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  • Augustin Hadelich

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Augustin Hadelich
  • City/Place: New York City
  • Country: United States
  • Hometown: Cecina, Italy

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Augustin Hadelich is one of the great violinists of our time. From Adès to Paganini, from Brahms to Bartók, he has mastered a wide-ranging and adventurous repertoire and is often referred to by colleagues as a "musician's musician.” Named Musical America’s 2018 "Instrumentalist of the Year", he is consistently cited around the world for his phenomenal technique, soulful approach, and insightful interpretations.

    Mr. Hadelich will appear with over 25 North American orchestras in the 2019/2020 season, including the symphony orchestras of Boston, Cleveland, New York, Montréal, Cincinnati, Pittsburgh, Minnesota, Houston, Oregon, Seattle, Toronto, and numerous others. International highlights of the 2019/2020 season include performances with the Philharmonia Orchestra (London), and the NDR Elbphilharmonie Orchestra (Hamburg), as well as engagements with the BBC Philharmonic, Danish National Symphony, Deutsche Oper Berlin, Finnish Radio Orchestra, Hong Kong Philharmonic, Oslo Philharmonic, WDR Radio Orchestra Cologne, and the Bavarian Radio Chamber Orchestra.

    In addition to every major orchestra in North America, worldwide Mr. Hadelich has appeared with the Bavarian Radio Orchestra, Royal Concertgebouw Orchestra, London Philharmonic, Munich Philharmonic, City of Birmingham Symphony, Belgian National Orchestra, Orchestre National de Lyon, Orquesta Nacional de España, Norwegian Radio Orchestra, Rotterdam Philharmonic, São Paulo Symphony, the radio orchestras of Frankfurt, Saarbrücken, Stuttgart, and Cologne, and the Academy of St. Martin in the Fields. Engagements in the Far East include the Hong Kong Philharmonic, Seoul Philharmonic, Singapore Symphony, NHK Symphony (Tokyo), and a tour with the New Zealand Symphony Orchestra. He has been Artist-in-Residence with the Bournemouth Symphony (UK), Fort Worth Symphony Orchestra, and the Netherlands Philharmonic Orchestra. He made his BBC Proms debut in 2016 and his Salzburg Festival debut in 2018.

    Mr. Hadelich has collaborated with such renowned conductors as Thomas Adès, Marin Alsop, Stefan Asbury, Herbert Blomstedt, Thomas Dausgaard, Stéphane Denève, Christoph von Dohnányi, Thierry Fischer, Alan Gilbert, Gustavo Gimeno, Hans Graf, Miguel Harth-Bedoya, Manfred Honeck, Jakub Hruša, Carlos Kalmar, Louis Langrée, Hannu Lintu, Cristian Macelaru, Klaus Mäkelä, Jun Märkl, Juanjo Mena, Ludovic Morlot, Andris Nelsons, Sakari Oramo, Andrés Orozco-Estrada, Peter Oundjian, Vasily Petrenko, Carlos Miguel Prieto, David Robertson, Donald Runnicles, Jukka-Pekka Saraste, Lahav Shani, John Storgårds, Leonard Slatkin, Yan Pascal Tortelier, Krzysztof Urbanski, Osmo Vänskä, Edo de Waart, and Jaap van Zweden, among others.

    Augustin Hadelich is the winner of a 2016 Grammy Award – “Best Classical Instrumental Solo” – for his recording of Dutilleux’s Violin Concerto, L’Arbre des songes, with the Seattle Symphony under Ludovic Morlot (Seattle Symphony MEDIA). Recently signed to Warner Classics, his first release on the label – Paganini’s 24 Caprices – was released in January 2018. One of Germany’s most prestigious newspapers, Süddeutsche Zeitung, wrote about this recording: “Anyone who masters these pieces so confidently has, so to speak, reached the regions of eternal snow: he has reached the top.” His second recording for Warner Classics, the Brahms and Ligeti concertos with the Norwegian Radio Orchestra under Miguel Harth-Bedoya, followed in April 2019. Other recent discs include live recordings of the violin concertos of Tchaikovsky and Lalo (Symphonie Espagnole) with the London Philharmonic Orchestra on the LPO label (2017), and a series of releases on the AVIE label including an album of violin concertos by Jean Sibelius and Thomas Adès (Concentric Paths), with Hannu Lintu conducting the Royal Liverpool Philharmonic Orchestra (2014), which was nominated for a Gramophone Award and listed by NPR as one of their Top 10 Classical CDs of that year.

