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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Itiberê Zwarg
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Itiberê Zwarg
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Nascido na capital paulista em 1950, Itiberê foi introduzido na música pelo pai, Antônio Bruno Zwarg, compositor e músico. No final dos anos 60 até início dos 70, participa dos trios "Xangô Três" e "Bossa Jazz Trio". Em 1977 começa um novo e grande ciclo de música ingressando no "Hermeto Pascoal & Grupo", onde se mantém até hoje. A partir de 1982 viaja com "Hermeto Pascoal & Grupo" em turnês anuais pela Europa, América e Japão; participa de workshops e oficinas de Hermeto na França, Alemanha, Suíça, Estados Unidos.

    Com Hermeto grava nove discos: "Zabumbebum A"; "Montreaux ao Vivo"; "Cérebro Magnético"; "Hermeto Pascoal & Grupo"; "Lagoa da Canoa"; "Só não Toca Quem Não Quer"; "Brasil Universo"; "Festa dos Deuses" e "Mundo Verde Esperança". Itiberê inicia em 1992 sua carreira de compositor e arranjador. Assina o CD "Variasons", de "Gilson Macedo"; participa do CD "De Onde Vens", da cantora "Ivetty Souza", e do CD "Cordas Cruzadas" do quarteto "Maogani" de violões, entre outros.

    Em 1999 cria a "Itiberê Orquestra Família". Em 2001 lança o primeiro CD duplo "Pedra do Espia", da "Itiberê Orquestra Família", onde assina como compositor, arranjador e regente.

    Em novembro de 2005, lança o segundo CD duplo: "Calendário do Som", com 27 músicas extraídas do livro homônimo de "Hermeto Pascoal". Em 2005, Itiberê foi contemplado com a bolsa Vitae – Compositor. Em 2006 aprova projeto de lançamento do seu segundo CD com a "Itiberê Orquestra Família", fazendo uma turnê por vários estados do Brasil, finalizando em Montevidéu e Buenos Aires. Esse projeto foi o "Programa Natura Musical".

    Ganhou também, pela Petrobras, um projeto para a confecção de um Songbook com CD de suas composições feitas na sua "Oficinas da Música Universal". Itiberê realiza a prática da "Música Universal" no espaço Estúdio Praia de Botafogo, onde através de metodologia própria tem possibilitado desenvolver uma geração de talentos.

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.sescsp.org.br/loja/10388_INTUITIVO#/content=detalhes-do-produto
  • ▶ Twitter: itiberezwarg
  • ▶ Instagram: itiberezwarg
  • ▶ YouTube Channel: http://www.youtube.com/user/zwargvideos
  • ▶ YouTube Music: http://music.youtube.com/channel/UCySiPrP0a7sv0ZtWIi0skkg
  • ▶ Spotify: http://open.spotify.com/album/48lVbEoaQPDJ7ovsrWcnIh
  • ▶ Spotify 2: http://open.spotify.com/album/0DcZAt2Bj7DH2NgxTXu7K2

Clips (more may be added)

  • Programa Instrumental Sesc Brasil
    By Itiberê Zwarg
    654 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Itiberê Zwarg:

