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Who I Am & Where I Live

Name: Chick Corea
City: Clearwater, Florida
Country: United States

My Life & Work

Bio: Born Armando Anthony Corea in Chelsea, Massachusetts on June 12, 1941, Chick began studying piano at age four. Early on in his development, Horace Silver and Bud Powell were important influences while the music of Beethoven and Mozart inspired his compositional instincts.

Chick’s first major professional gig was with Cab Calloway, which came before early stints in Latin bands led by Mongo Santamaria and Willie Bobo.

Important sideman work with trumpeter Blue Mitchell, flutist Herbie Mann and saxophonist Stan Getz came before Chick made his recording debut as a leader in 1966 with Tones For Joan's Bones. During these years, Chick also recorded sessions with Cal Tjader, Donald Byrd and Dizzy Gillespie.

After accompanying singer Sarah Vaughan in 1967, Chick went into the studio in March of 1968 and recorded Now He Sings, Now He Sobs with bassist Miroslav Vitous and drummer Roy Haynes. That trio album is now considered a jazz classic. This is the disc that cemented Chick's place in the jazz firmament as a pianist of incomparable skill.

Shortly after the historic Isle of Wight concert, both Chick and bassist Dave Holland left Miles' group to form the cooperative avant-garde quartet Circle with drummer Barry Altschul and saxophonist Anthony Braxton. Though short-lived, Circle recorded three adventurous albums, culminating in the arresting live double LP Paris-Concert recorded on February 21, 1971 for the ECM label.

Chick also recorded the trio album ARC with Holland and Altschul, before he changed directions again. His excellent Piano Improvisations, Vol. 1 and 2, recorded over two days in April 1971 for ECM, was the first indication that solo piano performance would become fashionable.

In the fall of 1968, Chick replaced Herbie Hancock in Miles Davis' band with Ron Carter, Wayne Shorter and Tony Williams. In September of that year, he played Fender Rhodes electric piano on Miles' important and transitional recording Filles de Kilimanjaro, which pointed to a fresh new direction in jazz.

Between 1968 and 1970, Chick also appeared on such groundbreaking Davis recordings as In a Silent Way, Bitches Brew, Live-Evil and Live at the Fillmore East. He was also a key player in Davis' electrified ensemble that appeared before 600,000 people on August 29, 1970 at the Isle of Wight Festival in England (captured on Murray Lerner's excellent documentary, Miles Electric: A Different Kind of Blue).

Toward the end of 1971, Chick formed his first edition of Return to Forever with Stanley Clarke on acoustic bass, Joe Farrell on soprano sax and flute, Airto Moreira on drums and percussion and Moreira’s wife Flora Purim on vocals. On February 2 and 3, 1972, they recorded their self-titled debut for ECM, which included the popular Corea composition "La Fiesta."

A month later, on March 3, 1972, Chick, Stanley, Airto and drummer Tony Williams teamed together as the rhythm section for Stan Getz's Columbia recording Captain Marvel, which featured five Corea compositions, including "500 Miles High," "La Fiesta" and the title track.

By September of that year, Chick was back in the studio with Return to Forever to record the classic Light as a Feather, a collection of melodic Brazilian-flavored jazz tunes including new versions of "500 Miles High" and "Captain Marvel" along with Chick's best-known composition, "Spain." In November of 1972, Chick also recorded the sublime Crystal Silence, his initial duet encounter with vibraphonist and kindred spirit Gary Burton.

By early 1973, Return to Forever added electric guitarist Bill Connors and thunderous drummer Lenny White, and the group was fully fortified to embrace the emerging fusion movement. In August 1973 Hymn of the Seventh Galaxy instantly elevated them to the status of other fiery fusion bands of the day like John McLaughlin's Mahavishnu Orchestra and the Joe Zawinul-Wayne Shorter-led juggernaut, Weather Report.

By the summer of 1974, with the 19-year-old speed demon guitarist Al Di Meola replacing Connors in the RTF lineup, the transformation to a bona fide high-energy jazz-rock concert attraction was complete. Hordes of rock fans embraced the group and were able to enter the world of jazz through such important albums as 1974's Where Have I Known You Before, 1975's Grammy® Award-winning No Mystery and 1976's Romantic Warrior, which became the best-selling of the RTF studio albums.