    Born in Italy, the son of German parents, Augustin Hadelich is now an American citizen. He holds an Artist Diploma from The Juilliard School, where he was a student of Joel Smirnoff. After winning the Gold Medal at the 2006 International Violin Competition of Indianapolis, concerto and recital appearances on many of the world’s top stages quickly followed, including Carnegie Hall, Lincoln Center, Chicago’s Symphony Hall, the Kennedy Center, Wigmore Hall/London, and the Concertgebouw in Amsterdam. Other distinctions include an Avery Fisher Career Grant (2009); a Borletti-Buitoni Trust Fellowship in the UK (2011); the inaugural Warner Music Prize (2015); a Grammy Award (2016); as well as an honorary doctorate from the University of Exeter in the UK (2017).

    Augustin Hadelich plays the violin "Leduc, ex-Szeryng" by Giuseppe Guarneri del Gesù of 1744, generously loaned by a patron through the Tarisio Trust.

Contact Information

  • Email: [email protected]
  • Management/Booking: General Management:
    Patricia Handy
    Schmidt Artists International, Inc.
    21 West 74th Street, Suite 1C
    New York, NY 10023 U.S.A.
    Tel: +1 (212) 421-8500
    [email protected]
    www.schmidtart.com

    Europe, Far East
    Enrico Fischer
    Konzertdirektion Schmid
    Adalbertstraße 66, 10179 Berlin, Germany
    T +49 (0)30 / 5213702-26
    [email protected]

Media | Markets

  • ▶ Instagram: augustinhadelich
  • ▶ Website: http://augustinhadelich.com
  • ▶ YouTube Channel: http://www.youtube.com/user/augias84
  • ▶ YouTube Music: http://music.youtube.com/channel/UCeYs7XaN4doLc17PTDP5m8Q
  • ▶ Spotify: http://open.spotify.com/album/2zgGEs3g7b1f6sArCnMblF
  • ▶ Spotify 2: http://open.spotify.com/album/07aS2IC15MgQEafWXi10Lk
  • ▶ Spotify 3: http://open.spotify.com/album/01f6JErMcEbXQpAGlMhOk7
  • ▶ Spotify 4: http://open.spotify.com/album/4O2QP2y92aNyMaaFyzRVOe
  • ▶ Spotify 5: http://open.spotify.com/album/5942pqyLi2aUN0fOsKgco7
  • ▶ Spotify 6: http://open.spotify.com/album/6SHGJedSNsYRjJ6vGlzC1o
  • ▶ Article: http://www.newyorker.com/magazine/2018/04/09/augustin-hadelichs-bold-violin-explorations

Clips (more may be added)

