Salvador Bahia Brazil Matrix
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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Caoimhín Ó Raghallaigh
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Caoimhín Ó Raghallaigh
  • City/Place: Dublin
  • Country: Ireland

Life & Work

  • Bio: If you're wondering how to pronounce my name, try "Kwee-veen Oh Rye Alla" on for size. It's not quite right, but as a first attempt it's not too shabby.

    I make music on a 10-string fiddle called the hardanger d'amore , and I travel the world as a solo musician, in duos with Dan Trueman, Mick O'Brien and Brendan Begley, and as a member of The Gloaming and This is How we Fly.

    I also use live processing on stage, sending the sound of my fiddle through code I write in a programming language called ChucK.

    I've had the extraordinary pleasure of performing on some of the most beautiful stages in the world, including the Sydney Opera House, the Royal Albert Hall and Carnegie Hall, although some of my favourite performances have been much more intimate and ephemeral events, special one-off things invented by friends. I live in Dublin, and love it for the place and the people.

    There are seventeen recordings to my name so far, ranging from quite traditional to fairly out there. I enjoy both equally, playing the old music that I love, and exploring the region where traditional music begins to disintegrate.

Contact Information

  • Contact by Webpage: http://caoimhinoraghallaigh.com

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://caoimhinoraghallaigh.com
  • ▶ Twitter: caoimhinoragha1
  • ▶ Instagram: caoimhinoraghallaigh
  • ▶ Website: http://caoimhinoraghallaigh.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCs_QiEOA9w6MGgAc0QWyU7w
  • ▶ Spotify: http://open.spotify.com/album/07sBLGjnPVhwxrW0gzUBww
  • ▶ Spotify 2: http://open.spotify.com/album/5LhZRYUiTKV27lfZqjozzd
  • ▶ Spotify 3: http://open.spotify.com/album/3C2IWCRI72Li3N9JMcJAlH
  • ▶ Spotify 4: http://open.spotify.com/album/1oNEbgBhb81NeCWLeb7huy
  • ▶ Spotify 5: http://open.spotify.com/album/2E7jW8NdHnbavc8N5PsswE
  • ▶ Spotify 6: http://open.spotify.com/album/0tAlwQFypGsY8x07SLe2VW

Clips (more may be added)

  • 3:44
    Caoimhín Ó Raghallaigh & Thomas Bartlett - All Good Things (live at Pepper Canister Church)
    By Caoimhín Ó Raghallaigh
    36 views
  • 3:11
    Caoimhín Ó Raghallaigh and Thomas Bartlett - Kestrel
    By Caoimhín Ó Raghallaigh
    51 views
  • 4:24
    Caoimhín Ó Raghallaigh and Cormac Begley - Donncha Lynch, Fermoy Lasses
    By Caoimhín Ó Raghallaigh
    31 views
  • 0:16:21
    Ireland's Edge | Caoimhin Ó Raghallaigh
    By Caoimhín Ó Raghallaigh
    50 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Caoimhín Ó Raghallaigh:

