Are you inside? Should you be?

  • Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Hélio Delmiro

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Hélio Delmiro
  • City/Place: Rio de Janeiro
  • Country: Brazil

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Marvelous guitar player and composer from Brazil.

Media | Markets

  • ▶ Twitter: heliodelmiro
  • ▶ Instagram: heliodelmirofingers
  • ▶ YouTube Music: http://music.youtube.com/channel/UCG4A9qmCufXecpcutdW-ngQ
  • ▶ Spotify: http://open.spotify.com/album/2Ju93eS0pLxi2iqN5jePk9
  • ▶ Spotify 2: http://open.spotify.com/album/5KAB0hApGVmGMUE3QLHvhG
  • ▶ Spotify 3: http://open.spotify.com/album/4uQzD3KW4uCnOwep3eVXE3
  • ▶ Spotify 4: http://open.spotify.com/album/6sSnoVW0B7koGwJeBVdZer
  • ▶ Spotify 5: http://open.spotify.com/album/7fCy5jx3BdxtSAEV52gHj9
  • ▶ Spotify 6: http://open.spotify.com/album/3wBX88Z5RucnxE9RppuZQb

Clips (more may be added)

  • 5:13
    Rosa Passos e Hélio Delmiro - Eu sei que vou te amar
    By Hélio Delmiro
    335 views
  • All the Things You Are
    By Hélio Delmiro
    665 views
Previous
Next

Hélio Delmiro Curated
pathways in

  • 3 Brazil
  • 3 Brazilian Jazz
  • 3 Composer
  • 3 Guitar
  • 3 Jazz
  • 3 Rio de Janeiro
  • 3 Samba

