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  • María Grand

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: María Grand
  • City/Place: New York City
  • Country: United States
  • Hometown: Geneva, Switzerland

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: María Grand is a saxophonist, composer, educator, and vocalist. She moved to New York City in 2011. She has since become an important member of the city’s creative music scene, performing extensively in projects led by or including musicians such as Nicole Mitchell, Vijay Iyer, Craig Taborn, Mary Halvorson, Jen Shyu, Aaron Parks, Fay Victor, Joel Ross, etc.

    María writes and performs her original compositions with her ensemble, DiaTribe; her debut EP “TetraWind” was picked as “one of the 2017’s best debuts” by the NYC Jazz Record and her full-length album Magdalena was praised by major publications such as the New York Times, Downbeat, JazzTimes, Billboard, JazzIz, and others. The New York Times calls her “an engrossing young tenor saxophonist with a zesty attack and a solid tonal range”, while Vijay Iyer says she is “a fantastic young saxophonist, virtuosic, conceptually daring, with a lush tone, a powerful vision, and a deepening emotional resonance.”

    She is a recipient of the 2017 Jazz Gallery Residency Commission, the 2018 Roulette Jerome Foundation Commission, and the 2019 Roulette Residency. She was Best New Artist for the 2018 Extended Jazz Times Critics Poll; she was also nominated for the Jazz Journalist’s Association Up-And-Coming Musician of the Year 2018 and named the 2018 Newcomer Musician for the El Intruso 11th Annual Internation Critics Poll. As an activist in the performing arts, María is a founding member of anti-discrimination group, the We Have Voice Collective. María performs regularly with her own ensemble; she is also a member of Joel Ross’ Parables, has toured with Antoine Roney, as well as with RAJAS, led by Carnatic musician Rajna Swaminathan, and joined Mary Halvorson’s Code Girl in 2019.

    She has toured Europe, the United States, and South America, playing in venues and festivals such as Dizzy's Club, the Jazz Gallery and the Stone in New York City, AngraJazz in Azores Islands, the Kimmel Center in Philadelphia, Roulette in Brooklyn, Porgy and Bess (Austria), Bird's Eyes (CH), MassMoca in New Hampshire, JazzJantar Festival in Poland, Le Guess Who Festival in Utrecht (Netherlands), etc...

Contact Information

  • Contact by Webpage: http://www.mariakimgrand.com/contact

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://mariagrand.bandcamp.com
  • ▶ Instagram: mariakimgrand
  • ▶ Website: http://www.mariakimgrand.com
  • ▶ YouTube Channel: http://www.youtube.com/user/mariakimgrand

More

  • Quotes, Notes & Etc. María Grand's debut "Magdalena" was named #6 best Jazz Album of 2018 by Billboard; she was named Best New Artist of 2018 by the JazzTimes Readers Poll, #4 Artist to Watch in 2019 by JazzIz Magazine, was chosen one of the Promoter Picks Artists to Watch for 2019 by JazzFuel.com, was nominated for Best Up-And-Coming Musician of 2018 by the Jazz Journalists Association Awards, and was elected Best Newcomer Musician by the 11th Annual Critics Poll of El Intruso!

    "..the way Grand has grown as a singer in balance with her skills on the reeds is unparalleled”
    - Downbeat Magazine

    "On Magdalena, Ms. Grand unspools a constant flow of ideas, serene and deftly paced..."
    - The New York Times

    "There’s a sense of interior mystery in Magdalena, the full-length debut of María Grand. The 26-year-old Swiss native uses her tenor saxophone like a truth-illuminating candle, her haunting lines exploring every crevice of her equally somber and arresting compositions. No matter how rapt the improvisations, an itch of unknowing pervades the search."
    - JazzTimes

    She plays with a rare combination of warmth and conviction, and has just released Magdalena, an angular, stripped-down album. {..}With song titles like “Isis”, “Maria” and “Magdalena”, this project is a tribute to powerful women, and should be compulsory listening for inside the jazz world and out.
    - The Economist