The four electric albums are now compiled on the remixed and remastered Return to Forever: The Anthology.

During this same period, Chick also turned out two highly personal recordings in 1975's jazz fantasy concept album The Leprechaun and 1976's flamenco-flavored My Spanish Heart. A third edition of RTF featured a four-piece brass section along with bassist Clarke, charter RTF member Joe Farrell, drummer Gerry Brown and Chick's future wife Gayle Moran, who was also a memeber of Mahavishnu Orchestra, on vocals.

Together they recorded 1977's Musicmagic and the four-LP boxed set RTF Live, which captured the energy and excitement of the full ensemble on tour.

Shortly after disbanding RTF, Chick and Herbie Hancock teamed up in early 1978 for a tour playing duets exclusively on acoustic pianos. Their chemistry was documented on two separate recordings: 1978’s Corea/Hancock and 1980's An Evening with Herbie Hancock and Chick Corea, a two-LP set that featured renditions of Chick's "La Fiesta" and Herbie's "Maiden Voyage" along with expressive takes on Béla Bartok's "Mikrokosmos" and the standard that Miles Davis made so popular, "Someday My Prince Will Come."

Also in 1978, a year marked by a flurry of activity, Chick released The Mad Hatter, with original RTF saxophonist Joe Farrell, drummer Steve Gadd and former Bill Evans Trio bassist Eddie Gomez, and followed up with the wide-open blowing date Friends, featuring the same stellar crew. Before the year was out Chick also managed to record the provocative Delphi I: Solo Piano Improvisations.

Secret Agent introduced a fresh new rhythm section of drummer Tom Brechtlein (later a member of the Touchstone band) and France's fretless electric bass wonder, Bunny Brunel. Vocalist Gayle Moran and saxophonist Joe Farrell were also featured on this 1979 outing.

At the beginning of 1981, Chick recorded Three Quartets, a classic swinging encounter with tenor sax great Michael Brecker, bassist Eddie Gomez and drummer Steve Gadd.

Later that year he toured in an all-star quartet with saxophonist Joe Henderson, bassist Gary Peacock and drummer Roy Haynes. Their near-telepathic post-bop chemistry was documented on the exhilarating Live in Montreux.

That same year, Chick also had a reunion with bassist Miroslav Vitous and drummer Roy Haynes for the double LP Trio Music, released 13 years after their landmark recording, Now He Sings, Now He Sobs. The year 1982 yielded such gems as the Spanish-tinged Touchstone (featuring flamenco guitar great Paco de Lucia and a reunion of Chick's RTF band mates Al Di Meola, Lenny White and Stanley Clarke on the aptly-titled "Compadres"), the adventurous Again and Again (a quintet date featuring the remarkable flutist Steve Kujala), Chick's ambitious Lyric Suite for Sextet (a collaboration with vibraphonist Gary Burton augmented by string quartet) and The Meeting (a duet encounter with renowned classical pianist Friedrich Gulda).

1982 also marked the formation of the Echoes of an Era band (essentially an all-star backing band for R&B singer Chaka Khan's first foray into jazz). With his former RTF band mates Stanley Clarke and producer and drummer on this project, Lenny White, augmented by jazz greats Freddie Hubbard and Joe Henderson, Chick recorded Echoes of an Era with Chaka and followed up with the all-instrumental studio recording Griffith Park Collection and the double-LP, Griffith Park Collection, Vol. 2.

There followed a string of eclectic offerings in 1983's solo piano masterwork, Children's Songs, 1984's Voyage (a duet project with flutist Kujala), 1985's Septet (an ambitious five-movement suite for piano, flute, French horn and string quartet) and 1985's Trio Music, Live In Europe (another ECM outing with Vitous and Haynes).

Through the remainder of the '80s and into the '90s, Corea returned to the fusion arena with a vengeance with his Elektric Band, featuring drummer Dave Weckl, saxophonist Eric Marienthal, bassist John Patitucci and guitarist Frank Gambale. Together they recorded five hard-hitting offerings that elevated fusion to a whole new level, including 1986's Elektric Band, 1987's Light Years, 1988's excellent Eye of the Beholder, 1990's Inside Out and 1991's Beneath the Mask.

