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  • Why a "Matrix"?
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending John Donohue:

  • 3 Artist
  • 3 Cartoonist
  • 3 Journalist
  • 3 New York City
  • 3 Writer

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  • John Donohue
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    • May 13, 2021
  • John Donohue
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    Journalist
    • April 29, 2019
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    New York City
    • April 29, 2019
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    Writer
    • April 29, 2019
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    • April 29, 2019
  • John Donohue
    John Donohue is matrixed!
    • April 29, 2019
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • John Donohue
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: John Donohue
  • City/Place: Brooklyn, New York
  • Country: United States

Current News

  • What's Up? ALL THE RESTAURANTS: Hand Drawn

    I launched this project in New York City on January 1, 2017, inspired by the late Jason Polan’s Every Person in New York and James Gulliver Hancock’s All the Buildings in New York. At that time, according to a New Yorker profile of the critic Pete Wells, there were some 24,000 restaurants in the city. It is mathematically possible to visit all of them in under a year by spending 20 minutes at a stop. Luckily, it takes me almost exactly 20 minutes to draw the façade of each place, working strictly from life, in ink (without a pencil or erasing anything).

    In a perfect world, I would have finished New York City in twelve months. Of course, my calculation didn’t take into account openings and closings, travel between each one, sleep, work, outside responsibilities, and coloring and printing. Or black-swan events like the Coronavirus pandemic. So, I have been at it ever since.

    Since 2017, I’ve expanded my reach to include Paris and London and (hopefully) beyond as I expect to continue doing this work for the rest of my life—which is precisely the point. I first conceived of this site’s title as intentionally hyperbolic, but it has a deeper meaning. For when I say, “All the Restaurants,” I’m being more aspirational than descriptive. It’s my aim to draw forever, and your support of this project makes that goal achievable.

    I draw at least twice a day, and if you are curious about why, details are in the articles below. In a previous life, I was an editor at The New Yorker magazine, where I also published a few cartoons. In 2011, I edited “Man with a Pan: Culinary Adventures of Fathers who Cook for their Families,” a best-selling anthology featuring recipes and essays from Mario Batali, Mark Bittman, Mark Kurlansky, Stephen King, Jim Harrison, and many others. I also used to write about cooking at home on my blog, Stay at Stove Dad.

Life & Work

  • Bio: I’m an artist and a writer and the founder of All the Restaurants in New York. My articles and cartoons have appeared in The New Yorker, The New York Times, Barron’s, and other publications.

    I’m also the editor of “Man With a Pan: Culinary Adventures of Fathers Who Cook For their Families,” a 2011 best-selling anthology featuring contributions from Mario Batali, Mark Bittman, Mark Kurlansky, Stephen King, and many others.

Contact Information

  • Email: my-first-name [at] johndonohue [dot] com

Media | Markets

  • ▶ Buy My Art: http://www.eatdrawrepeat.com
  • ▶ Book Purchases: http://alltherestaurants.com
  • ▶ Twitter: eatdrawrepeat
  • ▶ Instagram: eat.draw.repeat
  • ▶ Website: http://johndonohue.com
  • ▶ Website 2: http://alltherestaurants.com
  • ▶ Articles: http://www.newyorker.com/contributors/john-donohue
  • ▶ Articles 2: http://www.stayatstovedad.com
  • ▶ Articles 3: http://www.art.com/gallery/id--a419881-b704688/john-donohue-new-yorker-cartoons-by-subject-posters.htm

More

  • Quotes, Notes & Etc. “John Donohue is the Rembrandt of New York City’s restaurant facades.”
    – Adam Platt, restaurant critic, New York magazine

    "If you know someone who’s wild for a special New York restaurant, this is the perfect present.”
    – Ruth Reichl, former editor of Gourmet magazine