  • Augustin Hadelich on Prokofiev's Violin Concerto No. 2
    By Augustin Hadelich
    331 views
  • Prokofiev Violin Sonata No. 2 - Augustin Hadelich, Charles Owen (Live)
    By Augustin Hadelich
    387 views
  • Augustin Hadelich plays Tchaikovsky Violin Concerto, last movement
    By Augustin Hadelich
    358 views
  • Brahms, Concierto para violín y orquesta - Orquesta Sinfónica de Minería
    By Augustin Hadelich
    419 views
  • Augustin Hadelich plays Ysaÿe Sonata no. 4 LIVE
    By Augustin Hadelich
    313 views
  • Augustin Hadelich - PAGANINI Caprice No. 24 (Live 2018)
    By Augustin Hadelich
    359 views
  • Augustin Hadelich and the 1744 Guarneri del Gesù "Leduc, Ex-Szeryng", loaned through Tarisio Trust
    By Augustin Hadelich
    552 views
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  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich on Prokofiev's Violin Concerto No. 2
    What does Prokofiev have in common with Harry Potter? Get the story from this week's violin soloist, Augustin Hadelich -- plus, hear him play excerpts from t...
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Prokofiev Violin Sonata No. 2 - Augustin Hadelich, Charles Owen (Live)
    Sergei Prokofiev - Sonata for violin and piano No. 2 D Major Op. 94a Augustin Hadelich, violin; Charles Owen, piano Filmed live in concert in Grünwald, Germa...
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich plays Tchaikovsky Violin Concerto, last movement
    From a live performance on August 16, 2019 at the Grand Teton Music Festival with the Grand Teton Festival Orchestra and Louis Langrée, conductor gtmf.org
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Brahms, Concierto para violín y orquesta - Orquesta Sinfónica de Minería
    Temporada de Verano 2019 Primer Programa Obra: Brahms Concierto para violín y orquesta en re mayor, Op. 77 Solista: Augustin Hadelich, violín Carlos Miguel P...
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich plays Ysaÿe Sonata no. 4 LIVE
    Eugène Ysaÿe - Sonata for solo violin no. 4 e minor, dedicated to Fritz Kreisler Filmed live in concert in Grünwald, Germany, on December 11 2018
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich - PAGANINI Caprice No. 24 (Live 2018)
    LIVE on November 23, 2018 in Helsinki, Finland Paganini: Capriccio No. 24 Augustin Hadelich, violin
    • March 4, 2020
  • Augustin Hadelich
    A video was posted re Augustin Hadelich:
    Augustin Hadelich and the 1744 Guarneri del Gesù "Leduc, Ex-Szeryng", loaned through Tarisio Trust
    One the finest and most valuable violins in the world, the ‘Leduc’ Guarneri ‘del Gesú’, has been given on extended loan to the German–American violinist Augu...
    • March 4, 2020
  • Augustin Hadelich
    A category was added to Augustin Hadelich:
    New York City
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Yo La Tengo Indie Rock
  • Jeff Spitzer-Resnick Radio Presenter
  • Igor Osypov Jazz
  • André Muato Rio de Janeiro
  • Lauren Martin Electronic Music
  • Academia de Música do Sertão Conceição do Coité
  • Joshua Redman Composer
  • Ronald Angelo Jackson Historian
  • Regina Carter Manhattan School of Music Faculty
  • Patty Kiss Guitarra Baiana
  • H.L. Thompson Brazilian Funk
  • Edil Pacheco Brazil
  • D.D. Jackson Television Scores
  • Ênio Bernardes Diretor Musical, Music Director
  • Vivien Schweitzer Opera
  • Maia Sharp NYU Steinhardt Faculty
  • Ricardo Markis Salvador
  • Imanuel Marcus Berlin
  • John Morrison Sample-Flipper
  • Ubiratan Marques Brasil, Brazil
  • Mario Ulloa Bahia
  • Rick Beato Multi-Instrumentalist
  • Casa da Mãe Brasil, Brazil
  • Alana Gabriela Cantora, Singer
  • Martín Sued Accordion
  • Abel Selaocoe Manchester
  • Ryan Keberle Piano
  • Gevorg Dabaghyan Armenia
  • Gian Correa Brazil
  • Joe Lovano Flute
  • Tatiana Campêlo Choreographer
  • James Gadson Blues
  • Richard Rothstein Historian
  • Rez Abbasi Guitar
  • Guga Stroeter Vibraphone
  • Luiz Santos Latin Jazz
  • Ivan Neville Multi-Instrumentalist
  • Maria Rita Rio de Janeiro
  • Yasmin Williams Multi-Cultural
  • Matt Ulery Jazz
  • Molly Jong-Fast Podcaster
  • Christopher Silver McGill University Faculty
  • Natan Drubi Samba
  • Rhiannon Giddens Americana
  • Joanna Majoko Singer-Songwriter