To balance his forays into electric music, Chick also formed his Akoustic Band, a highly interactive trio with Elektric Band members Patitucci on upright bass and Weckl on drums. They recorded 1989's Akoustic Band and 1990's Alive, both on GRP. The second edition of Chick's Elektric Band, featuring bassist Jimmy Earl, guitarist Mike Miller, drummer Gary Novak and original EB member Eric Marienthal on saxophone, released 1993's Paint the World on GRP. That same year, Chick also recorded a set of solo piano jazz standards, Expressions, which he dedicated to jazz piano legend Art Tatum.

By 1992, Chick realized a lifelong goal in forming Stretch Records, a label committed to stretching boundaries and focusing more on freshness and creativity than on genre. Among its early releases were projects by Bob Berg, John Patitucci, Eddie Gomez and Robben Ford. After Chick’s ten-year relationship with GRP ended in 1996, following the release of Time Warp, Stretch Records began a partnership with Concord Records and Chick began releasing his new music on his own label.

Chick’s first release for his new label was 1997’s Remembering Bud Powell, an all-star outing that featured young talent like tenor saxophonist Joshua Redman, trumpeter Wallace Roney, alto saxophonist Kenny Garrett and bassist Christian McBride, along with jazz drumming legend Roy Haynes (who had performed on the bandstand beside Powell in the early '50s).

Also in 1997, Chick released a recording with the St. Paul Chamber Orchestra with Bobby McFerrin as conductor. Their second collaboration, entitled The Mozart Sessions, followed on the heels of their first duet, 1991’s Play. That same incredibly productive year, Chick unveiled his acoustic sextet Origin (the band’s self-titled debut release was a live recording at the Blue Note club in New York) and also teamed up with old partner Gary Burton, rekindling their chemistry from the ‘70s on Native Sense: The New Duets, which earned Chick his ninth Grammy® Award.

In 1998, Chick released the six-disc set A Week at the Blue Note, documenting the Origin sextet in full stride in all its spontaneously combustible glory over the course of three nights. He followed that up in 1999 with Origin’s third outing, Change, which was recorded within the relaxed confines of the home Chick shares with his wife and singer Gayle Moran. Also in 1999, Chick recorded two solo piano gems, Solo Piano: Originals and Solo Piano: Standards.

Chick ushered in the new millennium with 2000's Corea Concerto, a grand encounter with the London Philharmonic Orchestra that featured a new symphonic arrangement of “Spain” as well as the premiere of his “Piano Concerto No. 1.”

In 2001, Chick unveiled his New Trio, featuring drummer Jeff Ballard and bassist Avishai Cohen, on Past, Present & Futures.

In 2004, Chick reunited his high-powered Elektric Band for a tour and subsequent recording based on L. Ron Hubbard’s sci-fi novel To the Stars.

And in 2005, he returned to Hubbard for musical inspiration, this time interpreting The Ultimate Adventure. Chick’s acoustic/electric tone poem earned two Grammys—remarkably his 13th and 14th. Chick’s latest score was inspired by Hubbard’s fantasy novel set against a backdrop of scenes and characters from the ancient tales, The Arabian Nights.

In 2006, there was no time for Chick to rest on his well-deserved laurels. In July in Vienna, he premiered his “Piano Concerto #2,” commissioned by Wiener Mozartjahr 2006, in celebration of Mozart's 250th birthday anniversary. He performed the piece with the Bavarian Chamber Orchestra and toured throughout Europe with the group.

In addition, Chick delivered Super Trio, featuring drummer Steve Gadd and bassist Christian McBride. The live set, comprising many of Chick’s compositional gems, was released only in Japan through Universal and is available as an import and through Chick’s website. It was named the "Jazz Album of the Year" by Japan's Swing Journal, thereby winning the publication’s coveted Gold Disc Award.

In December 2006, Chick recorded The Enchantment, a remarkable duo outing with genre-defying banjoist extraordinaire Béla Fleck.

The two had admired each other's music for several years. Chick had previously recorded three songs on Béla’s 1994 CD, Tales From the Acoustic Planet, as well as on the group’s 1996 live CD, Live Art.

