CURATION
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from this page:
by Title Holder
Network Node
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Name:
Dave Smith
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City/Place:
Frome, Somerset
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Country:
United Kingdom
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Hometown:
Norwich
Life & Work
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Bio:
Dave Smith is best known for his work with Robert Plant and the Sensational Space Shifters, Fofoulah, and Afro-Blues group Juju. He has recorded drums for Rachid Taha, Bassekou Kouyate and Robert Plant and has performed with Patty Griffin, Donny McCaslin, Chrisse Hynde and Eddie Henderson. As co-founder of the Loop Collective, Dave is part of some of the most adventurous musical projects in the UK, which include Strobes, Cloudmakers Trio, Outhouse, MA and Splice. As co-leader of Outhouse Ruhabi and Fofoulah, he is the man behind the most fruitful collision of West African drum music and European jazz yet to surface.
Born in Norwich, Dave began playing drums at the age of nine and was immersed in musical groups playing in orchestras, big bands, and jazz combos. At sixteen Dave was awarded a scholarship to become a specialist musician at Wells Cathedral School where he attended 1997 to 1999. He then went on to study Jazz Performance at the Guildhall School of Music and Drama, where he graduated in 2003.
Since graduating, Dave has been heavily involved in the London and UK jazz scene playing with bands such as Arnie Somogyi’s Ambulance, Pete King Quartet, Paul Booth Quintet, the Sam Crowe Group and Mark Lockheart’s ‘In Deep’ as well as performing with artists such as Donny McCaslin, Jeanne Added, Hilmar Jensson, Eddie Henderson, Ingrid Jenson, Lukas Kranzilbinder and Ralph Alessi.
Through the shared desire to write and perform original and improvised music with other musicians within London’s creative community, Dave co-founded the Loop Collective in 2005. The ethos of the collective is to create more exposure for its members through performance opportunities, exchanges with other music collectives, and its own record label, Loop Records. Loop projects include Splice, MA, Dan Nicholls’ Mirror, Strobes, Cloudmakers Trio, Outhouse, Ouhouse Ruhabi and Jim Hart’s Gemini.
Dave began studying Sabar drumming with Wolof musicians in West Africa and the UK after an inspirational trip to The Gambia in 2002. Whilst in The Gambia Dave assisted on ECCO courses (Education through Communication and Culture Organisation) for Guildhall School students and led school workshops with ECCO and the Child Protection Alliance. Immersing himself in these complex West African rhythms has inspired Dave throughout his career. Supported by Arts Council England, PRS Foundation, and the BBC Performing Arts Fund, Dave led a project in The Gambia with Outhouse and five Sabar percussionists in 2007. The group Outhouse Ruhabi was formed and with the continued support of these funding bodies the group was able to record an album and tour in the UK in 2008, 2009, and 2011. Highlights included performances at Cheltenham Jazz Festival in 2008, Festival Africolor in Paris in 2009 and the London Jazz Festival in 2011.
Fofoulah was formed by Dave and Outhouse Ruhabi members Johnny Brierley, Kaw Secka, and Tom Challenger in 2011. With the addition of Phil Stevenson on guitar and Biram Seck on vocals the group experimented with writing grooves and music based on Sabar drumming, similar to Ruhabi, which lent more on dance floor influences and song form structures and led to the EP Bene Bop (released in 2013 on Loop Records). Fofoulah followed this up in 2014 with their debut self titled album on Glitterbeat Records featuring new front man Batch Gueye and guest vocalists Ghostpoet, Iness Mezel, and Juldeh Camara.
Dave was invited to join Justin Adams and Juldeh Camara in 2010 for a tour in Japan. They went on to record the following year at Real World Studios with Beak bassist Billy Fuller. From these sessions the album In Trance (Real World 2011) was released and the band Juju was formed. Juju toured Europe throughout 2011 and 2012, performed at the BT River of Music event alongside an array of African artists and were the rhythm section for Rachid Taha’s album Zoom! as well as Iness Mezel’s album Trance. Juju were taken on by Robert Plant in July 2012 to be part of his new band Robert Plant and the Sensational Space Shifters. Dave performed for 6 years with Robert Plant, touring the world twice over and recording two albums ‘lullaby and the… Ceaseless Roar’ in 2014 and ‘Carry Fire’ in 2017, both on the Nonesuch label. Performance highlights from these tours include playing at Glastonbury Festival , Austin City Limits, the Sydney Opera House, Lollapalooza in South America, The Royal Albert Hall and Bonnaroo Music and Arts Festival. They also appeared on The One Show, Live with Jools Holland, The Colbert Report, The Late Late Show with James Corden and The Tonight Show featuring Jimmy Fallon. Dave left the band at the end of the summer in 2018 and at that point was able to put his energy towards Fofoulah and his other creative projects. Fofoulah’s second album Daega Rek was released that November on Glitterbeat Records and set a new tone for the band’s live performances with intense spoken word and electronics. Fofoulah continue to perform, write and record and in October 2019 they were invited to perform a showcase at Womex.
Other current bands include a new collaboration with Irish vocalist Lauren Kinsella which features Tom Challenger, a West Country based quartet with Sam Crockatt, Dan Moore and Riaan Vosloo, Nick Malcolm’s Up Front featuring Jason Yard, Moss Freed’s Union Division, an improv duo with George Crowley and a quartet with Mark Lockheart featuring Elliot Galvin and Tom Herbert.
Dave is also teaching Sabar drumming workshops, rhythm classes, and one-to-one drum kit privately, in schools and as a visiting teacher in universities and music colleges.
Dave’s endorsements include Istanbul Agop, Ludwig Drums, Remo Percussion, Wincent Sticks, Protection Racket and Roland Drums & Percussion.
Clips (more may be added)
I created this matrix so the world could discover elemental cultural genius here in Bahia, Brazil: João do Boi (rest in power), Roberto Mendes, Raymundo Sodré and magisterial others. To make these artists discoverable worldwide though, there's a catch: The matrix must encompass so far as possible, and do the same for in equal measure, ALL CREATORS EVERYWHERE.
The Integrated Global Creative Economy, uncoiling from this sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix.
The mathematics of the small world phenomenon transforming the creative universe into a creative village wherein all are connected by short pathways to all.
Tap the crosses on somebody's Matrix Page to recommend that person for that category.
(Crosses visible when you are logged in)
The crosses will turn green.
That person/category will appear in your My Curation & Recommendations.
You will appear in that person's Incoming Curation and Recommendations.
You and the person you are recommending will be pulled by mathematical gravity to within DISCOVERABLE distance of EVERYBODY ELSE INSIDE the Matrix.
In a small world great things are possible.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
This list is random, and incomplete. Reload the page for another list.