  • 3 Brazil
  • 3 Composer
  • 3 Multi-Instrumentalist
  • 3 Rio de Janeiro
  • Tierra Whack Philadelphia
  • Melissa Aldana Saxophone
  • Lívia Mattos Accordion
  • John Donohue Artist
  • Ron Carter Bass
  • Grégoire Maret Jazz
  • Paul Anthony Smith Picotage
  • Ryuichi Sakamoto Multi-Cultural
  • Horácio Reis Compositor, Composer
  • Nahre Sol Toronto
  • Dan Nimmer Jazz
  • Anthony Coleman Klezmer
  • Larry McCray Blues
  • Joshua Redman Saxophone
  • Garth Cartwright Journalist
  • Mou Brasil Jazz
  • António Zambujo Lisbon
  • Henry Cole New York City
  • Rez Abbasi Guitar
  • Deesha Philyaw Essayist
  • David Kirby Non-Fiction
  • Gilberto Gil Singer-Songwriter
  • Gino Sorcinelli DJ Culture
  • Leonardo Mendes Brasil, Brazil
  • Xenia França São Paulo
  • Marcelinho Oliveira Salvador
  • Avishai Cohen אבישי כה Composer
  • Rez Abbasi Microtonal
  • Derrick Adams Multidisciplinary Artist
  • Terrace Martin Jazz
  • Robby Krieger Los Angeles
  • Lenna Bahule Brazil
  • Luiz Brasil Guitar
  • Bebê Kramer Accordion
  • Dona Dalva Bahia
  • Miroslav Tadić Contemporary Classical Music
  • Guga Stroeter Record Producer
  • Jimmy Dludlu Composer
  • Case Watkins James Madison University Faculty
  • Iuri Passos Candomblé
  • Niwel Tsumbu Guitar
  • Alfredo Rodriguez Cuba
  • Alex Conde Arranger
  • Brooklyn Rider Multi-Cultural
  • Tal Wilkenfeld Guitar
  • Bob Reynolds Jazz
  • Tom Piazza Screenwriter
  • Ronell Johnson Sousaphone
  • Del McCoury Banjo
  • Jack Talty Concertina
  • Casa Preta Bahia
  • Timothy Duffy New Orleans
  • Damon Albarn Theater Composer
  • Andra Day Actor
  • Armandinho Macêdo Frevo
  • Darren Barrett Reggae
  • Joachim Cooder Percussion
  • Kim Hill Singer
  • Tony Austin Composer
  • Victor Wooten Composer
  • Albin Zak Author
  • Ayrson Heráclito Visual Artist
  • Júlio Lemos Choro
  • Gerald Clayton Piano
  • Ricardo Herz Composer
  • Keyon Harrold Jazz
  • Greg Ruby Guitar
  • Marc Johnson MPB
  • Capinam Diretor de Museu, Museum Director
  • Michael Pipoquinha MPB
  • Jorge Alfredo Bahia
  • Lionel Loueke Composer
  • Jorge Washington Chef
  • Margareth Menezes Bahia
  • Adam Cruz New York City
  • Jaleel Shaw Jazz
  • Saileog Ní Cheannabháin Classical Music
  • Luciano Calazans Bahia
  • Cristovão Bastos Brazil
  • Bing Futch Singer-Songwriter
  • James Elkington Chicago, Illinois
  • Anoushka Shankar Tanpura
  • John Patrick Murphy Pernambuco
  • Leigh Alexander Writer
  • Alex de Mora Photographer
  • Yotam Silberstein Guitar Instruction
  • Moacyr Luz Singer
  • Fábio Zanon Classical Guitar
  • Domingos Preto Chula
  • Bruce Molsky Guitar
  • Mavis Staples Soul
  • Alain Mabanckou Writer
  • Marcus Teixeira MPB
  • Ben Wolfe Double Bass
  • Matt Ulery Multi-Instrumentalist
  • José James Jazz
  • Sebastian Notini Bateria, Drums
  • Bruce Molsky Banjo Instruction
  • Bob Bernotas Rutgers Faculty
  • Shannon Sims New Orleans
  • Turíbio Santos Guitar
  • Yazhi Guo 郭雅志 Saxophone
  • 9Bach Welsh Traditional Music
  • Rita Batista Bahia
  • Keshav Batish Santa Cruz, California
  • Jakub Józef Orliński Warsaw
  • Karim Ziad Composer
  • Oded Lev-Ari New York City
  • Luiz Santos Composer
  • Luciana Souza Songwriter
  • Adriana L. Dutra Director
  • Matt Garrison Composer
  • Stanton Moore Drums
  • Courtney Pine Saxophone
  • João Camarero Guitar
  • Sameer Gupta Brooklyn, NY
  • Airto Moreira Singer
  • Bianca Gismonti Singer
  • Kenny Garrett Composer
  • Joan Chamorro Barcelona