  • 0 Composer
  • 0 Dublin
  • 0 Fiddle
  • 0 Hardanger d'Amoré 10-string Fiddle
  • 0 Ireland
  • 0 Irish Traditional Music
  • 0 Theater Composer
  • 0 Tin Whistle
  • 0 Uilleann Pipes
  • 0 Violin
  • Pasquale Grasso New York City
  • Leo Genovese Keyboards
  • Arturo Sandoval Composer
  • MicroTrio de Ivan Huol MicroTrio
  • Cainã Cavalcante Brazilian Jazz
  • Caterina Lichtenberg Mandolin
  • Anna Mieke Irish Folk Music
  • Meklit Hadero San Francisco
  • Branford Marsalis Theater Composer
  • NIcholas Casey Spain
  • Alex Rawls Arts Journalist
  • Casey Benjamin Keyboards
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Maciel Salú Maracatu
  • Milford Graves Composer
  • Plínio Fernandes Choro
  • Léo Rugero Multi-Instrumentalist
  • Molly Tuttle Singer-Songwriter
  • Bobby Sanabria Bandleader
  • Alita Moses Singer-Songwriter
  • Elizabeth LaPrelle Virginia
  • John Edward Hasse Ragtime
  • Clint Smith Black American Culture & History
  • Plinio Oyò Viola Machete
  • Mazz Swift Brooklyn, NY
  • Melvin Gibbs Funk, HIp-Hop, Alternative
  • A-KILL India
  • Carlos Aguirre Composer
  • Fantastic Negrito R&B
  • Mike Moreno Guitar
  • J. Pierre Artist
  • Amaro Freitas Composer
  • The Bayou Mosquitos Zydeco
  • Mestre Nelito Bahia
  • D.D. Jackson Composer
  • Ofer Mizrahi Multi-Cultural
  • Rez Abbasi Microtonal
  • Ron Wyman Documentary Filmmaker
  • Carrtoons Bass
  • Thiago Espírito Santo Baixo, Bass
  • Gel Barbosa Bahia
  • Horacio Hernández Afro-Cuban Jazz
  • Lula Galvão Classical Guitar
  • Philip Sherburne Menorca
  • Onisajé Brasil, Brazil
  • Howard Levy Harmonica
  • Gustavo Caribé Compositor, Composer
  • David Byrne Film Scores
  • Greg Osby Composer
  • Toninho Horta Minas Gerais
  • Mateus Aleluia Filho Bahia
  • Fábio Luna Violão, Guitar
  • Lalah Hathaway R&B
  • Elza Soares Samba
  • Adriano Souza Piano
  • Fatoumata Diawara Wassoulou
  • Ben Williams New York City
  • Dale Barlow New York City
  • Kiko Loureiro Finland
  • John Doyle Dublin
  • Michael League Bass
  • Tia Fuller Composer
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Tommy Orange Writer
  • Tobias Meinhart Brooklyn, NY
  • Philip Sherburne Music & Culture Writer
  • Brian Blade Drums
  • Arturo O'Farrill Piano
  • Liberty Ellman Audio Engineer
  • Scotty Barnhart Florida State University College of Music Faculty
  • Kim André Arnesen Norway
  • Kevin Burke Irish Traditional Music
  • Júlio Caldas Compositor, Songwriter
  • Isaak Bransah Singer-Songwriter
  • Edmar Colón Saxophone
  • Irma Thomas R&B
  • Myron Walden Jazz
  • Nancy Ruth Jazz
  • Kareem Abdul-Jabbar Essayist
  • Nduduzo Makhathini Johannesburg
  • Giorgi Mikadze გიორგი მიქაძე Composer
  • Sophia Deboick Historian
  • Bob Telson Composer
  • Congahead Video Producer
  • Anna Webber Saxophone
  • Tal Wilkenfeld Los Angeles
  • Carlos Lyra Rio de Janeiro
  • Frank Negrão Brazil
  • Pururu Mão no Couro Salvador
  • Bombino Multi-Cultural
  • Danilo Pérez Piano
  • Dadi Carvalho Singer-Songwriter
  • Hopkinson Smith Schola Cantorum Basiliensis Faculty
  • Brentano String Quartet Contemporary Classical Music
  • Tomo Fujita Author
  • Paddy Groenland Jazz
  • César Orozco New York City
  • Martin Fondse Multi-Cultural
  • Leonardo Mendes Bahia
  • Joey Baron Composer
  • José James New York City
  • Lorna Simpson Photographer
  • Kiko Loureiro Jazz Fusion
  • Eric Galm Brazil
  • Pierre Onassis Bahia
  • Jurandir Santana Bahia
  • China Moses Soul
  • Rebeca Omordia London
  • Jaques Morelenbaum Arranger
  • Sergio Krakowski Choro
  • Craig Ross Multi-Instrumentalist
