Bio:
Theon Cross is an award-winning tuba player and composer. He is a key component of London’s thriving jazz scene and his unique sound has been described as ‘innovative’ and hailed for ‘reinventing the tuba’. His debut EP ‘Aspirations’ brought him international attention and garnered him a Jazz FM nomination for best Jazz Newcomer in 2016. In 2019 he released his debut album ‘Fyah’ which was met with critical acclaim worldwide charting at no. 1 on the UK official Jazz & Blues charts, no.23 on the US Jazz Billboard and garnered high praise from major publications such as Rolling Stone Magazine, Pitchfork, The New York Times, The Guardian and NPR leading him to tour extensively throughout Europe, North America and South America.
Born and raised in London, Cross started his musical journey at the age of 8 where he began instrumental lessons in primary school on the tenor horn. In his mid-teens he switched to the tuba and attended several music workshops in London including the Kinetika Bloco, a Brazillian-Styled Carnival group and the Tomorrow’s Warriors lead by Gary Crosby OBE. Within these workshops Cross was able to build up his masterful stamina and technique whilst also learning how to improvise and be trained in various styles of music. He went on to study Jazz and classical music at the prestigious Guildhall School of Music & Drama and post graduating has worked with an array of established artists including Jon Batiste, Emile Sande, Kano, Makaya McCraven, Courtney Pine and is a significant core member of the mercury nominated group Sons of Kemet.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).