Chick, in turn, had enlisted Fleck to perform with him and Bobby McFerrin on the 2002 Rendezvous in New York project.

Fleck said that The Enchantment was “one of my greatest experiences as a musician … playing with my hero, Chick Corea.” Chick returned the compliment by saying that the album broke new ground for him, with Fleck inspiring him to delve into “unfamiliar territory.”

Also in 2007, the indefatigable artist stretched his creative reach further with The New Crystal Silence, the dazzling duo partnership with Gary Burton that celebrated the 35th anniversary of their first collaboration, documented on the 1972 ECM disc, Crystal Silence. That debut album not only forged their chemistry, but also brought to renown the deep and insightful collaboration of the two virtuosic improvisers. (The duo recorded four more albums and never skipped a year performing together.)

Released on Concord Records, The New Crystal Silence was a double CD featuring the pair performing their classic repertoire in an orchestral with the Sydney Symphony at the Sydney Opera House and as a duet captured in a sublime performance at the Molde Jazz Festival in Molde, Norway.

For the duo disc, Chick and Gary marked their long relationship onstage of anticipating each other’s musical ideas by embarking on a worldwide tour and then chose one of their best performances to document.

2008 saw the release of the Five Trios box set, a six-CD set of five different trios Chick recorded with, dating back to 2005. Also, there were new studio recordings. The box set was released in Japan only by Universal.

The trio discs featured Chick leading the following bass/drum bands: John Patitucci and Antonio Sanchez (for the disc named "Dr. Joe”); Eddie Gomez and Airto Moreira (for “The Boston Three Party,” recorded at Boston's Berklee Performance Center on April 28, 2006); Eddie Gomez and Jack DeJohnette (for “From Miles,” recorded live in New York, 2006); and Christian McBride and Jeff Ballard (“Chillin’ in Chelan,” recorded live in Chelan, Washington in 2005). The new studio recordings, "Brooklyn, Paris to Clearwater," featured French bassist Hadrien Feraud and drummer Richie Barshay.

The banner year of 2008 also saw the release of the two-CD Duet: Chick & Hiromi. The album featured Chick’s collaboration with Japanese jazz pianist Hiromi, recorded live at the Tokyo Blue Note.

Their repertoire of originals and standards showcased tremendous rhythmic and melodic interplay, on tunes by Thelonious Monk (a bouncing "Bolivar Blues") and Lennon & McCartney (a riveting new take on "The Fool on the Hill"). The album became the No. 1-selling jazz CD of the year in Japan. As a result, the two performed a duet at the Budokan that attracted a sold-out audience of 5,500 people.

The biggest Chick news of 2008 was the reuniting of the classic Return to Forever lineup of guitarist Al Di Meola, bassist Stanley Clarke and drummer Lenny White. It marked the first time they played together as a group in 25 years. Before embarking on its eagerly anticipated world tour, Concord Records released the two-CD set, Return to Forever: The Anthology, which gathered together for the first time the best of RTF’s classic albums, completely remixed and remastered.

Return to Forever graced the cover of DownBeat magazine and garnered the feature story, “Let Them Hear Fusion.” In the article, on the eve of the premiere reunion concert in Austin, Texas, on May 29, Chick said, “I can’t wait to see what happens. So many people—and that includes the members of the band—have waited so long for this. Playing the music again with the guys in rehearsals has been so much fun, but doing this for our fans is almost too good to be true.”

The RTF tour circled the globe before concluding in August. The resulting double live album, Return to Forever: Returns, captured every bit of the band's powerful, unique brand of virtuosity.

Another monumental 2008 event was the Five Peace Band, founded with the great jazz guitarist John McLaughlin. The two are truly kindred spirits, given their individual musical histories as well as their singular virtuosity on their respective instruments. As young jazz artists, they both did stints with the legendary Miles Davis and appeared together on the groundbreaking jazz/rock/funk classic Bitches Brew. They then ventured out to form their own revolutionary bands: Chick’s RTF and John’s Mahavishnu Orchestra.