  • China Moses Jazz
  • Rita Batista Bahia
  • Dafnis Prieto Cuba
  • Toninho Ferragutti São Paulo
  • Lucía Fumero Barcelona
  • Luques Curtis New York City
  • Deesha Philyaw Fiction
  • John Santos Cape Verde
  • Moses Boyd Electronic Music
  • Eli Saslow Journalist
  • Monarco Brazil
  • Dan Tyminski Guitar
  • Hilton Schilder Cape Jazz
  • Oscar Peñas Barcelona
  • Fapy Lafertin Guitar
  • Chick Corea Piano
  • Andrés Prado Universidad Católica del Perú Faculty
  • Alessandro Penezzi Composer
  • James Grime Mathematics
  • Kiko Souza MPB
  • Renato Braz São Paulo
  • Arto Lindsay MPB
  • Mário Santana Bahia
  • Jakub Józef Orliński Opera
  • Celino dos Santos Bahia
  • Jimmy Dludlu Jazz
  • Lô Borges Minas Gerais
  • Luiz Brasil Brazil
  • Miroslav Tadić Balkan Music
  • Fabian Almazan Film Scores
  • Iuri Passos Ethnomusicologist
  • Betsayda Machado Venezuela
  • Kiya Tabassian كيا طبسيان Film Scores
  • Nettrice R. Gaskins Digital Artist
  • Ayrson Heráclito Brazil
  • Rosângela Silvestre Choreographer
  • Frank London Multi-Cultural
  • Rudresh Mahanthappa Jazz
  • Júlio Lemos Violão de Sete
  • Tigran Hamasyan Armenia
  • Alexa Tarantino Jazz at Lincoln Center Faculty
  • Karsh Kale कर्ष काळे Brooklyn, NY
  • Iroko Trio Latin American Music
  • Anne Gisleson Writer
  • Thana Alexa Singer-Songwriter
  • Lorna Simpson Painter
  • Terrace Martin Record Label Owner
  • Vincent Valdez Painter
  • Dadi Carvalho MPB
  • Jan Ramsey Second Line
  • Barbara Paris Multi-Media Artist
  • John Waters Ireland
  • Renato Braz Guitar
  • Ethan Iverson Music Critic
  • Magda Giannikou Piano
  • Steve Lehman Experimental Music
  • Sean Jones Composer
  • Pedro Martins Brazil
  • Kotringo Tokyo
  • Laura Cole R&B
  • Béco Dranoff Cultural Producer
  • Helado Negro Singer-Songwriter
  • Cyro Baptista Brazil
  • Plamen Karadonev Composer
  • Shankar Mahadevan Film Scores
  • Melanie Charles Singer-Songwriter
  • Ben Monder New York City
  • Ivan Bastos Violão, Guitar
  • Mandla Buthelezi Johannesburg
  • Gregory Hutchinson Soul
  • Gary Clark Jr. Blues
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Ofer Mizrahi Trumpet
  • Riley Baugus Singer
  • Paulo Martelli São Paulo
  • Joshue Ashby Panama
  • Matthew Guerrieri Composer
  • Kathy Chiavola Bluegrass
  • Mickalene Thomas Collage
  • Gilad Hekselman Guitar Instruction
  • Thiago Trad Salvador
  • Kiko Souza Ska
  • Christopher Nupen Filmmaker
  • Jussara Silveira Samba
  • Arismar do Espírito Santo Brazilian Jazz
  • Aloísio Menezes Brazil
  • Jovino Santos Neto Brazil
  • Ivo Perelman Brazilian Jazz
  • Ed O'Brien Brazil
  • Ronell Johnson Brass Band
  • Carlos Henriquez Latin Jazz
  • João Camarero Samba
  • Roy Nathanson Arranger
  • Mika Mutti Bahia
  • Aindrias de Staic Fiddle
  • Lolis Eric Elie New Orleans
  • Questlove Hip-Hop
  • Musa Okwonga Podcaster
  • Márcio Valverde Guitar
  • Michael Olatuja Afrobeat
  • Marta Sánchez Piano
  • Ryuichi Sakamoto Actor
  • Catherine Bent Cello Instruction
  • Ana Tijoux Chile
  • Fred P Electronic Music
  • Tom Schnabel Radio Presenter
  • Mestre Barachinha Caboclo de Lança
  • Raelis Vasquez Sculptor
  • Kyle Poole Composer
  • Jaleel Shaw Saxophone
  • Dónal Lunny Bouzouki
  • Goran Krivokapić Classical Guitar
  • Frank London Trumpet
  • Sameer Gupta Composer
  • Donna Leon Venice
  • Darren Barrett Composer
  • James Carter Composer
  • François Zalacain Record Label Owner
  • King Britt Electronic Music
  • Ron Blake Juilliard Faculty
  • Atlantic Brass Quintet Baroque
  • Guillermo Klein Jazz
  • Armen Donelian Jazz
  • Carlinhos 7 Cordas Violão de Sete