    Her full-length leader debut, Magdalena, was released on Biophilia Records in 2018. Featuring her dauntless ensemble Diatribe and tackling subjects ranging from mythology to family relationships, the album positioned Grand as an improviser of piercing insight and a composer of vast ambition.
    - JazzIz

    “Luckily, most jazz fans were savvy enough to hear the genius of the 26-year-old’s new direction in modern bop with the excellent Magdalena. Backed by her core rhythm section of bassist Rashaan Carter and drummer Jeremy Dutton (with guest turns from guitarist Mary Halvorson and pianists David Bryant and Fabian Almazan), Magdalena presents a more confident, assured performer and composer than who first emerged on her self-released 2017 debut EP, Tetrawind. She exhibits tremendous growth as both a singer and a reedist.”
    - Billboard

    "On “TetraWind,” an EP released this year, Ms. Grand, 25, unfurls a teetering logic. She conjoins the spiky rhythms of Rashaan Carter’s bass with tilting sheets of harmony, built by her tenor saxophone, David Bryant’s keyboard and Roman Filiu’s alto saxophone. As an improviser, the Swiss-Argentine Ms. Grand is both measured and frank, often venturing into gentle provocation."
    - The New York Times, Giovanni Russonello

    "..a dynamic, Colemanesque solo from saxophonist María Grand.."
    - the Chicago Tribune, Howard Reich

    "Tenorist María Grand takes center with an expressive and stimulating soliloquy.."
    - All About Jazz, Hrayr Attarian

    "...Grand's tenor riding the whip as the team galloped to the finish line..."
    - Jazz Weekly, George W. Harris

    "A Revelation!"
    - Jazz Magazine

    "The two "finds" of the [Newport Jazz] festival for me were coincidentally both women: Maria Grand, tenor player with Steve Coleman, and Kris Davis, pianist with Eric Revis' group. Grand navigated the always tricky Coleman music with a big, broad sound and tremendous melodic acuity."
    - Pat Donaher, Visionsong

    "Une réplique déroutante [...] émanant de la saxophoniste María Grand, une sorte de "ténor en mi bémol" (ainsi qualifiait-on celui de Warne Marsh qui tendait à sonner comme un alto et pourrait-on qualifier aujourd'hui celui de Mark Turner) improvisant dans le sillage du leader dans un esprit de continuité déconcertant."
    - Jazz Magazine, Frank Bergerot

    "[María Grand] is an excellent, exploratory saxophonist you should all know. I first encountered her at a Steve Coleman and the Five Elements show in NYC last year. As you're aware, that is not exactly an easy gig to get. She contributes to Steve's 'Synovial Joints' album, if you want to hear her in that context. [...] Grand's pieces are full of wild twists, turns and time signatures, yet hang together in a compelling way. This is stuff for adventurous listeners. There's excellent interplay between Grand and alto saxophonist Román Filiú.
    - Anil Prasad, found of innerviews.org

Clips (more may be added)

  • Residency: María Grand
    By María Grand
    356 views
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María Grand Curated (bridges in)

