• Sign in
  • Be a Node
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • AFROBIZ Salvador
  • Questions?
  • IMPORTANT →
  • Recommendations In(3)
  • What's Up
  • Why a "Matrix"?
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT →

Recommendations In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Augustin Hadelich:

  • 0 Classical Music
  • 0 New York City
  • 0 Violin

What's Up

The post was not added to the feed. Please check your privacy settings.
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich on Prokofiev's Violin Concerto No. 2
    What does Prokofiev have in common with Harry Potter? Get the story from this week's violin soloist, Augustin Hadelich -- plus, hear him play excerpts from t...
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Prokofiev Violin Sonata No. 2 - Augustin Hadelich, Charles Owen (Live)
    Sergei Prokofiev - Sonata for violin and piano No. 2 D Major Op. 94a Augustin Hadelich, violin; Charles Owen, piano Filmed live in concert in Grünwald, Germa...
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich plays Tchaikovsky Violin Concerto, last movement
    From a live performance on August 16, 2019 at the Grand Teton Music Festival with the Grand Teton Festival Orchestra and Louis Langrée, conductor gtmf.org
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Brahms, Concierto para violín y orquesta - Orquesta Sinfónica de Minería
    Temporada de Verano 2019 Primer Programa Obra: Brahms Concierto para violín y orquesta en re mayor, Op. 77 Solista: Augustin Hadelich, violín Carlos Miguel P...
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich plays Ysaÿe Sonata no. 4 LIVE
    Eugène Ysaÿe - Sonata for solo violin no. 4 e minor, dedicated to Fritz Kreisler Filmed live in concert in Grünwald, Germany, on December 11 2018
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich - PAGANINI Caprice No. 24 (Live 2018)
    LIVE on November 23, 2018 in Helsinki, Finland Paganini: Capriccio No. 24 Augustin Hadelich, violin
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich and the 1744 Guarneri del Gesù "Leduc, Ex-Szeryng", loaned through Tarisio Trust
    One the finest and most valuable violins in the world, the ‘Leduc’ Guarneri ‘del Gesú’, has been given on extended loan to the German–American violinist Augu...
    • March 4, 2020
  • Augustin Hadelich
    A category was added to Augustin Hadelich:
    New York City
    • March 4, 2020
  • Augustin Hadelich
    A category was added to Augustin Hadelich:
    Classical Music
    • March 4, 2020
  • Augustin Hadelich
    A category was added to Augustin Hadelich:
    Violin
    • March 4, 2020
  • Augustin Hadelich
    Augustin Hadelich is matrixed!
    • March 4, 2020
View More
Loading ...

Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Augustin Hadelich
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Augustin Hadelich
  • City/Place: New York City
  • Country: United States
  • Hometown: Cecina, Italy

Life & Work

  • Bio: Augustin Hadelich is one of the great violinists of our time. From Adès to Paganini, from Brahms to Bartók, he has mastered a wide-ranging and adventurous repertoire and is often referred to by colleagues as a "musician's musician.” Named Musical America’s 2018 "Instrumentalist of the Year", he is consistently cited around the world for his phenomenal technique, soulful approach, and insightful interpretations.

    Mr. Hadelich will appear with over 25 North American orchestras in the 2019/2020 season, including the symphony orchestras of Boston, Cleveland, New York, Montréal, Cincinnati, Pittsburgh, Minnesota, Houston, Oregon, Seattle, Toronto, and numerous others. International highlights of the 2019/2020 season include performances with the Philharmonia Orchestra (London), and the NDR Elbphilharmonie Orchestra (Hamburg), as well as engagements with the BBC Philharmonic, Danish National Symphony, Deutsche Oper Berlin, Finnish Radio Orchestra, Hong Kong Philharmonic, Oslo Philharmonic, WDR Radio Orchestra Cologne, and the Bavarian Radio Chamber Orchestra.