  • Victor Gama Multi-Cultural
  • Sombrinha Bandolim
  • Natan Drubi Salvador
  • Juliana Ribeiro Brazil
  • Romero Lubambo Jazz
  • Benjamin Grosvenor Classical Music
  • Donald Harrison Jazz
  • Rob Garland Jazz, Rock
  • Urânia Munzanzu Cultura Afro-Baiana, Afro-Bahian Culture
  • Lenny Kravitz Record Producer
  • Little Simz London
  • China Moses Actor
  • Margareth Menezes Guitar
  • Questlove Multi-Instrumentalist
  • Alan Williams Found & Recycled
  • Danilo Caymmi Singer-Songwriter
  • Benoit Fader Keita Techno
  • Towa Tei テイ・トウワ DJ
  • Munyungo Jackson Percussion
  • Caetano Veloso Brazil
  • Fidelis Melo Brasil, Brazil
  • Shannon Ali New York City
  • Kendrick Scott New York City
  • James Strauss Brazil
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • Gerônimo Santana Bahia
  • Nêgah Santos Brazil
  • Matt Glaser Composer
  • Vivien Schweitzer Piano
  • Ravi Coltrane Record Producer
  • Alan Bishop Record Label Owner
  • Cleber Augusto Brazil
  • Nancy Viégas Indie Experimental
  • Johnny Lorenz Literary Critic
  • Bongo Joe Records Record Label
  • Ana Luisa Barral Brazil
  • Tutwiler Quilters Quilts
  • Ben Wolfe Bass
  • Guinga Brazil
  • Jahi Sundance Hip-Hop
  • Psoy Korolenko Псой Короленко Russia
  • McCoy Mrubata Jazz
  • Fred P DJ
  • Barlavento Samba
  • Evgeny Kissin Poet
  • Catherine Russell Jazz
  • Kehinde Wiley Portrait Painter
  • The Brain Cloud New York City
  • John Medeski Jazz
  • Dafnis Prieto Author
  • Paulo Paulelli Brazil
  • Jupiter Bokondji African Music
  • Lakecia Benjamin Funk
  • Gabrielzinho do Irajá Partideiro
  • Los Muñequitos de Matanzas Santeria
  • Tommy Peoples Ireland
  • Reggie Ugwu Writer
  • McCoy Mrubata Flute
  • Geraldo Azevedo Singer-Songwriter
  • Grégoire Maret Composer
  • Matt Glaser Author
  • Thiago Amud Singer-Songwriter
  • Jonga Cunha Record Producer
  • Mateus Aleluia Filho Flugelhorn
  • Adriana L. Dutra Film Festival Director
  • Simon Brook Filmmaker
  • Regina Carter Jazz
  • Tia Fuller Saxophone
  • Jason Moran Film Scores
  • Stephanie Soileau University of Chicago Faculty
  • Rowney Scott Jazz
  • Ryuichi Sakamoto Japan
  • Nate Chinen Music Critic
  • Jon Batiste Multi-Instrumentalist
  • Eric Galm Ethnomusicologist
  • Xenia França São Paulo
  • Rosa Passos Salvador
  • Issac Delgado Salsa
  • Esperanza Spalding Singer
  • Grant Rindner New York City
  • Tierra Whack Hip-Hop
  • Brandon J. Acker Chicago
  • Irma Thomas New Orleans
  • Asanda Mqiki Singer-Songwriter
  • David Ritz Liner Notes
  • Joshue Ashby Timba
  • Lakecia Benjamin New York City
  • Scott Kettner Pandeiro
  • Carlos Aguirre Piano
  • Lorna Simpson Brooklyn, NY
  • Ron Mader Photographer
  • Steve Coleman Jazz
  • Roy Germano NYU Faculty
  • Marília Sodré Bahia
  • Calypso Rose Calypso
  • Rhiannon Giddens Banjo
  • Luciana Souza New York City
  • Chris Thile Jazz
  • Eric R. Danton Reporter
  • John Edward Hasse Ragtime
  • Ceumar Coelho MPB
  • Thiago Espírito Santo Jazz
  • Chris Thile Americana
  • Jamie Dupuis Canada
  • David Chesky Jazz
  • Gerson Silva Salvador
  • Jonga Cunha Salvador
  • Elio Villafranca Juilliard Faculty
  • Philip Cashian Contemporary Classical Music
  • James Gadson R&B
  • Bebê Kramer Brazil
  • Natan Drubi Brasil, Brazil
  • Massimo Biolcati App Developer
  • Rogério Caetano Samba
  • Nelson Cerqueira Brasil, Brazil
  • Milford Graves Multi-Cultural
  • Dan Tyminski Mandolin