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  • María Grand
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    Residency: María Grand
    Pioneer Works' Music Resident María Grand, featuring Satya Celeste www.mariakimgrand.com www.satyaceleste.com Shot and edited by Gabe Rubin Saxophonist, comp...
    • September 22, 2019
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    • September 22, 2019
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  • María Grand
    María Grand is matrixed!
    • September 22, 2019
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Leon Parker Multi-Cultural
  • Lokua Kanza Congo
  • Ricardo Herz Choro
  • Gabriel Grossi Forró
  • Jonga Cunha Author
  • James Poyser Television Scores
  • Carwyn Ellis Record Producer
  • Sahba Aminikia Composer
  • Manuel Alejandro Rangel Venezuela
  • Philip Glass Contemporary Classical Music
  • Catherine Bent Berklee College of Music Faculty
  • Jerry Douglas Record Producer
  • Mariene de Castro Samba
  • Jim Farber Writer
  • James Strauss Brazil
  • Ben Wendel Bassoon
  • Bob Mintzer Big Band Leader
  • Mário Pam Percussion
  • Vincent Valdez Houston, Texas
  • David Binney New York City
  • Mark Markham Vocal Coach
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • Michael Sarian Brooklyn, NY
  • Yilian Cañizares Havana
  • Vincent Herring Jazz
  • Nego Álvaro Rio de Janeiro
  • Robert Glasper Jazz
  • Frank Negrão MPB
  • Bill Pearis Writer
  • James Grime YouTuber
  • Oswaldinho do Acordeon Brazil
  • Brian Q. Torff Piano
  • Marcelo Caldi Forró
  • Ron Carter Author
  • Corey Harris Guitar
  • Tshepiso Ledwaba Clarinet
  • Immanuel Wilkins New York City
  • Fernando César Violão de Sete
  • Marisa Monte MPB
  • Geovanna Costa Bahia
  • Gal Costa Brazil
  • Jamie Dupuis Banjo
  • Bodek Janke Percussion
  • Esperanza Spalding Jazz
  • Don Moyer Graphic Design
  • Maurício Massunaga Multi-Instrumentista, Multi-Instrumentalist
  • Turíbio Santos Classical Music
  • Alyn Shipton Radio Presenter
  • Arto Tunçboyacıyan Singer-Songwriter
  • Chad Taylor Philadelphia
  • Lorna Simpson Sculptor
  • Dumpstaphunk New Orleans
  • Nic Hard Record Producer
  • David Castillo Singer
  • Urânia Munzanzu Brasil, Brazil
  • Tab Benoit Blues
  • Toninho Horta Brazil
  • Leo Genovese Keyboards
  • Cláudio Badega Pandeiro
  • Nathan Amaral Violin
  • Jorge Ben Singer-Songwriter
  • Wadada Leo Smith Jazz
  • Imanuel Marcus Germany
  • Ben Azar Guitar Instruction
  • Sombrinha Bandolim
  • Nancy Viégas Bahia
  • Wouter Kellerman Johannesburg
  • Lula Moreira Percussion
  • Rahim AlHaj Baghdad
  • Nicholas Daniel Classical Music
  • McCoy Mrubata Composer
  • Bob Reynolds Jazz
  • Tyshawn Sorey Composer
  • Jason Marsalis Vibraphone
  • David Hoffman YouTuber
  • Eddie Palmieri Composer
  • Mandisi Dyantyis Singer
  • Tom Moon Music Critic
  • Conrad Herwig Jazz
  • Dermot Hussey Pan-Africana
  • Harold López-Nussa Piano
  • Alicia Svigals Jewish Music
  • Laura Cole Singer-Songwriter
  • André Becker Jazz Brasileiro, Brazilian Jazz
  • Questlove Rapper
  • Luciana Souza Bossa Nova
  • Aaron Goldberg Jazz
  • Ilya Kaminsky Georgia Institute of Technology Faculty
  • Badi Assad Brazil
  • Terry Hunter Chicago
  • Jeff Coffin Saxophone
  • Alexa Tarantino New York City
  • Yo La Tengo Film Scores
  • Chucho Valdés Composer
  • Brigit Katz Toronto
  • Milad Yousufi Poet
  • Nathan Amaral Rio de Janeiro
  • Marvin Dunn African American History
  • Snigdha Poonam Writer
  • Yunior Terry Cuba
  • Léo Rodrigues Percussion
  • Jonathon Grasse Brazilian Music
  • Little Dragon Sweden
  • Capinam Bahia
  • Aaron Goldberg Piano
  • Muhsinah Washington, D.C.
  • Raymundo Sodré Samba de Roda
  • Fred Dantas Choro
  • McCoy Mrubata Saxophone