    In addition to every major orchestra in North America, worldwide Mr. Hadelich has appeared with the Bavarian Radio Orchestra, Royal Concertgebouw Orchestra, London Philharmonic, Munich Philharmonic, City of Birmingham Symphony, Belgian National Orchestra, Orchestre National de Lyon, Orquesta Nacional de España, Norwegian Radio Orchestra, Rotterdam Philharmonic, São Paulo Symphony, the radio orchestras of Frankfurt, Saarbrücken, Stuttgart, and Cologne, and the Academy of St. Martin in the Fields. Engagements in the Far East include the Hong Kong Philharmonic, Seoul Philharmonic, Singapore Symphony, NHK Symphony (Tokyo), and a tour with the New Zealand Symphony Orchestra. He has been Artist-in-Residence with the Bournemouth Symphony (UK), Fort Worth Symphony Orchestra, and the Netherlands Philharmonic Orchestra. He made his BBC Proms debut in 2016 and his Salzburg Festival debut in 2018.

    Mr. Hadelich has collaborated with such renowned conductors as Thomas Adès, Marin Alsop, Stefan Asbury, Herbert Blomstedt, Thomas Dausgaard, Stéphane Denève, Christoph von Dohnányi, Thierry Fischer, Alan Gilbert, Gustavo Gimeno, Hans Graf, Miguel Harth-Bedoya, Manfred Honeck, Jakub Hruša, Carlos Kalmar, Louis Langrée, Hannu Lintu, Cristian Macelaru, Klaus Mäkelä, Jun Märkl, Juanjo Mena, Ludovic Morlot, Andris Nelsons, Sakari Oramo, Andrés Orozco-Estrada, Peter Oundjian, Vasily Petrenko, Carlos Miguel Prieto, David Robertson, Donald Runnicles, Jukka-Pekka Saraste, Lahav Shani, John Storgårds, Leonard Slatkin, Yan Pascal Tortelier, Krzysztof Urbanski, Osmo Vänskä, Edo de Waart, and Jaap van Zweden, among others.

    Augustin Hadelich is the winner of a 2016 Grammy Award – “Best Classical Instrumental Solo” – for his recording of Dutilleux’s Violin Concerto, L’Arbre des songes, with the Seattle Symphony under Ludovic Morlot (Seattle Symphony MEDIA). Recently signed to Warner Classics, his first release on the label – Paganini’s 24 Caprices – was released in January 2018. One of Germany’s most prestigious newspapers, Süddeutsche Zeitung, wrote about this recording: “Anyone who masters these pieces so confidently has, so to speak, reached the regions of eternal snow: he has reached the top.” His second recording for Warner Classics, the Brahms and Ligeti concertos with the Norwegian Radio Orchestra under Miguel Harth-Bedoya, followed in April 2019. Other recent discs include live recordings of the violin concertos of Tchaikovsky and Lalo (Symphonie Espagnole) with the London Philharmonic Orchestra on the LPO label (2017), and a series of releases on the AVIE label including an album of violin concertos by Jean Sibelius and Thomas Adès (Concentric Paths), with Hannu Lintu conducting the Royal Liverpool Philharmonic Orchestra (2014), which was nominated for a Gramophone Award and listed by NPR as one of their Top 10 Classical CDs of that year.

    Born in Italy, the son of German parents, Augustin Hadelich is now an American citizen. He holds an Artist Diploma from The Juilliard School, where he was a student of Joel Smirnoff. After winning the Gold Medal at the 2006 International Violin Competition of Indianapolis, concerto and recital appearances on many of the world’s top stages quickly followed, including Carnegie Hall, Lincoln Center, Chicago’s Symphony Hall, the Kennedy Center, Wigmore Hall/London, and the Concertgebouw in Amsterdam. Other distinctions include an Avery Fisher Career Grant (2009); a Borletti-Buitoni Trust Fellowship in the UK (2011); the inaugural Warner Music Prize (2015); a Grammy Award (2016); as well as an honorary doctorate from the University of Exeter in the UK (2017).

    Augustin Hadelich plays the violin "Leduc, ex-Szeryng" by Giuseppe Guarneri del Gesù of 1744, generously loaned by a patron through the Tarisio Trust.

