1 Bronx Conservatory of Music Faculty
  • 1 Choro
  • 1 Composer
  • 1 Guitar
  • 1 New York City
  • 1 Samba

Nodes below are randomly generated. Reload for a different stack.

  • Léo Rodrigues São Paulo
  • João Camarero Brazil
  • Philipp Meyer Writer
  • Biréli Lagrène Gypsy Jazz
  • Glória Bomfim Bahia
  • James Andrews Songwriter
  • André Mehmari Contemporary Classical Music
  • James Poyser Television Scores
  • Ivan Bastos MPB
  • Trombone Shorty Funk
  • Rob Garland Jazz, Funk
  • Negra Jhô Bahia
  • John Patitucci Berklee College of Music Faculty
  • Aruán Ortiz Film Scores
  • Sahba Aminikia San Francisco
  • Lynn Nottage Columbia University Faculty
  • Nicholas Payton New Orleans
  • Gonzalo Rubalcaba Cuba
  • Cristovão Bastos Samba
  • Mestre Barachinha Caboclo de Lança
  • Ajeum da Diáspora Brazil
  • Cyro Baptista Percussion
  • Ryuichi Sakamoto Electronic Music
  • Ryuichi Sakamoto Composer
  • Paulo Costa Lima Bahia
  • Pedrito Martinez Santeria
  • Wolfgang Muthspiel Composer
  • Siphiwe Mhlambi Jazz Photographer
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Guto Wirtti Composer
  • Eric Galm Caribbean Studies
  • Mart'nália Samba
  • Paquito D'Rivera Saxophone
  • Caoimhín Ó Raghallaigh Tin Whistle
  • Michael Olatuja New York City
  • Philip Sherburne Menorca
  • Herbie Hancock Keyboards
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
  • Frank Negrão Funk
  • Yunior Terry Havana
  • Gilson Peranzzetta Clarinet
  • Hopkinson Smith Switzerland
  • André Mehmari MPB
  • Melvin Gibbs Bass
  • Shemekia Copeland R&B
  • Riley Baugus North Carolina
  • Priscila Castro Música Afro-Amazônica, Afro-Amazonian Music
  • Ivo Perelman Brooklyn, NY
  • Thiago Trad Bateria, Drums
  • D.D. Jackson Conservatory of Music at Brooklyn College Faculty
  • Márcio Bahia Drums
  • Brandon Wilner DJ
  • Fred Dantas Brazil
  • João do Boi Chula
  • Corey Henry Songwriter
  • Colm Tóibín Columbia University Faculty
  • Nei Lopes Brazil
  • Betão Aguiar Rio de Janeiro
  • Ben Wolfe Jazz
  • Doug Adair Producer
  • Antônio Pereira Manaus
  • Cristiano Nogueira Brazil
  • Guga Stroeter Samba
  • Kiko Loureiro Author
  • Bobby Vega Rock 'n' Roll
  • Nubya Garcia Saxophone
  • Rahim AlHaj Iraq
  • Nancy Ruth Singer-Songwriter
  • Nicole Mitchell Flute
  • Angel Bat Dawid Piano
  • Elif Şafak Turkey
  • Ajurinã Zwarg Samba
  • Manuel Alejandro Rangel Maracas
  • Ajurinã Zwarg Percussion
  • Gevorg Dabaghyan Armenia
  • Philipp Meyer Writer
  • Mona Lisa Saloy Poet
  • David Castillo New Orleans
  • Reggie Ugwu Writer
  • Jan Ramsey Culture Journalist
  • Brandon J. Acker Baroque Guitar
  • The Weeknd Singer-Songwriter
  • Manolo Badrena Jazz
  • TaRon Lockett Drums
  • Bobby Sanabria New School for Jazz and Contemporary Music Faculty
  • Magary Lord Percussion
  • Corey Ledet Singer-Songwriter
  • Luizinho do Jêje Salvador
  • Gilad Hekselman Guitar Instruction
  • Aurino de Jesus Viola Machete
  • Andrew Gilbert International Music
  • Jurandir Santana Timple
  • Joan Chamorro Barcelona
  • Joel Best London
  • Shoshana Zuboff Harvard Business School Faculty
  • Niwel Tsumbu Singer
  • Tutwiler Quilters Mississippi
  • Tia Fuller Berklee College of Music Faculty
  • John Edward Hasse Piano
  • Inaicyra Falcão Cantora, Singer
  • Bombino Blues
  • OVANA Africa
  • David Greely University of Louisiana at Lafayette Faculty
  • Gustavo Di Dalva Composer
  • Alan Williams Metal Artist
  • Linda May Han Oh Bass
  • Spok Frevo Orquestra Recife
  • Horace Bray Funk
  • Warren Wolf Jazz
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Stacy Dillard Jazz