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Hélio Delmiro
    César Camargo Mariano → São Paulo has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → Samba has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → Record Producer has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → Piano has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → MPB has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → Composer has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → Brazilian Jazz has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → Brazil has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    César Camargo Mariano → Arranger has been recommended via Hélio Delmiro.
    • June 25, 2021
  • Hélio Delmiro
    A video was posted re Hélio Delmiro:
    Rosa Passos e Hélio Delmiro - Eu sei que vou te amar
    Rosa Passos e Hélio Delmiro no Teatro Municipal de Niterói. O registro espontâneo de um encontro que faltava na história da MPB. Participação de Paulo Paulleli (Filhote) no contrabaixo.
    • October 7, 2020
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Dan Auerbach Record Producer
  • Daniel Owoseni Ajala Dance Instructor
  • Elodie Bouny Venezuela
  • Serginho Meriti Singer
  • Paul Mahern Punk Rock
  • King Britt Record Producer
  • Ed O'Brien Guitar
  • Della Mae Americana
  • César Orozco New York City
  • Plamen Karadonev Balkan Music
  • Elizabeth LaPrelle Old-Time Music
  • Aubrey Johnson Montclair State University Faculty
  • Woz Kaly Senegal
  • Benoit Fader Keita Techno
  • Teresa Cristina Rio de Janeiro
  • Galactic Funk
  • Joatan Nascimento Bahia
  • Hugo Linns Pernambuco
  • Mona Lisa Saloy Writer
  • Jim Lauderdale Singer-Songwriter
  • Ferenc Nemeth Composer
  • Fabian Almazan Film Scores
  • Lalah Hathaway Soul
  • Marília Sodré Bahia
  • Larry McCray Singer-Songwriter
  • Nora Fischer Amsterdam
  • Rodrigo Amarante Singer-Songwriter
  • Nahre Sol Composer
  • Gêge Nagô Cachoeira
  • Brady Haran Podcaster
  • Joachim Cooder Singer-Songwriter
  • Eric Galm Percussion
  • Giovanni Russonello Journalist
  • Wilson Café Percussão, Percussion
  • Ilê Aiyê Bloco Afro
  • Katuka Africanidades Livraria, Bookshop
  • César Orozco Cuba
  • Chris Dave Drums
  • Jon Faddis Manhattan School of Music Faculty
  • Daru Jones Nashville, TN
  • Oscar Bolão Rio de Janeiro
  • Maia Sharp Country
  • Christopher Wilkinson Movie Director
  • Brentano String Quartet String Quartet
  • Kyle Poole Jazz
  • Maurício Massunaga Samba
  • Maria Calú Igatu
  • Piti Canella Produtora Cultural, Cultural Producer
  • Otto Pernambuco
  • Paulo César Figueiredo Jornalista, Journalist
  • Munir Hossn Composer
  • Maria Calú Chapada Diamantina
  • Mateus Asato Los Angeles
  • Giorgi Mikadze გიორგი მიქაძე Piano
  • Bongo Joe Records Record Label
  • Bill Summers Afro-Cuban Music
  • Wayne Escoffery Yale Faculty
  • Gabrielzinho do Irajá Cavaquinho
  • Jason Treuting Composer
  • Capitão Corisco Flute
  • Nailor Proveta Compositor, Composer
  • Carlos Prazeres Diretor Artístico, Artistic Director
  • Cláudia Leitão Consultora em Economia Criativa, Creative Economy Consultant
  • Hendrik Meurkens Jazz
  • George Cables Piano
  • Jovino Santos Neto Cornish College of the Arts Faculty
  • Benoit Fader Keita Africa
  • Dom Flemons Old-Time Music
  • Sara Gazarek Vocal Instruction
  • Kiko Souza Samba
  • Afrocidade Bahia
  • Samba de Lata Brazil
  • Brian Blade Drums
  • Del McCoury Old-Time Music
  • Avner Dorman Gettysburg College Faculty
  • Muireann Nic Amhlaoibh Flute
  • Gilad Hekselman Guitar Instruction
  • Maria de Xindó Brasil, Brazil
  • Jack Talty Musicologist
  • Garvia Bailey Arts Journalist
  • Tiganá Santana Cantor-Compositor, Singer-Songwriter
  • Matias Traut Salvador
  • Warren Wolf Jazz
  • Mario Caldato Jr. Keyboards
  • Siba Veloso Rabeca
  • Taj Mahal Folk & Traditional
  • Jau Singer-Songwriter
  • Frank Negrão Salvador
  • Yazz Ahmed Arabic Jazz
  • Luedji Luna Salvador
  • Christopher Silver Jewish Music
  • Teresa Cristina Singer
  • The Umoza Music Project Multi-Cultural
  • John Harle Saxophone
  • Sátyra Carvalho Guitarra, Violão, Guitar