Contact Information

  • Email: [email protected]
  • Management/Booking: General Management:
    Patricia Handy
    Schmidt Artists International, Inc.
    21 West 74th Street, Suite 1C
    New York, NY 10023 U.S.A.
    Tel: +1 (212) 421-8500
    [email protected]
    www.schmidtart.com

    Europe, Far East
    Enrico Fischer
    Konzertdirektion Schmid
    Adalbertstraße 66, 10179 Berlin, Germany
    T +49 (0)30 / 5213702-26
    [email protected]

Media | Markets

  • ▶ Instagram: augustinhadelich
  • ▶ Website: http://augustinhadelich.com
  • ▶ YouTube Channel: http://www.youtube.com/user/augias84
  • ▶ YouTube Music: http://music.youtube.com/channel/UCeYs7XaN4doLc17PTDP5m8Q
  • ▶ Spotify: http://open.spotify.com/album/2zgGEs3g7b1f6sArCnMblF
  • ▶ Spotify 2: http://open.spotify.com/album/07aS2IC15MgQEafWXi10Lk
  • ▶ Spotify 3: http://open.spotify.com/album/01f6JErMcEbXQpAGlMhOk7
  • ▶ Spotify 4: http://open.spotify.com/album/4O2QP2y92aNyMaaFyzRVOe
  • ▶ Spotify 5: http://open.spotify.com/album/5942pqyLi2aUN0fOsKgco7
  • ▶ Spotify 6: http://open.spotify.com/album/6SHGJedSNsYRjJ6vGlzC1o
  • ▶ Article: http://www.newyorker.com/magazine/2018/04/09/augustin-hadelichs-bold-violin-explorations

Clips (more may be added)