  • Gunter Axt Historiador, Historian
  • Negrizu Candomblé
  • Dan Moretti Saxophone
  • Oscar Peñas Jazz
  • Isaac Julien England
  • Thana Alexa Singer-Songwriter
  • Simon Brook Director
  • Ricardo Herz Forró
  • Roy Ayers Jazz, Funk, R&B, Soul, Hip-Hop
  • Del McCoury Country
  • Neo Muyanga Writer
  • Donald Vega Nicaragua
  • Giba Conceição Percussion
  • Sean Jones Trumpet
  • Lauren Martin New York City
  • Morten Lauridsen Composer
  • Dan Nimmer Jazz
  • Stefano Bollani Classical Music
  • João Luiz Brazilian Classical Guitar
  • Sérgio Pererê Belo Horizonte
  • Lenny Kravitz Designer
  • João Luiz Guitar
  • Zé Katimba Brazil
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Hélio Delmiro Jazz
  • Carwyn Ellis Multi-Instrumentalist
  • Nego Álvaro Percussion
  • Michel Camilo Classical Music
  • Wajahat Ali Essayist
  • Bongo Joe Records Record Shop
  • David Sacks Latin Jazz
  • Walmir Lima Bahia
  • Robert Glasper Piano
  • Tony Allen Africa
  • NIcholas Casey International Correspondent
  • Shankar Mahadevan Composer
  • Dexter Story Music Director
  • José James Jazz
  • Marc Cary Jazz
  • Massimo Biolcati Bass
  • Tommaso Zillio Guitar Instruction
  • Marvin Dunn Educator
  • Jurandir Santana Bahia
  • Germán Garmendia Record Producer
  • Tam-Ky France
  • Spok Frevo Orquestra Big Band
  • Joshue Ashby Timba
  • Marcelinho Oliveira Record Producer
  • Derek Sivers Entrepreneur
  • Flora Purim Singer-Songwriter
  • João Parahyba Songwriter
  • John Santos Record Producer
  • Taylor Eigsti New York City
  • Fred P DJ
  • Michael Peha Talent Management
  • Luiz Antônio Simas Escritor, Writer
  • Thiago Espírito Santo Guitarra, Guitar
  • Jimmy Duck Holmes Mississippi
  • Bernardo Aguiar Rio de Janeiro
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Nabihah Iqbal DJ
  • Ranky Tanky South Carolina
  • Aaron Goldberg Jazz
  • Cristiano Nogueira Travel Marketer
  • Nádia Taquary Brasil, Brazil
  • Oriente Lopez Cuba
  • François Zalacain Record Label Owner
  • Seu Regi de Itapuã Itapuã
  • Nic Hard DJ
  • Lucio Yanel Composer
  • Gilad Hekselman Israel
  • Liam Farrell 'Dr L' Senegal
  • Chief Xian aTunde Adjuah Record Producer
  • Itamar Borochov Israel
  • Seu Jorge Samba
  • Monk Boudreaux Percussion
  • Laura Beaubrun Lausanne, Switzerland
  • Barbara Paris Painter
  • Mark Bingham New Orleans
  • Yotam Silberstein Jazz
  • Brett Orrison Record Producer
  • Lizz Wright Jazz
  • Ukrainian Freedom Orchestra Класична музика, Classical Music
  • Asa Branca Samba de Roda
  • David Hoffman Documentary Filmmaker
  • Jau Salvador
  • Omar Hakim Composer
  • Django Bates Composer
  • Kimmo Pohjonen Composer
  • Diego Figueiredo Samba
  • Corey Harris Blues
  • James Gadson Funk
  • Brian Cross aka B+ Los Angeles, California
  • Kaia Kater Appalachian Music
  • D.D. Jackson Piano
  • Neo Muyanga Contemporary Classical Music
  • Jon Madof Jewish Music/Avant-Garde Jazz
  • James Martin Funk
  • Hermeto Pascoal Alagoas
  • Stomu Takeishi New York City
  • Gui Duvignau Contemporary Classical Music
  • Robb Royer Screenwriter
  • Luê Soares MPB
  • Matt Dievendorf Guitar
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Mary Halvorson Brooklyn, NY
  • Spok Frevo Orquestra Frevo
  • Gerônimo Santana Brazil
  • Rowney Scott Jazz Brasileiro, Brazilian Jazz
  • Oriente Lopez La Habana, Havana
  • Dan Tepfer Piano
  • Towa Tei テイ・トウワ Japan
  • Eric Alexander Composer
  • Márcia Short Bahia
  • Samuel Organ Synthesizers
  • Cristovão Bastos Piano
  • Sammy Britt Artist
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • Priscila Castro Brasil, Brazil
  • André Becker Saxophone
  • Walter Ribeiro, Jr. MPB
  • Amit Chatterjee Vocalist
  • Dave Eggers Novelist
  • Chico César Paraíba
  • Afrocidade Rap
  • Shaun Martin Songwriter
  • Nabih Bulos Journalist
  • Adonis Rose Record Producer
  • Parker Ighile Multi-Cultural
  • Martín Sued Bandoneon
  • Monarco Singer-Songwriter
  • Theon Cross London
  • Luiz Antônio Simas Compositor, Composer
  • Lavinia Meijer Contemporary Classical Music
  • Fábio Peron Choro
  • Paolo Fresu Bologna, Italy
  • David Sánchez Jazz
  • João Callado Rio de Janeiro
  • Brandon Wilner DJ
  • James Martins Brasil, Brazil
  • Kiko Souza Samba
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