  • Sierra Hull Americana
  • Sergio Krakowski Brazil
  • Dudu Reis Brasil, Brazil
  • Teddy Swims Soul
  • Joey Baron Drums
  • Casa da Mãe Música ao Vivo, Live Music
  • Mestre Barachinha Pernambuco
  • Nicole Mitchell Composer
  • Tito Jackson Guitar
  • Arturo O'Farrill Bandleader
  • Forrest Hylton Poet
  • Vânia Oliveira Coreógrafa, Choreographer
  • María Grand Singer
  • Mestre Nelito Chula
  • Marcelo Caldi Singer
  • Trombone Shorty New Orleans
  • Greg Spero Keyboards
  • James Strauss Brazil
  • Marcel Camargo Record Producer
  • Julia Alvarez Dominican Republic
  • Dan Tyminski Nashville, Tennessee
  • Shabaka Hutchings Composer
  • Jared Sims Saxophone
  • Jack Talty Ireland
  • Mariana Zwarg Universal Music
  • Nancy Ruth Vocal Instruction
  • TaRon Lockett Singer-Songwriter
  • Ahmad Sarmast Ethnomusicologist
  • Jacob Collier Composer
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Diosmar Filho Cineasta Documentarista, Documentary Filmmaker
  • Roy Nathanson Jazz
  • Diedrich Diederichsen Academy of Fine Arts Vienna Faculty
  • Marcus Printup Arranger
  • Pat Metheny Guitar
  • Renato Braz Guitar
  • Russell Malone Jazz
  • Ubiratan Marques Maestro, Conductor
  • Derek Sivers Entrepreneur
  • Casa Preta Brasil, Brazil
  • Frank London Klezmer
  • Casuarina Brasil, Brazil
  • Miguel Atwood-Ferguson Music Producer
  • Gilles Prémel Percussion
  • Brandon Coleman Composer
  • Djuena Tikuna Singer-Songwriter
  • Dale Barlow Composer
  • Kaveh Rastegar Multi-Instrumentalist
  • Grégoire Maret Jazz
  • Kurt Andersen Journalist
  • Paolo Fresu Television Scores
  • Antonio García Singer
  • Fernando Brandão Samba
  • Kiko Freitas Rio de Janeiro
  • Anoushka Shankar Indian Classical Music
  • Jay Blakesberg San Francisco
  • TaRon Lockett Drums
  • Chris Boardman Television Scores
  • Alexandre Gismonti Composer
  • Michael Garnice Mento
  • Bill Pearis Brooklyn, NY
  • Craig Ross Songwriter
  • Jelly Green Painter
  • Nikki Yeoh Piano
  • Vinson Cunningham Sarah Lawrence College Faculty
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • The Umoza Music Project African Music
  • David Mattingly Pratt Institute Faculty
  • David Sacks Jazz
  • Mário Pam Brazil
  • Dezron Douglas Bass
  • Tero Saarinen Finland
  • Ravi Coltrane Brooklyn, NY
  • Joe Newberry Raleigh
  • Jurandir Santana Brasil, Brazil
  • Tal Wilkenfeld Guitar
  • Julie Fowlis Scottish Gaelic
  • Eric R. Danton Reporter
  • Sam Yahel Jazz
  • Michael Kiwanuka London
  • Tiganá Santana Diretor Artístico, Artistic Director
  • Antonio Sánchez Drums
  • Marc-André Hamelin Classical Music
  • Luiz Santos Rio de Janeiro
  • Lívia Mattos Singer-Songwriter
  • Jason Reynolds Writer
  • Magary Lord Percussion
  • Alex Hargreaves Fiddle
  • Yotam Silberstein Jazz
  • Custódio Castelo Castelo Branco
  • Danilo Caymmi Television Scores
  • Lorna Simpson Photographer
  • Asma Khalid Washington, D.C.
  • Matthew Guerrieri Composer
  • Matt Dievendorf Guitar
  • MicroTrio de Ivan Huol MicroTrio
  • Sebastian Notini Bateria, Drums
  • Jamberê Cerqueira Música Clássica, Classical Music
  • Byron Thomas Music Director
  • Leo Genovese Jazz
  • Glória Bomfim Singer
  • Walter Pinheiro Samba
  • Ricardo Herz Forró
  • Armandinho Macêdo Choro
  • Dwayne Dopsie New Orleans
  • Lina Lapelytė Vilnius
  • NEOJIBA Salvador
  • Instituto Oyá Educação, Education
  • Giovanni Russonello New York City
  • Greg Spero Composer
  • Omer Avital Oud
  • Riley Baugus Banjo
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Nabil Ayers Drums
  • Talita Avelino Bahia
  • Greg Ruby Manouche
  • G. Thomas Allen Gospel
  • Richie Barshay Drums
  • Shez Raja Composer
  • Savoy Family Cajun Band Cajun Music
  • Gab Ferruz Bahia
  • Armandinho Macêdo Mandolin
  • John McLaughlin Jazz Fusion
  • Yasushi Nakamura New York City
  • Itamar Vieira Júnior Brazil
  • Delbert Anderson Composer
  • Liberty Ellman Brooklyn, NY
  • Etienne Charles Jazz
  • Chris McQueen App Developer
  • Menelaw Sete Cubismo Afro-Brasileiro, Afro-Brazilian Cubism
  • Adriana L. Dutra Brazil
  • Robi Botos Toronto
  • Jorge Washington Afro-Bahian Cuisine
