I launched this project in New York City on January 1, 2017, inspired by the late Jason Polan’s Every Person in New York and James Gulliver Hancock’s All the Buildings in New York. At that time, according to a New Yorker profile of the critic Pete Wells, there were some 24,000 restaurants in the city. It is mathematically possible to visit all of them in under a year by spending 20 minutes at a stop. Luckily, it takes me almost exactly 20 minutes to draw the façade of each place, working strictly from life, in ink (without a pencil or erasing anything).
In a perfect world, I would have finished New York City in twelve months. Of course, my calculation didn’t take into account openings and closings, travel between each one, sleep, work, outside responsibilities, and coloring and printing. Or black-swan events like the Coronavirus pandemic. So, I have been at it ever since.
Since 2017, I’ve expanded my reach to include Paris and London and (hopefully) beyond as I expect to continue doing this work for the rest of my life—which is precisely the point. I first conceived of this site’s title as intentionally hyperbolic, but it has a deeper meaning. For when I say, “All the Restaurants,” I’m being more aspirational than descriptive. It’s my aim to draw forever, and your support of this project makes that goal achievable.
I draw at least twice a day, and if you are curious about why, details are in the articles below. In a previous life, I was an editor at The New Yorker magazine, where I also published a few cartoons. In 2011, I edited “Man with a Pan: Culinary Adventures of Fathers who Cook for their Families,” a best-selling anthology featuring recipes and essays from Mario Batali, Mark Bittman, Mark Kurlansky, Stephen King, Jim Harrison, and many others. I also used to write about cooking at home on my blog, Stay at Stove Dad.
Life & Work
Bio:
I’m an artist and a writer and the founder of All the Restaurants in New York. My articles and cartoons have appeared in The New Yorker, The New York Times, Barron’s, and other publications.
I’m also the editor of “Man With a Pan: Culinary Adventures of Fathers Who Cook For their Families,” a 2011 best-selling anthology featuring contributions from Mario Batali, Mark Bittman, Mark Kurlansky, Stephen King, and many others.
Quotes, Notes & Etc.
“John Donohue is the Rembrandt of New York City’s restaurant facades.”
– Adam Platt, restaurant critic, New York magazine
"If you know someone who’s wild for a special New York restaurant, this is the perfect present.”
– Ruth Reichl, former editor of Gourmet magazine
"John Donohue, a former editor at The New Yorker, has a talent for the visual image, not just the written word."
– Florence Fabricant, of The New York Times
Incoming Curation & Recommendations
Recommend John Donohue in order to appear here. Click on the grey crosses visible when logged in. Your photo will appear, with a link back to your page:
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; recorded "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
Tap the grey crosses next to the categories on somebody's Matrix Page to recommend that person for that category.
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By the small world phenomenon (6 degrees of separation in the general population), you will not only be one step from the recommended person, you will tend to some small number of steps from everybody inside the Matrix.
All is closer than we imagine.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Thus A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And thus a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
EX TERRA BRASILIS
The Small World Phenomenon
Susan Rogers
Alicia Svigals
Julian Lloyd Webber
Clarice Assad
Sodré
Betão Aguiar
Bule Bule
Caetano Veloso
Darius Mans
Sparrow/Pardal Roberts
RÁDIO MATRIX