  • Augustin Hadelich on Prokofiev's Violin Concerto No. 2
    By Augustin Hadelich
    208 views
  • Prokofiev Violin Sonata No. 2 - Augustin Hadelich, Charles Owen (Live)
    By Augustin Hadelich
    244 views
  • Augustin Hadelich plays Tchaikovsky Violin Concerto, last movement
    By Augustin Hadelich
    202 views
  • Brahms, Concierto para violín y orquesta - Orquesta Sinfónica de Minería
    By Augustin Hadelich
    251 views
  • Augustin Hadelich plays Ysaÿe Sonata no. 4 LIVE
    By Augustin Hadelich
    205 views
  • Augustin Hadelich - PAGANINI Caprice No. 24 (Live 2018)
    By Augustin Hadelich
    218 views
  • Augustin Hadelich and the 1744 Guarneri del Gesù "Leduc, Ex-Szeryng", loaned through Tarisio Trust
    By Augustin Hadelich
    296 views
Previous
Next
  • Jorge Washington AFROBIZ Salvador
  • Bobby Sanabria Manhattan School of Music Faculty
  • Toby Gough Musical Theater
  • Chief Xian aTunde Adjuah New Orleans
  • Taj Mahal Blues
  • Mestre Nenel AFROBIZ Salvador
  • Alicia Svigals Klezmer Fiddle
  • João do Boi Samba de Roda
  • Vijay Iyer Harvard University Faculty
  • Lauranne Bourrachot Movie Producer
  • Gilberto Gil Salvador
  • Julian Lloyd Webber Cello
  • Lazzo Matumbi Salvador
  • Kamasi Washington Saxophone
  • Simon Brook Filmmaker
  • Luedji Luna Salvador
  • Juliana Ribeiro Salvador
  • Jay Mazza Journalist
  • Gal Costa Salvador
  • Louis Marks Ropeadope
  • Ilê Aiyê Salvador
  • Nduduzo Makhathini South Africa
  • Armandinho Macêdo Salvador
  • Pedrito Martinez Congas
  • Paulinho da Viola Samba
  • Christopher Wilkinson Screenwriter
  • Caetano Veloso Salvador
  • Margareth Menezes Salvador
  • Magary Lord AFROBIZ Salvador
  • Hermeto Pascoal Multi-Instrumentalist
  • Darius Mans Economist
  • Herbie Hancock Jazz
  • Yosvany Terry Harvard University Faculty
  • Robert Glasper Hip-Hop
  • Jau Salvador
  • Bob Mintzer USC Thornton School of Music Faculty
  • Gabi Guedes Salvador
  • Mateus Aleluia Candomblé
  • Mário Pam AFROBIZ Salvador
  • Iuri Passos AFROBIZ Salvador
  • Kurt Rosenwinkel Guitar
  • Raymundo Sodré Bahia
  • Kareem Abdul-Jabbar Writer
  • Airto Moreira Brazil
  • Dieu-Nalio Chery Photojournalist
  • Marcus Miller Multi-Instrumentalist
  • Casey Driessen Bluegrass
  • Nigel Hall Soul
  • Louis Marks Record Label Owner
  • Herlin Riley Second Line
  • Bianca Gismonti Composer
  • MonoNeon Funk
  • Banning Eyre Writer
  • Reuben Rogers Bass
  • Brad Mehldau Jazz
  • Marcelinho Oliveira Music Producer
  • Seu Jorge Brazil
  • Mestrinho Forró
  • Kareem Abdul-Jabbar Basketball
  • Ivan Huol Songwriter
  • Darryl Hall Paris
  • Sandro Albert New York City
  • John Archibald Writer
  • Amilton Godoy Piano Course Online
  • Dorian Concept Keyboards
  • Shalom Adonai Bahia
  • McCoy Mrubata South Africa
  • Billy Strings Guitar
  • Lenna Bahule Singer-Songwriter
  • Adriano Souza Bossa Nova
  • Larnell Lewis Drums
  • Guto Wirtti Composer
  • Derrick Hodge Hip-Hop
  • Kendrick Scott Composer
  • Tony Allen Nigeria
  • H.L. Thompson Music Consultant
  • Michael Garnice Writer
  • Django Bates Bern University of the Arts Faculty
  • Gui Duvignau Multi-Cultural
  • Christopher Wilkinson Movie Director
  • Wynton Marsalis Jazz
  • Ari Hoenig Composer
  • Vincent Herring Composer
  • Ashley Page Music Management
  • Zara McFarlane Vocal Coach
  • Cécile Fromont Art Historian
  • Nicholas Payton New Orleans
  • Yuja Wang New York City
  • Joatan Nascimento Trumpet
  • Ben Allison Double Bass
  • Tito Jackson Guitar
  • Adam Neely Bass
  • Spok Frevo Orquestra Recife
  • Imani Winds New York City
  • Margareth Menezes Samba-Reggae
  • Joan Chamorro Composer
  • Catherine Bent Cello Instruction
  • Richie Stearns Appalachian Music