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Shannon Sims Journalist
  • Omari Jazz Composer
  • Tom Moon MPB
  • Cory Wong Record Producer
  • TaRon Lockett Drums
  • Armen Donelian Author
  • Carl Allen Record Producer
  • Caridad De La Luz Actor
  • Marcos Sacramento Brazil
  • Frank Negrão Blues
  • Celso de Almeida Brazilian Jazz
  • Aruán Ortiz Afro-Cuban Jazz
  • Karla Vasquez Los Angeles
  • Alessandro Penezzi Multi-Instrumentalist
  • João Luiz Classical Guitar
  • Nara Couto Salvador
  • André Muato 8 String Guitar
  • Barney McAll Composer
  • Edu Lobo MPB
  • Marcos Portinari Rio de Janeiro
  • Gustavo Caribé Bahia
  • Alan Bishop Bass
  • Lina Lapelytė Multi-Instrumentalist
  • Siba Veloso Composer
  • Marc Johnson Record Producer
  • David Byrne Singer-Songwriter
  • Pharoah Sanders Jazz
  • Burhan Öçal Divan-Saz
  • Wouter Kellerman Flute
  • John Boutté Jazz
  • Kim Hill Songwriter
  • Kiko Souza R&B
  • Huey Morgan BBC
  • Etan Thomas Poet
  • Cláudio Jorge Record Producer
  • Dale Barlow Saxophone
  • Steve Earle Radio Presenter
  • Caridad De La Luz New York City
  • Oded Lev-Ari Music Producer
  • Capinam Bahia
  • Ron Carter Composer
  • Chelsea Kwakye UK
  • Siphiwe Mhlambi Photographer
  • Oswaldinho do Acordeon Brazil
  • Chelsea Kwakye Writer
  • Richard Galliano Author
  • Trilok Gurtu Tabla
  • Rowney Scott Música Clássica, Classical Music
  • Nicholas Barber Arts Journalist
  • Adenor Gondim Brazil
  • César Camargo Mariano Brazilian Jazz
  • Avishai Cohen אבישי כה Israel
  • Theo Bleckmann Germany
  • Jazzmeia Horn Jazz
  • Allen Morrison Piano
  • Rosângela Silvestre Brazil
  • Gavin Marwick Composer
  • Gretchen Parlato New York City
  • Arto Tunçboyacıyan Multi-Instrumentalist
  • Ben Paris Writer
  • Chico Buarque Samba
  • Ana Tijoux Chile
  • Benny Benack III Singer-Songwriter
  • Tito Jackson R&B
  • Alessandro Penezzi Choro
  • Doug Adair Country
  • Léo Rodrigues Forró
  • Aditya Prakash Multi-Cultural
  • Marcelo Caldi Samba
  • Helado Negro Latin Experimental Music
  • Maria Drell Higher Education Professional
  • Fábio Peron Choro
  • Sandro Albert New York City
  • James Andrews Trumpet
  • Julien Libeer Brussels
  • Peter Erskine Record Producer
  • Ed Roth Music Producer
  • Samuca do Acordeon Milonga
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Miguel Atwood-Ferguson Music Producer
  • Nahre Sol Classical Music
  • Alexa Tarantino Jazz at Lincoln Center Faculty
  • Mariene de Castro Brazil
  • Hélio Delmiro Brazil
  • Jakub Knera Musical Event Producer
  • Nubya Garcia DJ
  • Giovanni Russonello Music Critic
  • Wilson Simoninha São Paulo
  • James Martin Singer-Songwriter
  • Mark Turner Composer
  • Justin Stanton Trumpet
  • Django Bates Composer
  • Mauro Senise Flute
  • Adonis Rose Jazz
  • Johnny Vidacovich Jazz
  • Martyn House
  • Third Coast Percussion Chicago, Illinois
  • Liz Pelly Writer
  • The Bayou Mosquitos Tex-Mex
  • Plínio Fernandes Brazilian Classical Guitar
  • Donna Leon Crime Novels
  • Luizinho do Jêje Salvador
  • Casa PretaHub Cachoeira Afroempreendedorismo, Afro-Entrepreneurship
  • Babau Santana Partido Alto
  • Terell Stafford Trumpet
  • James Carter Jazz
  • Kiya Tabassian كيا طبسيان Composer
  • Michael Cuscuna Record Label Owner
  • Philip Cashian Composer
  • Christopher James Composer
  • Mona Lisa Saloy Poet
  • Olga Mieleszczuk Jewish Music

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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