Collaborating together for the first time, Chick and John took a new musical leap, presenting highly creative music with Kenny Garrett on saxophone, Christian McBride on bass and Vinnie Colaiuta and Brian Blade on drums. On the resulting double-album Five Peace Band Live, the band offers intricate acoustic jazz, burning jazz/rock/funk, and intimate duets.

John's "Raju" and "New Blues, Old Bruise" are blues for the 21st century, and Chick's dynamic 28-minute suite "Hymn to Andromeda" is one of his most elaborate compositions to date. The album earned Chick his 16th Grammy® Award, taking home the honor for Best Jazz Instrumetal Album of 2009.

Inspired by working with Stanley Clarke (bass) and Lenny White (drums) on the RTF tour, Chick enlisted them to form a trio for a worldwide tour in 2009. Actually, the trio is another reunion, harking back to a weeklong stint in 1973 at the heralded San Francisco jazz venue Keystone Korner, where the three developed the electric-jazz ideas that led to the development of RTF. The resulting 2-CD live album, Forever, earned two Grammy awards.

The fourth iteration of Return to Forever emerged as a powerhouse quintet in 2012, featuring longtime RTF compatriots Chick, Stanley and Lenny welcoming Jean-Luc Ponty on violin and Frank Gambale on guitar for a massive world tour, exploring both the classic RTF canon and selections from the lineup's solo careers (Stanley's "School Days" and Jean-Luc's "Renaissance" were highlights).

The three-disc set The Mothership Returns catches the band live, in all its electric-acoustic glory, tearing through the setlist including "Señor Mouse," "Romantic Warrior," and "Spain."

Chick's originally composed his concerto The Continents in 2009, but waited until 2012 to record it the way it was meant to be: with a hand-chosen chamber orchestra, and a pristine recording space. The resulting 2-CD set is Chick's most ambitious compositional outing to date, perfectly fusing his jazz and classical sensibilities on a gorgeous suite of music.

At the 55th Annual Grammy Awards in February 2013, Chick & Gary Burton took home two statues for their acclaimed duet album, Hot House. Only two years later, Chick repeated the double-victory as the acclaimed 3xCD set Trilogy took home two more Grammys, for Best Jazz Instrumental Album and Best Jazz Instrumental Solo (“Fingerprints”).

Remarkably, this brought Chick’s Grammy total to 22.

Chick assembled a hard-charging lineup of primarily young guns to form The Vigil, his latest touring and recording powerhouse. Since releasing their barn-burning debut album The Vigil to overwhelming critical acclaim in June 2013, Chick and the band have circled the globe, including extensive tours of the US, Europe, Japan and South America.

Return to Forever founding members Chick & Stanley Clarke joined forces for a week-long run of shows at Catalina Jazz Club in LA in April 2013, which featured more than a dozen esteemed guests — including Herbie Hancock — and led to unprecedented piano-and-bass duo tours of Japan and Europe in 2014, as Chick and Stanley re-invented the classic RTF repertoire.

May 2013 saw the astounding spectacle of Chick's week of performances and curated shows at the venerable Jazz at Lincoln Center. Chick teamed with Wynton Marsalis and the JALC Orchestra for three nights of newly-arranged Corea classics, plus the debut of a new composition written for the MIT Jazz Ensemble. Chick also hand-selected artists to play throughout JALC, including young piano stars Beka Gochiashvili and Gadi Lehavi; Elio Villafranca; Edsel Gomez; Henry Cole, and more.

Chick’s lifelong commitment to the art of solo-piano performance took new flight in May 2014, with the release of Portraits, recorded live. The album is an intimate look at Chick’s musical universe: homages to Bill Evans, Bud Powell, Thelonious Monk and more; a suite of his own beguiling compositions; and totally improvised sonic “portraits” of audience members.

Chick closed out 2013 by honoring his friend and musical compatriot Herbie Hancock, as Herbie received the prestigious Kennedy Center Honor at a star-studded event in Washington, DC, in front of an audience that included President Obama and the First Lady — plus fellow honorees Carlos Santana, Billy Joel, Shirley MacLaine and Martina Arroyo. Herbie was blown away as Chick and an all-star band (including Dave Holland, Jack DeJohnette, Wayne Shorter and Terence Blanchard) played a killin' version of "Walkin'."

