Simon Shaheen via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Simon Shaheen:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Simon Shaheen
- City: New York City
- Country: United States
My Life & Work
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Bio:
A Palestinian, born in the village of Tarshiha in the Galilee, Shaheen's childhood was steeped in music. His father, Hikmat Shaheen, was a professor of music and a master 'oud player. "Learning to play on the 'oud from my father was the most powerful influence in my musical life," Shaheen recalls. He began playing on the 'oud at the age of five, and a year later studying violin at the Conservatory for Western Classical Music in Jerusalem. "When I held and played these instruments, they felt like an extension of my arms."
After graduating from the Academy of Music in Jerusalem in 1978, Shaheen was appointed its instructor of Arab music, performance, and theory. Two years later he moved to New York City to complete his graduate studies in performance at the Manhattan School of Music, and later in performance and music education at Columbia University.
In 1982, Shaheen formed the Near Eastern Music Ensemble in New York, establishing a group that would perform the highest standard of traditional Arab music. This time also marked the beginning of Shaheen's workshops and lecture/demonstrations in schools, colleges, and universities to educate the younger generation. As a champion and guardian of Arab music, Shaheen still devotes almost fifty percent of his time to working with schools and universities, including Julliard, Columbia, Princeton, Brown, Harvard, Yale, University of California in San Diego, University of Michigan in Ann Arbor and many others.
His concert credits are a veritable compendium of the world's greatest venues: Carnegie Hall, Kennedy Center, Cairo's Opera House, Theatre de la Ville in Beirut, and Belgium's Le Palais des Arts. In May of 2004, Shaheen appeared at Quincy Jones' "We Are The Future," fundraising concert in Rome in front of a half million strong crowd.
As a composer, Shaheen has received grants from the National Endowment for the Arts, the New York State Council on the Arts, Meet the Composer, the Jerome Foundation, Continental Harmony, and Yellow Springs Institute. In addition to his recorded work, his theatrical repertoire includes Majnun Layla, (performances included the Kennedy Center in Washington DC, and The Museum of Natural History in New York), The Book and the Stranger (from Kalilah Wa-Dimanah), Possible City, and Collateral Damage with actress Vanessa Redgrave. He has also written the music for the documentary of the British Museum's Egyptian collection, which has toured U.S. museums.
Since 1994, Shaheen has produced the Annual Arab Festival of Arts, called "Mahrajan al-Fan." Held in New York, the festival showcases the work of the finest Arab artists, while presenting the scope, depth and quality of Arab culture. To continue this exposure to Arab music and culture, Shaheen founded the Annual Arabic Music Retreat in 1997. Held each summer at Mount Holyoke College, this weeklong intensive program of Arabic music studies draws participants from the U.S. and abroad.
For the past six years, though, Shaheen has focused much of his energies on Qantara . The band, whose name means arch in Arabic, brings to life Shaheen's vision for the unbridled fusion of Arab, jazz, Western classical, and Latin American music, a perfect alchemy for music to transcend the boundaries of genre and geography.
"I want to create a world music exceptionally satisfying to the ear and for the soul," says Shaheen, "This is why I selected members for Qantara who are all virtuosos in their own musical forms, and whose expertise and knowledge can raise the music and the group's performance to spectacular levels."
Qantara made their first live recording debut on Mondo Melodia/ARK21's "Historic Live Recording of the Two Tenors & Qantara ," featuring tenors Wadi al-Safi and Sabah Fahkri. The disc featured two instrumental cuts by Shaheen and Qantara, which, only begins to show the band's range and capabilities ."
Shaheen and Qantara made their full recording debut with Blue Flame, . Compositions of "Al-Qantara" and "Dance Mediterranea" sparkle like jewels, while the opening track, Blue Flame, is a bravura exhibition of Shaheen's -- and the band's -- virtuosity. The Los Angeles Times proclaimed the record "stunning," National Public Radio called it "a staggering tour-de-force of technique and passion," CMJ called it "a new benchmark in Arab-Western fusion," and the Washington Post termed it "eminently cosmopolitan."
The band has toured during 2003 and 2004, playing concerts and festivals like WOMAD USA, WOMAD Sicily, the prestigious Newport Jazz Festival, Montreal Jazz Festival. Traveling throughout Europe and the Middle East, Qantara's appearances have included: Beiteddine Festival in Lebanon; Les Mediterranean in France; New York's Central Park Summer Stage; Stern Grove International Festival in San Francisco; Chicago World Music Festival; Royce Hall in Los Angeles; University Musical Society in Ann Arbor; Walker Arts Center in Minneapolis; International Souk Ukaz at the historic citadel in Amman, Jordan; and Yabous Festival in the historical Tombs of Kings in East Jerusalem amongst others . In Palestine, Shaheen conducts an annual weeklong music workshop designed for gifted children.
In addition to performing with his two bands, Qantara and the Near Eastern Music Ensemble, Shaheen tours as a solo artist internationally and as a lecturer throughout the academic world promoting awareness to Arab music through numerous lecture and workshop presentations.
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://www.simonshaheen.com/order
- ▶ Twitter: oudandviolin
- ▶ Website: http://www.simonshaheen.com
- ▶ YouTube Channel: http://www.youtube.com/user/SimonShaheen
- ▶ YouTube Music: http://music.youtube.com/channel/UCs1RE_8nV1VtLKo7KZNlsTw
- ▶ Spotify: http://open.spotify.com/album/01cMpGepKd4bWFzJse5mIb
- ▶ Spotify 2: http://open.spotify.com/album/1aT4FV3ooindbWj4DmSjPi
- ▶ Spotify 3: http://open.spotify.com/album/27wsda7v84WVk8dxfSNT2s
Clips (more may be added)
The world's artists via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius. In order to work for the children of the canecutters though, the mechanism must work for everybody.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging from the quilombos of Bahia to the favelas of Rio to the poorer quarters of New Orleans to the south side of Chicago to Harlem to Appalachia to Irish villages and Russian shtetls and even Mozart...put it like this:
"Where there's misery, there's music!"
So it's not just Brazil. And it's not just music.