    "John Donohue, a former editor at The New Yorker, has a talent for the visual image, not just the written word."
    – Florence Fabricant, of The New York Times
  • Kareem Abdul-Jabbar Writer
  • Louis Marks Ropeadope
  • Luedji Luna Salvador
  • Kamasi Washington Saxophone
  • Magary Lord AFROBIZ Salvador
  • Gilberto Gil Salvador
  • Mário Pam AFROBIZ Salvador
  • Herbie Hancock Jazz
  • Bobby Sanabria Manhattan School of Music Faculty
  • Darius Mans Economist
  • Lazzo Matumbi Salvador
  • Taj Mahal Blues
  • Alicia Svigals Klezmer Fiddle
  • Margareth Menezes Salvador
  • Jorge Washington AFROBIZ Salvador
  • Gal Costa Salvador
  • Raymundo Sodré Bahia
  • Yosvany Terry Harvard University Faculty
  • Simon Brook Filmmaker
  • Hermeto Pascoal Multi-Instrumentalist
  • Christopher Wilkinson Screenwriter
  • Pedrito Martinez Congas
  • Jau Salvador
  • Mestre Nenel AFROBIZ Salvador
  • Mateus Aleluia Candomblé
  • Armandinho Macêdo Salvador
  • Julian Lloyd Webber Cello
  • Nduduzo Makhathini South Africa
  • Vijay Iyer Harvard University Faculty
  • Robert Glasper Hip-Hop
  • Caetano Veloso Salvador
  • Kurt Rosenwinkel Guitar
  • Gabi Guedes Salvador
  • Bob Mintzer USC Thornton School of Music Faculty
  • Toby Gough Musical Theater
  • Chief Xian aTunde Adjuah New Orleans
  • Juliana Ribeiro Salvador
  • Ilê Aiyê Salvador
  • Paulinho da Viola Samba
  • João do Boi Samba de Roda
  • Lauranne Bourrachot Movie Producer
  • Airto Moreira Brazil
  • Jay Mazza Journalist
  • Iuri Passos AFROBIZ Salvador
  • Paulo Aragão MPB
  • Mestre Nenel AFROBIZ Salvador
  • Chris Speed New York City
  • Cainã Cavalcante MPB
  • Bernardo Aguiar Percussion
  • Darol Anger Folk & Traditional
  • Trombone Shorty Jazz
  • Curtis Hasselbring Composer
  • Joey Alexander Piano
  • Biréli Lagrène France
  • Pururu Mão no Couro Samba
  • Gino Banks India
  • Leigh Alexander Journalist
  • Congahead Afro-Cuban Jazz
  • Daniel Jobim Samba
  • Ryan Keberle Melodica
  • Burkard Polster Author
  • Dan Tyminski Mandolin
  • Berta Rojas Paraguay
  • Brian Jackson Keyboards
  • Laércio de Freitas Arranger
  • Virgínia Rodrigues Brazil
  • Horace Bray Jazz
  • Dhafer Youssef ظافر يوسف Oud
  • Carl Allen Record Producer
  • Chris Acquavella Germany
  • João Parahyba Percussion
  • Daedelus DJ
  • Papa Grows Funk New Orleans
  • Arthur L.A. Buckner Gospel
  • Calypso Rose Trinidad & Tobago
  • David Virelles New York City
  • David Sacks Washington, D.C.
  • Woz Kaly Africa
  • Taylor McFerrin Multi-Instrumentalist
  • Philipp Meyer Novelist
  • Burhan Öçal Singer
  • Nelson Faria YouTuber
  • Ivan Lins Rio de Janeiro
  • Oscar Bolão Choro
  • Jovino Santos Neto Piano
  • Gian Correa São Paulo
  • Fernando César Composer
  • THE ROOM Shibuya Music Venue
  • Jeffrey Boakye Journalist
  • Ali Jackson Drums
  • Dadi Carvalho Brazil
  • Chris Acquavella Mandolin Instruction
  • Samba de Lata Brazil
  • Chucho Valdés Piano
  • Mário Pam Bloco Afro
  • Flora Purim Jazz Fusion
  • Archie Shepp Singer
  • Aneesa Strings Singer
  • James Brandon Lewis New York City
  • Giorgi Mikadze გიორგი მიქაძე Composer
  • Kiko Horta Composer
  • Las Cafeteras Chicano Music
  • Aderbal Duarte Bossa Nova
  • Bule Bule Brazil
  • Kamasi Washington Jazz/Funk/R&B/Soul/Hip Hop
  • Yuja Wang New York City
  • Moses Boyd Electronic Music
  • Alan Williams Furniture
  • Vijith Assar Tech Writer
  • Mickalene Thomas Painter
  • Gerald Cleaver Drums
  • Tony Trischka Bluegrass
