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I RECOMMEND

Itiberê Zwarg
  • 1 Brazil
  • 1 Composer
  • 1 Multi-Instrumentalist
  • 1 Rio de Janeiro
  • RECOMMENDS 4 people/categories
  • ↳ outgoing recommendations by the matrix per ↴

Who I Am & Where I Live:

  • Name: Itiberê Zwarg
  • City: Rio de Janeiro
  • Country: Brazil

My Life

  • Biographical: Nascido na capital paulista em 1950, Itiberê foi introduzido na música pelo pai, Antônio Bruno Zwarg, compositor e músico. No final dos anos 60 até início dos 70, participa dos trios "Xangô Três" e "Bossa Jazz Trio". Em 1977 começa um novo e grande ciclo de música ingressando no "Hermeto Pascoal & Grupo", onde se mantém até hoje. A partir de 1982 viaja com "Hermeto Pascoal & Grupo" em turnês anuais pela Europa, América e Japão; participa de workshops e oficinas de Hermeto na França, Alemanha, Suíça, Estados Unidos.

    Com Hermeto grava nove discos: "Zabumbebum A"; "Montreaux ao Vivo"; "Cérebro Magnético"; "Hermeto Pascoal & Grupo"; "Lagoa da Canoa"; "Só não Toca Quem Não Quer"; "Brasil Universo"; "Festa dos Deuses" e "Mundo Verde Esperança". Itiberê inicia em 1992 sua carreira de compositor e arranjador. Assina o CD "Variasons", de "Gilson Macedo"; participa do CD "De Onde Vens", da cantora "Ivetty Souza", e do CD "Cordas Cruzadas" do quarteto "Maogani" de violões, entre outros.

    Em 1999 cria a "Itiberê Orquestra Família". Em 2001 lança o primeiro CD duplo "Pedra do Espia", da "Itiberê Orquestra Família", onde assina como compositor, arranjador e regente.

    Em novembro de 2005, lança o segundo CD duplo: "Calendário do Som", com 27 músicas extraídas do livro homônimo de "Hermeto Pascoal". Em 2005, Itiberê foi contemplado com a bolsa Vitae – Compositor. Em 2006 aprova projeto de lançamento do seu segundo CD com a "Itiberê Orquestra Família", fazendo uma turnê por vários estados do Brasil, finalizando em Montevidéu e Buenos Aires. Esse projeto foi o "Programa Natura Musical".

    Ganhou também, pela Petrobras, um projeto para a confecção de um Songbook com CD de suas composições feitas na sua "Oficinas da Música Universal". Itiberê realiza a prática da "Música Universal" no espaço Estúdio Praia de Botafogo, onde através de metodologia própria tem possibilitado desenvolver uma geração de talentos.

My Media

  • Buy My Music: http://www.sescsp.org.br/loja/10388_INTUITIVO#/content=detalhes-do-produto
  • Instagram: itiberezwarg

Listen on Spotify

  • Spotify: http://open.spotify.com/album/48lVbEoaQPDJ7ovsrWcnIh
  • Spotify 2: http://open.spotify.com/album/0DcZAt2Bj7DH2NgxTXu7K2

Clips

  • Programa Instrumental Sesc Brasil
    By Itiberê Zwarg
    133 views
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This is a matrix navigable from artist to artist following recommendations-as-guideposts. It's based in the concept behind small world (so-called "six degrees of separation") networks...meaning that everybody inside the matrix is somehow findable/reachable from everybody else in a limited number of steps. And this  heralds — for the first time since mankind began blowing through bone flutes some 30,000 years ago — the potential for a completely open and totally accessible artistic universe! 

 

THE MATRIX IS MUSICIAN / ARTIST-IN-GENERAL RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:

⇒ the collective human mind

 

IT IS BASED IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA VIBRANT AFRO-BRAZILIAN CULTURE

⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.

 

THE MATRIX REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU

⇒ To wherever people want to take it...

 

IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP

⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.

 

Matrix Headquarters

 

PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:

⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned — as Quincy Jones figured out decades before me — that greatness and fame are completely independent. I'd see that the wave had been repeated here in Brazil with a man by the name of Raimundo Sodré, who'd gone from zero to national fame and back to zero.

 

IN LIGHT OF ALL THE ABOVE I BUILT A (THE WORLD'S FIRST EVER!) SMALL WORLD CURATION NETWORK...

⇒ A wave of a cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially  be reached by ANYBODY from ANYWHERE.

 

BY WHAT WIZARDRY?

⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

 

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

⇒ In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.

 

LIKE THIS...

⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...

 

  • Raimundo Sodré Now
  • Raimundo Sodré 1980

Raimundo Sodré Now

Dengo

Dengo
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Raimundo Sodré 1980

The Festivals of Brazilian Music (Os Festivais de Música Brasileira) were a series of televised festivals featuring original songs over the period from 1965 to 1985. Many of Brazil's most popular artists of the period (including Elis Regina, Chico Buarque, Caetano Veloso, Gilberto Gil, Gal Costa, Geraldo Vandré, Nara Leão, Edu Lobo, Jair Rodrigues, Tom Jobim) participated or began their careers in these festivals.

 

Sodré was launched in 1980. He only placed third but was so much the popular favorite that the festival winner, Oswaldo Montenegro, was booed when awarded first place.

 

The sound and video quality of this recorded are pretty terrible, but nevertheless it gives some idea of that day...

 

The song itself, "A Massa", was a protest song. Sodré sings "a massa da mandioca mãe" (manioc dough, mother)...but this is a metaphor for the mass of common people being squeezed by the powerful in the government. The style is called "chula"; it's the primordial Afro-Brazilian samba born on the sugarcane plantations of Bahia, precursor to Brazil's national music.

 


 

DICTATED SILENCE

⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.

 

MUSIC FALLS LIKE RAIN

⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

 

 

FROM SODRÉ ONE MIGHT NAVIGATE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...

⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"

 

AND FROM BULE ON...

⇒ ...tendrils twining through urban centers and beautiful backwaters... through New York boroughs, Burkina Faso... County Clare... Cape Town...

 

THROUGH ARTISTS ACROSS THE BOARD

⇒ ...writers, journalists, photographers, painters, illustrators, architects, choreographers, filmmakers...

 

IS THE MATRIX AN ALTERNATE REALITY?

⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

 

DOES THE MATRIX WATCH YOU?

⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.

 

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