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  • No princípio...
  • In the beginning...

The Birth of the Matrix →

No princípio...

Imagine um Facebook que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem.

 

Imagine uma versão atualizada do antigo Myspace Music, que incluiria não apenas músicos, mas todos da economia criativa global da humanidade.

 

E imagine que ao invés de ter "amigos", recomendaria as pessoas pelo que fazem...

 

E que, por alguma mágica fantástica, todos nessa rede imaginária tenderiam a estar a poucos passos de todos os outros, o que significa que todos em nossa rede seriam potencialmente encontrados por todos os outros na rede, e no planeta.

 

Você está imaginando o Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a Facebook that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did.

 

Imagine an updated version of old Myspace Music, which would include not just musicians but all in humanity's global creative economy.

 

And imagine that rather than having "friends", one would recommend people for what they do...

 

And that by some fantastic magic everybody in this imaginary network would tend to be within scant steps of everybody else, meaning that everybody in our network would be potentially findable by everybody else in the network, and on the planet.

 

You are imagining the Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Regina Carter)
    I RECOMMEND
    You can recommend Regina Carter from below when logged in ←

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Regina Carter
  • City/Place: Maywood, New Jersey
  • Country: United States
  • Hometown: Detroit, Michigan

Life & Work

  • Bio: Trying to fit Regina Carter into a neatly defined musical category is pointless. She enjoys performing many styles of music—jazz, R&B, Latin, classical, blues, country, pop, African, and on and on. In each she explores the power of music through the voice of the violin.

    A recipient of the MacArthur “genius” award and a Doris Duke Artist Award, Regina has been widely hailed for her mastery of her instrument and her drive to expand its possibilities. In 2018 she was nominated for a Grammy for Best Improvised Solo for “Some of That Sunshine,” the title track on vocalist Karrin Allyson’s album. Besides performing, Regina is artistic director of the Geri Allen Jazz Camp, a unique summer immersion program sponsored by NJPAC for aspiring women jazz professionals. She is on the faculty of the Manhattan School of Music and is artist in residence at the Oakland University School of Music, Theatre, and Dance. Past positions have included resident artist for San Francisco Performances and resident artistic director for SFJAZZ.

    Born in Detroit, Regina began studying violin at the age of four using the Suzuki method. She attended Cass Technical High School in Detroit, and her training continued at the New England Conservatory of Music and at Oakland University in Michigan for jazz. She taught violin in public schools in Detroit and on a U.S. military base in Germany. She first gained attention with Straight Ahead, an all-female jazz quintet that celebrated its 25-year reunion at the 2018 Detroit Jazz Festival. She also recorded and toured for six years with The String Trio of New York.

    In 1995 Regina released her self-titled solo debut on Atlantic Records. Three more albums followed in rapid succession: Something for Grace (1997), Rhythms of the Heart (1999), and Motor City Moments (2000), all on Verve. Traveling to Genoa, Italy, and making history by being the first nonclassical violinist to play Niccolò Paganini’s Il Cannone (“The Cannon”), the legendary violin built by Giuseppe Guarneri in 1743, inspired her next effort, Paganini: After a Dream (Verve, 2003). I'll Be Seeing You: A Sentimental Journey (Verve, 2006) became a powerful and heartfelt tribute to her late mother. The connection to family, history, and tradition continued in Reverse Thread (E1 Music, 2010) and Southern Comfort (Sony Masterworks, 2014), drawing ties between her own African heritage and her family’s history. Her most recent release, Ella: Accentuate the Positive (OKeh, 2017), celebrates the music and spirit of her inspiration, musical legend Ella Fitzgerald.

    Regina also can be heard on such albums as Arturo O’Farrill’s Fandango at the Wall: A Soundtrack for the United States, Mexico and Beyond; Stefon Harris’s Sonic Creed; John Beasley’s MONK’estra, volume 2; and James Carter’s Caribbean Rhapsody, along with Eddie Palmieri's Listen Here!, which won a 2005 Grammy award for best Latin Jazz album, and the Grammy-nominated Freefall with Kenny Barron.

    She has performed at numerous jazz festivals, including Monterey, Newport, Detroit, New Orleans, Atlanta, Bern, Montreux, Miami, Rochester, Montreal, Mid-Atlantic (Washington, DC), PDX (Portland, Oregon), Vitoria-Gasteiz (Spain), and North Sea (Rotterdam, the Netherlands). Among the orchestras she has appeared with are the Detroit Symphony Orchestra, the Chicago Symphony, the Orquestra Sinfônica do Estado de São Paulo, the Atlanta Symphony, the Knoxville Jazz Orchestra, and the Chicago Sinfonietta. Particularly thrilling was her participation in the 2017 International Jazz Day All-Star Global Concert in Havana, Cuba.