  • Tatiana Eva-Marie Manouche
  • Edgar Meyer Jazz
  • Biréli Lagrène Guitar
  • Cássio Nobre Bahia
  • Rosa Passos Guitar
  • Roque Ferreira Bahia
  • Ron Mader Professional Speaker
  • Dan Trueman Software Designer
  • Restaurante Axego Salvador
  • Giovanni Russonello Magazine Founder/Editor
  • Bob Lanzetti Record Producer
  • Fred P Berlin
  • Brian Lynch University of Miami Frost School of Music Faculty
  • Craig Ross Multi-Instrumentalist
  • Bonerama Jazz
  • Ajurinã Zwarg Saxophone
  • Anna Mieke Irish Folk Music
  • Lionel Loueke Composer
  • John Santos Composer
  • Rahim AlHaj Oud
  • Keola Beamer Hawaiian Music
  • Fernando Brandão Pífano
  • Greg Ruby Manouche
  • Gregory Hutchinson Soul
  • Cory Wong Minneapolis, Minnesota
  • Henry Cole New York City
  • Gabriel Policarpo Repique Instruction
  • Jean-Paul Bourelly Composer
  • H.L. Thompson New York City
  • Jack Talty Ireland
  • Ballaké Sissoko Mali
  • Olga Mieleszczuk Accordion
  • Cuong Vu Jazz
  • Nei Lopes Writer
  • Andrew Gilbert Roots Music
  • Nduduzo Makhathini Fort Hare University Faculty
  • Joshue Ashby Afro-Cuban Music
  • David Binney Composer
  • Nathan Amaral Rio de Janeiro
  • Concha Buika Singer-Songwriter
  • Dan Trueman Violin
  • John Francis Flynn Guitar
  • Miho Hazama New York City
  • Nicholas Barber London
  • Gabrielzinho do Irajá Composer
  • Kimmo Pohjonen Film Scores
  • Azadeh Moussavi Tehran
  • Nabihah Iqbal Music Producer
  • Ariel Reich Singer
  • Terell Stafford Composer
  • David Ritz Lyricist
  • Abel Selaocoe Multi-Cultural
  • Ariane Astrid Atodji African Cinema
  • Sarz Record Producer
  • Marcus Miller Record Producer
  • Gino Sorcinelli Educator
  • Rogério Caetano Guitar
  • César Camargo Mariano MPB
  • Filhos de Nagô Bahia
  • Utar Artun Berklee College of Music Faculty
  • Siphiwe Mhlambi Visual Story Teller
  • Asa Branca Samba
  • Utar Artun Turkey
  • Yunior Terry Bass
  • Cathal McNaughton Photographer
  • Alan Williams Furniture
  • Rob Garland Guitar Instruction
  • Martin Hayes Ireland
  • Nduduzo Makhathini Piano
  • Capitão Corisco Brazil
  • Julian Lloyd Webber London
  • Fernando César Brasília
  • Joe Lovano Flute
  • The Assad Brothers Classical Guitar
  • Augustin Hadelich Violin
  • Wouter Kellerman World Music
  • Sophia Deboick Historian
  • Andrew Huang Multi-Instrumentalist
  • Adanya Dunn Canada
  • David Castillo Singer
  • Luiz Brasil MPB
  • Hugues Mbenda Experimental French/African Cuisine
  • Nate Chinen Writer
  • Frank Beacham Videographer
  • Herlin Riley Tambourine
  • Lula Moreira Cultural Producer
  • Celso de Almeida Brazilian Jazz
  • Magda Giannikou Piano
  • Muireann Nic Amhlaoibh Singer
  • Aperio Chamber Music
  • Jan Ramsey New Orleans
  • Daniel Jobim Rio de Janeiro
  • Utar Artun Piano
  • Yosvany Terry Afro-Cuban Jazz
  • Dwandalyn Reece Museum Professional
  • Colm Tóibín Ireland
  • Brian Lynch Jazz
  • Ben Monder Jazz
  • Christopher James Composer
  • Rotem Sivan Jazz
  • Reuben Rogers Caribbean Music
  • Dave Weckl Multi-Cultural
  • Devin Naar University of Washington Faculty
  • Derrick Adams Brooklyn, NY
  • Keyon Harrold New York City
  • Tim Hittle Director
  • Ferenc Nemeth Drums
  • Michelle Mercer Radio Producer
  • Nara Couto Afropop
  • Chubby Carrier Zydeco
  • Marcus Printup New York City
  • Arthur Jafa Multidisciplinary Artist
  • Di Freitas Brazil
  • Carrtoons Multi-Instrumentalist
  • Ravi Coltrane Saxophone
  • Celsinho Silva Pandeiro Instruction
  • Lula Moreira Samba de Coco
  • Tatiana Campêlo Bahia
  • Immanuel Wilkins Jazz
  • Celso de Almeida São Paulo
  • Etan Thomas Poet
  • Greg Kot Chicago
  • Fred Hersch Classical Music
  • Donnchadh Gough Ireland