  • Jon Batiste Classical Music
  • Henrique Araújo Cavaquinho
  • Cédric Villani Paris
  • Safy-Hallan Farah Journalist
  • Alana Gabriela Educadora, Educator
  • Itiberê Zwarg Composer
  • Tam-Ky Supermarket
  • Aurino de Jesus Chula
  • Peter Slevin Writer
  • Martyn DJ
  • Jussara Silveira MPB
  • Guilherme Varella Servidor Público, Public Servant
  • Márcia Short Salvador
  • Negrizu Afoxé
  • Louis Michot Louisiana
  • José Antonio Escobar Chile
  • Bill Frisell Brooklyn, NY
  • Celso de Almeida Brazil
  • Lizz Wright Gospel
  • Ammar Kalia London
  • Steve Earle Americana
  • Welson Tremura Choro
  • Rogério Caetano Composer
  • John McLaughlin Guitar
  • Benoit Fader Keita Senegal
  • McIntosh County Shouters Spirituals
  • Carlos Paiva Brasil, Brazil
  • Léo Brasileiro Brasil, Brazil
  • Ethan Iverson Music Critic
  • Manolo Badrena Berimbau
  • Stephan Crump Brooklyn, NY
  • David Bragger Old-Time Music
  • Corey Ledet University of Louisiana at Lafayette Faculty
  • Gabriel Geszti Brasil, Brazil
  • Adam Neely Composer
  • Jon Otis Percussion
  • Jaques Morelenbaum Bossa Nova
  • Jill Scott R&B
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • David Mattingly Artist
  • Steve Coleman Composer
  • Oteil Burbridge Funk
  • Gilmar Gomes Singer-Songwriter
  • Negrizu Coreógrafo, Choreographer
  • Itamar Borochov Jaffa
  • Eli Degibri אלי דג'יברי Saxophone
  • Ryan Keberle Piano
  • Nonesuch Records Jazz
  • Stephen Kurczy The King's College Faculty
  • Babau Santana Percussão, Percussion
  • Seu Regi de Itapuã Samba de Roda
  • 9th Wonder Record Producer
  • John Zorn Multi-Instrumentalist
  • Bonerama Jazz
  • Mavis Staples Chicago
  • Dan Nimmer Composer
  • Rodrigo Caçapa Música Nordestina
  • Choronas Samba
  • Molly Jong-Fast Journalist
  • Los Muñequitos de Matanzas Santeria
  • Michael Formanek Double Bass
  • Adam Cruz New York City
  • Sérgio Pererê MPB
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • Nailor Proveta Arranjador, Arranger
  • Dave Smith Jazz
  • Kurt Rosenwinkel Guitar
  • Cassie Osei Brazilianist
  • Reggie Ugwu New York City
  • Mike Marshall Violin
  • Bill Pearis Editor
  • Adam Rogers Guitar
  • Laura Marling Singer-Songwriter
  • Nora Fischer Singer
  • Mestre Nenel Capoeira
  • Lucas Santtana Cantor-Compositor, Singer-Songwriter
  • Del McCoury Bluegrass
  • Alan Williams Architectural Installations
  • Esperanza Spalding Bass
  • Edward P. Jones Washington, D.C.
  • Cory Wong Guitar
  • Gilberto Gil Salvador
  • Darcy James Argue Brooklyn, NY
  • Melanie Charles Singer-Songwriter
  • Gonzalo Rubalcaba Composer
  • Nath Rodrigues Brazil
  • Arthur Verocai Rio de Janeiro
  • David Bruce Multi-Cultural
  • Jeffrey Boakye Radio Presenter
  • Stephen Kurczy Writer
  • MARO Singer-Songwriter
  • Michael League Multi-Cultural
  • Keshav Batish Multi-Cultural
  • Steven Isserlis London
  • Lalah Hathaway Singer-Songwriter
  • Greg Osby Saxophone
  • Eric Bogle Scotland
  • Terell Stafford Classical Music
  • Leo Genovese Multi-Instrumentalist
  • Ray Angry Jazz
  • Miguel Atwood-Ferguson Los Angeles
  • Casa da Mãe Espaço Cultural/Cultural Space
  • Luiz Santos Multi-Instrumentalist
  • Bodek Janke Berlin
  • Stefano Bollani Brazilian Music
  • Aruán Ortiz New York City
  • Júlio Lemos Choro
  • China Moses Soul
  • James Brady Multi-Instrumentalist
  • Roque Ferreira Samba de Roda
  • Rudresh Mahanthappa Multi-Cultural
  • Kiko Freitas Drums
  • Peter Slevin Northwestern University Faculty
  • Júlio Caldas Produtor de Discos, Record Producer
  • Gabriel Grossi Brazil
  • Ari Hoenig New York City
  • Rosa Passos Brazil
  • Mario Ulloa Federal University of Bahia Faculty
  • Buck Jones Salvador
  • Júlio Caldas Bandolim, Mandolin
  • Morgan Page House
  • Andra Day Jazz
  • Papa Grows Funk Funk
  • Sátyra Carvalho Brasil, Brazil
  • Cláudio Jorge Guitar
  • Jimmy Cliff Singer-Songwriter
  • Abderrahmane Sissako Film Director
  • Sam Reider Accordion
  • Manu Chao Record Producer
  • Tonynho dos Santos Jazz
  • Maciel Salú Singer
  • Helder Barbosa Bahia
  • Django Bates Vocalist
  • J. Pierre Illustrator
  • Karim Ziad Paris, France
  • Neo Muyanga Writer