    A winner of multiple readers’ and critics’ poll awards from DownBeat, JazzTimes, and other publications, Regina tours with her own group and has appeared frequently as a guest soloist, including with such performers as Kenny Barron, the late bassist Ray Brown, Akua Dixon, Steve Turre, Stefon Harris, George Wein, Mary J. Blige, the late Aretha Franklin, Joe Jackson, Billy Joel, Dolly Parton, Omara Portuondo, Cassandra Wilson, Sweet Honey In The Rock, Rhiannon Giddens, and Chieli Minucci and Special EFX.

    Regina has twice been a Pulitzer Prize jurist and has served as a Film and Music panelist for the Kresge Artist Fellowships. She received an honorary doctorate of humane letters from Albion College in 2006.

    Along with performing, recording, teaching, and mentoring, Regina is passionate about bringing music into nursing homes and hospice settings. As part of that commitment, she trained to be a hospice volunteer at Hospice of New Jersey, in Bloomfield.

    Regina lives in Maywood, New Jersey, with her husband, drummer Alvester Garnett.

Contact Information

  • Email: [email protected]
  • Management/Booking: Booking:
    Jeanna Disney
    [email protected]
    (978) 283-2883
    imnworld.com

    For Europe, South America & Mexico:
    Amparo Tebar
    Tebar Asociados Music Agency
    [email protected]

    Press Requests:
    Matthew Jurasek, DL Media
    [email protected]
    cc: Gabrielle Howarth [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://reginacarter.com/albums
  • ▶ Twitter: Regina_Carter
  • ▶ Instagram: regina_carter_violin
  • ▶ Website: http://reginacarter.com
  • ▶ YouTube Channel: http://www.youtube.com/user/ReginaCarterVEVO/videos
  • ▶ YouTube Music: http://music.youtube.com/channel/UCK4KfCXYZqgkXhjuHionZ8Q
  • ▶ Spotify: http://open.spotify.com/album/4KpbU96UTx4DB0ukuTE5vu
  • ▶ Spotify 2: http://open.spotify.com/album/7lg4AV7opc3JwoZCFhHBMA
  • ▶ Spotify 3: http://open.spotify.com/album/2TQYk65AXyOAJLrEIcHNQJ
  • ▶ Spotify 4: http://open.spotify.com/album/149V0HZMaxjgSr4mrvwC1n
  • ▶ Spotify 5: http://open.spotify.com/album/516C5gZ3OUA9xordzucDj1
  • ▶ Spotify 6: http://open.spotify.com/album/2k3AggTyABdeLGFLIqqjjh

More

  • Quotes, Notes & Etc. ENDORSEMENTS

    VIOLIN
    R.S. Berkley
    New Jersey, USA
    www.reginacarterviolincollection.com

    CARBON BOW
    Les Nouveaux Materiaux, Marseille, France
    www.carbow.com

Clips (more may be added)

  • AMC trio & Unit with Regina Carter, Lapis Refugii
    By Regina Carter
    334 views
  • NPR Music Tiny Desk Concert
    By Regina Carter
    510 views
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Do you  recommend Regina Carter?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 5 Americana
  • 5 Classical Music
  • 5 Jazz
  • 5 Manhattan School of Music Faculty
  • 5 Multi-Cultural
  • 5 Violin

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
  • Irma Thomas Blues
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  • Joan Chamorro Spain
  • Damon Krukowski Drums
  • André Becker Salvador
  • Dave Eggers Publisher
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  • Rolando Herts Delta Blues
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  • Orrin Evans Neo Soul, Acid Jazz
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Morgan Page DJ
  • Little Simz Actor
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  • David Fiuczynski Multi-Cultural
  • Mestre Nenel Salvador
  • Angel Bat Dawid Black American Traditional Music
  • Tigran Hamasyan Piano
  • Erika Goldring Music Photographer
  • Juliana Ribeiro Salvador
  • Matt Glaser Jazz
  • Cleber Augusto Songwriter
  • César Orozco Cuba
  • Urânia Munzanzu Poeta, Poet
  • Celino dos Santos Viola Machete
  • Bruce Molsky Banjo Instruction
  • Manolo Badrena Berimbau
  • Gerônimo Santana Trombone
  • Allen Morrison Songwriter
  • Cláudio Jorge Singer-Songwriter
  • Garvia Bailey Toronto
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Mario Ulloa Salvador
  • Ronaldo Bastos Composer
  • Marcos Portinari Produtor Multimídea, Multimedia Producer
  • Wouter Kellerman Bass Flute
  • Jake Oleson Filmmaker
  • Hugo Rivas Argentina
  • Daniil Trifonov Russia
  • Arto Tunçboyacıyan Jazz
  • Adriano Giffoni Author
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  • Omari Jazz Brainfeeder
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  • Sophia Deboick England
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  • Paulo César Figueiredo Rio de Janeiro
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  • Tyler Gordon Writer
  • Fred P Electronic Music
  • The Brain Cloud Western Swing
  • David Braid London

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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