  • Cristovão Bastos Brazil
  • Edivaldo Bolagi Bahia
  • Rosa Passos Bossa Nova
  • Lauren Martin Television Presenter
  • Moacyr Luz Samba
  • Rayendra Sunito Jazz
  • Toumani Diabaté Africa
  • Marcos Sacramento Samba
  • Rebeca Tárique Música Afro-Baiana, Afro-Bahian Music
  • Tatiana Eva-Marie Manouche
  • Marc Johnson Jazz
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • Andrew Gilbert Journalist
  • H.L. Thompson Brazilian Funk
  • Melanie Charles Flute
  • Juca Ferreira Servidor Público, Public Servant
  • Archie Shepp Jazz
  • Barney McAll Composer
  • Di Freitas Composer
  • David Sacks Vocals
  • H.L. Thompson DJ
  • Robert Randolph Soul
  • Pedrito Martinez Percussion
  • Adriano Giffoni Educador, Educator
  • Nettrice R. Gaskins Afro-Futurist
  • Nicholas Gill Writer
  • Stephanie Foden Montreal
  • Joshua White San Diego, California
  • Jamie Dupuis Composer
  • Reza Filsoofi Santoor
  • Mahsa Vahdat Tehran
  • Michael Peha Record Producer
  • Will Vinson Jazz
  • Luis Perdomo Venezuela
  • Aaron Goldberg New York City
  • Jovino Santos Neto Brazilian Jazz
  • Miles Okazaki Composer
  • Musa Okwonga Berlin
  • ANNA Brazil
  • Donald Vega Piano Instruction
  • Scott Kettner Pandeiro
  • Greg Kurstin Reggae
  • Rema Namakula African Music
  • Mestre Nelito Chula
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Will Holshouser Composer
  • Jonathon Grasse Composer
  • Alberto Pitta Bahia
  • Brian Blade Louisiana
  • António Zambujo Portugal
  • Bruce Molsky Appalachian Music
  • Atlantic Brass Quintet Baroque
  • Tarus Mateen New York City
  • Reza Filsoofi Iran
  • Toby Gough Producer
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Nicolas Krassik Choro
  • Menelaw Sete Escultor, Sculptor
  • Mariana Zwarg Saxophone
  • Yazz Ahmed Composer
  • Danilo Pérez Panama
  • Raymundo Sodré Samba
  • Mark Stryker Jazz
  • Dudu Reis Choro
  • Stephan Crump Brooklyn, NY
  • Darrell Green New York City
  • Cristiano Nogueira Rio de Janeiro
  • Kíla Ireland
  • Madhuri Vijay India
  • Tray Chaney Rapper
  • Hisham Mayet DJ
  • Keshav Batish Santa Cruz, California
  • Guto Wirtti Composer
  • Jon Madof Multi-Cultural
  • Rogê Samba
  • Guto Wirtti Samba
  • D.D. Jackson Composer
  • Camille Thurman Piccolo
  • Eliane Elias Brazilian Jazz
  • Orquestra Afrosinfônica Brasil, Brazil
  • Zisl Slepovitch New York City
  • Anna Webber Composer
  • Scott Kettner Drums
  • John Donohue Cartoonist
  • Fred Dantas Euphonium
  • Keola Beamer Hawaii
  • Las Cafeteras Chicano Music
  • Parker Ighile Record Producer
  • Mark Lettieri Record Producer
  • Eliane Elias Singer-Songwriter
  • Lynn Nottage Film Producer
  • David Hepworth London
  • Jaimie Branch Composer
  • Richard Bona New York City
  • Negrizu Dançarino, Dancer
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • David Hepworth Music Journalist
  • Walter Blanding Jazz
  • Paddy Groenland Composer
  • Anouar Brahem Arabic Music
  • Scott Devine United Kingdom
  • Rebeca Tárique Brasil, Brazil
  • Casa PretaHub Cachoeira Brasil, Brazil
  • Martin Fondse Multi-Cultural
  • Leci Brandão Surdo
  • Fabrício Mota Bahia
  • Nelson Faria Author
  • Reena Esmail Composer
  • Arson Fahim Contemporary Classical Music
  • Brian Stoltz Guitar
  • Aruán Ortiz Piano
  • Amy K. Bormet Composer
  • Pedrito Martinez Congas
  • Jane Ira Bloom New School Faculty
  • Liberty Ellman Guitar
  • Bongo Joe Records Geneva, Switzerland
  • Ben Street Jazz
  • Brian Lynch Record Label Owner
  • Ore Ogunbiyi Writer
  • João Camarero Brazil
  • Eric Roberson Keyboards
  • Luizinho Assis Jazz
  • Teresa Cristina Songwriter
  • James Brandon Lewis Composer
  • Nublu Jazz
  • Jack Talty Record Producer
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