  • Tommaso Zillio Author
  • Horace Bray Singer-Songwriter
  • Howard Levy Chicago
  • Art Rosenbaum Folk & Traditional
  • Ben Azar Guitar
  • Jau Salvador
  • Tambay Obenson Los Angeles
  • Carlos Henriquez Latin Jazz
  • Negrizu Candomblé
  • Jonathan Scales Jazz Fusion
  • Gino Banks Drums
  • Saileog Ní Cheannabháin Viola
  • Yazhi Guo 郭雅志 Suona
  • Don Byron Dance Performance Scores
  • Edmar Colón Saxophone
  • Léo Rodrigues Côco
  • John Santos Record Producer
  • Mário Santana Brazil
  • Christopher Wilkinson Movie Director
  • Nathan Amaral Rio de Janeiro
  • Tom Green Scotland
  • Michael Doucet Accordion
  • Domingos Preto Samba de Roda
  • Sarz Africa
  • Woody Mann Blues
  • Brian Stoltz R&B
  • Cathal McNaughton Photographer
  • Johnathan Blake New York City
  • Arto Tunçboyacıyan Percussion
  • Nguyên Lê Paris
  • Simon Shaheen Composer
  • Issac Delgado Singer
  • Gearóid Ó hAllmhuráin Author
  • Léo Rugero Sanfona de 8 Baixos
  • Mavis Staples R&B
  • Yoko Miwa Composer
  • Armandinho Macêdo Choro
  • Tank and the Bangas R&B
  • Sammy Britt Mississippi
  • Miguel Zenón Jazz
  • Gustavo Di Dalva Percussion
  • César Camargo Mariano Samba
  • Gilberto Gil Salvador
  • Saul Williams Actor
  • Linda May Han Oh Jazz
  • Jimmy Dludlu Mozambique
  • Yvette Holzwarth Film, Television Recording
  • Logan Richardson Classical Music
  • Matt Ulery Jazz
  • Nicholas Payton Writer
  • Alex de Mora London
  • Rowney Scott Brasil, Brazil
  • Elisa Goritzki Flute
  • Marc Ribot Guitar
  • Marcel Camargo Arranger, Orchestrator
  • Maria Drell Produção Cultural, Cultural Production
  • Adam O'Farrill Composer
  • Alisa Weilerstein Contemporary Classical Music
  • Mona Lisa Saloy New Orleans
  • Sandro Albert Record Producer
  • Nancy Ruth Vocal Instruction
  • JD Allen Composer
  • Richie Pena Writer
  • Sam Eastmond Multi-Cultural
  • Thundercat Los Angeles
  • Lazzo Matumbi Samba
  • Philip Ó Ceallaigh Bucharest
  • Trombone Shorty Trumpet
  • Lívia Mattos Salvador
  • Teresa Cristina Singer
  • Ken Coleman Essayist
  • Gerson Silva Music Director
  • John McLaughlin Multi-Cultural
  • Julie Fowlis Scotland
  • Parker Ighile Singer-Songwriter
  • Tommaso Zillio Guitar
  • Frank Negrão Bass
  • Susana Baca Peru
  • Dan Tyminski Bluegrass
  • Jared Jackson New York City
  • Jerry Douglas Nashville, Tennessee
  • Asa Branca Guitar
  • Taj Mahal Multi-Cultural
  • Leo Genovese Composer
  • Jakub Knera Writer
  • Paul Mahern Audio Preservation
  • Alan Williams Sculptor
  • Shirazee Benin
  • Danilo Brito Bandolim
  • Kamasi Washington Multi-Cultural
  • Sheryl Bailey Jazz
  • Tiganá Santana Salvador
  • James Brandon Lewis Composer
  • Moreno Veloso Rio de Janeiro
  • Eric Coleman Documentary Filmmaker
  • Simon Brook Writer
  • Lucía Fumero Barcelona
  • Nelson Sargento Rio de Janeiro
  • Rez Abbasi Indian Classical Music
  • Wilson Simoninha Samba
  • Richie Stearns Tenor Guitar
  • Ivan Neville New Orleans
  • King Britt University of San Diego Faculty
  • Scotty Barnhart Big Band Leader
  • Jonga Cunha Record Producer
  • Nicholas Daniel Oboe Master Classes
  • Pedro Aznar Poet
  • Plinio Oyò Bahia
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • Angelique Kidjo Benin
  • Jon Batiste Melodica
  • Eric Bogle Folk & Traditional
  • Tierra Whack Philadelphia
  • J. Cunha Salvador
  • Alan Bishop Record Label Owner
  • Magda Giannikou Greece
  • Richard Galliano Author
  • Marisa Monte Brazil
  • Rudy Royston Classical Music
  • Alex Conde Spain
  • Garth Cartwright Poet
  • Carrtoons Bass