  • Alan Brain Peru
  • Swami Jr. Cuban Music
  • John Santos Percussion
  • Paul Mahern Bloomington, Indiana
  • Victor Wooten Singer
  • Stan Douglas Photographer
  • Onisajé Brasil, Brazil
  • Brenda Navarrete Singer
  • Yasushi Nakamura Jazz
  • Hank Roberts Vocalist
  • Bill Pearis Music Critic
  • Emily Elbert Folk Funk Jazz Blues
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Manolo Badrena Jazz
  • Stan Douglas Vancouver
  • Horace Bray Singer-Songwriter
  • Baiba Skride Latvia
  • Marquis Hill African-American Music
  • Sam Dagher The Middle East
  • Etienne Charles Cuatro
  • Chris Cheek Jazz
  • Mario Caldato Jr. Brazil
  • Carl Joe Williams Sculptor
  • Siba Veloso Brazil
  • Kiko Loureiro Guitar Instruction
  • David Fiuczynski Jazz
  • Ceumar Coelho Brazil
  • Corey Henry Funk
  • Eric Galm Berimbau
  • Stephen Guerra New York City
  • Paulo César Figueiredo Produtor Cultural, Cultural Producer
  • Tyler Gordon Artist
  • Richard Bona Jazz
  • Ronald Bruner Jr. Singer
  • Osvaldo Golijov Argentina
  • Yotam Silberstein New York City
  • Nelson Latif Samba
  • Jane Ira Bloom Multi-Cultural
  • J. Velloso Record Producer
  • Guinha Ramires Brazil
  • Gustavo Caribé Produtor Musical, Music Producer
  • Etienne Charles Michigan State University Faculty
  • André Becker Flauta, Flute
  • Miguel Atwood-Ferguson Multi-Instrumentalist
  • Bright Red Dog Albany, New York
  • Custódio Castelo Guitarra Portuguesa, Portuguese Guitar
  • Chris Dingman Vibraphone
  • Renato Braz Singer
  • Mahsa Vahdat Multi-Cultural
  • Yamandu Costa Violão de Sete
  • Third Coast Percussion Chicago, Illinois
  • Christian Sands Jazz
  • Archie Shepp Poet
  • Lina Lapelytė Vilnius
  • Andrew Finn Magill Jazz
  • Leigh Alexander Journalist
  • Julian Lage Americana
  • Mart'nália Brazil
  • Guga Stroeter Candomblé
  • Cory Henry Jazz
  • Jakub Knera Poland
  • Dona Dalva Bahia
  • Giba Gonçalves Bahia
  • Terell Stafford New York City
  • Harold López-Nussa Havana
  • Shabaka Hutchings Clarinet
  • Peter Evans Piccolo Trumpet
  • Timothy Duffy New Orleans
  • Plinio Oyò Brasil, Brazil
  • Matt Glaser Author
  • Guto Wirtti Samba
  • Kendrick Scott Composer
  • Luizinho Assis Jazz
  • André Muato Rio de Janeiro
  • Little Simz Actor
  • Margareth Menezes Guitar
  • Ben Wendel Saxophone
  • Ron Miles MSU Denver Music Faculty
  • Nora Fischer Singer
  • Bai Kamara Jr. Brussels, Belgium
  • Gal Costa MPB
  • Guinha Ramires Rio Grande do Sul
  • Antônio Queiroz Brazil
  • Dwayne Dopsie Louisiana
  • Márcia Short Salvador
  • Pedro Abib Federal University of Bahia Faculty
  • Fred Hersch Classical Music
  • Oscar Bolão Brazil
  • Kirk Whalum Memphis, Tennessee
  • Susana Baca Singer-Songwriter
  • Rudresh Mahanthappa Saxophone
  • Spider Stacy Singer-Songwriter
  • Tank and the Bangas Soul
  • Zachary Richard Cajun Music
  • Anissa Senoussi VFX Artist
  • Mario Ulloa Salvador
  • Custódio Castelo Castelo Branco
  • Stefano Bollani Piano
  • Intisar Abioto Portland, Oregon
  • Cassandra Osei University of Illinois PhD Candidate
  • Ben Azar Israel
  • Jared Sims Classical Music
  • Raphael Saadiq Multi-Instrumentalist
  • Tia Surica Samba
  • Guto Wirtti Choro
  • Rayendra Sunito Songwriter
  • Oscar Peñas Jazz
  • Ilê Aiyê Salvador
  • Hercules Gomes Choro
  • Glória Bomfim Singer
  • Arto Tunçboyacıyan Percussion
  • Jocelyn Ramirez Plant-Based Mexican Cooking
  • Camille Thurman Bass Clarinet
  • Benny Benack III Piano
  • Nate Smith Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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