  • James Shapiro Columbia University Faculty
  • Lula Moreira Documentary Filmmaker
  • Wayne Escoffery New York City
  • Bebê Kramer Tango
  • Stephen Kurczy The King's College Faculty
  • Jonathan Griffin BBC
  • Rob Garland Jazz/Rock
  • Ivan Huol Percussion
  • Asali Solomon Writer
  • Anoushka Shankar Composer
  • Armen Donelian Composer
  • Laura Cole R&B
  • Avishai Cohen אבישי כה Record Label Owner
  • Alicia Svigals Klezmer Fiddle
  • Warren Wolf Singer
  • Max ZT Dulcimer Instruction
  • Karla Vasquez Cooking Classes
  • MonoNeon Microtonal
  • Gabi Guedes Brazil
  • Richard Galliano Jazz
  • David Castillo Trumpet
  • João do Boi Brazil
  • Philip Glass Piano
  • Eliane Elias São Paulo
  • Ivan Neville R&B
  • Jorge Glem New York City
  • Keyon Harrold Singer
  • Jericho Brown Poet
  • Tom Bergeron Brazilian Jazz
  • Jonathan Scales Composer
  • Walter Pinheiro Choro
  • Liron Meyuhas Composer
  • Tommy Orange Native American Literature
  • Juçara Marçal Brazil
  • Cláudio Jorge Brazil
  • Giba Gonçalves Bahia
  • Maia Sharp Guitar
  • Nancy Viégas Produtora Áudiovisual/Audiovisual Producer
  • Danilo Caymmi Samba
  • Bill Frisell Americana
  • Weedie Braimah Djembefola
  • Catherine Russell Jazz
  • Seth Swingle Kora
  • Yvette Holzwarth Contemporary Classical Music
  • Nação Zumbi Pernambuco
  • Luis Perdomo Composer
  • J. Velloso Record Producer
  • Magda Giannikou New York City
  • Mark Bingham Record Producer
  • Luíz Paixão Ciranda
  • Paulo Paulelli São Paulo
  • Cássio Nobre Chula
  • Seckou Keita Multi-Cultural
  • Kyle Poole New York City
  • Leyla McCalla Folk & Traditional
  • Jon Batiste Classical Music
  • Wadada Leo Smith Trumpet
  • Jessie Reyez Canada
  • Jeff Preiss Director
  • Michael Olatuja New York City
  • Anders Osborne Blues
  • Mônica Salmaso São Paulo
  • Ricky (Dirty Red) Gordon Washboard
  • Bisa Butler Black American Culture & History
  • Rumaan Alam Novelist
  • Weedie Braimah Folk & Traditional
  • Huey Morgan Singer
  • Matt Garrison Brooklyn, NY
  • Saul Williams Rapper
  • Béco Dranoff New York City
  • Teresa Cristina Brazil
  • Lula Galvão Bossa Nova
  • Fantastic Negrito R&B
  • Towa Tei テイ・トウワ DJ
  • Richie Stearns Banjo
  • Gregory Tardy Composer
  • Jonga Cunha Salvador
  • Massimo Biolcati Brooklyn, NY
  • Yuja Wang Piano
  • Eric Coleman Cinematographer
  • Cale Glendening Cinematographer
  • Matt Glaser Author
  • Bukassa Kabengele Guitar
  • Myron Walden New York City
  • Utar Artun Microtonal
  • Parker Ighile Progressive Afro Pop
  • John McLaughlin Jazz
  • Michael Pipoquinha Composer
  • Arthur L.A. Buckner Drums
  • Ibrahim Maalouf Classical Music
  • Derrick Hodge Record Producer
  • Daymé Arocena Composer
  • Emmet Cohen Piano
  • Marcelinho Oliveira Salvador
  • Tutwiler Quilters Mississippi
  • Mário Santana Bahia
  • Leci Brandão Brazil
  • John Doyle Irish Traditional Music
  • Shez Raja London
  • Richard Rothstein Author
  • Yosvany Terry Percussion
  • Elio Villafranca Cuba
  • Tobias Meinhart Brooklyn, NY
  • 9Bach Folk-Based
  • Michael Pipoquinha Brazilian Jazz
  • João do Boi Samba de Roda
  • Eli Degibri אלי דג'יברי Tel Aviv
  • Luke Daniels Scottish Traditional Music
  • Margaret Renkl Nashville, Tennessee
  • Booker T. Jones R&B
  • Antônio Queiroz Bahia
  • Lucinda Williams Nashville, Tennessee
  • Brentano String Quartet Contemporary Classical Music
  • Roberta Sá MPB
  • Fernando César Educator
  • Nêgah Santos Percussion
  • Archie Shepp Jazz
  • Miles Okazaki University of Michigan Faculty
  • Joshue Ashby Afro-Panamanian
  • Ramita Navai Writer
  • Daru Jones Record Label Owner
  • Susana Baca Multi-Cultural

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share