  • Mateus Asato Guitar
  • Cory Henry R&B
  • Joel Best Character Artist
  • Asali Solomon Novelist
  • James Gavin New York City
  • Michael Olatuja Jazz
  • Paulinho do Reco Candomblé
  • Kiko Freitas Educator
  • David Ritz Liner Notes
  • Alexandre Vieira Brasil, Brazil
  • Papa Mali Guitar
  • Paulo César Pinheiro Rio de Janeiro
  • Adanya Dunn Soprano
  • Mickalene Thomas Sculptor
  • Perumal Murugan Short Stories
  • Cécile McLorin Salvant Singer
  • Tatiana Eva-Marie Brooklyn, NY
  • François Zalacain Record Label Owner
  • G. Thomas Allen Countertenor
  • Alyn Shipton Bass
  • Reena Esmail Contemporary Classical Music
  • Uli Geissendoerfer UNLV School of Music Faculty
  • Robby Krieger Painter
  • Jack Talty Irish Traditional Music
  • Raphael Saadiq Singer-Songwriter
  • Alfredo Del-Penho Brazil
  • Shemekia Copeland Blues
  • Damon Albarn Record Producer
  • James Martins Brasil, Brazil
  • Jorge Alfredo Bahia
  • Margaret Renkl Journalist
  • David Bragger Guitar
  • Chris Thile Composer
  • Zigaboo Modeliste New Orleans
  • Brian Lynch Composer
  • Joshua Abrams Guimbri
  • Greg Kot Writer
  • Andrés Beeuwsaert Composer
  • Maria Bethânia Salvador
  • Nelson Latif Samba
  • Liz Pelly NYU Tisch School of the Arts Faculty
  • Issac Delgado Cuba
  • Stan Douglas Filmmaker
  • Nicholas Payton Record Label Owner
  • Martín Sued Bandoneon
  • Regina Carter Multi-Cultural
  • Marta Sánchez Composer
  • Mauro Refosco Forró
  • Terence Blanchard Film Scores
  • Saileog Ní Cheannabháin Sean-Nós Singer
  • Tim Hittle Animator
  • Júlio Lemos Brazilian Jazz
  • Shannon Sims Brazil
  • Elio Villafranca Piano
  • Onisajé Candomblé
  • João Teoria Ska
  • Arturo Sandoval Piano
  • Kurt Rosenwinkel Record Label Owner
  • Kaveh Rastegar Songwriter
  • Alex de Mora Documentary Filmmaker
  • Siba Veloso Brazil
  • Shannon Sims Rio de Janeiro
  • James Martins Locutor de Rádio, Radio Presenter
  • John Santos Percussion
  • Eliane Elias Bossa Nova
  • Ben Harper Singer-Songwriter
  • Anthony Coleman Composer
  • Rodrigo Amarante Rio de Janeiro
  • Cleber Augusto Rio de Janeiro
  • Scott Devine Bass
  • Patty Kiss Compositora, Songwriter
  • Steve McKeever Hidden Beach Recordings
  • Mateus Alves Bass
  • Gaby Moreno Multi-Cultural
  • Itamar Borochov Jazz
  • Paddy Groenland World Music
  • Myles Weinstein Jazz
  • Vijith Assar Writer
  • Vadinho França Salvador
  • Guilherme Kastrup Percussion
  • Larry Grenadier Bass
  • Jason Moran Composer
  • Ajeum da Diáspora Afro-Bahian Cuisine
  • Ben Harper Funk
  • Joshue Ashby Panama
  • Keyon Harrold Trumpet
  • Arturo Sandoval Cuba
  • Leonardo Mendes MPB
  • Gel Barbosa Brasil, Brazil
  • Irmandade da Boa Morte Samba de Roda
  • J. Velloso Songwriter
  • Leo Nocentelli Guitar
  • King Britt Computer Music
  • Larissa Luz Bahia
  • Jurandir Santana Barcelona
  • Gilberto Gil Singer-Songwriter
  • Domingos Preto Bahia
  • Lynn Nottage Brooklyn, NY
  • Case Watkins Writer
  • Burhan Öçal Tanbur
  • André Vasconcellos Baixo, Bass
  • Harvey G. Cohen King's College London Faculty
  • Carlos Lyra Guitar
  • Myron Walden Piccolo
  • Ben Allison Film Scores
  • Carlos Blanco Flamenco
  • David Braid London
  • Nick Douglas Writer
  • Rayendra Sunito Drums
  • Louis Marks Apparel & Fashion
  • Jimmy Dludlu Guitar
  • Nathan Amaral Salzburg
  • Yunior Terry Violin
  • Yoruba Andabo Rumba
  • David Ritz Lyricist
  • Raphael Saadiq Record Producer
  • Celsinho Silva Record Producer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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