  • Nate Chinen Journalist
  • Martín Sued Bandoneon
  • Marcelinho Oliveira Artistic Director
  • Tigran Hamasyan Armenia
  • Conrad Herwig Composer
  • A-KILL India
  • Eric Bogle Folk & Traditional
  • Brian Jackson Jazz
  • João Teoria Jazz Afro-Baiano/Afro-Bahian Jazz
  • Wouter Kellerman Fife
  • Mahsa Vahdat Persian Classical Music
  • João Teoria Bahia
  • Oscar Bolão Percussion
  • Johnny Lorenz Writer
  • Jimmy Dludlu Mozambique
  • Zé Katimba Cavaquinho
  • Brandon Coleman Singer-Songwriter
  • Eric Galm Ethnomusicologist
  • Paulão 7 Cordas Music Director
  • Ryan Keberle MPB
  • Robert Glasper Jazz
  • Stefon Harris Manhattan School of Music Faculty
  • King Britt Electronic Music
  • Pururu Mão no Couro Salvador
  • Joachim Cooder Multi-Cultural
  • Nação Zumbi Rock
  • Guilherme Kastrup Drums
  • Bebê Kramer Brazil
  • Giveton Gelin New York City
  • Luedji Luna Singer-Songwriter
  • Restaurante Axego Restaurant
  • Ariel Reich Dance for PD®
  • Léo Rodrigues Forró
  • David Kirby Journalist
  • Martin Koenig Čalgija
  • Marcel Powell Samba
  • Betsayda Machado Tambor
  • Bobby Sanabria Bandleader
  • Michael League Multi-Instrumentalist
  • Branford Marsalis Jazz
  • Raelis Vasquez Drawings
  • Jess Gillam Concert Promoter
  • Jakub Józef Orliński Opera
  • Billy O'Shea Copenhagen
  • Ben Williams Bass
  • James Elkington Folk Rock
  • Chief Xian aTunde Adjuah New Orleans
  • Robby Krieger Los Angeles
  • Munir Hossn Brazil
  • Jorge Ben Singer-Songwriter
  • Omari Jazz Brainfeeder
  • Echezonachukwu Nduka Writer
  • Perumal Murugan Short Stories
  • Meklit Hadero Singer-Songwriter
  • Angel Bat Dawid Composer
  • Stormzy Singer-Songwriter
  • Vijith Assar Writer
  • Tatiana Eva-Marie Singer
  • Irma Thomas Soul
  • Mart'nália Percussion
  • Charles Munka Hong Kong
  • Howard Levy Keyboards
  • John McLaughlin Jazz
  • Domingos Preto Santiago do Iguape
  • David Braid London
  • Deborah Colker Brazil
  • Joe Lovano Composer
  • Aruán Ortiz Piano
  • Arthur Verocai Arranger
  • Banning Eyre Guitar
  • Ruven Afanador Colombia
  • Tigran Hamasyan Armenian Folk Music
  • Marcus Gilmore New York City
  • Chucho Valdés Cuba
  • Negra Jhô African Hairstyles
  • Júlio Lemos San Francisco
  • Jean-Paul Bourelly Guitar
  • Cyro Baptista Brazil
  • Gabriel Grossi Brazilian Jazz
  • Béla Fleck Americana
  • Flying Lotus Record Producer
  • Django Bates Bern University of the Arts Faculty
  • Edu Lobo MPB
  • Joel Guzmán Accordion
  • Ivan Lins Piano
  • Victor Wooten Bass
  • Keyon Harrold Multi-Instrumentalist
  • Matt Glaser Jazz
  • Rosa Passos Brazil
  • Yotam Silberstein New York City
  • Henrique Cazes Rio de Janeiro
  • Kurt Andersen Screenwriter
  • Siba Veloso Rabeca
  • TaRon Lockett Singer-Songwriter
  • Fatoumata Diawara Paris
  • Brian Blade Composer
  • Toninho Ferragutti Composer
  • Mykia Jovan Funk
  • Oscar Bolão Rio de Janeiro
  • Jon Batiste New Orleans
  • Karim Ziad Paris, France
  • Toninho Ferragutti Accordion
  • Dale Farmer Old-Time Music
  • João do Boi Bahia
  • Thomas Àdes Opera
  • Anne Gisleson New Orleans
  • Jacám Manricks UC Davis Faculty
  • José James R&B
  • Christian Sands Piano
  • Marcos Suzano Brazil
  • Mauro Senise Flute
  • Célestin Monga Africa
  • Harish Raghavan Multi-Cultural
  • Ricky (Dirty Red) Gordon Frottoir
  • Melissa Aldana New York City
  • Carlos Malta Bass Clarinet
  • Grégoire Maret Composer
  • David Mattingly Pratt Institute Faculty