Just days later, Chick joined his longtime friend Stevie Wonder in LA, where Stevie recreated his timeless album Songs in the Key of Life in a concert packed wall-to-wall with musical stars, benefitting the charity House Full of Toys. Chick was invited to sit-in on Stevie's fantastic fusion instrumental "Contusion," (reminiscent of Chick's Return to Forever innovations). The standing-room crowd at the Nokia Center rocked to the full album for three hours straight, thanks to guests Herbie Hancock, John Mayer, Esperanza Spalding, India Arie, and many from the original album personnel, including keyboardist Greg Phillinganes.

Béla Fleck, celebrated pioneer of the banjo, rejoined Chick on tour throughout 2014 and 2015, circling the globe and in September 2015 releasing their long-awaited live album, Two, a double-album that expanded their already extraordinary setlist. Turns out, classical inventions (“Prelude en Berceuse” by Henri Dutilleux) and next-level bluegrass (“Bugle Call Rag”) come as second nature to the two virtuosos.

One of the truly seismic duets in modern jazz, Chick & Herbie, emerged with a freewheeling, purely acoustic sound in the midst of the ‘70s electric boom. They reprised their musical conversation beginning in March 2015 on a globe-spanning world tour, where they were standing-room-only crowds in some of the most storied halls on the planet, including New York’s Carnegie Hall.

In September 2015, Chick was honored as artist in residence at the San Francisco Jazz Festival, where he performed solo, in duet with Gonzalo Rubalcaba and then Béla Fleck, and with his Grammy-winning Trilogy trio.

For his milestone birthday, Chick lined up a marathon tour schedule, literally circling the globe and performing with a murderer’s row of fellow musical giants. It all started in April 2016 with the International Jazz Day concert broadcast nationwide from the White House lawn, followed by a US theater tour with Béla Fleck. Chick spent May in Japan in duet with Makoto Ozone, including two performances of Mozart’s “Concerto for Two Pianos” with the NHK Orchestra in Tokyo. June saw the return of the Trilogy trio for a US tour, followed by a European jaunt with the all-star Homage to Heroes quintet.

The rest of the year is even busier: Chick reconvenes the Elektric Band for a residency at Catalina Jazz Club in Hollywood and a US theater tour. He returns to Europe and then Japan, playing first with Gary Burton, and then in new trios with Avishai Cohen (bass) and Marcus Gilmore (drums), then Eddie Gomez (bass) and Brian Blade (drums).

October 2016 sees a party like only Chick could pull off: an unprecedented two-month residency at New York’s Blue Note Jazz Club, playing 80 shows with 15 different bands. These include a tribute to his mentor Miles Davis with other Davis alumnae; a week with longtime partner-in-crime and drum legend Steve Gadd; two nights of experimental electronica with drummer Marcus Gilmore and guests; and the return the Flamenco Heart. The Harlem String Quartet will join the simpatico duo partnership with Gary Burton. Perennial fan-favorite projects with Origin and the Trodheim Jazz Orchestra will also occupy the Blue Note stage, plus a three-night series of duets with pianists yet to be announced.

The final two weeks of the run will feature the music of Return to Forever and more – the acoustic lineup (Nov.30 – Dec. 4) includes Ravi Coltrane (sax), Hubert Laws (flute), Avishai Cohen (bass) and RTF drummer Lenny White; an electric band (Dec. 8-11) dubbed Return to Forever Meets Mahavishnu, featuring fellow legend John McLaughlin on guitar, bassist Victor Wooten and drummer White, will also delve into some classic Mahavishnu Orchestra material.

Contact Information

Management/Booking: Booking & Representation:
Jean-Jacques Cesbron
President, Worldwide Representation
CAMI Music
1500 Broadway, New York, NY USA 10036
jcesbron@camimusic.com
www.camimusic.com

Production:
Chick Corea Artist Services
411 Cleveland St. #215
Clearwater, FL 33755
Office phone: (888) 712-4425
Office cell: (727) 688-2237
Office email: ccartistservices@chickcorea.com

The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

IF YOU CAN'T STAND THE HEAT

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

But!

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

A pandeirista on the roof. And it's not just music. And it's not just Brazil.