  • Craig Ross Guitar
  • André Muato Singer-Songwriter
  • Giba Conceição Bahia
  • Brandon Coleman Jazz, Funk, R&B, Soul
  • Alexa Tarantino Jazz
  • Arturo O'Farrill New York City
  • Brenda Navarrete Cuba
  • Paulo Costa Lima Bahia
  • Tom Wilcox Singer-Songwriter
  • Christopher Seneca Diplomat
  • Giveton Gelin Bahamas
  • João Callado Rio de Janeiro
  • Iara Rennó São Paulo
  • Darcy James Argue Jazz
  • Gino Banks Drumming Instruction
  • Bertram Drum Set Performance
  • Chico Buarque Singer-Songwriter
  • Matt Garrison App Developer
  • Yasushi Nakamura Jazz
  • Willy Schwarz Multi-Cultural
  • Run the Jewels Rap
  • Eddie Palmieri Bandleader
  • Aneesa Strings Singer
  • Delbert Anderson Diné
  • Etan Thomas Motivational Speaker
  • Brentano String Quartet Yale School of Music
  • Victor Wooten Record Label Owner
  • Kyle Poole Drums
  • Bonerama R&B
  • Philipp Meyer Austin, Texas
  • Luiz Antônio Simas Jornalista, Journalist
  • David Mattingly Matte Painter
  • Sophia Deboick England
  • Kareem Abdul-Jabbar Actor
  • Milton Primo Chula
  • Kevin Hays Woodstock, NY
  • Ramita Navai Writer
  • Gabriel Geszti Rio de Janeiro
  • Darol Anger Bluegrass
  • Stormzy Writer
  • Omar Sosa Vibraphone
  • Imani Winds Contemporary Classical Music
  • Bruce Molsky Banjo
  • Luques Curtis Composer
  • Ben Paris Salvador
  • Philip Ó Ceallaigh Writer
  • Antonio Adolfo Compositor, Composer
  • Reuben Rogers Bass Instruction
  • Jurandir Santana Salvador
  • Dezron Douglas Jazz
  • Jam no MAM Brasil, Brazil
  • Aneesa Strings R&B
  • Siobhán Peoples Irish Traditional Music
  • Giba Conceição Percussion
  • Jeff Parker Los Angeles, California
  • Nilze Carvalho Rio de Janeiro
  • Richard Galliano Tango
  • Itamar Vieira Júnior Bahia
  • Nelson Cerqueira Brasil, Brazil
  • Nancy Viégas Designer Gráfico, Graphic Designer
  • Nancy Ruth Jazz
  • Marc Ribot Soul
  • China Moses Actor
  • Dave Eggers Novelist
  • Francisco Mela Jazz
  • Maria de Xindó Música Tradicional da Bahia
  • Philip Sherburne Music & Culture Writer
  • Courtney Pine Clarinet
  • Colm Tóibín Poet
  • Taylor Ashton Singer-Songwriter
  • Dale Farmer Film Director
  • Rolando Herts Mississippi
  • Stephen Kurczy Journalist
  • Mika Mutti Salvador
  • Wouter Kellerman Bansuri
  • Mou Brasil Jazz Brasileiro, Brazilian Jazz
  • RAM Haiti
  • Gabrielzinho do Irajá Composer
  • June Yamagishi Jazz
  • Tigran Hamasyan Jazz
  • Samba de Nicinha Samba de Roda
  • Phakama Mbonambi South Africa
  • Marc Maron Actor
  • Robert Everest Guitar
  • Turíbio Santos Choro
  • Luciano Salvador Bahia Guitar
  • Isaac Butler Theater Director
  • Marquis Hill African-American Music
  • As Ganhadeiras de Itapuã Brazil
  • Angel Deradoorian Multi-Instrumentalist
  • Veronica Swift Jazz
  • Nicholas Gill Food Writer
  • Darius Mans Economist
  • Rebeca Omordia Classical Music
  • Laércio de Freitas MPB
  • Chris Boardman Producer
  • Maracatu Ventos de Ouro Brasil, Brazil
  • Oscar Peñas Guitar
  • Karla Vasquez Recipe Developer
  • Fabrício Mota Baixo, Bass
  • Dudu Reis Bahia
  • Thiago Espírito Santo Educador, Educator
  • Stephan Crump Composer
  • João Bosco Brasil, Brazil
  • China Moses Singer
  • Alita Moses Neo Soul
  • Kiko Freitas MPB
  • Renato Braz Percussion
  • Nooriyah نوريّة London
  • Savoy Family Cajun Band Louisiana
  • John Edward Hasse Piano
  • Philip Cashian Composer
  • Guillermo Klein Jazz
  • Intisar Abioto Photographer
  • Ben Okri Short Stories
  • Archie Shepp Saxophone
  • Arany Santana Salvador
  • Ivo Perelman Multi-Instrumentalist
  • Daru Jones Brooklyn, NY
  • Walter Pinheiro Brazilian Jazz
  • Gary Clark Jr. Blues
  • Maria Calú Brasil, Brazil
  • Matt Garrison Bass
  • International Anthem Record Label
  • Rudy Royston Educator
  • Perumal Murugan Writer
  • Terell Stafford Trumpet
  • Iuri Passos Brazil
  • Vincent Herring Flute
  • Philip Ó Ceallaigh Bucharest
  • William Parker Multi-Instrumentalist
  • John Santos Record Producer
  • Jonga Cunha Salvador
  • Berkun Oya Playwright
  • Kathy Chiavola Bluegrass
  • Jason Moran Theater Composer

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share