  • Sandro Albert New York City
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Victor Wooten Composer
  • Jake Webster Painter
  • Serwah Attafuah Singer
  • Djuena Tikuna Tikuna
  • Horacio Hernández Percussion
  • Mikki Kunttu Set Designer
  • Jeff Tweedy Singer-Songwriter
  • THE ROOM Shibuya Japan
  • Soweto Kinch Rapper
  • Milton Nascimento MPB
  • Anat Cohen Israel
  • Nancy Ruth Singer-Songwriter
  • Jocelyn Ramirez Online Cooking Classes
  • Bill Callahan Austin, Texas
  • Nelson Sargento Rio de Janeiro
  • Sergio Krakowski MPB
  • Carwyn Ellis Alternative Indie
  • Horace Bray Singer-Songwriter
  • Nação Zumbi Olinda
  • John Patitucci Bass Instruction
  • Nabihah Iqbal DJ
  • Adam Rogers New York City
  • Antonio García University of KwaZulu-Natal Faculty
  • Manassés de Souza Ceará
  • Léo Rugero São Paulo
  • Lokua Kanza Congo
  • Pretinho da Serrinha Percussion
  • Mário Pam Percussion Classes & Workshops
  • Peter Mulvey Milwaukee, Wisconsin
  • Biréli Lagrène Manouche
  • Paul Cebar R&B
  • Tele Novella Austin, Texas
  • Alisa Weilerstein Classical Music
  • Henry Cole Puerto Rico
  • Philip Sherburne Photographer
  • Alicia Keys Actor
  • Jim Hoke Multi-Instrumentalist
  • Nilze Carvalho Singer
  • Dezron Douglas New York City
  • Henrique Cazes Choro
  • Ricardo Herz Brazilian Jazz
  • Ayrson Heráclito Multimedia Artist
  • Bob Mintzer USC Thornton School of Music Faculty
  • Afrocidade Brazil
  • Jeff Ballard Jazz
  • Mariana Zwarg Flute
  • David Bragger Record Label Owner
  • Peter Erskine Author
  • Pedrito Martinez Batá
  • Daymé Arocena Havana
  • Questlove Record Producer
  • Gerônimo Santana Salvador
  • Fabian Almazan Jazz
  • Alex Mesquita Brazil
  • David Castillo Singer
  • Greg Kot Writer
  • Liberty Ellman Record Producer
  • Mazz Swift Singer
  • Chris Thile Composer
  • José Antonio Escobar Barcelona
  • Yamandu Costa Choro
  • Chris Thile Classical Music
  • Matt Ulery Multi-Cultural
  • Negra Jhô Tranças/Braids
  • Congahead African Music
  • Léo Rodrigues Choro
  • Paulinho da Viola Rio de Janeiro
  • Yuja Wang China
  • Raynald Colom Composer
  • Ricardo Herz Forró
  • Michael W. Twitty Culinary Historian
  • Lilli Lewis New Orleans
  • Daedelus Record Producer
  • Adam O'Farrill Composer
  • Ronell Johnson Brass Band
  • Jimmy Dludlu Jazz
  • Mauro Diniz Brazil
  • Silas Farley Choreographer
  • Fabiana Cozza Samba
  • Sam Yahel Hammond B-3
  • Joshue Ashby Afro-Cuban Music
  • Cássio Nobre Bahia
  • Ilê Aiyê Brazil
  • João Bosco Samba
  • Emicida MC
  • Weedie Braimah Ropeadope
  • Mestre Nenel Capoeira
  • Jim Lauderdale Country
  • Louis Marks Music Producer
  • Joshua Redman Saxophone
  • Ben Harper Singer-Songwriter
  • Tam-Ky Asian-African Foods
  • Brandon Wilner DJ
  • Liron Meyuhas Tel Aviv
  • Marc Ribot Guitar
  • Hamilton de Holanda Brazilian Jazz
  • Terrace Martin Record Producer
  • Bob Mintzer Big Band Leader
  • Danilo Caymmi MPB
  • Yoron Israel Multi-Cultural
  • Simone Sou Record Producer
  • Tero Saarinen Dancer
  • Ryuichi Sakamoto New York City
  • Steve Earle Singer-Songwriter
  • Sérgio Pererê Belo Horizonte
  • Tommaso Zillio YouTuber
  • William Skeen Viola da Gamba
  • Mart'nália Singer-Songwriter
  • João Callado Composer
  • Leci Brandão Singer-Songwriter
  • Edsel Gomez New York City
  • Daniil Trifonov Classical Music

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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